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Photo taken from The Printed Reality Group Exhibition. Projected image from ken craine

- Follow the link to The Print Reality Exhibition details

 

Flew from wooden shutter next to door on to my finger, I really had to look at this one, then realized my camera had the 55-200lens on it...With moth on finger still, I had to stretch both arms pretty wide and just take some blind shots..6 flashes later. I looked back and it had flown..

Bucculatrix coronatella

July 1st 2017

My house, Columbia

Howard Co. MD

MBP Quad 39076_B7

 

Verified by Roger Downer @B.A.M.O.N.A.

 

www.butterfliesandmoths.org/sighting_details/1124353

Gary City Methodist Church was built in 1925. It once had as many as 3,000 members, but by 1973 the congregation was reduced to 300 members; due impart to Gary's rapidly failing economy.

 

February 2012

Gary, IN

 

4x5 Horseman View Camera

65mm Nikon Nikkor SW f/4

Ilford FP4 125 B&W Sheet Film

Cokin P001 Yellow Contrast Filter

 

Developed in Kodak D76

N-3 Development

Notes about these pictures: Most of my Chemtrail pictures were taken in Dayton, Ohio--home of The Wright-Patterson Air Force Base -- final resting place of the Roswell aliens <:-0 -- and apparently from my photo and video documentation, Chemtrail Central. This area has been getting Chemtrailed on a massive, daily basis and I have 1000's of pictures and videos since I began documenting Chemtrails regularly, in late 2014. The level of Chemtrail activity here is astonishing, and is being conducted, as they say, in plain sight. Looking back through my film archive of slides & negatives, I have convincing evidence of Chemtrailing activity back to the early 1990’s, and chemtraily-looking skies back to the early 1980’s.

 

I am designating all my Chemtrail pictures and videos uploaded to Flickr as CC0 (Creative Commons Zero), which removes my copyright and releases them into the Public Domain. My goal is to make them available in the highest resolution possible, and without any image processing. They are archived on Flickr under "Chem Trailchaser".

 

I hope by making these images widely available, it will accelerate interest, research, study and more documentation from all over the world. Please, download, copy, backup, mirror, share and use & improve as many of these photos as you can! Thanks for looking - Chem

 

O cantor e compositor Jorge Vercillo comemora 20 anos de carreira com show repleto de sucessos em São Paulo. 03.10.14

 

Mais em: rogeriostella.wordpress.com/2014/10/04/luar-de-sol-e-os-2...

1972 Autobianchi 500 Giardiniera Furgoncino van.

 

Registered in May 2013. Anglia Car Auctions, King's Lynn -

 

"UK registered in 2013. Restoration photos retained in the file together with Italian documentation. Has spare keys and supplement to the instruction manual.

 

Recorded mileage 89,400."

 

Sold for £8400 on an estimate of £10,000 to £12,000. Catalogued as a FIAT.

information on the blog ^^/

The woman at center right actually dropped her phone right after this and it nearly fell into the storm drains. Several passersby helped retrieve it.

 

Despite the sheer turnout, people took plenty of time to talk to one another and chat.

"Rio Bravo" (1959) June 12, 1958 John Wayne and Howard Hawks

Self portrait therapy.

 

Just me.

 

I hope I always remember the way you make me feel.

Looking NNW from river toward recently arrived Towboat Annie's restaurant, formerly towboat "Gregory Jay", near foot of Indiana Ave.

 

Blue building is on present (2016) site of Buckhead Mountain Grill.

Ramada Inn is now a Sheraton hotel at 700 W. Riverside Drive.

.

Ohio River mile 603.

Jeffersonville, Indiana.

Feb. 1988.

file # 88b184.

 

The "Gregory Jay" (doc. # 259375) was a diesel towboat, with steel hull and twin props.

The hull was built at Ambridge, PA by American Bridge Co. and the rest was completed by the owner, in 1950.

It was 103 feet x 25.1 feet x 9.8 feet (as listed in Coast Guard documentation) and powered by two GM 12-567 diesels with a total of 1800 hp. (Those were placed in 1955).

