View allAll Photos Tagged drummachine
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541520-dont-you-...
(L) Teenage Engineering Pocket Operator PO-12 Rhythm (drum machine), and (R) Behringer GDI21 guitar pre-amp/DI pedal.
I'm still surprised by just how small the Pocket Operator is. It also feels sturdier than I expected a bare circuit-board to be, although I'll be taking the best care of it that I can...
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541606-dont-you-...
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541339-dont-you-...
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/studio/promote/74540942
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
A super rare drum machine called Lunavox. AFAIK it was made by Leif Aasen in Sandefjord, Norway. It is quite punchy and it has a preset rhythm called TEEN - so it is full of win.
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541420-dont-you-...
A chopped yamaha DD-7 with 18 bolts connected mainly to ic3, 6 body contact balls which play a synthy sound, & 7 switches for riches and glitches.
oh, & a backlit plexi panel with a pretty picture on it.
A super rare drum machine called Lunavox. AFAIK it was made by Leif Aasen in Sandefjord, Norway. It is quite punchy and it has a preset rhythm called TEEN - so it is full of win.
Roland 7X7-TR8 - Die neue Drum Machine Expansion für den TR-8 Rhythm Performer aus der AIRA Serie!
Ausführliche Infos auf unserer Webseite --->
www.rolandmusik.de/produkte/details/1341/895/
Zum Download im Roland Content Store:
This is the most adorable drum machine in, possibly, the entire world. The whole thing is about the size of a VHS tape, and it comes in a little silver case -- I just want to hug it!
It only has six sounds (Kick Drum, Snare Drum, Clap, Open Hat, Closed Hat, and Cymbal), and it's analog -- meaning the sounds are generated by circuits rather than sampled from actual drums. It sounds like this:
dink dink PSHT! dink dink PSHT!