View allAll Photos Tagged electrifying
This is from just an hour ago looking over the bay near Fort Myers.
The one thing I can always count on when scouting out a good location for a lightning photo. Whenever i find a nice foreground, the lightning will always be in the other direction. The direction where the foreground sucks. This is looking the other direction.
RATP-dev London Sovereign BME27009 (LC71KUD) in South Harrow working an H9 Harrow-circular service to Northwick Park Hospital.
Electrified @ 2022, Dhekelia Power Station , Cyprus
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f/6.3 | 30 sec | ISO 640 | 29 mm
KASE K9 System
K100 Wolverine ND64 Square Filter
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Theme : Seascape Photography
Series : Blues And Sunsets
Location: Dhekelia Power Station, Cyprus
Website: etilavgis.com
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EOS 5D Mark II © 2015 Klaus Ficker. Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
Metroline OME2671 (YJ69DFL) at Camden Road prior to forming a trip on the London Overground rail replacement service R to Gunnersbury.
8.11.2021
Holcomb, Kansas
A strong thunderstorm sat stationary north of town producing a lot of cloud to ground lightning in the same general area.
I am currently in Singapore where I gave a Digital Blending workshop. I was lucky to capture this isolated thunderstorm from my hotel balcony.
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This gorgeous Crowned Crane, I captured at the Blijdorp Zoo last week...
I went together with my friends Janneke and Edgar...boy did we had fun!
--x--
I could not decide witch one...so I uploaded both shots !
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This was insane, i was alone on the beach whit a umbrella and lightning was all around, i was scare a little but finally i got the lighting in my camera!
Annie was screaming at me to come back, it was very close ( this is wide angle 16mm on fullframe ) but the picture worth it
Funny thing; this picture made explore on the 27 oct and 28 oct.... at #22
For those who want to see what gear i use to do this picture; www.flickr.com/photos/eldano/4270798910
Another from the collection of Moving Bikes from Cambridge adventure. At least with the panning I managed to stabilise the brake cables… that’s something, you know ;)
And because I decided that either you or I were likely to be getting rather bored with these I threw it into Topaz Studio at reduced opacity and then into Nik Color Efex…
Thank you for taking the time to look. I hope you enjoy the image. Happy 100x :)
Norfolk Southern train 36A was curving along the Port Road behind NS ES44DC 7520 east of Columbia.
Former PRR catenary poles still stand along this stretch although Conrail pulled the plug on electrification way back in 1979.
Fractals is a digital illustration makes vivid, visible energy coursing through body like electric currents.
#Fractals #Bird #Eagle #Hunter #India
summer night storm.
I took the picture on the roadside. In the driving rain, hidden under propped back door of my van. The blur are rain drops on the lens. I love the loopy path of the horizontal portion of this bolt.
I got chills, they're multiplying
And I'm losing control
'Cause the power you're supplying
It's electrifying ~ Grease
electrifying colours impressed me . image been taken from a different angle.
thanks for every one for views, faves, and comments.
playing around with an app :) I just grabbed a photo I had and played, I do like how this turned out :)
RATP-dev London Sovereign BME27009 (LC71KUD) in South Harrow working an H10 Harrow-circular service to Northwick Park Hospital.
Back in January, annual passes to the Shard's viewing gallery became available to 2,016 people at a price of £20.16. I was fortunate enough to obtain one, and since then have used the unlimited access to make repeated visits to the Shard's 69th and 72nd floors, photographing a variety of sunsets and nighttime views of the city as the seasons and weather gradually changed over the past six months.
While the Shard's promotional material proudly (and rightly) boasts about the spectacular 360-degree views its gallery offers, it glosses over the key challenges for photographers: no tripods are allowed, and the reflections in the reinforced glass are so intense that the view back into the gallery itself is often clearer than the view outside. This doesn't make shooting impossible, though. I've slowly gotten used to using my satchel and a few solid books to steady the camera, and when positioned correctly it's possible to dodge many of the reflections with the right focal length and crop.
This image was taken on a chilly February evening, when the skies were clear and visibility was exceptionally good. The favourable weather brought a significant crowd up to the viewing gallery, which helped to obscure the majority of the reflected lights from inside the viewing gallery and allowed me to capture a clear view north of the Shard, looking across the Thames towards the city's financial district and all of North London in the distance. I'm often amazed by the clarity and sharpness the D800 offers -- even through 12mm reinforced glass -- but when I began editing this image I discovered that it was possible to make out people standing at the counterpart viewing gallery at the top of the Walkie Talkie building across the river.
I used a high ISO to ensure the sharpest possible image while my camera was perched on my bag, but also to reduce the shutter time needed to capture several exposures of a low-light image before the people standing behind me had a chance to move away and reveal reflections in the glass. The final result is a blend of seven exposures via luminosity masking, with particular emphasis on preserving highlights in the buildings and bringing out the detail in shadowy streets below. It was important for me to retain as clean and noise-free a finish as possible, especially given the high ISO, so post-processing beyond this was kept to a minimum. I shifted towards a cooler finish using Colour Balance and Curves adjustments, then a applied a soft Gradient Map set to Soft Light and offset this with a Solid Colour adjustment set to Exclusion. This, along with a sparing amount of Dynamic Contrast in Colour Efex Pro, helped to bring out the shadow detail from the brighter exposures to just the right amount.
Besides the breathtaking view, I always marvel at the scale conveyed from this vantage point. The final crop for this image includes the tip of the Monument Building at the bottom left of the frame, where I've previously photographed the opposite view looking towards South London, as well as the spires of St Mary-at-Hill Church and Christ Church, Spitalfields; buildings which were towering giants in their day, now dwarfed by the immense size of the skyscrapers emerging around them. While there's much to be said for the claim that London's previous skyline is being wiped out by high-rise developments, it's also difficult to resist the vibrant energy and sheer spectacle of this labyrinthine view.
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