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Spanish postcard by Ediciones Tarjefher, no. 121. Photo: Vicente Ibanez. Collection: Marlène Pilaete.
The new La Collectionneuse post at our blog European Film Star Postcards is dedicated to Spanish photographer Vicente Ibanez. Check it out on 29 April 2024!
Acaba de salir mi nuevo libro de la mano de OQO editores!
En esta revisión del cuento de los hermanos Grimm los personajes toman todo el protagonismo para presentar una historia atemporal en la que la bruja no es tan bruja, el prÃncipe no es azul y la princesa tiene su propia voz.
Os invito a adentraros en la historia de Rapuncel!
pfta! estas ediciones las creia perdidisimas! ya tienen un buen tiempo, han de tener de menos año y medio cuando experimentaba con mis primeros hdr´s... la verdad es que les tengo mucho cariño, gracias Mau por el rescate!
damn! i tought this was lost material! this work was created like year and a half ago, when i first get into hdr´s... i really love this editions, thanks Mau for the rescue!
Versão especial (Edicione Speciale Brazil) somente duas no Brasil, cor azul fosca original de fábrica. com interior em alcântara e fibra de carbono, kit MC Sportline, controle de estágio de escape, muito linda.
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PLEASE:
Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.
POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envÃes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.
THANKS / Muchas gracias!!.
Todos los Derechos Reservados © All rights reserved
PLEASE:
Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.
POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envÃes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.
THANKS / Muchas gracias!!.
Todos los Derechos Reservados © All rights reserved
PLEASE:
Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.
POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envÃes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.
THANKS / Muchas gracias!!.
Madrid
source:
Ediciones La LibrerÃa (Publisher)
Calle Mayor, 80, 28013 Madrid, Spain
follow them on FB or better yet visit their store or their online store
Han salido a la venta estos libros de "Quatenus Ediciones"
Las ilustraciones de las tapas son mias.
Se pueden comprar online y en determinadas librerias de Madrid, los textos son impresionantes,
os los recomiendo absolutamente.
This books from "Quatenus Ediciones" are recently available at some libraries at Madrid, but is posible also to buy them online in the web.
The illustrations of the covers are mine. The text are amazing, but in spanish....
Spanish postcard by Ediciones Beascoa S.A., Barcelona, no. P 33. Image: Disney. Publicity still for The Jungle Book (Wolfgang Reitherman, 1967).
It was Walt Disney's lead story man and writer Bill Peet who first suggested making an animated version of Rudyard Kipling's 'Jungle Book'. In the film version, The Jungle Book (Wolfgang Reitherman, 1967), baby Mowgli is abandoned in the jungle after an accident. He is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realises he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently, taking the young Mowgli under his wing and teaching him that living in the jungle is the best life there is. Bagheera realises that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake, and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go to the nearby man-village and stay there.
The Jungle Book (Wolfgang Reitherman, 1967) was the 19th animated feature by the Disney studio, and the last to be personally supervised by Walt Disney himself. Disappointed by the muted reception to The Sword in the Stone (1963), Walt Disney was determined to come back with a universally well-regarded film. He told his animation crew to "throw away" Rudyard Kipling's book 'The Jungle Book' because the original concept storyboards were too dark and dramatic. During pre-production, Disney assigned animator Larry Clemmons to head story development on the project. He gave Clemmons a copy of 'The Jungle Book' and told him, "The first thing I want you to do is not read it." Terry Gilkyson had written a full score initially, but Walt Disney found it also too dark. At the last minute, he threw it away and asked the Sherman brothers to replace it with a more 'fun' score. However, 'Bare Necessities' stayed on at the insistence of others involved in the film and went on to be nominated for the Academy Award. The xerographic system, which had been used since 101 Dalmatiërs (1961), was further refined to combine both Xeroxed cels with hand-inked details. For example, while the basic animation on the village girl at the end of the film was with Xeroxed cels, her mouth was inked by hand. The backgrounds also moved back towards the more traditional look of earlier films. Ken Anderson storyboarded this scene, the final scene almost at the same time that Richard and Robert Sherman had finished 'My Own Home'. Everything that the Sherman brothers had envisioned while writing the song was up on the storyboards. They brought Anderson up to their office and played him the song and he immediately began to cry.
Source: IMDb.
And, please check out our blog European Film Star Postcards.
Todos los Derechos Reservados © All rights reserved
PLEASE:
Do not post animated gifs or pictures in your comments. Especially the "awards". No invitations to groups where one must comment and/or invite and/or give award and no group icon without any comment.
POR FAVOR: No pongas gifs animados, logos o premios (awards) en tu comentario. No me envÃes invitaciones a grupos donde exista la obligación de comentar o premiar fotos, ni a aquellos donde existe un comentario preformateado con el logo del grupo.
