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Nº7.
Citroën Xsara Picasso phase I (1999).
Escala 1/43.
"Car Collection" - Ediciones Del Prado (España).
Año 2003 (2ª edición).
More info: perso.ya.com/gamas43/GAMAS43/Kiosco/CarCollection.htm
www.forum-auto.com/automobile-pratique/modelisme-modeles-...
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Citroën Xsara Picasso
From Wikipedia, the free encyclopedia
"The Citroën Xsara Picasso was a 5-door compact MPV produced by Citroën from 1999 to 2010.
The model was facelifted in 2004 with modifications to the front and rear design, changing from black bumpers to colour-matched paint with bright-inserts and painted sidestrips, known as Picasso 2.
From 2007 a new shape was introduced, known as C4 Picasso.
At the time of its release, two trim levels were available, LX and SX, with a choice of three four-cylinder engines; a 1.6 and 1.8 litre petrols, and a 2.0 Litre HDI diesel engine, all shared with the smaller Citroën Xsara.
A new 1.6 HDI diesel version with improved fuel efficiency was launched as part of the revised range in 2004.
Later designations were 'Desire', 'VTR', and the range-topping 'Exclusive' trim level, some with electric glass sunroof, was introduced to the UK market in late 2000.
On all models, the front seat-backs have fold-down tables, and the rear seats can be removed to create extensive internal space for transportation of bulky items similar to a small van."
(...)
"The Picasso name was licensed from the family of Pablo Picasso, which created significant international publicity at the time of the car's launch as not all the Picasso family were happy with the association of the artist's name with a car when his granddaughter Marina attempted to sue her uncle Claude in 1999.
Pablo Picasso was originally linked with Citroën in the 1960s when he painted a Citroën DS with "The wreaths of Peace".
(...)
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Citroën Xsara Picasso
Manufacturer
Citroën
Production
1999–2008 (France)
2000–present (Egypt)
2001–2012 (Brazil)
2000–2010 (United Kingdom)
1999–2012 (Spain)
2000–2010 (China)
Assembly
Vigo, Spain (Vigo PSA Factory)
Cairo, Egypt (AAV)
Porto Real, Brazil (Citroën Brazil)
Wuhan, China (DPCA)
Rennes, France (PSA Rennes Plant)
Nº 18.
BMW 850i (1989-1994).
Escala 1/43.
"Car Collection" - Ediciones Del Prado (España).
Año 1999.
More info:
www.foroescala43.net/phpBB3/viewtopic.php?f=16&t=469
www.sgurz.it/DieCast/In%20Edicola/Del%20Prado%20Car%20Col...
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BMW 8 Series (1989)
"(...) The BMW 850i presented at the 1989 International Motor Show in Frankfurt represented a demonstration of the Munich-based carmaker's development expertise, revealing not only a cutting-edge new design line but also an unparalleled array of technological details making their automotive debuts.
The design of the wedge-shaped body - headlined most strikingly by a long, swooping bonnet (housing retractable headlights), smooth lines, the absence of B-pillars and a steeply cut rear end - showcased the dynamics and grace of the new coupe with equal élan.
The BMW 850i, moreover, followed the BMW 750i luxury Sedan introduced two years earlier as the second post-war German car to be powered by a 12-cylinder engine.
The 5.0-litre unit developed 220 kW/300 hp and peak torque of 450 Newton metres (332 lb-ft) to propel the 1,790 kg 2+2-seater from 0 to 100 km/h (62 mph) in 6.8 seconds.
Channelling the engine's power to the rear wheels was either a six-speed manual gearbox specially developed for the BMW 850i or a four-speed automatic, while its pioneering integral rear axle with five-link suspension was celebrating its premiere in the luxury Coupe. Automatic Stability Control plus Traction (ASC+T), speed-sensitive power steering and the Electronic Damper Control (EDC) system introduced as an option in spring 1990 were among the other details that helped give the BMW 8 Series its distinctive identity as a driving machine.
