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Miller, Robert Rush, 1916-2003
Title devised by cataloguer based on inscription and accompanying documentation.; Part of the collection: American-Australian Scientific Expedition to Arnhem Land, Northern Territory, 1948.; Inscriptions: "Narragin cutting Dave's hair, Yirrkala, 8-6-48"--In ink on mount; "11"--Stamped on mount.; Identified in accompanying documentation as from Roll 13.; Also available in electronic version via the Internet at: nla.gov.au/nla.pic-vn4496139.
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Union Pacific’s 4141 SD70ACe in honor of former president Bush Idles away at Chicago’s Proviso yard. Attached is SD70Ah 1943 they are both Scheduled to depart Proviso Monday for St. Louis and then Texas where the 4141 will be displayed at the Bush Museum. Glad to document this historic event.
12/16/18
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
Every screw, fitting, washer and purchase - sorted, recorded, documented and cross referenced for future generations.
German soldiers of the 37th Mechanized Infantry Brigade line up Wiesel 1 MK20 vehicles for multiple integrated laser engagement systems (MILES) installation in preparation for exercise Swift Response 15 at the U.S. Army's Joint Multinational Readiness Center in Hohenfels, Germany, Aug. 25, 2015. Swift Response 15 is the U.S. Army’s largest combined airborne training event in Europe since the end of the Cold War. More than 4,800 service members from 11 NATO nations – including Bulgaria, France, Germany, Greece, Italy, the Netherlands, Poland, Portugal, Spain, the United Kingdom and the United States – will take part in the exercise on training areas in Bulgaria, Germany, Italy and Romania, Aug. 17-Sept. 13, 2015. Swift Response 15 is designed to integrate multiple Allied nations’ crisis response forces into a cohesive team and demonstrate the combined ability to rapidly deploy and operate in support of maintaining a strong and secure Europe. To learn more about Swift Response, visit the U.S. Army Europe homepage at www.eur.army.mil. (U.S. Army photo by Spc. Courtney Hubbard/Released)
Documentation Centre, Nürnberg Dokumentationszentrum. Designed by Albert Speer In 1933, the National Socialists decided that Nuremberg was to be the "City of the Party Rallies"
The Documentation Centre Party Rally Grounds, opened in 2001, is located in the north wing of the unfinished shell of the Congress Hall
More from Nuremberg on Facebook
Archäologische Artefakte die in einigen Teilen der Stadt gefunden wurden, weisen darauf hin, dass das Gebiet schon in der Steinzeit bewohnt wurde. Urkundlich nachweisen lässt sich der Ort Dresden ( altsorbische Drežďany für Sumpfbewohner oder Auwaldbewohner ) seit 1206 in der Acta sunt her Dresdene. Es gibt keine Unterlagen über die Verleihung der Stadtrechte an Dresden. Möglicherweise wurden sie durch Wilhelm I im Dezember 1403 verliehen.
1485 wurde die Stadt herzogliche Residenzstadt der sächsischen Herrscher. Nach dem Stadtbrand 1685 wurde Dresden über die nächsten Jahrzehnte wieder aufgebaut und 1732 als 'neue Königliche Stadt' vollendet. Kulturelle Bedeutung erlangte Dresden unter Friedrich August I, der auch unter dem Namen August der Starke bekannt ist. 1918 wurde Dresden Hauptstadt des Freistaates Sachsens.
Seit 1990 wird die im Krieg stark beschädigte und während des DDR Regimes starkt vernachlässigte Innenstadt mit ihren historischen Gebäuden wieder aufgebaut. Unteranderem die Frauenkirche, die im Oktober 2005 wieder eröffnet und geweiht wurde.
Archaeological artifacts have been found in some parts of the town, indicate that the area was inhabited since the Stone Age. Documented evidence can be the place in Dresden 1206 in 'Acta sunt Dresdene'. There is no documentation regarding the award of city status in Dresden. Maybe they were given by William I in December 1403rd
From 1485 Dresden was the ducal town residence of the Saxon sovereign. After the great fire in 1685 Dresden was rebuilt over the next few decades and 1732 as a 'new royal city' completed. Cultural significance Dresden gained under Friedrich August I, who is also known under the name of Augustus the Strong. 1918 Dresden became the capital of the Free State of Saxony.
Since 1990, the badly damaged City in world war II and strong neglected innner city during GDR regime with his historic building, is rebuild again. Among other things, the Frauenkirche, which was reopened in October 2005 and consecrated.
