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Children show me in their playful smiles the divine in everyone. This simple goodness shines straight from their hearts and only asks to be loved.
- Michael Jackson
Divinity
2 1/2 cups sugar
1/2 cup water
pinch salt
1/2 cup light corn syrup
2 large egg whites
1 teaspoon vanilla extract
1 cup pecans, chopped
Combine sugar, water, salt, and corn syrup in a 3-quart saucepan; cook over medium heat, without stirring, to hard ball stage (260 degrees F, 125 C). It will be boiling rapidly for about ten minutes to reach this temperature (Time depends on the BTU output of your stove). Remove from heat.
Beat egg whites (at room temperature) in a large mixing bowl until stiff peaks form. Pour hot sugar mixture in a very thin stream over egg whites while beating constantly at high speed of an electric mixer. Add vanilla, and continue beating just until mixture begins to hold its shape (3 minutes). Stir in pecans and spread on foil that's been stuck to the counter with a bit of water underneath. Let cool 1 hour and slice into squares with a butter knife. Let sit overnight and transfer to wax paper lined air-tight tins in the morning.
The speakers for "Democracy on Trial" (L-R): Peter Berkowitz (Stanford), Nancy Hirshmann (Pennsylvania), Carl Gershman (National Endowment for Democracy), Francis Fukuyama (Stanford), Nicholas Wolterstorff (University of Virginia), Margaret O'Brien Steinfels (Fordham), Ruth Grant (Duke), Jean Bethke Elshtain (Chicago), Al McDonald (McDonald Agape Foundation, sponsor), Patrick Deneen (Georgetown), Peter Steinfels (Fordham), Linda McClain (Boston), Martin Palous (Florida International University).
Built in 1826, Divinity Hall is the oldest building at Harvard Divinity School and the first Harvard building to be constructed outside of Harvard Yard.
Divinity Hall originally contained the entire Divinity School; later it was used as a dormitory, then classrooms.
Restored in 2000, Divinity Hall today provides multi-purpose spaces including classrooms, faculty and administrative offices (including admissions, financial aid, student life, and career services), Divinity Chapel (3rd floor), student resources center, and a student lounge.
Street-level room in the Bodleian Library buildings. Here, students used to stand for oral exams; now, it seems to be used to organize tour groups. Lucky us!
Look at that stone ceiling! It's actually the coolest donor recognition wall ever -- all the decoration is either names or symbols of major donors from the 12th century.
Visited on a Newcomers' Club tour with Marie Ruiz.
I last visited Oxford about 15 years ago so it was definitely time to go back. I lucked out with the weather - it was a gorgeous day in mid-May 2022, actually too bright at first. I tried to check out as many attractions as possible but trying to navigate admission policies was a nightmare - some places required buying tickets a day in advance and others were closed even though they said they were open. One security guard told me "It's Oxford, things are different here". That is true. Next time I'll stay a few days.
I misplaced my notes, so if you know the names of any of the building, feel free to help me. Thanks.
HDS MDiv candidate Sitraka Andriamanatenasoa with Phil (MDiv ’77) and Wendy Atkins Pattenson (MTS ’77).
Thai Pongal (Tamil: தை பொங்கல்) is a Tamil harvest festival.[1] Thai Pongal is celebrated over four days, usually spanning January 13th to 16th in the Gregorian calendar. This corresponds to the last day of the Tamil month Maargazhi to the third day of the Tamil month Thai.
Thai Pongal is one of the most important festivals celebrated by Tamil people in the Indian state of Tamil Nadu, the Indian Union Territory of Puducherry,[2][3] and Sri Lanka. Thai Pongal corresponds to Makara Sankranthi, the winter harvest festival celebrated throughout India.
