Versão especial (Edicione Speciale Brazil) somente duas no Brasil, cor azul fosca original de fábrica. com interior em alcântara e fibra de carbono, kit MC Sportline, controle de estágio de escape, muito linda.

Spanish postcard by Ediciones Europacolor, no. 270. Collection: Marlene Pilaete.

Marlene Pilaete selected 40 postcards for EFSP with pictures of ladies who are related to the film world.

La Biblioteca Laurentina fue fundada como una gran biblioteca renacentista por el Rey Felipe II en el siglo XVI. Dicho espacio destaca por su riqueza de libros impresos antiguos, en especial de ediciones de los siglos XV y XVI, acogiendo en su interior hasta 40.000 volúmenes y 600 incunables.

Además, constituye uno de los principales exponentes del humanismo en España, pues personalidades como Juan Páez de Castro, Juan Bautista Cardona o Antonio Agustín, humanistas de gran talla, colaboraron con el monarca en su configuración. El Salón Principal o Salón de Frescos, el más célebre del complejo, dispone de unas librerías diseñadas por Juan de Herrera y retratos de personajes históricos, instrumentos matemáticos y científicos, mapas, esferas, astrolabios, reproducciones de fauna y flora, monetario y medallero.

La Biblioteca, además, cuenta con una gran colección de grabados, con más de 7.000 piezas de los mejores artistas europeos de la época, y de una rica elaboración de catálogos de las colecciones de manuscritos de distinta procedencia (castellanos, latinos, griegos, hebreos…). Cabe reseñar la labor de restauración de los códices más relevantes de la Biblioteca, así como: dibujos, partituras del Archivo de Música, obras del Archivo de Documentos y Auténticas (documentos que acreditan que la reliquia es original).

The Laurentian Library was founded as a grand Renaissance library by King Philip II in the 16th century. This space is renowned for its wealth of early printed books, especially editions from the 15th and 16th centuries, housing up to 40,000 volumes and 600 incunabula.

Furthermore, it is one of the leading examples of humanism in Spain, as prominent humanists such as Juan Páez de Castro, Juan Bautista Cardona, and Antonio Agustín collaborated with the monarch in its design. The Main Hall, or Hall of Frescoes, the most famous room in the complex, features bookshelves designed by Juan de Herrera and portraits of historical figures, mathematical and scientific instruments, maps, globes, astrolabes, reproductions of flora and fauna, coins, and a collection of medals.

The Library also boasts a large collection of engravings, with over 7,000 pieces by the finest European artists of the period, and extensive catalogs of manuscript collections from various origins (Castilian, Latin, Greek, Hebrew, etc.). Of particular note is the restoration work carried out on the Library's most important codices, as well as on drawings, musical scores from the Music Archive, works from the Document Archive, and Authentications (documents that certify the authenticity of relics).

Nº61.

Mazda RX-7 Third generation (1991-2002).

Escala 1/43.

"Car Collection" - Ediciones Del Prado (España).

Año 1999.

---------------------------------------------------------------------

Mazda RX-7

From Wikipedia, the free encyclopedia

"The Mazda RX-7 is a sports car produced by the Japanese automaker Mazda from 1978 to 2002.

The original RX-7 featured a 1,146 cc (69.9 cu in) twin-rotor Wankel rotary engine and a front-midship, rear-wheel drive layout.

The RX-7 replaced the RX-3, with both models sold in Japan as the Mazda Savanna.

The original RX-7 was a sports car with pop-up headlamps. The compact and lightweight Wankel rotary engine is situated slightly behind the front axle, a configuration marketed by Mazda as "front mid-engine". It was offered as a two-seat coupé, with optional "occasional" rear seats in Japan, Australia, the United States, and other parts of the world. The rear seats were initially marketed as a dealer-installed option for the North American markets.

The RX-7 made Car and Driver magazine's Ten Best list five times. 811,634 RX-7s were produced.

The RX-7 has become notable through pop culture such as The Fast and the Furious series, Initial D, Need for Speed, Wangan Midnight, Forza Motorsport and Gran Turismo."

