View allAll Photos Tagged drummachine

Jericho Tavern

Oxford

1989

  

Oxford Gig photos 1989-90.

Includes Ride, Carter, the Shamen, Mega City Four

 

Neate photos facebook page.

More neate photos.

 

monitores de estudio marca JBL modelo 4206

partiendo de $110.000 el par

#AIRA - kunstvoll in Szene gesetzt. Details zu AIRA unter:

www.rolandmusik.de/produkte/kategorie/895

© Ludovic Macioszczyk

 

www.myspace.com/myciaa

 

La Fourmi, Limoges, France.

 

Canon AE-1 - 135 Fuji 1600 ISO

My MPC 4000 currently looking for a new home to make way for The Maschine...Sorry my old friend, the times they are a' changing....

mengqimusic.com

ciat-lonbarde.net

Working on new Twink tracks. Here are some things every good studio should have.

 

Now with studio assistant.

mengqimusic.com

ciat-lonbarde.net

Moving the studio for the first time in many, many years.

Photo: Nuno Alexandre // eosphoto.eu

vimeo.com/13014870

Participant of the International Festival CologneOFF VII (Germany, 2011)

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30th Romanian International Film Festival "Autumn in Voronet" (2010)

Diploma for

........................Director's Work

........................Camera Work

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Participant of Bang Shorts Film Festival (England, 2010)

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Kinavarka Film Festival (Belarus, 2010)

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Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)

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Directed by Alex DeBronhe

The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.

 

Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.

© Ludovic Macioszczyk

 

www.myspace.com/myciaa

 

La Fourmi, Limoges, France.

 

Canon AE-1 - 135 Fuji 1600 ISO

© Ludovic Macioszczyk

 

www.myspace.com/myciaa

 

La Fourmi, Limoges, France.

 

Canon AE-1 - 135 Fuji 1600 ISO

 

Custom Porsche Red Akai Mpc2000XL All red LEDs, Akai OS version 1.20, red pads, 8outs, EB 16 effects board, upgraded memory, cf card reader. 16squarez specializes in Custom MPC's, Pad Controllers, Midi keyboards, all types of Repairs, Parts and Sales. Special thanks to @rworldstudios for the photos. Feel free to Contact us for pricing.

Photo: Nuno Alexandre // eosphoto.eu

Das wird dein Sommer, oder besser: Der Soundtrack deines Sommers! Schaut bei unseren Paketen vorbei, die wir für euch mit attraktiven Goodies ausgestattet haben. Mit der Produkt-Registrierung bis zum 30. September kommen sie direkt zu euch.

 

Alles wichtige hier: www.rolandmusik.de/summer/

Polaroid Macro 5 SLR

The Impossible Project PZ600 Silver Shade Black Frame

You were workin' as a waitress in a cocktail bar

When I met you

I picked you out, I shook you up and turned you around

Turned you into someone new

Now five years later on you've got the world at your feet

Success has been so easy for you

But don't forget, it's me who put you where you are now

And I can put you back down too

 

Don't, don't you want me?

You know I can't believe it when I hear that you won't see me

Don't, don't you want me?

You know I don't believe you when you say that you don't need me

It's much too late to find

You think you've changed your mind

You'd better change it back or we will both be sorry

 

Don't you want me, baby?

Don't you want me, ohh?

Don't you want me, baby?

Don't you want me, ohh?

 

I was working as a waitress in a cocktail bar

That much is true

But even then I knew I'd find a much better place

Either with or without you

The five years we have had have been such good times

I still love you

But now I think it's time I live my life on my own

I guess it's just what I must do

 

Don't, don't you want me?

You know I can't believe it when I hear that you won't see me

Don't, don't you want me?

You know I don't believe you when you say that you don't need me

It's much too late to find

You think you've changed your mind

You'd better change it back or we will both be sorry

 

Don't you want me, baby?

Don't you want me, ohh?

Don't you want me, baby?

Don't you want me, ohh?

 

Don't you want me, baby?

Don't you want me, ohh?

Don't you want me, baby?

Don't you want me, ohh?

 

Merchandise available: www.redbubble.com/people/x1brett/works/74540745-dont-you-...

© Ludovic Macioszczyk

 

www.myspace.com/myciaa

 

La Fourmi, Limoges, France.

 

Canon AE-1 - 135 Fuji 1600 ISO

So now my co-workers and I can have hours of fun making unlistenable avant garde electronic noise.

Circuit Bent Rolant TR-505 With 50 Bends wired to 2 db25 cables and a built in 8 channel audio mixer.

I have a soft spot for these little gems, I sold my DR-110 & VIC-20 to buy the DR-220A (the toms did it for me - fantastic duration!) My freind had the 220E.

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