It was owned by Warrior & Gulf Navigation Co., of Chickasaw, AL, and was originally named "Choctaw".

In 1971 it was sold to Gulf-Canal Lines, Inc. of Houston and renamed "Port of Houston".

In 1978 Hollinger Transportation of Greensville, MS bought the boat and resold it to Bel-Mon Towing Co., of Powhattan Point, OH, who renamed it the "Gregory Jay".

Sometime after 1978, Ron Grimm bought it (Golden Triangle River Contract & Towing Co., Ltd., of McKees Rocks, PA).

Ron sold it in 1983 to G & C Towing of Point Pleasant, WV.

The "Gregory Jay" burned in Pittsburgh in 1984, and was then sold to River Valley Cruises of South Point, OH.

It was converted to a restaurant boat, renamed "Towboat Annie's", and berthed in Jeffersonville, Indiana in early 1988, then later in Louisville, Kentucky.

(info from Michael A. Grimm's genealogy site)

 

In 2002, the restaurant was renamed "Port O' Call," but I don't recall if it ever actually opened under that name. I think the boat left Louisville soon after that, perhaps in 2003.

 

In 2010, it was cut up for scrap at the foot of the I-470 bridge across from Wheeling, West Virginia.

 

35 mm Kodachrome.

Plustek OpticFilm 7600i.

Siverfast 8.

Picture Window 6.

Sharpened: USM, radius 1, threshold 3, 100%.

JPEG quality 95.

 

SV: SJ tåg #7466 avgår från Umeå Östra mot Vännäs enligt tidtabeln kl. 1232 på den 24 januari 2013....kanske det sista tåget jag ska fotografera i Umeå för en lång tid...kanske...

 

EN: SJ train #7466 departs from Umeå Östra to Vännäs right on time at 1232 on January 24, 2013. This is most likely the last train I will photograph in Umeå for quite some time, it's been great documenting train activity in an area with extremely limited railroad documentation.

Half Acre Beer Company , 4257 N Lincoln Ave.

Absolutely nothing flattering about this picture. But I was able to get out and get a grab shot of UP 730 working L537 on the Fox River Sub. The uncommon visitor has been hanging around Green Bay for the past couple of weeks.

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

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Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

 

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------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

This villa, deriving the name from a chapel that existed in its proximity in the 18th century, was the first one to be explored in the course of excavations in Bourbon times carried out between 1749 and 1754. The graphic and textual documentation of the Bourbon surveys was published in 1881 by M. Ruggiero M. in the book Degli Scavi di Stabiae dal 1749 al 1782 ("On the Stabiae excavations from 1749 to 1782"). The villa was re-buried after the removal of its furnishings and of the better preserved frescoes. Excavations were resumed on 1950 by Libero d’Orsi and O. Elia of the Archaeological Superintendency.

 

en.wikipedia.org/wiki/Stabiae#Villa_San_Marco

 

sites.google.com/site/ad79eruption/stabiae/villa-san-marco

Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.

Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.

In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.

SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.

Location : SALT Gatala, Istanbul, Turkey

Exhibition Dates : April 20 - June 11

6 Meters Wide Circular Architectural Installation

4 Channel Video, 8 Channel Audio

Custom Software, Media Server, Table for UI Interaction

For more information:

refikanadol.com/works/archive-dreaming/

Documentation of graffiti present in Washington, DC following the 2016 Presidential Election

To the uninitiated eye this image looks like "computer art". I would like to stress that this "photo" is documentation of a real city, in real time, and real light. There was no Photoshop processing. The only thing constructed about it is the arrangement of 122 separate exposures in the frame.

 

Viewing On Black is sweet.

 

The first horizontal strip at the top of the frame was taken from this photo:

San Francisco: 5 March 2008, 4:48 pm PST

 

The last horizontal strip at the bottom was taken from this one:

San Francisco: 5 March 2008, 6:49 pm PST

 

In each case, the thin piece of the photo was extracted from exactly the same place on each of the 122 photos.