----------------------------------------------------------------

- First Generation (SA22C/FB)

( Production 1978–1985 / 471,018 produced )

. Series 1 (1978–1980)

. Series 2 (1981–1983)

. Series 3 (1984–1985)

------------------------------------------------------------------

- Second generation (FC)

( Production 1985 - 1991 / 272,027 produced )

. Series 4 (1985–1988)

. Series 5 (1989 - 1991)

-------------------------------------------------------------------

- Third generation (FD)

( Production 1991–2002 / 68,589 produced )

. Series 6 (1991–1995)

" was exported throughout the world and had the highest sales. In Japan, Mazda sold the RX-7 through its ɛ̃fini brand as the ɛ̃fini RX-7. Models in Japan included the Type R, the lightweight sports model Type RZ, the Type RB, the A-spec and the Touring X, which came with a four-speed automatic transmission. Only the 1993–1995 model years were sold in the U.S. and Canada. Series 6 came with 255 PS (188 kW; 252 hp) and 294 N·m (217 lb·ft)."

. Series 7 (1996–1998)

"included minor changes to the car. Updates included a simplified vacuum routing manifold and a 16-bit ECU which combined with an improved intake system netted an extra 10 PS (7 kW). This additional horsepower was only available on manual transmission cars as the increase in power was only seen above 7000rpm, which was the redline for automatic transmission equipped cars. The rear spoiler and tail lights were also redesigned. The Type RZ model was now equipped with larger brake rotors as well as 17 inch BBS wheels. In Japan, the Series 7 RX-7 was marketed under the Mazda and ɛ̃fini brand name. The Series 7 was also sold in Australia, New Zealand and the UK. Series 7 RX-7s were produced only in right-hand-drive configuration."

. Series 8 (January 1999– August 2002)

"was the final series, and was only available in the Japanese market. More efficient turbochargers were available on certain models, while improved intercooling and radiator cooling was made possible by a redesigned front fascia with larger openings. The seats, steering wheel, and instrument cluster were all changed. The rear spoiler was modified and gained adjustability on certain models. Three horsepower levels are available: 255ps for automatic transmission equipped cars, 265ps for the Type RB, and 280ps available on the top-of-the-line sporting models."

(...)

Mazda RX-7 Third generation (FD)

Also called

ɛ̃fini RX-7

Production

1991–2002

68,589 produced

Designer

Yoichi Sato (1988)

Engine

1.3L Twin turbo 255 PS (188 kW; 252 hp) 13B-REW

1.3L Twin turbo 265 PS (195 kW; 261 hp) 13B-REW

1.3L Twin turbo 280 PS (206 kW; 276 hp) 13B-REW

Transmission

4-speed automatic

5-speed manual

Successor

Mazda RX-8

Source: en.wikipedia.org/wiki/Mazda_RX-7

Colaboración para Abrazo Ediciones.

Editada por Sombras Ediciones (1984).

Editorial de Ediciones Selectas (Buenos Aires) - 1961

Serie: Ediciones selectas

Título original: The Venus of Konpara

Nº46.

Jeep Grand Cherokee 4.0 litre First generation (1993-1998).

Escala 1/43.

"Car Collection" - Ediciones Del Prado (España).

Año 1999.

------------------------------------------------------------------------------

Jeep Grand Cherokee

From Wikipedia, the free encyclopedia

"The Jeep Grand Cherokee is a mid-size SUV produced by the American manufacturer Jeep. While some other SUVs were manufactured with body-on-frame construction, the Jeep Grand Cherokee has always used a unibody chassis.

The Grand Cherokee's origins date back to 1983 when American Motors Corporation (AMC) was designing a successor to the smaller Jeep Cherokee (XJ).

Three outside (non-AMC) designers—Larry Shinoda, Alain Clenet, and Giorgetto Giugiaro—were also under contract with AMC to create and build a clay model of the Cherokee XJ replacement, then known as the "XJC" project.

However, the basic design for the Cherokee's replacement was well under way by AMC's in-house designers and the 1989 Jeep Concept 1 show car foretold the basic design."

(...)

"The Grand Cherokee debuted in grand fashion at the 1992 North American International Auto Show in Detroit, Michigan."

--------------------------------------------------

- First generation (ZJ) (1993–1998)

"The original Grand Cherokee was launched in 1992 as a 1993 model year vehicle in the luxury SUV segment.

