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Navy - Pocket
Silver - Envelopes
Crystal - White Paper
Erickson Design/Lambert Letterpress
1229 N. North Branch Street, Suite 107A
Chicago, IL 60642
773.283.4988 (p)
Item Number:1557-9-SH17
Document Title:MATTAPAN BRIDGE THROUGH MILTON AND HYDE PARK TO JUNCTION NEPONSET RIVER PARKWAY, SCALE HORIZONTAL 1" = 40' VERTICAL 1" = 8'
Project:01557; Neponset River Valley Parkway; Metropolitan Park Commission; Boston; Massachusetts; 01 Parks, Parkways & Recreation Areas; 178 PLANS (1942-1945)
Location:Olmsted National Historic Site, Brookline, MA
Category:PLAN
Purpose:A&E (Architectural & Engineering)
Physical Characteristics:FAIR H 23 1/4 , W 37 1/4" cyano neg ink paper
Dates:03AUG1937; 04AUG1937
Notes:BY C.P. FOYER; FILE NUMBER 2508; OB. NRV. 9 SHEET 17; BROUGHT BY MARQUIS; RECEIVED FROM METROPOLITAN DISTRICT COMMISSION; 2541, 2508, 2509; BLUE HILL ROAD; TRACED FROM PLAN NUMBER 118/1; PROFILE 468/I
Please Credit: Courtesy of the National Park Service, Frederick Law Olmsted National Historic Site
Un poco de las imágenes de las actividades del Taller de la Escuela Foto Arte sobre Fotografía Documental y Ensayo Fotográfico "Santa Caracas" durante la Semana Santa 2010, con la tutoria de Andres Manner y Beatriz Grau
Carteira com divisões para documentos, cartões e dois bolsos com zíper para guardar moedas, dinheiro
The Wistarion, Pg. 89, 1907, Archives & Special Collections, Hunter College Libraries, Hunter College of the City University of New York, New York City.
For more information:
library.hunter.cuny.edu/about/archives
Along the hole brim of the lignite open pit you will find warning and information signs. This installation show all sign of a short part by Schophoven.
This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com
Accreditation must be attached when using this photograph and include:
Photo: Documenting Yes / Simon Baker
More info about this historic document can be found at www.downingsf.com/scripophily/a-z/
*Hawaiian Bell Telephone (type I) Stock Certificate
Issued and Uncancelled, Issued 10-04-1883 to Mr. William O. Smith. Certificate # 58 for 33 shares. E. P. Adams and J. F. Brown signed for the company. Date of incorporation handwritten in on this first issue type, limited to just 1,000 shs. Uncanceled. Endorsed (reverse) by Mr. Smith.
This US trust company Bank of America document, reads, That Joss Kent, his Half Brother, Guy Whitehead, and half Sister Samantha Dennis are the 11th Duke of Manchester's children?? Your Joking? Really?? They are not any relation NOR are they any family members of any kind.
THEN I guess THE DUKE AND DUCHESS OF MANCHESTER can pay for all the children from other family's and other divorces from all Andreas JOSS KENT, Whiteheads X Husbands.
Are there any more half brothers and sisters? OH RIGHT OUR FAMILY TRUST GOES TO JOSS KENT AND HIS CHILDREN? NICE TRUSTEES TAKING CARE OF OTHER PEOPLE'S CHILDREN??
The duke and duchess of manchester trust estate, are not for Goffery Kent's children! OR WHITEHEADS CHILDREN, OR JOSS KENT, OR GUY WHITEHEAD, OR SAMANTHA DENNIS, THEY Are all HALF brothers and Sisters. Andrea Joss,kent, whiteheads X Husbands children from other fathers, who all are alive and doing well.
As they say in there biography Joss kent has ONE father the great Wealthy, Geoffrey Kent and he adores him.
There is no mention of the 11th Duke of Manchester anywhere in Joss Kent or Geoffrey's Kent's interviews.
So as they say they were broke when they started there Safari Company's. it looks like the 11th Duke of Manchester funded there lifestyle.
I hope there not using our Kenya Estate. Or the Manchester Kenya trusts.
The Duke and Duchess of Manchester trust and property's are for the Dukes and there children only.
You would think Joss Kent, and Guy Whitehead or Samatha Dennis would at least say thank you or mention there very generous Step Father the 11th Duke of Manchester. There is no mention.
What a dishonor Ashley and Alexander Montagu, and other True Manchester Children.
The very trust that is in trusted to protect the family and keep the Manchester Heirs safe.
Is obviously going to other family's we have never met. And other men's children.
The trustees need to step down.
WE ALSO NEED THE ACCOUNTING FOR THIS MESS YOU ALL CREATED.
What good do any of you do for the Manchester true Heirs. Changing the Will and Trust is Illegal and a Jail term, This case is Civil
And Criminal.
AS YOU ALL CAN SEE THE TRUSTEE DOES NOT SEND FULL ACCOUNTING THEY INTERPET THE ACCOUNTING BY EMAILS??
THEY REFUSE ACCOUNTING, TAX ACCOUNTING, AND MOST IMPORTANT FULL ACCOUNTING.
INSEL said It would cost to much?