 

A single strip is 17 pixels high, and was taken from just under the dome of City Hall, across to the base of the Millennium Tower, the turquoise building on the right side of Market St. The exposures were made at the rate of one a minute, for a total time of 2 hours 2 minutes. The final piece is a 6.4 megabyte image.

 

The same set of master photographs also yielded this image:

Intervalography: When the Lights Go Down in the City

 

Detail from the middle of the frame can be viewed here:

www.flickr.com/photos/agrinberg/2334713571/

 

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0031-250517_185437272_HDR

Documentation Centre, Nürnberg Dokumentationszentrum. Designed by Albert Speer In 1933, the National Socialists decided that Nuremberg was to be the "City of the Party Rallies"

 

The Documentation Centre Party Rally Grounds, opened in 2001, is located in the north wing of the unfinished shell of the Congress Hall

 

More from Nuremberg on Facebook

 

Facebook set

Documentation shot! This bird is a lifer for me! So impressed with this camera's ability when there is enough light. This bird was 50 or so feet away. The photo is heavily cropped and I couldn't be more pleased with the results! ebird.org/view/checklist/S48635797

This is experimental documentation work from my AS photography unit on 'Emotions' in which I tried to capture emotion through documentation.

This is experimental documentation work from my AS photography unit on 'Emotions' in which I tried to capture emotion through documentation.

Our school visits are typically meticulously documented in still and video. The walls behind the photographers are in the staff room/multimedia classroom and show schedules and organization structures.

A Photojournalistic Documentation of how Covid-19 has affected the North, and how the North has adapted to overcome these difficulties.

 

Whilst the Highlands has always been popular with national and international tourists, there has been a massive rise of Scots enjoying a staycation, with camper vans and tents being the popular choice for accommodation as opposed to the hotels and hostels dotted around the North. Also on the rise are those travelling in their own cars, motorbikes, cycling and even 2 former hearses, who camp in tents at the roadside.

 

With the rise of staycationers, shops and restaurants have been extra vigilant to keep to the governments guidelines by measuring distancing on shop floors, having signs in shop windows to remind visitors to wear a face coverings, some shops limiting the amount of customers in at a time, offering hand sanitiser at the entrance, and many even having artwork of some form thanking the NHS for its hard work.

 

Not everything is fully open however, but those who can open have had to change how they operate. Tourist destinations that are able to open have had to limit the amount of customers to keep everyone safe, so for many tourists and staycationers they are opting to avoid tourist hotspots and are mostly interacting with activities they can do by themselves, so instead of visiting castles, museums and activity centres, tourists drive to beauty spots, go for walks, and are interacting with the natural landscape more. Instead of tourist hotspots like Eilean Donan Castle being queued out the door, tourists only go as far as the car park, get some photos of the castle, then leave to visit something else.

  

So has Highland tourism been affected by Covid-19? Yes, where folk are more cautious, shops and restaurants have signage in place requesting patrons wear face coverings, where town centres are quieter than usual, where public toilets have signage, where campsites won’t allow motorhomes unless they have on-board toilets, where almost every lay-by in the evening has someone camping overnight. So whilst it has affected the tourist season it hasn’t stopped tourism, if anything the Highlands are busier than normal due to a massive rise in staycationers, it’s made tourist and locals alike be more careful, where local community councils are making sure there are toilet facilities available or trowels left in camping locations to bury human waste, where hand sanitiser is available at popular tourist destinations, shops and public toilets, where many shops have upgraded their payment options where previously they only accepted cash, many have modernised and installed card payments.

 

So yes, it’s been affected, but the most notable negative impact is that businesses are losing trade as less folk are spending money in restaurants, shops and tourist hotspots, so whilst there is an increase in visitors to the Highlands, there is a decrease in money being spent.

 

All in all, the North has been doing a fantastic job with its Covid-19 precautions, they’re taking it seriously and making sure visitors are safe.

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