The "ZJ" models, manufactured from 1992 to 1999, originally came in three trim levels: base (also known as SE), Laredo, and Limited, subsequent trims were added, included Orvis (95–99), TSI (97–99).

The base model included features such as full instrumentation, cloth interior, and a standard five-speed manual transmission, while gaining the moniker "SE" name for the 1994 model year. Power windows and locks were not standard equipment on the base trim. The minimal price tag differential resulted in low consumer demand, and as a result, the low-line model was eventually discontinued."

Jeep Grand Cherokee (ZJ)

Manufacturer

Jeep (Chrysler)

Also called

Jeep Grand Wagoneer (1993)

Production

January 1992–1998

Model years

1993–1998

Assembly

Detroit, Michigan, United States

Graz, Austria (Magna Steyr)

Córdoba, Argentina

Valencia, Venezuela (Carabobo Assembly)

Years ................Engine

1993–1995 .........4.0 L Straight-6

1996–1998..........4.0 L Straight-6

1993–1994..........5.2 L V8

1995–1998..........5.2 L V8

1995–1998..........2.5 L TURBO DIESEL

---------1998..........5.9 L V8

--------------------------------------------------------

- Second generation (WJ) (1999–2004)

"The redesigned WJ 1999 Grand Cherokee shared just 127 parts with its predecessor (mostly fasteners). The European model was coded WG. The spare tire was relocated from the side of the cargo compartment to under the floor. (Like the 1998 ZJ, the rear tailgate glass opened separately.)

The two heavy pushrod V8 engines were replaced by Chrysler's then-new PowerTech. The new V8 engine produced less torque than the old pushrods, but was lighter, offered better fuel economy, and provided similar on road performance figures (the 23-gallon fuel tank was replaced with one of a 20.5-gallon capacity).

The straight-six engine was also updated in 1999. A redesign of the intake manifold added 10 horsepower (7.5 kW)."

(...)

Sources:

en.wikipedia.org/wiki/Jeep_Grand_Cherokee

en.wikipedia.org/wiki/Jeep_Grand_Cherokee_(ZJ)

#291en explore :) 30/07/07 thanks all :)

sin ediciones de ningun tipo, recortes, ni nada

saludos :)

Ediciones Toray

Probando nuevas ediciones con fotos antiguas :)

Retratos para guia de lugares imaginados, Tomo 5 Peumancura, Oik Ediciones

Burgos. Arco de Santa María.

Ediciones García Garrabella.

Nº61.

Mazda RX-7 Third generation (1991-2002).

Escala 1/43.

"Car Collection" - Ediciones Del Prado (España).

Año 1999.

---------------------------------------------------------------------

Mazda RX-7

From Wikipedia, the free encyclopedia

"The Mazda RX-7 is a sports car produced by the Japanese automaker Mazda from 1978 to 2002.

The original RX-7 featured a 1,146 cc (69.9 cu in) twin-rotor Wankel rotary engine and a front-midship, rear-wheel drive layout.

The RX-7 replaced the RX-3, with both models sold in Japan as the Mazda Savanna.

The original RX-7 was a sports car with pop-up headlamps. The compact and lightweight Wankel rotary engine is situated slightly behind the front axle, a configuration marketed by Mazda as "front mid-engine". It was offered as a two-seat coupé, with optional "occasional" rear seats in Japan, Australia, the United States, and other parts of the world. The rear seats were initially marketed as a dealer-installed option for the North American markets.

The RX-7 made Car and Driver magazine's Ten Best list five times. 811,634 RX-7s were produced.

The RX-7 has become notable through pop culture such as The Fast and the Furious series, Initial D, Need for Speed, Wangan Midnight, Forza Motorsport and Gran Turismo."

----------------------------------------------------------------

- First Generation (SA22C/FB)

( Production 1978–1985 / 471,018 produced )

. Series 1 (1978–1980)

. Series 2 (1981–1983)

. Series 3 (1984–1985)

------------------------------------------------------------------

- Second generation (FC)

( Production 1985 - 1991 / 272,027 produced )

. Series 4 (1985–1988)

. Series 5 (1989 - 1991)

-------------------------------------------------------------------

- Third generation (FD)

( Production 1991–2002 / 68,589 produced )

. Series 6 (1991–1995)

" was exported throughout the world and had the highest sales. In Japan, Mazda sold the RX-7 through its ɛ̃fini brand as the ɛ̃fini RX-7. Models in Japan included the Type R, the lightweight sports model Type RZ, the Type RB, the A-spec and the Touring X, which came with a four-speed automatic transmission. Only the 1993–1995 model years were sold in the U.S. and Canada. Series 6 came with 255 PS (188 kW; 252 hp) and 294 N·m (217 lb·ft)."