The motoring press heralded the BMW 850i as a "coupe of velvet and silk" and the "perfect symbiosis of power and comfort". After its first road test in the car, German car magazine "auto, motor und sport" wrote: "BMW has given the 850i all the high-tech weaponry it needs to take top spot." And turning its attentions to the chassis technology of the BMW 8 Series, "Auto Bild" magazine commented: "It needs to be experienced to be believed, preferably through high-speed corners on the motorway: bumps, expansion joints - shocks that are sure to trigger sudden jolts of adrenaline in other cars - leave the 850i driver totally unruffled."
(...)
"A second version of the 12-cylinder engine was added to the range for model year 1993.
With displacement increased to 5.6 litres, the engine imbued the flagship BMW 850 CSi model with 280 kW/381 hp and peak torque of 550 Newton metres (406 lb-ft)."
(...)
"Autumn 1994 witnessed a changing of the guard under the bonnet: the BMW 850 Ci was now powered by a 5.4-litre V12 engine with 240 kW/326 hp,"
(...)
"The BMW 840 Ci joined the line-up in 1993. Its 4.0-litre V8 produced 210 kW/286 hp."
(...)
"A total of 30,621 examples of the BMW 8 Series were produced up to 1999."
(...)
Source: www.netcarshow.com/bmw/1989-8_series/
More info: betterparts.org/bmw/other/bmw-850.html
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BMW 850i
"This was the first model launched in 1990 with the 5 litre M70B50 V12 engine producing 300 PS (221 kW; 296 hp). It was available with either a 4-speed automatic or a 6-speed manual gearbox."
Model...................................... 850i
Years....................................... 1989–94
Engine code.......................... M70B50
Power ..................................... 220 kW (299 PS; 295 hp)
Torque .................................... 450 N·m (330 lb·ft)
Production ............................. 20,072 units
Assembly
Germany
Designer
Klaus Kapitza (1986)
Class
Grand tourer (S)
Body style
2-door coupé
Layout
FR layout
Versão especial (Edicione Speciale Brazil) somente duas no Brasil, cor azul fosca original de fábrica. com interior em alcântara e fibra de carbono, kit MC Sportline, controle de estágio de escape, muito linda.
Spanish postcard by Ediciones Este, no. 141, 1966.
Though born in America, Irish actor Patrick McGoohan (1928 - 2009) rose to become the number-one British TV star in the 1950's to 1960's era.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
Versão especial (Edicione Speciale Brazil) somente duas no Brasil, cor azul fosca original de fábrica. com interior em alcântara e fibra de carbono, kit MC Sportline, controle de estágio de escape, muito linda.
Versão especial (Edicione Speciale Brazil) somente duas no Brasil, cor azul fosca original de fábrica. com interior em alcântara e fibra de carbono, kit MC Sportline, controle de estágio de escape, muito linda.
Los Imaginantes Ediciones new book: LUPANAR de Greenwich, with Agnes Daroca illustrations and Ángel Petisme texts.
A new teamwork with Ductus Estudio (Choni Naudin): silver on red silk screen printing, screen printing gray on white silk satin and Japanese binding, 150 numbered.
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Nuevo libro de Los Imaginantes Ediciones: LUPANAR de Greenwich, con ilustraciones de Agnes Daroca y textos de Ángel Petisme.
Un nuevo trabajo de equipo con Ductus Estudio (Choni Naudín): serigrafía plata sobre seda roja, serigrafía gris sobre seda blanca, raso y encuadernación japonesa, 150 ejemplares numerados.
Leyendas de América. Año VIII número 86. Abril 1 de 1963. Editada por Novaro Ediciones Recreativas México. Capítulo: ! AQUI NO PASA NADIE !. LEYENDA PARAGUAYA. FFB
Bogotá MMX, 200 años después
La Silueta ediciones.
Fotografías:
Juan Felipe Rubio, Lucho Mariño, Alberto Sierra y Daniel Santiago Salguero
Pronto a la venta.
Los Imaginantes Ediciones new book: LUPANAR de Greenwich, with Agnes Daroca illustrations and Ángel Petisme texts.
A new teamwork with Ductus Estudio (Choni Naudin): silver on red silk screen printing, screen printing gray on white silk satin and Japanese binding, 150 numbered.
