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Photo documentation of the GNARL fest 2014 Performances.
The second edition of GNARL fest, the East Midlands Platform exhibiting International and National Live Art, took place at the Lincoln Performing Arts Centre, from 27th October until 1st of November. This year's schedule was even bigger, more experimental, more provocative and more International. With practices as distinct as song lecture, dance performance, digital performance, new media punk rock, trash spectacles, performance installations, durational performances.
Many thanks to the artists:
Stella Zannou
Walter Bickmam
Vagia Kapousidou
Perrine En Morceaux
Lucie Eidenbenz
Adina Secretan
Marko Milic
Aleksandra Jones
Mental Health
Lauren Barri The-Famous Holstein
Davide De Lillis
Joana Cifre Joana Cifre CerdÃ
Chai Vivan
Verena Vuori
Anthi Kettirou
Emilios Theofanous Aemil Anakin
Pavlos Kountouriotis
Astarti Athanasiadou
photography: Fenia Kotsopoulou // Daz Disley
More info: www.gnarlfest.com
1st winter Herring and Iceland (Thayerii's) Gulls. Notice difference in size and primary color. Lee Kay Ponds, Salt Lake County, Utah. January 13th, 2020.
These painting were from two different children. The painting on the left was done by a little boy who made a forest green color and painted a forest with the all of the different greens that the chilldren before him had made. He was engaged in mixing the different greens on his paper and watching how they swirled around and mixed together. The painting on the right was by the same girl who had painted her family. She was so engaged in the project that she made two paintings. This painting was called hearts and circles she used every color green we had made that day. The children had so much fun.
Title: Architectural Orders: Doric order
Description of work: The historic illustrations included in this project were originally published during the late nineteenth and early twentieth centuries. Many originally appeared in publications that predated the widespread use of photography for art documentation. These engravings, line drawings, and plans reflect both the technological and aesthetic standards of their time. By their very nature, they often represent subjective interpretations of the monuments and works depicted, and as such they offer fascinating insights into the cultural values of art and architectural history during the formative years of these disciplines. In the context of these images the terms ""reconstruction"" and ""rendering"" have been used to distinguish between the artists' speculative reconstruction of a ruined work from the artists' perspective drawing or rendition of the design.
Description of view: Doric frieze and cornice
Work type: Architecture and Landscape
Manuscripts and Books
Style of work: Ancient: Aegean: Greek
Culture: Ancient Greek
Measurements: 10.3H X 11.1W cm
Source: Architecture, Sculpture, and the Industrial Arts Among the Nations of Antiquity / a series of illustrations arranged chronologically, and forming an atlas, to be used in connection with any work on the history of art. Authorized American edition, published under the supervision of S. R. Koehler. Boston: L. Prang and Company, 1879, Series I, plate 1, figure 1. Provided courtesy of Allan Kohl.
Resource type: Image
File format: JPEG, TIFF archived offline
Image size: 874H X 809W pixels
Permitted uses: This image is posted publicly for all uses as a work in the public domain.
Collection: Worldwide Building and Landscape Pictures
Filename: WB2007-0670.jpg
Record ID: WB2007-0670
Hit 'L' to view on large.
'C' Mill was built in 1847 by the Morris family and produced flannel and cloth which was sent to markets across Wales and Great Britain. The mill was also a significant local employer and later became the first supplier of power to the local village, which was the first in in the county to have electricity. The parish council paid £10.00 per annum for street lighting and houses were charged 5 shillings for one 60W lamp which then cost a further seven shillings and sixpence for 3 months electricity supply. Mr Morris turned off the power at 10.30pm each night believing that that was quite late enough for anyone to be awake. During the Second World War demand for flannel products fell and despite diversification into new products and the opening of a shop on the first floor, the mill went into decline, finally closing in 1962. Unfortunately, attempts to donate the property to the National Trust for preservation were unsuccessful as the owner was unable to provide a share of the funding and the mill was abandoned
Today it looks like very little has changed since the day the last shift finished and the machines fell silent almost sixty years ago. Protected by obscurity and relative isolation, it has become fossilised, frozen in time: bobbins are still wound with wool and the last cloth woven is still lying on the shuttle loom. Baskets of unspun wool stand waiting on the upper floor and books and papers lie scattered about, all covered in a thick layer of dust, deadening sound: a world away from the deafening clatter of a working mill.
The Technicalities (Shira Z. Carmel and Alon Diament) have recorded
another EP, this time LIVE as a part of the "KOL 2&5" project.
In this project, studio Mitzlol led by Kobi Farhi, go back to the
romantic days of analog tape, and record artists with JUST ONE TAKE on
ANALOG MULTI-TRACK TAPE.
"Even though the songs aren't 100% polished (as mentioned - we had
only one take and no editing) they still manage to bring forth a
diamond-like kaleidoscope to view the songs through, thus hearing the
melancholy, hope and beauty of memories and dreams dreamt on the banks
of the great Amur river, by the Birobidzhanian poets and us - their
fellow Israelis."
This little girl had taken the longest to perfect her color green she also sat the longest at the table to paint. She started with painting herself and then painted her entire family around her. She paid a lot of attention to detail in both the process of making her color and also painting with it.
Sarah
Pacific Northwest College of Art (PNCA) presents SuperTrash, an exhibition of 200 works of cult movie signage from the 1930s through the 1980s. The exhibition, which originated at The Andy Warhol Museum and went to the Anchorage Museum, opens at PNCA in Swigert Commons on September 4 and runs through October 21, 2014. Photos By Mario Gallucci.
Thanks to Okeechobee Fest and Miami...I had a 7 day Step total of over 205 Thousand! Woo hoo! This may never happen again so I wanted to get it documented :)
Documentation photo of a Red-necked Grebe in Prince George's County, Maryland, March 8, 2014.
Found by Rob Ostrowski.
Documenting the accessions. Notice the bar-coding device.
Credit: Bioversity/ILRI, by kind permission of RDA genebank, National Agrobiodiversity Center, Suwon, Republic of Korea