. Series 7 (1996–1998)

"included minor changes to the car. Updates included a simplified vacuum routing manifold and a 16-bit ECU which combined with an improved intake system netted an extra 10 PS (7 kW). This additional horsepower was only available on manual transmission cars as the increase in power was only seen above 7000rpm, which was the redline for automatic transmission equipped cars. The rear spoiler and tail lights were also redesigned. The Type RZ model was now equipped with larger brake rotors as well as 17 inch BBS wheels. In Japan, the Series 7 RX-7 was marketed under the Mazda and ɛ̃fini brand name. The Series 7 was also sold in Australia, New Zealand and the UK. Series 7 RX-7s were produced only in right-hand-drive configuration."

. Series 8 (January 1999– August 2002)

"was the final series, and was only available in the Japanese market. More efficient turbochargers were available on certain models, while improved intercooling and radiator cooling was made possible by a redesigned front fascia with larger openings. The seats, steering wheel, and instrument cluster were all changed. The rear spoiler was modified and gained adjustability on certain models. Three horsepower levels are available: 255ps for automatic transmission equipped cars, 265ps for the Type RB, and 280ps available on the top-of-the-line sporting models."

(...)

Mazda RX-7 Third generation (FD)

Also called

ɛ̃fini RX-7

Production

1991–2002

68,589 produced

Designer

Yoichi Sato (1988)

Engine

1.3L Twin turbo 255 PS (188 kW; 252 hp) 13B-REW

1.3L Twin turbo 265 PS (195 kW; 261 hp) 13B-REW

1.3L Twin turbo 280 PS (206 kW; 276 hp) 13B-REW

Transmission

4-speed automatic

5-speed manual

Successor

Mazda RX-8

Source: en.wikipedia.org/wiki/Mazda_RX-7

Cuentos de Misterio. Año II número 19. Abril 1 de 1957. Editada por Novaro Ediciones Recreativas. Capítulos: MARVILA EL MISTERIO DEL MILLON. MARVILA LA AMAZONA DESMEMORIADA. LAS FLORES EMBRUJADAS. LA CASA DE LOS SUEÑOS. FFBB

Ediciones "La Corona", 1976.

Spanish postcard by Ediciones JRB, no. 204/1. Juliette Gréco and Richard Todd in The Naked Earth (Vincent Sherman, 1958). Collection: Marlene Pilaete.

French actress and chanson singer Juliette Gréco (1927-2020) was the muse of the existentialists such as Jean-Paul Sartre. Later she became the protégée of film mogul Darryl F. Zanuck, who cast her in his films.

Richard Todd (1919–2009) was an Irish-born British stage and film actor and soldier. During the 1950s, he was one of Britain's biggest stars at the box office and also achieved some success in Hollywood.

And, please check out our blog European Film Star Postcards.

Ediciones Malinca (Buenos Aires) - 1957

Serie: Colección Nueva pandora #30

Título original: The snake walk

Spanish postcard by Ediciones JRB, no. 203/4. Photo: 20th Century Fox. Publicity still for The Young Lions (Edward Dmytryk, 1958).

Blonde, blue-eyed Swedish actress May Britt (1933) had a brief career as a film star in the 1950s, first in Italy and later in the United States. She retired from the screen after she married Sammy Davis, Jr. in 1960.

