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Redrawing photos with a partially random particle system.
Made with Processing
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The first pisstake emo... but this time scanned... apologies if you know this drawing already..
Doodle from a sketchbook from a few months ago, old chaps
2007
Jacqueline, another beautiful and tall young woman, dances in a long and dramatic black dress, attempting to chase away the blues on a cold and cloudy October morning.
Crayola colored pencils, mechanical pencil, and ballpoint pens
Strathmore Bristol acid-free drawing paper
9 x 12
2014
LORD OF THE RINGS Ralph Bakshi Animation Drawing 1978
Original Animation Production Drawing from the 1978 Animated Feature Film LORD OF THE RINGS
Directed by Legendary Animator RALPH BAKSHI.
One piece of the artwork I did for the "Beware of the Vultures" skate deck series of New England's RAW skateboards. This drawing was also turned into a shirt.
A detailed view of the vehicle pictured here www.flickr.com/photos/marcomcginty/8526955270/in/photostream
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Finally got started on the comic, like I said I'm going to take my time. Decided to start off with Erikku just thinking, maybe a little depressed in the process. When suddenly Shuri calls Erikku.
Today’s sketch: Michael Jackson
I was sketching today while having lunch (and tons of coffee), and I decided to draw Michael Jackson in his final days. I was inspired by a fellow artist’s painting of MJ, and decided to do a basic sketch before a taking on a full-blown painting. My server, and fellow patrons of the restaurant, where entertained by it all, I’m happy to say.
I wanted to capture the real Michael Jackson, the sick and truthful portrait of a desperately lonely and distressed man in his final days, and not the glittering, smiling superstar of iconic status in dance-like façade.
This is why I drew the older Jackson—captured in a natural moment, and not posed; one that is near caricature but more straight-portrait—and one where we see him with his eye-wear.
It is a more truthful portrait.
Let me know if I should take this beyond a basic sketch to a full-blown painting. :}
Sketched on location on the south gardens at the Art Institute of Chicago on Sunday, September 14, 2014
Crayola colored pencils, mechanical pencil, graphite pencil, and ballpoint pens
Strathmore Bristol acid-free paper
9 x 12
2014
From the Concepts and Processes rotation of the Exploratory stage we were asked to create a map of everyone we knew and everywhere we had ever been, in the style of Medieval Mappa Mundi. Following some difficulty of where to start on a somewhat daunting brief, I simply started at the centre with 'Home' and working outwards in in illustrative almost doodle-like style. The finished piece took around 9 hours to complete and is probably my favourite piece of work of the year.
Brief: How does a visual maker react to their environment? In many ways all practitioners react to their environment just by being active. However some use their ‘circumstance’ and ‘location’ as raw subject matter producing a diverse range of outcomes from the intimate and personal to the social, political and confrontational.
Workshop: You are asked to make a personal ‘map’ today answering the above title. Any media available to you: drawing, photography, collage, montage, bricolage!!
June 2015 CPM Art Challenge Photo #1506
Photo by Photograph by: Sally Robertson - Copyright Released!
Challenge Name: "Strawberry picnic"
artist: Athena Bencivenga
junior- 11 year old
3.5"x3.5" 140 lb Bristol paper using Prisma colored pencil
this one is her 3rd try.. she didn't like how her seed went, and keep try drawing the same strawberry. I can see lots of improvement and I'm so proud of her.
thank you Colored Pencil Magazine's encouragement and everyone's tips
email: tsentsen@hotmail.com
Rembrandt van Rijn Four “Oriental” Men Sitting Under a Tree The Netherlands (c. 1656) Based on Mughal minatures from India. This unusual scene is one of a series of drawings that Rembrandt freely based on seventeenth-century Mughal miniatures from India. It is likely that Rembrandt studied these figures because he was fascinated by their costumes. In many of his paintings and self-portraits, his love of costumes and elaborate hats or turbans is evident. Here he concentrates on the textiles and turbans. The miniature that formed the basis for this drawing is probably that in the Nationalbibliothek, Vienna, dated AH 1037 (AD 1627/28). It is interesting is that some of the delicacy of the original miniature, notably in the faces, has been transferred by Rembrandt to his own freely drawn version. This drawing is thought to date from after 1656 when Rembrandt made an etching of Abraham and the angels which was inspired by the design copied here. The drawing has been made on oriental paper that has been prepared with a pale brown wash. The figures are drawn in pen and brown ink with brown and grey wash. Some parts have been heightened with white with some areas scraped out. The tree is freely drawn in wash with the birds and few leaves sketchily added in pen and ink. M. Royalton-Kisch, H. Chapman and S. Coppel, Old Master drawings from the M, exh. cat. (London, The British Museum Press, 1996) M. Royalton-Kisch, Drawings by Rembrandt and his, exh. cat. (London, The British Museum Press, 1992) [x]