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Day 125, 2011
Darktable recently added a "lowlight vision" plugin that aims to simulate how our eyes respond in a variety of reduced light conditions. Some of the examples given seemed fairly startling, but little of what I've run through it seems to have worked as well. This is pretty abstract and lacks a focal point, but it does give a bit of the effect.
nikon d70s 18-70mm kit lense f4 light cube lit from above using sb600 flash using SC-28 SC28 TTL Sync Remote Cord set at 1/16 power mounted on manfroto cl55pro-b tripod and a speed light sb23 flash on a slave cell set on ttl lit from the side
"You may think, well, how are we going to get one billion
people to think peace?
Imagine peace.
Because if one billion people in the world think peace, we
will get peace.
Remember each one of us has the power to change the
world.
Power works in mysterious ways.
You don’t have to do much.
Visualize the domino effect and just start thinking peace.
The message will circulate faster than you think.
It’s time for action.
And the action is peace.
Spread the word.
Spread peace.
I love you!
-Yoko Ono, Excerpt from Statement for Imagine Peace
Exhibition at JEMA, Spring 2008.
Directions for Wish Peace:
WISH PIECE
Make a wish.
Write it down on a piece of paper.
Fold it and tie it around a branch of a wish tree.
Ask your friends to do the same.
Keep wishing
Until the branches are covered with wishes.
- Yoko Ono"
"John Erickson Museum of Art (JEMA)
presents Yoko Ono
Sean Miller
American, b. 1967
and
Yoko Ono
American, born Japan, 1933
Yoko Ono at JEMA
IMAGINE PEACE
2008-9
Multimedia
Collection of Sean Miller"
imaginepeace.com/archives/7817
Yoko Ono: IMAGINE PEACE at JEMA/Samuel P. Harn Museum of Art [Florida, USA]
JEMA travels IMAGINE PIECE to the Samuel P. Harn Museum of Art, in Gainesville, Florida
JEMA proudly announces Yoko Ono’s IMAGINE PEACE is reopened at JEMA and is currently on view at the Samuel P. Harn Museum of Art, in Gainesville, Florida [map]. Yoko Ono’s exhibition runs from From October 6 – January 3rd, 2009-10, and includes her text-based work IMAGINE PEACE (2007) as well as WISH PIECE (1996). Viewers are invited to attend JEMA’s new outdoor sculpture garden and contribute to one of Yoko Ono’s Wish Trees by writing wishes on provided pieces of paper and adding them to the branches of the tree. Viewers and participants will note the tree provided for the exhibition is somewhat diminutive in keeping with the scale of JEMA’s gallery spaces. JEMA consultants from the JEMA Annex were present to distribute pencils and paper for Wish Peace during the October 6th opening at the Harn Museum of Art. JEMA Annex Consultants included Charisse Calaquian, Leah Floyd, Ladis Pietros, Kelly Rogers, and Matthew Whitehead. In time, all wishes will be gathered by the Annex Consultants and sent to The IMAGINE PEACE TOWER on Videy Island, Reykjavik, Iceland.
Previously IMAGINE PIECE opened at JEMA in Belfast, Northern Ireland in April, 2008. The exhibition traveled from Golden Thread Gallery, Catalyst Arts, NVTV Studios, and briefly left Belfast to open in Glasgow at the Glasgow School of the Arts.
Yoko Ono writes:
Power works in mysterious ways.
You don’t have to do much.
Visualize the domino effect and just start thinking peace.
The message will circulate faster than you think.
It’s time for action.
And the action is peace.
Spread the word.
Spread peace.
I love you!
-Yoko Ono, Excerpt from Statement for Imagine Peace Exhibition at JEMA, Spring
2008.