THANKS / Muchas gracias!!.
Ediciones Malinca (Buenos Aires) - 1959
Colección Nueva Pandora #50
TÃtulo original: They'll Die Laughing
Ediciones Grijalbo (Barcelona) - 1976
Serie: Edibolsillo paperback #54
TÃtulo original: The last testament of Lucky Luciano
arteBA . 2016 . 25!
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arteBA Fundación permite la utilización en los medios de las imágenes subidas a su espacio en Flickr.
Agradeceremos que a modo de epÃgrafe de las mismas, se mencione: Gentileza arteBA Fundación.
• Vick as Invincible [ Mark Greyson ]
Invincible
Image Comics // Aleta Ediciones
Foto & Edicion: Florencia Sofen
GalerÃa: GalerÃa Elba BenÃtez
Artista: Fernanda Fragateiro
TÃtulo: Paper Slice
Año: 2017
Técnica: Papel de libros de arte sobre contrachapado
Medidas: 10 x 30 x 0,2 cm
Ed.única
arteBA 2017
__________
arteBA Fundación permite la utilización en los medios de las imágenes subidas a su espacio en Flickr.
Agradeceremos que a modo de epÃgrafe de las mismas, se mencione: Gentileza arteBA Fundación.
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arteBA Fundación allows the reproduction of the photos uploaded in Flickr.
We appreciate if you credit them as Courtesy of arteBA Fundación.
Creado y editado por mi ( Ediciones ChmypImages ) no robes y si usas no quites el texto
Teatro Victoria Eugenia, Donostia, Guipúzcoa, España.
El Teatro Victoria Eugenia (en euskera Victoria Eugenia Antzokia) es un teatro situado en la ciudad de San Sebastián (España). Obra del arquitecto Francisco de Urcola, fue inaugurado en 1912. Ha sido escenario de importantes estrenos de zarzuela y de todas las ediciones del Festival Internacional de Cine de San Sebastián hasta 1999, en las que el teatro fue escenario de acontecimientos como los estrenos mundiales de las pelÃculas Vértigo y Con la muerte en los talones de Alfred Hitchcock. Entre los años 2001 y 2007 se llevó a cabo el más profundo proceso de reforma del teatro. A lo largo de su siglo de historia ha sido el epicentro de la vida cultural de la ciudad y se ha erigido en uno de los más activos e importantes teatros de España.
El Teatro Victoria Eugenia, de estilo neorrenacentista español y neoplateresco y cuya entrada principal está situada en el Paseo de la República Argentina, ocupa una superficie total de 2.400 m². Mientras que un gran número de edificios del siglo XIX en San Sebastián son de clara influencia francesa, el exterior del edificio está inspirado en el palacio de Monterrey de Salamanca.​ En la fachada principal hay cuatro bustos, correspondientes al Conde de Peñaflorida, Arriaga, Eslava, Gayarre, Gaztambide y Santesteban. Las fachadas del edificio son de piedra arenisca, material tÃpico de las construcciones de la época en la ciudad.
The Victoria Eugenia Theater (in Euskera Victoria Eugenia Antzokia) is a theater located in the city of San Sebastián (Spain). Work of the architect Francisco de Urcola, was inaugurated in 1912. It has been the scene of important releases of zarzuela and of all the editions of the San Sebastian International Film Festival until 1999, in which the theater was the scene of events such as the world premieres of the films Vertigo and With death on the heels of Alfred Hitchcock. Between 2001 and 2007 the deepest process of theater reform was carried out. Throughout its century of history it has been the epicenter of the cultural life of the city and has become one of the most active and important theaters in Spain.
The Victoria Eugenia Theater, of Neo-Renaissance Spanish and Neoplateresque style and whose main entrance is located on the Paseo de la República Argentina, occupies a total area of ​​2,400 m². While a large number of nineteenth-century buildings in San Sebastian are clearly influenced by France, the exterior of the building is inspired by the Monterrey Palace in Salamanca.On the main facade there are four busts, corresponding to the Count of Peñaflorida, Arriaga, Eslava, Gayarre, Gaztambide and Santesteban. The facades of the building are sandstone, typical material of the buildings of the time in the city.
Ediciones Malinca (Buenos Aires) - 1954
Serie: Colección Nueva Pandora #1
TÃtulo original: The long night
Ediciones Calypso (Buenos Aires) - 1963
Colección Apasionada #20
TÃtulo original: From the cabin to skyscraper
Spanish postcard by Ediciones Raker, Barcelona, no. 129. Photo: Warner Bros. Publicity still for Sergeant Rutledge (John Ford, 1960).
