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Nikon SP in original black paint, early-ish serial number with the silk shutter curtains. Testing it out with a roll of expired Arista 400 (Tri-X) and my Nikkor S.C. 5cm f1.4.
After a few months, I can't get over how often I use this camera. Quirky? Yes. But so was the Leica M3 it reminds me so much of.
The menus are ... weird. And the focus can be aggravatingly slow and imprecise. But what the camera gets right makes it worth putting up with the niggling problems. One day they'll fix them. And when they do, I'll be waiting in line.
For a guy that spent a lot of time with rangefinders back in the day, the Fuji X100 is an absolute joy to use. I am headed to the UK for two weeks (family vacation) and this is all I am bringing. No external flash. Probably won't use the internal one either.
Taken ages ago but re-uploaded for a little article I'm putting together.
It took a bit of adjusting to get the shadows right and there was a fair bit of Gunge on the glass that needed some careful cloning....
HSS!
The Nikon F6 was released in 2004 and is still in production today. It is the most advanced film camera that Nikon ever produced and probably ever will produce. The technology of the F6 is similar to the F5, but in a smaller and lighter body. Within the limits of film, the operation of the F6 is very similar to that of modern Nikon digital SLRs, including color matrix exposure metering and support for VR lenses.
(DSC_5833fin3)
One of the wishes for 2012 is to avoid the global crisis.
Thank you for all commentaries and invitations.
AAAAAAAAAAAAAAAAAAAAAAAAAAAAA hôm nay đi ăn thì gặp 2 e Husky đẹp cựccccccccccc
đẹp hơn cả con ở Kim Mã cơ :((
trời ơi 2 con nó to vĩ đạiiiiiiiiiiii
chụp ảnh cùng thì cno' liếm hết người =))))
1 con màu xám 1 con màu nâuuuu
lông xù xù nhìn đẹp zai cựcccccc kìiiiiii í T__T
Sinh nhật bắt mẹ muaaaa :-x
ôm được 2 e mà bh vẫn chưa hết cuồng =)))))
hiiiiiiiiiiiiiiiiiiii :ppp
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thôi đi học Ma tốc độ đây =))))))))
dạo này chăm qá mức cần thiếtttt
mình đang lơ mơ lề mề gặp bà Ma tốc độ ở Đông thái choáng luôn @@
Comt điiiiiiiiii
1:12 dollhouse scale
The LMax is done by lilushop.etsy.com and well very beautiful as you can see.
Chair is from Reac Japan.
The table is from Elf Miniatures (she does great modern furniture and has some Reac Japan chairs for sale as well)
The book on top of the shelf is by bluekittyminiatures.etsy.com
I have tons of mini books that I got from Mercedes libertybiberty.blogspot.com/
And many minis are from Re-ment (the cutting board, drawers, pens, glass)
The big shelf is from dollhouse emporium
sorry i need to stop uploading photos of myself lol. but i'm only home briefly before i go out and hit the mall.
ok this is for another tag on what i am doing this weekend id ont know how much i'm have to list but i'll do 5? and I'm going to tag people.
1. Go to Chiles, love that place.
2. Finally do my photoshoot.
3. Go to work for 5hrs.
4. Maybe go see a movie.
5. Make a smoothie.
Not really a Pentax collector. Nothing wrong with them, just not my flavor. Couldn't pass up this example plus a 135mm f/2.5 Takumar lens, though.
DIY Lens mount conversion, results (see below for "how to")
Here is the completed Minolta 58mm f/1.2 modification mounted on my Sony Alpha DSLR. Originally the lens is for the Minolta MC mount, which can not adapted to the Minolta AF mount "passively", i.e. any adapter would need to have optical elements to maintain infinity focus (at the expense of image quality). I managed to replace the mount on the lens itself by substituting an M42 to Minolta AF adapter for the original mount. After readjusting focus on the lens, it now aligns perfectly with the original distance scale, all the way to infinity.
While I did this for the Sony/Minolta AF system, the guide to the modification (see below) applies to any current DSLR system for which you can get a suitable adapter, e.g. an M42 to Canon EOS or a glassless M42 Nikon adapter can be used.
The lens was chosen because there is no f/1.2 lens available for the Minolta AF mount and most other f/1.2 lenses available tend to be either extremely expensive, hard to find, and/or far inferior (e.g., the Tomioka 50mm f/1.2 for M42 is not very good in my opinion). This lens, on the other hand, cost me about €100 and has bokeh worthy of legends. It is not the sharpest of lenses wide open (still, quite decent), but it has very pleasant image characteristics and is a lot of fun to use.
I recently updated this modification by installing a microchip which identifies itself as a 60mm f/1.1 lens (closest setting available at the moment). The chip was kindly provided by James Lao, who makes custom chips and M42 to Minolta AF adapters. If you use an electric adapter for the mount, the exact same guide can be used, or you can later install the microchip on the adapter (as I did).
With electronics the focus confirmation and in-camera anti-shake both work with this beast. (Focus confirmation doesn't depend on reported focal length, and for anti-shake the slight difference doesn't really matter that much.) The in-camera anti-shake of Sony DSLRs makes this a low-light photography marvel.
See the pictures beginning from here for my complete writeup on doing the modification. This method can also be applied to some other lenses, and certainly for converting to camera mounts other than Minolta AF.
Konica Autoreflex T
Prod. 1968-70
Lens: Konica Hexanon AR 52mm F1.8
Shutter: 1-1/1000s, B
ISO 25-1600
Konica Autoreflex T3
Prod. 1973-75
Lens: Konica Hexanon AR 50mm F1.7
Shutter: 1-1/1000s, B
ISO 12-3200
The Konica Autoreflex T was the first camera with fully automatic exposure control and metering through-the-lens (TTL).
The Konica Autoflex T3 was an evolution and improvement of the Autoreflex T2 with multiple exposure provision and hot shoe connection for flash.
I saw this man sheltering from a bitter wind in a telephone box, several days after Christmas. He may have been homeless - I'm not quite sure - and I wondered how he had spent the "festive" period.