Maybritt Wilkens was born in 1933 (some sources mention 1934), in the Stockholm suburb of Lidingö, Sweden. Her father, Hugo Brigg-Wilkens, was a postal inspector; her mother was a housewife. Maybritt was only 18 and working as a photographer's assistant when she was discovered by two Italian filmmakers. Producer Carlo Ponti and director Mario Soldati were in Sweden to cast a young blonde woman for the title role in a new film. They came to the studio where she worked to view photographs of models. After meeting her, they offered her the part instead. May Britt, as she was renamed professionally, immediately moved to Rome. She made her film debut as the leading actress in the adventure film Jolanda la figlia del corsaro nero/Jolanda, the Daughter of the Black Corsair (Mario Soldati, 1952) with Renato Salvatori. In the following years, she worked in a dozen Cinecittà productions, including the 3-D opera adaptation Cavalleria rusticana/Fatal Desire (Carmine Gallone, 1953) with Anthony Quinn, Le infedeli/Unfaithful (Mario Monicelli, Steno, 1953) with Gina Lollobrigida, and La lupa/The She-Wolf (Alberto Lattuada, 1953). She also featured in international productions like the Eddie Constantine vehicle Ça va barder/Give 'em Hell (John Berry, 1955) and the epic Leo Tolstoy adaptation War and Peace (King Vidor, 1956) starring Audrey Hepburn, Mel Ferrer, and Henry Fonda.

In 1957, May Britt relocated to Hollywood after signing with 20th Century Fox. She starred in a few films, including the World War 2 drama The Young Lions (Edward Dmytryk, 1958) with Marlon Brando and the crime drama Murder, Inc. (Burt Balaban, Stuart Rosenberg, 1960) with Peter Falk. She also played the lead role in the remake of The Blue Angel (1959, Edward Dmytryk) co-starring Curd Jürgens. May Britt was first bombarded with adverse criticism for having the ‘audacity’ to step into the footsteps of Marlene Dietrich but her performance as Lola-Lola got pretty good reviews. A reviewer at IMDb even writes: “well made production with fine performances from Jurgens and May Britt, who shines as showgirl Lola Lola. Ms. Britt did a wonderful job recreating the old Dietrich role and in my opinion, was much better.” In 1959, after a brief marriage to actor and future horse-trainer Edwin Gregson (1958-1959), the 19-year old son of a Southern California real estate millionaire, she met Sammy Davis, Jr., the famous black entertainer. They began dating, and, after a brief engagement, were married in 1960. As one of the first interracial couples in Hollywood, Sammy and May were the targets of nasty jokes, vicious slurs, and death threats, but both survived the ordeal thanks to the strong and protective support of industry friends. 20th Century-Fox didn't renew her contract though. The studio refused to say if the action was a result of May Britt's plans to marry Sammy Davis Jr. A rumour or myth, John F. Kennedy and Robert F. Kennedy told Frank Sinatra to tell Sammy not to marry May until after the 1960 Presidential Election. At that time interracial marriage was forbidden by law in 31 U.S. states, and only in 1967 were those laws abolished by the U.S. Supreme Court. Prior to the wedding, Britt converted to Judaism. She and Davis had one daughter and adopted two sons, and May retired to take care of her children. They divorced in 1968 after Davis reportedly had an affair with dancer Lola Falana. In 1967 May Britt resumed working and did television guest appearances in TV series like Mission: Impossible (1969). May Britt made a long overdue comeback to the screen in the quirky little thriller Haunts (Herb Freed, 1977). Reviewer Cavett Binion of AllMovie calls it “a surprisingly original murder mystery with some well-executed twists” and “This seedy but fun horror film is buoyed by Britt's enjoyably loony performance”. Her last appearance was in an episode of the Sci-Fi TV series Probe (1988), created by veteran television writer Michael I. Wagner and Science-Fiction author Isaac Asimov. May Britt retired and since then she has mainly been involved in painting. In 1993 May Britt married Lennart Ringquist, who was the second husband of Penny Chenery, the owner of the horse Secretariat. Ringquist passed away in 2017.

Sources: Hal Erickson (AllMovie), Mattias Thuresson (IMDb), Cavett Binion (AllMovie), Glamour Girls of the Silver Screen, Wikipedia, and IMDb.

And, please check out our blog European Film Star Postcards.

Colección Nueva Pandora #3

Ediciones Malinca (Buenos Aires) - 1956

Título original: She walks by night

Madrid. Cúpula Ed. Metrópolis.

Ediciones Zap.

Malinca Pocket (Buenos Aires) - 1963

Serie: Malinca Pocket #4. Policial

Título original: The deep

Spanish postcard by Ediciones Barcicrom, Bergas, no. 504. Caption: Jane Santonini.

