View allAll Photos Tagged drummachine
(L) Teenage Engineering Pocket Operator PO-12 Rhythm (drum machine), and (R) Behringer GDI21 guitar pre-amp/DI pedal.
I'm still surprised by just how small the Pocket Operator is. It also feels sturdier than I expected a bare circuit-board to be, although I'll be taking the best care of it that I can...
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541420-dont-you-...
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541606-dont-you-...
Dieses Album ist gewidmet den frühen Werken von Jean Michel Jarre und wurde durch seine Art Klangeffekte einzusetzen und Kompositionen mit bis dato eher unbekannten Klangkonstrukten zu verflechten, inspiriert. HYDROLUX ist eine Hommage an die elektronische Musik der 70er im Stile des französischen Musikers Je...an Michel Jarre und meine tiefe Verbeugung. -Ava Felsenstein-
Wer Jean Michel Jarre's Werke in den 70/80er vergötterte, wird dieses Album mindestens mögen! Ganz im Stile des Meisters setzt Felsenstein Klang und musikalische Erzählkonstrukte ein, um ein Konzeptalbum zum Thema Licht & Wasser zu gestalten. Fette Phaser auf analogen Flächen, Synthie-Gezirpe im räumlichen Panorama von Ohr zu Ohr flitzend, typische Veteranen-Drumcomputer-Sequenzen und meilenbreite Klangteppiche bilden den Hintergrund für eine Fahrt durch eine Welt in der sich Licht und Wasser zur Lebensform vereinen. Aus 8 Parts besteht der Zyklus, alle verschmelzen direkt miteinander. Einzelauskopplungen der Parts sind nicht geplant, daher gibt es HYDROLUX nur als kompletten Album-Download. Zurücklehnen und die folgenden 45 Minuten in eine fremde Welt eintauchen...
This album is dedicated to the early works by Jean Michel Jarre and is mainly inspired by his way of applying soundeffects, also to melt compositions with "out of time and space" sound-constructions, never known in this way before. HYDROLUX is an hommage to the electronic music of the 70s in the style of the french musician Jean Michel Jarre and my deep bow. -Ava Felsenstein-
If you loved the early work of Jean Michel Jarre, at least you will like this album. Felsenstein uses sound and musical "storytelling" to show us a world of "liquid light". Fat phasersound on analogue pads, spatial synth-fx floating from ear to ear, typical 70s-drummachines-sequences and mileswide magic soundcarpets are background for a ride amongst a world where water and light becomes one. This album comes up with 8 parts, melting into each other. There is no plan to release the single parts seperately, so it's an "all-in-one"-album-download. Lean back for the next 45 minutes and dive into the world of Ava Felsenstein...
Youtube:
www.youtube.com/watch?v=eORNwZKVjak
Available Here:
rechtemanager.de/labelshop/candyrush-music/index.php?kuen...
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/people/x1brett/works/74541339-dont-you-...
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
You were workin' as a waitress in a cocktail bar
When I met you
I picked you out, I shook you up and turned you around
Turned you into someone new
Now five years later on you've got the world at your feet
Success has been so easy for you
But don't forget, it's me who put you where you are now
And I can put you back down too
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
I was working as a waitress in a cocktail bar
That much is true
But even then I knew I'd find a much better place
Either with or without you
The five years we have had have been such good times
I still love you
But now I think it's time I live my life on my own
I guess it's just what I must do
Don't, don't you want me?
You know I can't believe it when I hear that you won't see me
Don't, don't you want me?
You know I don't believe you when you say that you don't need me
It's much too late to find
You think you've changed your mind
You'd better change it back or we will both be sorry
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Don't you want me, baby?
Don't you want me, ohh?
Merchandise available: www.redbubble.com/studio/promote/74540942
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
A chopped yamaha DD-7 with 18 bolts connected mainly to ic3, 6 body contact balls which play a synthy sound, & 7 switches for riches and glitches.
oh, & a backlit plexi panel with a pretty picture on it.
A super rare drum machine called Lunavox. AFAIK it was made by Leif Aasen in Sandefjord, Norway. It is quite punchy and it has a preset rhythm called TEEN - so it is full of win.
This is the most adorable drum machine in, possibly, the entire world. The whole thing is about the size of a VHS tape, and it comes in a little silver case -- I just want to hug it!
It only has six sounds (Kick Drum, Snare Drum, Clap, Open Hat, Closed Hat, and Cymbal), and it's analog -- meaning the sounds are generated by circuits rather than sampled from actual drums. It sounds like this:
dink dink PSHT! dink dink PSHT!
Sonic robots by Moritz Simon Geist (DE) is a project dedicated to robotic music instruments and music hacking. MR-808 interactive is a robot installation featuring the oversized robotic drum machine “MR-808” - programmed live by the audience!
credit: Jürgen Lösel