See a little art at JEMA… More or less,
John Erickson Museum of Art
A Location Variable Museum
www.jema.us/ ("JOHN ERIKSON MUSEUM OF ART" homepage)
www.jema.us/pages/jemaintro.html
An image comes to mind of a white, ideal space that, more than any single picture,
may be the archetypal image of 20th-century art. And it clarifies itself through a process of historical inevitability usually attached to the art it contains.”
Brian O’Doherty, Inside the White Cube
Welcome to JEMA
Advancements in technology and new ideas in contemporary art are preparing the current visual art audience to witness radically new and diverse exhibition strategies. Ideas associated with Marcel Duchamp’s Boite-en-valise (1941), and Brian O’Doherty’s Inside the White Cube (1976), have (for decades) provided groundbreaking precedents from which to conceive and approach the display of art. Advancements in internet technology, digital imaging and critical insights related to site-specificity have further expanded possible innovations in art display tactics. As a result, today’s exhibition spaces may be planned, constructed, maintained, and enjoyed with unprecedented levels of affordability, efficiency, and creativity.
The John Erickson Museum of Art (JEMA) is an example of one possible method of developing an exciting new venue for artists and viewers. It also functions as a model for discussing innovative possibilities toward the development of vital yet affordable art centers. JEMA’s portable quality offers artists an exhibition space that encourages radical experimentation with a low financial overhead. This new museum space is founded on an unwavering belief concerning the quick, decisive and efficient delivering art to the viewing public. This type of activity is an important sign of a vital cultural institution. Many art museums require years to schedule exhibitions. Moving slowly – these institutions function with power and strength but remain bogged down by red tape and expensive exhibitions.
By moving with stealth and agility, JEMA carries out its functions in a portable and thrifty manner. JEMA’s design allows for a greater focus on exhibition planning and a stronger intercommunication between the institution, exhibiting artists, and you (the viewing public). JEMA brings the art to you!
Think JEMA…more or less.
Samuel P. Harn Museum of Art
SW 34th Street and Hull Road
Gainesville, Florida 32611-2700
PHONE 352.392.9826
ArtistApproach.net | @ArtistApproach | Facebook | Youtube
DO NOT USE MY PHOTOS FOR ANY REASON WITHOUT MY PERMISSION
Experiment with Harris Shutter Effect, which involves three exposures which each use one of the red, green, and blue color channels. Because Kermit wasn't moving, I handheld the camera and changed the focus point slightly between each image to give a little separation before combining them in Photoshop.
Taken at the Lakeside Rodeo. This was my first night rodeo, and I was afraid there wouldn't be enough light for good action shots. I set my ISO to 1600 and shot wide open. Some of my shots when the sky was completely dark and there were only the arena lights were at 1/45 of a second. There was quite a bit of blur to some of the shots, but I think it contributed to the sense of motion and action. Or maybe I'm just rationalizing.
If you enjoy rodeo images, please check out my Lakeside Rodeo set
'Butterfly Effect' is a fractal displaying several purple butterflies fluttering in the air generating insignificant currents powerful enough to influence hurricanes.
The butterfly effect is a phrase that encapsulates the more technical notion of the choas theory's sensitive dependence on initial conditions. Small variations of the initial condition of a dynamical system may produce large variations in the long term behavior of the system.
To learn more about the butterfly effect, go to: en.wikipedia.org/wiki/Butterfly_effect To learn more about the choas theory, go to: en.wikipedia.org/wiki/Chaos_theory
'Butterfly Effect' is a sister fractal to 'Ripple Effect'.
Fractal by Jennifer Bass Colucci. All Rights Reserved.
クリエイティブ・メーカー、NIGO®氏とのコラボレーション・レーベル、［EFFECTOR by NIGO®］のサードモデル。60'sの雰囲気を感じさせるビッグフェイスを現代流にアレンジ。8mmのアセテート生地を使用。
The third model from ［EFFECTOR by NIGO®］, a label established in collaboration with A BATHING APE® producer NIGO®. Characterized by the modern arrangement of a 60’s style frame. Cut from 8mm acetate sheet.