Follow us at Tumblr or Pinterest. Or take a look in our albums Va-Va-Va-Voom Vintage Pin-ups and Beautiful Bikini Beach Babes.

by Javi Godoy

Published by Ediciones Varano

javi-godoy.blogspot.com

Ferrocarril de Sóller

Automotor eléctrico AAB FHV 2

Ediciones: Comercial CAVI, Palma

Malko Linge #21

Ediciones Grijalbo (Barcelona) - 1979

Título original: Le bal de la comtesse Adler

Murcia - Museo de Salzillo

Nacimiento (detalle)

Ediciones Fisa

Ediciones Reservada (Buenos Aires) - 1964

Colección Sello #33

Burgos

Catedral. Ábside

Ediciones Arribas

Nuer Ediciones (Madrid, 2000).

Ediciones Istmo (Madrid, 1972).

Todos los Derechos Reservados © All rights reserved

PLEASE:

Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.

POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envíes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.

THANKS / Muchas gracias!!.

Cover and illustrations by CHACO.

Enciclopedia Pulga Nº203. Ediciones G.P. Barcelona

Ilustración realizada para Dosdearte Ediciones

dbjdv@hotmail.com

Spanish postcard by Ediciones Este, no. 181 T, 1967. Photo: publicity still for Mission: impossible (1966-1969).

On 15 July 2017, American character actor Martin Landau (1928-2017) died. In the 1960s, he was popular for his role as the agent and master of disguise Rollin Hand on the TV series Mission: Impossible (1966-1969) and in 1994, he won an Oscar for his portrayal of Bela Lugosi in Tim Burton's Ed Wood. He was 89.

Martin Landau was born in 1928 in Brooklyn, New York. His parents were Majer Joel (Morris) Landau and Selma Buchman. At age 17, Martin was hired by the New York Daily News as a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's Pitching Horseshoes column. He also worked for cartoonist Gus Edson on The Gumps comic strip. Landau's major ambition was to act, and in 1951, he made his stage debut in Detective Story in Peaks Island, Maine. He made his off-Broadway debut that year in First Love. Landau was one of 2000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955 - only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding into the New York City garage where he worked as a mechanic on the back of Dean's motorcycle. He acted during the mid-1950s in such television anthologies as Omnibus (1955). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's Uncle Vanya, a famous production that helped put off-Broadway on the New York theatrical map. In 1957, he made a well-received Broadway debut in the play Middle of the Night. As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He also guest-starred in such popular TV series as Maverick (1959), Sugarfoot (1958) and Rawhide (1959).

Martin Landau made his film debut in the war drama Pork Chop Hill (Lewis Milestone, 1959) with Gregory Peck. He scored in his second film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (Joseph L. Mankiewicz, 1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox. It engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Landau's memorable portrayal in the key role of Rufio was highly favoured by the audience and instantly catapulted his popularity. In 1963, Landau played memorable roles on two episodes of the science-fiction anthology series The Outer Limits (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. He originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, master impersonator Rollin Hand, was supposed to make occasional, though recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Rollin Hand was one of the specialists used by the Impossible Missions Force. Hand was described as a “man of a million faces”. Landau's characterisation was so well-received and so popular with the audience that he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star. Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-1969) while on the show, left the series, ostensibly to pursue film careers. The move actually held back their careers, and Mission: Impossible went on for another four years with other actors.

Martin Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (Norman Jewison, 1970), the less successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (George McCowan, 1972), playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for a proposed show, Savage (1973). Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975-1977). In Europe Landau also appeared in the Giallo Una Magnum Special per Tony Saitta/Shadows in an Empty Room (Alberto De Martino, 1976) with Stuart Whitman and John Saxon. Landau's and Bain's careers stalled after Space: 1999 went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (Peter Baldwin, 1981). It was the nadir of both their careers, and Bain's acting days, and their marriage, soon were over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies like The Being (Jackie Kong, 1983), a role far beneath his talent. His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of Dracula and went on the road with the national touring company. He also appeared in Raul Ruiz's Treasure Island (1985), a surrealistic modern-day riff on Robert Louis Stevenson's classic novel.Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (Philip Saville, 1990). However, the summit of his post-Mission: Impossible career was about to be scaled. He portrayed as the horror actor Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. Landau’s Lugosi is a tragicomic creation: his wife has left him, he is addicted to morphine and most of Hollywood thinks he is dead. For his performance, Landau won the Best Supporting Actor Oscar. He finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles. In the United Kingdom he appeared oppsoite Michael Caine in the thriller Shiner (John Irvin, 2000). He turned in a superb performance in a supporting role in The Majestic (Frank Darabont, 2001) opposite Jim Carrey. He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002). Excellent was also his part as an Auschwitz survivor in Remember (Atom Egoyan, 2015). Chris Wiegand in his obituary in the Guardian: "Landau’s own face was instantly recognisable, with its haunted eyes, wide mouth and furrowed brow; even when he broke into a smile, he could seem to be frowning." Martin Landau and Barbara Bain had two daughters, Susan Landau Finch and Juliet Landau.

