No-stop City

Andrea Branzi - Archizoom Associati, 1970

Utopie Radicali, Palazzo Strozzi, Firenze, 2017-18

Drawing showing labels pointing to teeth, gums, roof of the mouth, bottom of the mouth, tongue, and inside of cheek.

Credit: National Institute of Diabetes and Digestive and Kidney Diseases, National Institutes of Health

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Rome, Italy

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Rome Itay

Doodleday 3.2.11 B*A*C

Intimität einzufangen ist kein einfaches Anliegen, doch ich habe mich daran versucht.

Konepiirustuksen opetustilanne, 1920-luku. Opettaja Sigurd Englund. Taideteollisuuskeskuskoulun opetustilanteita.

TaiKV:07:018

Aalto-yliopisto / Aalto University

Tiedätkö lisää tästä kuvasta? Jätä kommentti tai ota yhteyttä sähköpostitse: arkisto@aalto.fi

Lisätietoja kuvakokoelmista / more information: libguides.aalto.fi/c.php?g=578570&p=4667669

©2015, Daniel Novotny, Janet, Ink on Paper, 30×21 cm

This is a portrait for Julia Kay’s Portrait Party.

www.flickr.com/groups/portraitparty/discuss/7215763245183...

For the entire post go to www.danielnovotnyart.com/?p=3712.

Untitled, Oct 2011

compressed charcoal on paper

9 x 12 inch

figure drawing

happy sunny cosy easy going easter

preparing the brush embroidery

There was no "change in color" in this drawing. The steeple for our Latter-day Saint congregation chapel is all white, so the color changes are shadows only.

I did notice the the left side is all in shade, while the right side is in full sun. Thus I had to make all the shadows on the left darker and closer in tone (toward the mid-gray part of the scale), while the right side had more white whites and black blacks, with very few middle grays.

With the rapidly changing light (partly cloudy day), the shadow "blocks" kept disappearing, but I did eventually start to see the shadow shapes. I picked out the four most prominent in the drawings, and duplicated those shapes in an informal "key" at the bottom of the page to help explain what I was seeing. So even though these shapes crossed various tactile edges, they were close enough in tone that I could see and treat them as one random, gray shape.

The drawing on the right was my "change in plane" drawing. This was easier to visualize. I didn't do any measured setup for this, but just jumped in with ink pen and went. Some wonkiness here, but I'm embracing it. (Some of the details also got muddied at the top of the columns, and I eliminated the ventilation hood that's the dark gray object in the photo). However, by this point, it was about 90 degrees, and I had been baking in the sun for over an hour, so I was more than happy to head for the shade.

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Rome, Italy

i scribbled on a page then this happened...perhaps it's a picture of my brain...blogged.

This is done with a tablet. Just very quick sketches. Constructive criticsm welcome.

It is my earlier drawing on the paper; multicoloured pens.

Doodles from my sketches for Summer's new lotus tattoo.

original drawing by: Bill Rogers

owned by: Alan

First days in spring. Quite water , green grass and first leaves in the trees. Love draw plein air

Drawn during a visit to Venice in 2001

Bloged at ultraMarin

A child's drawing for my Create a Creature

kids workshop. I asked the kids (ages 9 - 12 yrs) to first draw or paint their own animal creature.

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Rome, Italy

mixed media approx. 6"x4"

This was the last drawing I did in a long drawing session the rest of which was all "academicly correct" I wanted to have one drawing done with no restraints whatsoever.

on the bus. some strange dude i saw one day, looked odd and had a high pitched voice, as if he was really a she in drag.

View larger.

from the bedroom window

Zig Cocoiro with sepia fine lettering brush in cachet offwhite paper spiral sketchbook

josef-zlamal.com/

Nachschub. Constanze hat neue Bücher besorgt. Hurra!

رسم كوخ و أشجار بالحرق على الخشب Drawing hut and trees burning on wood

full II.

full I.