Codex Seraphinianus,[1] originally published in 1981, is an illustrated encyclopedia of an imaginary world, created by the Italian artist, architect, and industrial designer Luigi Serafini during thirty months, from 1976 to 1978.[2] The book is approximately 360 pages long (depending on edition), and written in a strange, generally unintelligible alphabet.[3]
Originally published in Italy, the book has since been released in several countries.[4]
It is believed that this book is in the public domain but this has not been confirmed.
Pictures of homework are not very interesting. Some days I really don't seem to think of taking a photo until it's dark and I'm at my desk working.
This is from a series of images called "Surveys", which is my attempt at creating a visual document of my surroundings and how they change over time.
de 26.6 a 4.10.2015
A arte da Itália recebeu atenção especial do diretor-fundador do museu, o italiano Pietro Maria Bardi (1900-1999), com aquisições extraordinárias de obras de Rafael, Mantegna, Bellini, Ticiano e Tintoretto, entre outros. Esta exposição inclui obras da coleção do MASP do século 13 ao 18, do período medieval à Renascença e ao Barroco. Ao lado das pinturas, na mesma parede, são mostrados documentos e fotografias sobre doações, aquisições, empréstimos, atribuições e exposições, parte dos arquivos histórico e fotográfico do museu. O interesse é considerar a obra não apenas no contexto da história da arte, mas também em sua relação com o MASP, São Paulo e o Brasil.
O núcleo central de Arte da Itália são as transformações estéticas e técnicas da Renascença, período fundamental da história da arte, abrangendo um arco temporal que vai do classicismo de Rafael às experiências cromáticas de Ticiano, que influenciaram as gerações posteriores. Os trabalhos exibidos foram produzidos na região que hoje se conhece como Itália, mas que até o século 19 era um conjunto de pequenos Estados, administrados por poderes locais independentes, pela Igreja Católica ou por potências estrangeiras. Dessa forma, cada região desenvolveu uma produção em pintura bastante particular, com características distintas, como as linhas precisas em Florença, a preocupação com a arquitetura e a perspectiva na Úmbria ou o uso da cor em Veneza. Cada artista utilizava esse repertório local à sua maneira, recebendo também influências externas, e produzindo obras que refletiam momentos específicos, expressando visões próprias.
A expografia é uma retomada de dois projetos de Lina Bo Bardi (1914-1992), arquiteta responsável pelo MASP, para o acervo do museu. O primeiro é uma reconfiguração dos painéis suspensos utilizados para expor a coleção do museu na Fundação Armando Alvares Penteado (FAAP), entre 1957 e 1959 – originalmente, painéis de dezoito metros, aqui eles têm 24 metros. O segundo resgata as estruturas tubulares de metal que exibiam as pinturas, também de forma suspensa, projetadas para o MASP em 1947, ano de sua fundação, na antiga sede da rua 7 de Abril – com elas são expostas aqui pinturas de Perugino e Ticiano. A recuperação de projetos de Lina nas exposições de 2015 apresenta ao público o percurso da arquiteta até chegar aos famosos cavaletes de vidro. Lina projetou os cavaletes para a exposição do acervo no segundo andar do museu na avenida Paulista, inaugurado em 1968. Sem uso desde 1996, eles voltarão no final do segundo semestre de 2015.
Os longos painéis utilizados na exposição favorecem a organização cronológica dos trabalhos. Ao recusar o agrupamento por escolas artísticas, que pautavam o gosto e o estilo de uma região, busca-se evidenciar as singularidades de cada obra. Nesse sentido, a ideia de cronologia aqui empregada não carrega uma noção evolutiva ou de progresso, mas reforça as concepções de mundo e as formas de conhecimento de cada artista.
Curadoria: Adriano Pedrosa, diretor artístico; Eugenia Gorini Esmeraldo, coordenadora de intercâmbio; Tomás Toledo, curador assistente.
This memoriam card is for John Bradley, soldier with the Irish Guards, who died in 1916 (my maternal grandfather's brother)
Still have 99 other pages to type up, this is part of the backup of the 100 pages, which I photographed on 10Mpixels with the G12...
The OCR scanning produced too many errors!
But I've since found that the OCR software gets better as it learns the font!
update 17-09-12
I have now photocopied all the pages and returned the diary to Betty, so she can show some friends. Next I will be OCR scanning the photocopied pages and trying to publish or make an on-line blog of the trip.
We will then publish it on a Blog or Blurb, so if you are a Cornell and interested watch this Set, and drop me a line...
I could post these into dropbox and share the files with you as you want, select them or not!
I have 164 images covering pages of the diary, double page spreads as a backup before we went away for awhile, and copies of the C41 prints, that Betty scattered through the diary with page numbers on the back locating the photos in the story.
There are also 100s of slides still to scan. These cover all the trip, and especially after Betty stopped taking prints images.
This is how we should assemble the published diary, with images scattered through the text...
locolarry en entrevista con denst y pecoespermio, para el documental Manos manchadas.
Espero que estén buenas las tomas de este piloto, ya que es más loco que las palomas y es terrible eléctrico!
Saludos hermanos.
paz.
El ministre Xavier Espot a la preestrena del documental "1+1>2 Vincles que Sumen", una producció del Ministeri d'Afers Socials, Justícia i Interior.Foto:SFGA/CEsteve