–––
Nuevo libro de Los Imaginantes Ediciones: LUPANAR de Greenwich, con ilustraciones de Agnes Daroca y textos de Ángel Petisme.
Un nuevo trabajo de equipo con Ductus Estudio (Choni Naudín): serigrafía plata sobre seda roja, serigrafía gris sobre seda blanca, raso y encuadernación japonesa, 150 ejemplares numerados.
pfta! estas ediciones las creia perdidisimas! ya tienen un buen tiempo, han de tener de menos año y medio cuando experimentaba con mis primeros hdr´s... la verdad es que les tengo mucho cariño, gracias Mau por el rescate!
damn! i tought this was lost material! this work was created like year and a half ago, when i first get into hdr´s... i really love this editions, thanks Mau for the rescue!
Spanish postcard by Édiciones Raker, Barcelona, no. 271. Photo: Dipenfa, S.A. Marisol in Tómbola / Lottery (Luis Lucia, 1962).
Marisol (1948) was a Spanish child star in the sixties. When she became an adult, she remained a popular actress and singer under her real name, Pepa Flores.
Maria Josefa Flores González was born in Málaga, Spain in 1948. She has an older sister, Victoria, and a younger brother, Enrique. She demonstrated a great love for singing and traditional flamenco dance from early on. Her future producer Manuel J. Goyanes discovered her on Spanish Television in the show Coros y Danzas de Málaga/Songs and Dances of Malaga in 1959. Her cinema debut as Marisol was in the musical Un rayo de luz/A Ray of Light (Luis Lucia, 1960). She became an international sensation, from Spain to Japan. She won the Best Child Actress award at the Venice Film Festival in 1960. In the following decade, she starred in a dozen musical comedy dramas. She also made records and did concerts and TV shows. The title song of her third film, Tómbola/Lottery (Luis Lucia, 1962), became a Spanish classic. Other of her film vehicles were Marisol rumbo a Río/Marisol Is Bound For Rio (Fernando Palacios, 1963), a Spanish variation on The Parent Trap with Marisol playing both the poor teenager from Madrid as well as her estranged sister in Rio De Janeiro, and La nueva Cenicienta/The New Cinderella (George Sherman, 1964) with Robert Conrad and Fernando Rey. Mel Ferrer directed her in Cabriola/Everyday Is A Holiday (1965) where she sang one of her most beautiful songs: Cabriola. The child star became a stunning beauty and in 1967 she starred as a grown-up opposite Jean-Claude Pascal in Las 4 bodas de Marisol/The Four Weddings of Marisol (Luis Lucia, 1967) as a film star with man trouble. She continued to make popular films, including Carola de día, Carola de noche/Carola during Day and Night (Jaime de Armiñán, 1969), a Spanish variation on Roman Holiday about a princess, who secretly goes out by night to find out how Spaniards live. That year she married Carlos Goyanes, the son of her discoverer.
Marisol started to appear in more serious films. She played the title character in the thriller La corrupción de Chris Miller/The Corruption of Chris Miller (Juan Antonio Bardem, 1973) opposite Jean Seberg. She also appeared in Bardem's (the uncle of awarded Spanish actor Javier Bardem) El poder del deseo/The Power of Desire (Juan Antonio Bardem, 1975) opposite British actor Murray Head and in Los días del pasado/The Days of the Past (Mario Camus, 1978) with flamenco dancer and choreographer Antonio Gades. She was awarded the Best Actress prize at the Karlovy Vary International Film Festival for her role in the latter film. In 1982 she married Antonio Gades in Cuba. The best man at their wedding was Fidel Castro. She acted with Gades in Bodas de sangre/Blood Wedding (Carlos Saura, 1981) based on Federico García Lorca's revenge play, and Carmen (Carlos Saura, 1983). She worked then under the name Pepa Flores. She appeared in the title role of the Spanish national television series Mariana Pineda in 1984, in which she played a Liberal Party hero. In 1985, when she was still at the height of her career, she left show business. Her last film was the political film Caso cerrado/Case Closed (Juan Caño Arecha, 1985) with the young Antonio Banderas in a small role. She returned to her homeland, Malaga. She received many invitations to return and requests for TV interviews, but she declined all of them. In 1986 she and Gades divorced. They have three daughters: Maria, Tamara, and Celia. Her daughter Maria Esteve is now a well-known actress in Spain, and her youngest daughter, Celia, is a pop flamenco singer. Pepa Flores still lives in Málaga with her partner Máximo Stecchiny and works as a humanitarian activist. Forty years after her retirement, she is 'un mito', a living myth in Spain. She was the subject of a TV miniseries, Marisol (Manuel Palacios, 2009). In the wake of the Me Too movement, the claims Marisol made to Francisco Umbral and Interviú in the late 1970s about the sexual abuse she underwent as a child star resurfaced in Spanish Vanity Fair in 2018.