Johannes Heribert Pohl
Shipping worldwide
Email me at bilosmantho@gmail.com for inquiries
A5, 60 pages,full color, 170g silk paper, first edition of 15 copies.
A photographic archive
Selected pictures from my recent trips to various European cities resemble each other in a very interesting way. However, being taken in different place and time, they present a sense of deja vu while praising the ordinary.
Man-made objects and structures meet the flora and fauna of a city’s environment in the form of a contemporary documentation.
Our school visits are typically meticulously documented in still and video. The walls behind the photographers are in the staff room/multimedia classroom and show schedules and organization structures.
here Aradia is rocking a black reconstructed boot corset by medium reality, a black and red skirt from ghetto goldilocks, and vintage red cowboy boots. My friend Lexie gave the red boots to me but first made me promise i wouldn't cut them up. Le sigh. no red corsets yet.
There are six levels of maturity for the DMM. Why? After observing literally thousands of sites, we were able to categorize them by type. Some do bleed over into other levels, but the majority fell into one of the six levels.
The goal of the DMM is to give you the main characteristics of the others levels so that you can observe how other successful organizations are creating more value from their sites. The six levels of the DMM will provide you with a means to assess your current documentation site and to learn how others are taking it to the next level.
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
How code is documented in Ubiquity. For more information see Atul's blog post. For the actual documentation, see here.
Every major brand is struggling to launch a community site around their company’s products. Maybe it’s an indirect community that you hope brings traffic and future sales, or maybe it’s a community about your product that has been designed to increase sales.
But unless you are a very big brand with passionate following (e.g. Apple) these communities are difficult and expensive to build. Not impossible, but it’s hard work.
Yet companies are starting to build communities around their product/service documentation. Yep, something every company has but never views as strategic.
They aren’t starting from scratch, there is already traffic from current customers seeking solutions to their issues with your product. So the foundation is in place, it’s just been moved topsy-turvy into the corporate attic as an afterthought. Something that was considered a necessary evil.
[This illustration reproduces a diagram that emerged on the white board through the following segment of a 'reclaiming the commons' discussion]
A society is a large, loose group of individuals. A small group is set apart, having made themselves gatekeeper for interactions between the rest of society and the public commons. They use this position to siphon off value from interactions between the people and the commons.
-You work for your boss in return for healthcare, to pay for rent and food.
-Insurance for your car and your apartment.
-You must pay money for water.
-We regulate the air.
-The public streets are closely monitored, and aberrant behavior is quickly targeted.
-You must seek permission to protest in this park. It's all for the public good.
The system inserted between the people and the commons is capitalism.
In this sense, capitalism is the object that is keeping us from defining, as a community, what we think should be in our commons. How can we work to overcome the influence of this system on our lives? By circumventing the hold that capitalism has on our lives. Economies based in barter, trade, gifts, gratitude, esteem, trust. Organizing cooperatively, working together in consensus. Like ants finding our way around an obstacle we must build pathways to each other and the things that we need that do not feed the appetites of the 1%.
I am just sitting writing some documentation for our Summa project at work. Somehow it looks infinitely more cool this way than it does in code...
Several photos were taken of the dissections to document the appearance and location of the nematodes. American eels can become infected by consuming intermediate crustacean hosts, like copepods or ostracods. They can also get infected by eating organisms that carry the parasite but are unaffected such as snails, amphibians, insect larvae and some fish.
View of the 'Moon Rocket' attraction at the Hoppings in Newcastle, June 1945.
The Hoppings is a popular fair in the North East of England, held in the last full week of June every year on Newcastle's Town Moor, spanning around 40 acres of land.
The Hoppings started out as a Temperance Festival in 1882, when Newcastle Temperance organisations decided to revive the annual gatherings that they had previously held, but included different festivities to coincide, to counter-attract the 'Summer Race Meeting' at Gosforth Park, which was seen as a source of drunkenness.
It proved to be a great success and the fair is still being enjoyed to this very day.
Ref: TWAS:944/2513
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.
The Tennessee Grill makes the best chargrilled burger in the ‘hood, but I’ve often had trouble phoning-in my lo-carb mods over the busy restaurant’s background noise. At their encouragement, I printed out the exact makings of the burger, including a big empty line where they could write in the price (a very reasonable $5.50). They thought it was a stitch, so they put it up it by the cash register.
So now I get the burger I want, and they have a loyal, happy customer. Everybody wins and we're all a little better than before.
Patronize your local stores and restaurants, kids. They’re a lot more human than The Man--and a lot more likely to try and make your life easier.