American actor Jeffrey Hunter (1926-1969) was the tall, blue-eyed, and impossibly good-looking heartthrob of many Hollywood films of the 1950s. During the 1960s, he also worked in European cinema.
Jeffrey Hunter was born Henry Herman McKinnies Jr. in 1926 in New Orleans, Louisiana, an only child. His parents met at the University of Arkansas, and when he was almost four his family moved to Milwaukee, Wisconsin. In his teens, he acted in productions of the North Shore Children's Theater, and from 1942 to 1944 performed in summer stock with the local Port Players, along with Eileen Heckart, Charlotte Rae, and Morton DaCosta, and was a radio actor at WTMJ, getting his first professional paycheck in 1945 for the wartime series Those Who Serve. After graduation from Whitefish Bay High School, where he was co-captain of the football team, he enlisted in the United States Navy and underwent training at Great Lakes Naval Station, Illinois, in 1945-1946. However, on the eve of his transfer to duty in Japan, he took ill and received a medical discharge from the service. Hunter attended and graduated from Northwestern University in Illinois with a bachelor's degree in 1949, where he acquired more stage experience in Sheridan's The Rivals and Ruth Gordon's Years Ago. He also did summer stock with Northwestern students at Eagles Mere, Pennsylvania in 1948, worked on two Northwestern Radio Playshop broadcasts, was president of Phi Delta Theta Fraternity, and was active in the campus film society with David Bradley, later acting in Bradley's production of Julius Caesar (1950). He went to graduate school at the University of California, Los Angeles, where he studied radio and drama. He was in the cast of a UCLA production of All My Sons in May 1950, and on opening night talent scouts for Paramount and 20th Century Fox in the audience zeroed in on the tall, blue-eyed, and impossibly good-looking Hunter.
Jeffrey Hunter made a screen test with Ed Begley in a scene from All My Sons at Paramount where he met Barbara Rush, his future wife. An executive shake-up at that studio derailed his hiring, but in 1950, 20th Century-Fox head Darryl F. Zanuck signed him to a contract and changed his name from Henry Herman McKinnies Jr to Jeffrey Hunter. He was almost immediately sent on location in New York for Fourteen Hours (Henry Hathaway, 1951) with Richard Basehart. Hunter was kept fairly busy in pictures, working his way from featured roles to starring roles to first billing within two years in the British film Single-Handed (Roy Boulting, 1953). His big break came with The Searchers (John Ford, 1956), where he played the young cowboy who accompanies John Wayne on his search for a child kidnapped by Comanches. Hunter got excellent reviews for his performance in this film and justifiably so, as he held his own well with the veteran Wayne. Starring roles in two more John Ford movies followed, and in 1960 Hunter had one of his best roles in Hell to Eternity (Phil Karlson, 1960), the true story of World War II hero Guy Gabaldon. That same year, Hunter landed the role for which he is probably best known (although it's far from his best work) when he played the Son of God in King of Kings (Nicholas Ray, 1961). After the cancellation of his Western series Temple Houston (1963) his career took a downturn. He was cast as Christopher Pike, captain of the USS Enterprise, in the original Star Trek pilot in 1964. However, when an undecided NBC requested a second pilot in early 1965, Hunter declined, having decided to concentrate on his film career, instead. He worked in Italy where he starred in Oro per i Cesari/Gold for the Caesars (André De Toth, Sabatino Ciuffini, 1963) and the Spaghetti Western Joe... cercati un posto per morire!/Find a Place to Die! ( Giuliano Carnimeo, 1968). In 1969, Hunter suffered a stroke (after just recovering from an earlier stroke), took a bad fall, and underwent emergency surgery, but died from complications of both the fall and the surgery.
Sources: Pedro Borges (IMDb) and IMDb.
And, please check out our blog European Film Star Postcards.
Colección Débora
Ediciones Malinca (Buenos Aires) - 1964
TÃtulo original: La mort prend l'ascenseur
Spanish card by Ediciones Raker, Barcelona, no. 194. Photo: 20th Century Fox. Publicity still for Judgment at Nuremberg (Stanley Kramer, 1961).
Today, Austrian-born Swiss actor Maximilian Schell has died. Schell (1930-2014), the brother of film star Maria Schell, won an Oscar for his role in Judgment at Nuremberg (1961). He was also a respected writer, director and producer of several films, for which he won many awards.
For more postcards, a bio and clips check out our blog European Film Star Postcards or follow us at Tumblr or Pinterest.
Probando distintas ediciones con mi última imagen llegue a esta, creo que me gusta mucho más y se parece más al concepto que tenÃa en mente desde un principio.
