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Title: STFU members at an outdoor meeting
Date: 1937
Photographer: Louise Boyle
Photo ID: 5859pb2f21k2p700g
Collection: Louise Boyle. Southern Tenant Farmers Union Photographs, 1937 and 1982
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes:
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,African Americans, Meetings, Farm Workers,
1st winter Herring and Iceland (Thayerii's) Gulls. Notice difference in size and primary color. Lee Kay Ponds, Salt Lake County, Utah. January 13th, 2020.
Title: David Dubinsky and others in a posed group photograph
Date: Unknown
Photographer: Unknown
Photo ID: 5780PB11F14AA
Collection: International Ladies Garment Workers Union Photographs (1885-1985)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes: No additional information available.
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,Group Photo, Labor Leaders, African Americans, Women, Union Officers
These painting were from two different children. The painting on the left was done by a little boy who made a forest green color and painted a forest with the all of the different greens that the chilldren before him had made. He was engaged in mixing the different greens on his paper and watching how they swirled around and mixed together. The painting on the right was by the same girl who had painted her family. She was so engaged in the project that she made two paintings. This painting was called hearts and circles she used every color green we had made that day. The children had so much fun.
Title: Entrance to STFU Office, Memphis, Tennessee
Date: 1937
Photographer: Louise Boyle
Photo ID: 5859pb2f22ap800g
Collection: Louise Boyle. Southern Tenant Farmers Union Photographs, 1937 and 1982
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes:
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,Buildings, Union Buildings,
Hit 'L' to view on large.
'C' Mill was built in 1847 by the Morris family and produced flannel and cloth which was sent to markets across Wales and Great Britain. The mill was also a significant local employer and later became the first supplier of power to the local village, which was the first in in the county to have electricity. The parish council paid £10.00 per annum for street lighting and houses were charged 5 shillings for one 60W lamp which then cost a further seven shillings and sixpence for 3 months electricity supply. Mr Morris turned off the power at 10.30pm each night believing that that was quite late enough for anyone to be awake. During the Second World War demand for flannel products fell and despite diversification into new products and the opening of a shop on the first floor, the mill went into decline, finally closing in 1962. Unfortunately, attempts to donate the property to the National Trust for preservation were unsuccessful as the owner was unable to provide a share of the funding and the mill was abandoned
Today it looks like very little has changed since the day the last shift finished and the machines fell silent almost sixty years ago. Protected by obscurity and relative isolation, it has become fossilised, frozen in time: bobbins are still wound with wool and the last cloth woven is still lying on the shuttle loom. Baskets of unspun wool stand waiting on the upper floor and books and papers lie scattered about, all covered in a thick layer of dust, deadening sound: a world away from the deafening clatter of a working mill.
The Technicalities (Shira Z. Carmel and Alon Diament) have recorded
another EP, this time LIVE as a part of the "KOL 2&5" project.
In this project, studio Mitzlol led by Kobi Farhi, go back to the
romantic days of analog tape, and record artists with JUST ONE TAKE on
ANALOG MULTI-TRACK TAPE.
"Even though the songs aren't 100% polished (as mentioned - we had
only one take and no editing) they still manage to bring forth a
diamond-like kaleidoscope to view the songs through, thus hearing the
melancholy, hope and beauty of memories and dreams dreamt on the banks
of the great Amur river, by the Birobidzhanian poets and us - their
fellow Israelis."
The Institute for Infinitely Small Things
Corporate Commands, 2005
Project documentation in five digital frames
Each is: 10 (height) x 13 (width) x 3.5 (depth) inches
Courtesy of The Institute for Infinitely Small Things
Agency: Art and Advertising
September 19 – November 8, 2008
Kevin Concannon, PhD, and John Noga, curators
Sometimes puzzling, sometimes provocative, works in advertising media by artists ranging from Marcel Duchamp to Jeff Koons to 0100101110101101.ORG have both delighted and disturbed audiences that are sometimes left to wonder exactly what it is they’re seeing. Indeed, artists have used the media of advertising to communicate content that often defies viewers’ expectations and frequently challenges them. Agency: Art and Advertising is an exhibition that explores artists’ use of advertising media as sites for works of art (as opposed to the more conventional use of advertising for the promotion of work) as well as its subject. The exhibition, curated by Kevin Concannon, PhD, and John Noga, will focus on works of art in and about advertising media from the 1960s to the present.
Artists themselves, who were largely critical of commercial culture when this “ad art” phenomenon first flourished in the 1960s, are now often ambivalent about –or even embracing of –the commercialism they once critiqued. Others simply choose to use advertising media in order to extend their reach beyond conventional contemporary art audiences. Agency: Art and Advertising examines the history of art in advertising spaces –and art that addresses commodity culture through the appropriation of advertising –as it has evolved over the past 50 years.
Stop and Stare
In conjunction with the exhibition, AGENCY: Art and Advertising, shown inside
the McDonough Museum of Art there are nine captivating works that are on view
outside the Museum’s walls. Dotting the Youngstown metropolitan area are
billboards featuring gigantic images created by artists Geoffrey Hendricks,
Marilyn Minter, Yoko Ono and John Lennon, and Felix Gonzalez-Torres. These
spectacular images line the sky, compelling the public to stop and stare.
Agency: Art and Advertising
Catalog is available in the museum office or through our gift shop.
Exhibition Sponsors
Anonymous
Frank and Pearl Gelbman Charitable Foundation
Elizabeth Firestone Graham Foundation
Lamar Advertising of Youngstown, Inc.
Toby Devan Lewis
Ohio Arts Council
Innis Maggiore
McDonough Museum of Art
Tuesday through Saturday, 11-4pm
Wednesday 11am-8pm
Free and open to the public.
call 330.941.1400
htttp://mcdonoughmuseum
Before any conservation treatment took place, the team carried out extensive documentation of the Jefferson Bible. This included microscopic analysis, photographic documentation, written documentation, and historical research. The team uncovered as much information as possible about the way Jefferson created the volume, as well as how the bookbinder took Jefferson's loose pieces of paper and constructed them into a book.
This little girl had taken the longest to perfect her color green she also sat the longest at the table to paint. She started with painting herself and then painted her entire family around her. She paid a lot of attention to detail in both the process of making her color and also painting with it.
Sarah
Thanks to Okeechobee Fest and Miami...I had a 7 day Step total of over 205 Thousand! Woo hoo! This may never happen again so I wanted to get it documented :)
Documentation photo of a Red-necked Grebe in Prince George's County, Maryland, March 8, 2014.
Found by Rob Ostrowski.
Title: Josephine Nicolosi, a Triangle fire survivor, with fire fighters and others near the memorial plaque during the 60th anniversary commemoration of the Triangle fire, March 1971
Date: 1971
Photographer: Jerry Soalt
Photo ID: 5780pb39f24ap400g
Collection: International Ladies Garment Workers Union Photographs (1885-1985)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes:
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,Ceremonies, Safety
Documenting the accessions. Notice the bar-coding device.
Credit: Bioversity/ILRI, by kind permission of RDA genebank, National Agrobiodiversity Center, Suwon, Republic of Korea