View allAll Photos Tagged drummachine
Jamie Smith (producer/beats) of The xx performing a free afternoon instore gig at Rise Records in Bristol
RAP meets AIRA. RAF Camora checkt die Roland AIRA Serie. Wir waren zu Gast in den Homeboy Studios in Düsseldorf im Rahmen der Hiphop.de Sendung Insider und begleiteten den Rapper und Produzenten RAF Camora und seinen Kollegen Joshimizu aus Österreich bei der Entstehung eines Rap Tracks. Einen ersten Video-Teaser vom Besuch gibt es hier: goo.gl/FEIhaO
Illustrations for my new book on building synthesizers, drum machines, audio effects and other weird instruments with the Axoloti platform.
You can buy the book on the Leanpub website: leanpub.com/getting-started-with-axoloti
RAP meets AIRA. RAF Camora checkt die Roland AIRA Serie. Wir waren zu Gast in den Homeboy Studios in Düsseldorf im Rahmen der Hiphop.de Sendung Insider und begleiteten den Rapper und Produzenten RAF Camora und seinen Kollegen Joshimizu aus Österreich bei der Entstehung eines Rap Tracks. Einen ersten Video-Teaser vom Besuch gibt es hier: goo.gl/FEIhaO
Me, my bose headphones, my drummachine (zoom RT-123), my book and pen while I compose
I’m gonna trade this life for fortune and fame
I’d even cut my hair and change my name
‘Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We’ll all stay skinny ’cause we just won’t eat
And we’ll hang out in the coolest bars
In the VIP with the movie stars
Every good gold digger’s
Gonna wind up there
Every Playboy bunny
With her bleach blond hair
Hey hey I wanna be a rockstar
Hey hey I wanna be a rockstar
Wurlitzer Sideman drum machine 1957, at the Cantos Foundation museum.
One of the first drum machines ever built, it used solder connections to register a beat.
en.wikipedia.org/wiki/Drum_machine
This one has been fixed up heavily over the years in order to remain functional. It plays a sweet bassonova beat.
Visited Cantos Foundation in February 2009 and took a lot of pictures and video.
S l o w l y uploading photos & videos.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541171-dont-you-...
on my keyboard stand right now:
microkorg
roland MS1
korg ER1 mkII
behringer XENYX
akai S20
roland MC50
not pictured & in/on the rack next to the stand: boss BR8, akai S2000, roland S330 w roland mouse and atari monitor, yamaha TG33
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541606-dont-you-...
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541016-dont-you-...
The good old drum machine ain't dead yet, and the SR18 as well as it's AKAI-branded cousin, the XR20, are great-sounding examples for this product category.
The SR18 has a deliciously "drum machine-artificial" sound to it and adds some substantial bass sounds to the mix.
Judging by the sounds as well as the preset names, the Alesis is targeted more at Rock and Pop, whereas the AKAI box dishes out modern and old-school HipHop and Urban grooves.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541251-dont-you-...