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Testing different editions with my last image. I think I like it more and it's more like the concept I had in mind from the beginning.
Esta es la nueva portada que van a llevar las nuevas ediciones de Tyrex en inglés, italiano y alemán que se van a publicar el próximo año 2013.
Spanish postcard by Ediciones Raker, Barcelona, no. 289. Photo: Sal Mineo in Escape from Zahrain (Ronald Neame, 1962).
American actor Sal Mineo (1939-1976) was a teen idol during the late 1950s. He shot to fame as Plato in the classic Rebel Without a Cause (1955) featuring James Dean. Diminutive and sad-eyed, his performance struck a chord with audiences as well as critics, earning him an Oscar nomination. He co-starred again with Dean in Giant (1956) and with Paul Newman in Somebody up There Likes Me (1956), and Exodus (1960).
Salvatore Mineo Jr. was born in 1939 in The Bronx, New York City. His parents were Josephine and Sal Sr. Mineo, a casket maker. They had emigrated to the U.S. from Sicily. His siblings were Michael, Victor, and Sarina Mineo, who would also work as actors. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighbourhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school. He soon appeared in the theatrical production 'The Rose Tattoo' with Maureen Stapleton and Eli Wallach and as the young prince in 'The King and I' with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (Joseph Pevney, 1955) with Tony Curtis. Later that same year, he played Plato, a sensitive teenager smitten with the main character, Jim Stark (James Dean), in Rebel Without a Cause (Nicholas Ray, 1955). He was nominated for the Oscar for Best Supporting Actor for his performance. Mineo received thousands of letters from young female fans and was mobbed by them at public appearances. He co-starred again with Dean in Giant (George Stevens, 1956) and with Paul Newman in Somebody up There Likes Me (Robert Wise, 1956). Many of his other roles were variations of his role in Rebel Without a Cause, and he was typecast as a troubled teen. In 1957, he tried to start a career as a rock-and-roll singer. He released two singles. The first was 'Start Movin' (In My Direction)', which stayed in the US top 40 for 13 weeks and reached the #9 position. The second was 'Lasting Love', which stayed on the charts for three weeks and reached #27. The singles were followed up by an album on the Epic label.
In 1959, Sal Mineo starred as the titular jazz drummer in The Gene Krupa Story (Don Weis, 1959), and a year later earned a Golden Globe and his second Oscar nomination for his role as Dov Landau, a Jewish Holocaust survivor, in Exodus (Otto Prerminger, 1960). Another box office hit was the war epic The Longest Day (Ken Annakin, Andrew Marton, Bernhard Wicki, 1962) in which he was one of the 42 stars. He played a paratrooper killed by a German after the landing in Sainte-Mère-Église. By then, Mineo was becoming too old to play the type of role that had made him famous, and his rumoured homosexuality led to his being considered inappropriate for leading roles. He had a long, on-and-off relationship with his young Exodus co-star Jill Haworth. She was 15 and he was 21 at the time. In 1972, he came out as bisexual in an interview. In 1969, expanding his repertoire, Mineo returned to the theatre to direct and star in the gay-themed prison drama 'Fortune and Men's Eyes' with successful runs in both New York and Los Angeles. He played Rocky, a prison bully who rapes the naive, blond prisoner Smitty, played by the young Don Johnson, pre-Miami Vice. On-screen he had roles as Red Shirt in the epic Western Cheyenne Autumn (John Ford, 1964) starring Richard Widmark, as Uriah in The Greatest Story Ever Told (George Stevens, 1965), and in his last film role as monkey Dr. Milo in Escape From the Planet of the Apes (Don Taylor, 1971). On television, he appeared with Henry Fonda in the Western Stranger on the Run (Don Siegel, 1967). In 1975 he returned to the stage in the San Francisco hit production of 'P.S. Your Cat Is Dead'. Preparing to open the play in Los Angeles with Keir Dullea, he returned home from rehearsal the evening of 12 February 1976 when he was attacked and stabbed to death by a stranger on the streets of West Hollywood. A drug-addled 17-year-old drifter named Lionel Ray Williams was arrested for the crime. He had no idea who Mineo was and was only interested in the money he had on him. After a trial in 1979, Williams was convicted and sentenced to life in prison for killing Mineo and for committing 10 robberies in the same area. He was paroled in 1990. Easygoing, extroverted Sal Mineo was only 37 years old when his life came to this tragic end. He was laid to rest near his brother Michael Mineo at Gate of Heaven Cemetery in Hawthorne, New York. At the time of his death, he was in a six-year relationship with male actor Courtney Burr III.
Source: Jason Ankeny (AllMovie), Anthony Wynn (IMDb), and IMDb.
And, please check out our blog European Film Star Postcards.