Sources: Chris Wiegand (The Guardian), Jon C. Hopwood (IMDb), Wikipedia and IMDb.

Ediciones Este (Barcelona, 1964)

Text by Anna Dot

Photographs by Núria G. Gabriel

Published by Ediciones del Martes

edicionesdelmartes.bigcartel.com

by Julietta, Germán Carrascosa, Maite Caballero, Joana Mallol, Sergi Puyol, Olaf Ladousse (Messko Doorag), Abraham Díaz, Miguel Rojas, Andrés Magán, Emma Roulette, María El Problema, Carmen Segovia, Paadin, Mar Ordonez, Mikel Larrhotz, Burnbjoern, Manuela Buriel, Alexandra Gutnik, Javier Lozano, Marcos Jávega, Irkus M. Zeberio, Mirena Ossorno y Jordi Gegé.

published by Ediciones Populares and Limón Exprés

edicionespopulares.tumblr.com

printed in Maquina Total

www.maquinatotal.pro/

Barcelona 2018

Ediciones Laida, 1969

Nº33.

Chevrolet Camaro SS convertible (1969).

Escala 1/43.

"Car Collection" - Ediciones Del Prado (España).

Año 1999.

More info: perso.ya.com/gamas43/GAMAS43/Kiosco/CarCollection.htm

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Chevrolet Camaro

From Wikipedia, the free encyclopedia

"The Chevrolet Camaro is an automobile manufactured by Chevrolet, classified as a pony car and some versions also as a muscle car.

It went on sale on September 29, 1966, for the 1967 model year and was designed as a competing model to the Ford Mustang. The car shared its platform and major components with the Pontiac Firebird, also introduced for 1967.

Four distinct generations of the Camaro were developed before production ended in 2002. The nameplate was revived on a concept car that evolved into the fifth-generation Camaro; production started on March 16, 2009."

(...)

Source: en.wikipedia.org/wiki/Chevrolet_Camaro

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Chevrolet Camaro (first generation)

From Wikipedia, the free encyclopedia

"The first-generation Chevrolet Camaro appeared in Chevrolet dealerships in September 1966, for the 1967 model year on a brand-new rear-wheel drive GM F-body platform and would be available as a 2-door, 2+2 seat, coupe or convertible with a choice of six-cylinder and V8 powerplants. The first-gen Camaro would last up through the 1969 model year.

The Camaro's standard drivetrain was either a 230 cu in (3.8 L) straight-6 engine rated at 140 hp (104 kW) or a 327 cu in (5.4 L) (307 cu in (5.0 L) in later in 1969) V-8 engine, backed by a Saginaw three-speed manual transmission.

There were 8 (in 67), 10 (in 68), and 12 (in 69) different engines available in 67-69 Camaros. And there were several transmission options. A four-speed manual was optional, replacing the base three-speed. The two-speed "Powerglide" automatic transmission was a popular option in 1967 and 1968 until the three-speed "Turbo Hydra-Matic 350" automatic became available starting in 1969. The larger Turbo 400 three-speed automatic was an option on SS396 cars.

There were a plethora of other options available all three years, including three main packages:

- The RS [Rally Sport] was an appearance package that included hidden headlights, revised taillights with back-up lights under the rear bumper, RS badging, and exterior bright trim. It was available on any model.

- The SS [Super Sport] performance package consisted of a 350 or 396 cu in V8 engine and chassis upgrades for better handling and to deal with the additional power. The SS featured non-functional air inlets on the hood, special striping, and SS badging.