Sources: Miguel A. Andrade (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Supermán. Año V número 84. Septiembre 15 de 1956. Editada por Novaro Ediciones Recreativas. Capítulos: AVENTURAS JUVENILES LA CIUDAD MAGICA. AQUAMAN LA INVASION DE LOS MARMEN. FLECHA VERDE EL JUEGO MAS PELIGROSO DEL MUNDO. LA FOTO DELATORA. CHAPO. CRUCIGRAMA. UN MICO EN MARTE. PETE. MULTICOSAS. BRUJITA. PIPIOLE. VIC. EL REGALO DE CUMPLEAÑOS. FFBB
Proyecto editorial invitado: TEOR/éTica | San José de Costa Rica
Foto: Daniela Morales
TEOR/éTica es un proyecto independiente y sin fines de lucro dedicado a la investigación y al fomento de prácticas artísticas en Centroamérica y en el Caribe. Nuestro programa de publicaciones está compuesto de una revista digital sobre el trabajo de TEOR/éTica, ediciones experimentales asociadas a programas educativos, compilaciones de textos clave sobre América Latina y una colección de escrituras de pensamiento crítico centroamericano y caribeño de las últimas cuatro décadas.
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TEOR/éTica is an independent, non-profit project dedicated to researching and supporting art practices in Central America and the Caribbean. Our publications program comprises a digital magazine on the work done at TEOR/éTica, experimental editions associated with educational programs, compilations of key texts on Latin America and a collection of texts involving critical thought over the past four decades from Central America and the Caribbean.
arteBA 2017
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arteBA Fundación permite la utilización en los medios de las imágenes subidas a su espacio en Flickr.
Agradeceremos que a modo de epígrafe de las mismas, se mencione: Gentileza arteBA Fundación.
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arteBA Fundación allows the reproduction of the photos uploaded in Flickr.
We appreciate if you credit them as Courtesy of arteBA Fundación.
www.librosyeditores.com/tiendalemoine/ciencias-sociales-y...
Editores y distribuidores.
Este ejemplar es un recorrido fotográfico por la Colombia festiva. Este viaje por los rincones de la felicidad colombiana, pintada de colores, llena de vallenatos y de flautas andinas, con rumores de cumbia, bambuco, mapalé y joropo; con sus silleteros, sus chivas, sus llaneros, sus indígenas Wayúu, sus nazarenos, sus jinetes, sus piloneras. Un bellísimo retrato de esa rica mezcla de estirpes que se dio y se sigue dando en nuestro territorio para formar el espíritu único del ser colombiano.
Se destacan las fotografías del emblemático Carnaval de Barranquilla, una de las manifestaciones artísticas más importantes del país, la cual porta, en el código genético de cada danza, comparsa, disfraz, cumbiamba, comedia o letanía, una realidad asociada a la propia vida. Un momento en que la ciudad entera se convierte en compendio vital del Caribe, con su exuberancia folclórica, sus historias palpitantes, y esa realidad mítica que ha sido resumida en la frase que más se pronuncia durante el Carnaval: “Quien lo vive es quien lo goza”.
www.librosyeditores.com/tiendalemoine/politica/465-democr...
Editores y distribuidores.