- The Z/28 performance package was designed (with further modifications) to compete in the SCCA Trans-Am series. It included a solid-lifter 302 V8, 4-speed transmission, power disc brakes, and two wide stripes down the hood and decklid.

Almost all of 1967-1969 Camaros were built in the two U.S. assembly plants: Norwood, Ohio and Van Nuys, California. There were also five non-U.S. Camaro assembly plants in countries that required local assembly and content. These plants were located in the Philippines, Belgium, Switzerland, Venezuela, and Peru."

1967

Production numbers:

RS:64,842

SS:34,411

Z28:602

Total:99,855

1968

Production numbers:

RS:40,977

SS:27,884

Z28:7,199

Total:76,060

1969

Production numbers:

RS:37,773

SS:34,932

Z28:20,302

Total:93,007

Source: en.wikipedia.org/wiki/Chevrolet_Camaro_(first_generation)

More info: nwcamaroconnection.tripod.com/id9.html

Mallorca,Spain.

Spanish postcard by Ediciones Este, no. 158, 1966. Photo: publicity still for Once a Thief (Ralph Nelson, 1965).

Ann-Margret (1941) is a Swedish-American actress, singer and dancer, with a career that spans five decades. Her trademarks are her breathless voice, strawberry blonde hair and voluptuous figure which lead to the nickname 'sex kitten'.

Ann-Margaret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. Ann-Margaret was discovered by George Burns and soon afterward got both a record deal at RCA. In 1961, her single I Just Don't Understand charted in the Top 20 of the Billboard Hot 100. That same year, she filmed a screen test at 20th Century Fox and was signed to a seven-year contract. She became a Top 10 Box Office star and teen idol with her roles in Bye Bye Birdie (George Sidney, 1963) and Viva Las Vegas (George Sidney, 1964) with Elvis Presley. As an actress, she is also known for her roles in The Cincinnati Kid (Norman Jewison, 1965) opposite Steve McQueen, Carnal Knowledge (Mike Nichols, 1971) with Jack Nicholson, and Tommy (Ken Russell, 1975), the rock opera film of the British rock band The Who. She has won five Golden Globe Awards and been nominated for two Academy Awards, two Grammy Awards, a Screen Actors Guild Award, and six Emmy Awards. A late career highlight for her was Grumpy Old Men (Donals Petrie1993) as the object of desire for Jack Lemmon and Walter Matthau. In 2010, she won her first Emmy Award for her guest appearance on Law & Order: Special Victims Unit (2010). She has been married to Roger Smith since 1967.

Source: Wikipedia and IMDb.

Exclusive manip de Ediciones ChmypImages no borrar marca de agua, Gracias.

www.facebook.com/JenniferLawrenceIsSoPerfect <-- like

Eulalia Galvarriato

Ediciones Orbis 1984

Foto de archivo... últimamente intento dar ediciones menos intensas, más reales... pero que a la vez sean agradables. No sé si resultan mejor o peor que las otras... pero iré variando, para no encasillarme jaja.

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Archive photo... I've been trying to give my later pictures a lesser editing intensity. I've tried to keep them more real... but at the same time I wanted to give them a little something. I don't know if they look better or worse than the others... but I will vary styles, so that I don't get stuck ha ha.

Burgos. Monumento al Cid Campeador

Ediciones Fisa

Ediciones VALICAR, Rosellón 294, Barcelona.

Spanish postcard by Ediciones Barcicrom, Bergas, no. 507. Caption: Luciana Sandra.

Hi everybody, we're off to Italy for a couple of weeks under the Italian sun and for a lot of film classics at Cinema Ritrovato in Bologna. We're back in two weeks. Arrivederci!

If you stay online: follow us at Tumblr or Pinterest. Or take a look in our albums Va-Va-Va-Voom Vintage Pin-ups and Beautiful Bikini Beach Babes.

pfta! estas ediciones las creia perdidisimas! ya tienen un buen tiempo, han de tener de menos año y medio cuando experimentaba con mis primeros hdr´s... la verdad es que les tengo mucho cariño, gracias Mau por el rescate!

damn! i tought this was lost material! this work was created like year and a half ago, when i first get into hdr´s... i really love this editions, thanks Mau for the rescue!