¿Cuál debería ser la mayor responsabilidad de los gobernantes? ¿Cuáles son los obstáculos de la democracia? ¿Cuáles son los prerrequisitos para la existencia de la democracia? ¿Cuáles son las variables en las que la democracia implica participación o representación de la sociedad? ¿Quiénes deben elegir a los gobernantes? ¿Qué legitima la democracia? ¿Cuáles son los mecanismos de participación ciudadana que conocen y consideran útiles? Preguntas que son el horizonte conceptual para entender de una manera pedagógica el libro Democracia y participación política. Divergencias entre la teoría y la práctica.
Esta investigación es un diagnóstico que permite descubrir las enfermedades que padece la democracia: la corrupción generalizada en las esferas del poder. Quienes gobiernan los Estados predican la transparencia, dan clases de ética, pero su desempeño y sus acciones están demostrando lo contrario en el mundo contemporáneo.
Batman. Año VII número 83. Noviembre 1 de 1960. Editada por Novaro Ediciones Recreativas México. Capítulos: EL BATMAN INTERPLANETARIO. PATACHIN. JORGITO. LUCAS. EL MILLON DE PESOS. EL ALCAIDE WILLIS. ROSA. EL NIÑO DE BATMAN. LUCRECIO. EL PINTOR. FFB
Sala Tolsá de expoventa de Libros de artista.
Hospicio Cabañas.
23 de febrero de 2014
Foto: Betsy Juárez Reyes.
Aquí ven la reseña del diario alemán SÜDDEUTSCHE ZEITUNG sobre la traducción alemana de un libro que originalmente fue editado en México por el editorial Ediciones Tecolote 2006:
El Libro Negro De Los Colores, por Menena Cottin y Rosana Faria
Das Schwarze Buch der Farben.
(La sinopsis que aparece en www.gandhi.com.mx :
Acostumbrados a percibir el mundo por medio de imágenes visuales, es muy difícil comprender cómo se puede vivir sin ver. Para entenderlo, la autora de este libro imagina la amistad entre dos niños, uno de los cuales, Tomás, es ciego. Su amigo nos cuenta cómo Tomás es capaz de oler, tocar, oír y saborear los colores, mientras él solamente los ve.
El libro, totalmente en negro para introducir al lector al mundo de los ciegos, incluye el texto impreso y en Braille, así como sugerentes ilustraciones en relieve para ser leídas y tocadas.
Ha sido distinguido con los premios:
BOLOGNA RAGAZZI AWARD 2007, CANIEM 2006, NACIONAL DE LAS ARTES GRÁFICAS 2006, BENNY 2006
y recibió mención en la celebración del
PREMIO INTERNACIONAL DEL LIBRO ILUSTRADO INFANTIL Y JUVENIL 2006, además de haber sido seleccionado por la SEP para su programa BIBLIOTECA DE AULA 2006. )
El editorial alemán Fischer trajo este libro a Alemania y lo tradujo.
Pueden ver que este libro también en Alemania encuentra reconocimiento alto.
Mosaíco creado con bighugelabs.com/flickr/
Kurzbeschreibung (bei Amazon) :
»Das schwarze Buch der Farben« ist ein außergewöhnliches, ein besonderes Bilderbuch. Die Farben werden auf der linken Seite mit einem Satz beschrieben: wie sie riechen, wie sie schmecken, wie sie sich anfühlen, z. B. Gelb ist so weich wie der Flaum von Küken. Der beschreibende Satz wird in Braille-Schrift wiederholt. Auf der rechten Seite sind die beschriebenen Dinge reliefartig abgedruckt und damit mit den Fingerspitzen erfühlbar. Ein Buch, das alle Sinne sensibilisiert und Kinder (und auch Erwachsene) erahnen lässt, was es heißt, blind zu sein.
Menena Cottin, geboren in Caracas, Venezuela, studierte Graphikdesign in Caracas und Kreatives Schreiben und Kinderbuchillustration und Trickfilmanimation in New York. Sie hat bereits zahlreiche Kinderbücher veröffentlicht und Filme gezeichnet. Rosana Faría, geboren in Caracas, Venezuela, hat Graphikdesign studiert und arbeitet sehr erfolgreich als Kinderbuchillustratorin.
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