The day marks the start of the sun’s six-month long journey northwards (the Uttarayanam). This also corresponds to the Indic solstice when the sun purportedly enters the 10th house of the Indian zodiac Makara or Capricorn. Thai Pongal is mainly celebrated to convey appreciation to the Sun God for providing the energy for agriculture. Part of the celebration is the boiling of the first rice of the season consecrated to the Sun - the Surya Maangalyam.[4]
History[edit]
The origins of the Thai Pongal festival may date to more than 1000 years ago. Epigraphic evidence suggests the celebration of the Puthiyeedu during the Medieval Chola empire days. Puthiyeedu is believed to represent the first harvest of the year.[5] Tamil people refer to Pongal as "Tamizhar Thirunaal," the festival of Tamizhs.[6] Thai Pongal, also referred to as Makara Sankranti, is referred to in the classic work of Hindu astrology, the Surya Siddhanta.[7]
Etymology[edit]
Thai refers to the name of the tenth month in the Tamil calendar, Thai (தை). Pongal usually means festivity or celebration;[8] more specifically Pongal is translated as "boiling over" or "overflow." Pongal is also the name of a sweetened dish of rice boiled with lentils that is ritually consumed on this day. Symbolically, pongal signifies the gradual heating of the earth as the Sun travels northward toward the equinox.
This day coincides with Makara Sankranthi which is celebrated throughout India.
NameRegion
Thai PongalTamil Nadu
Makara SankranthiAndhra Pradesh, Bengal, Kerala, Bihar, Goa, Karnataka, Orissa, Madhya Pradesh, Maharashtra, Manipur,Telangana Uttar Pradesh
UttarayanaGujarat and Rajasthan
LohriHaryana, Himachal Pradesh and Punjab
Magh Bihu/Bhogali BihuAssam
Maghe Sankranti or Makar SankrantiNepal
Pongal Dish :
Besides rice and milk the ingredients of this sweet dish include cardamom, jaggery, raisins, Green gram (split), and cashew nuts. Cooking is done in sunlight, usually in a porch or courtyard, as the dish is dedicated to the Sun god, Surya. The cooking is done in a clay pot that is decorated with coloured patterns called kolam. Pongal has two variants, one sweet and one savoury. The dish is served on banana leaves.
Bhogi[edit]
The day preceding Pongal is called Bhogi. On this day people discard old belongings and celebrate new possessions. The disposal of worn-out items is similar to the traditions of Holika in North India. The people assemble at dawn in Tamil Nadu to light a bonfire in order to burn the discards. Houses are cleaned, painted and decorated to give a festive look. The horns of oxen and buffaloes are painted in villages.
Bhogi is also observed on the same day in Andhra Pradesh. In the ceremony called Bhogi Pallu, fruits of the harvest such as regi pallu and sugar cane are collected along with flowers of the season. Money is often placed into a mixture of treats and is poured over children. The children then separate and collect the money and sweet fruits.
This day is celebrated in Punjab as Lohri and in Assam as Magh Bihu / Bhogali Bihu.
Thai Pongal[edit]
The main event, also known as Thai Pongal, takes place on the second of the four days. This day coincides with Makara Sankranthi, a winter harvest festival celebrated throughout India. The day marks the start of the Uttarayanam, the day of the Indic solstice when the sun purportedly enters the 10th house of the Indian zodiac i.e. Makara or Capricorn.
In the Tamil language the word Pongal means "overflowing," signifying abundance and prosperity.
During the festival milk is cooked in a vessel. When it starts to bubble and overflows out of the vessel, freshly harvested rice grains are added to the pot. At the same time other participants blow a conch called the sanggu and shout "Pongalo Pongal!"[9] They also recite "Thai Pirandhal Vazhi Pirakkum" ("the commencement of Thai paves the way for new opportunities"). This is repeated frequently during the Pongal festival. The Pongal is then served to to everyone in the house along with savories and sweets such as vadai, murukku, paayasam.Tamilians decorate their homes with banana and mango leaves and embellish the floor with decorative patterns drawn using rice flour.[2] kolams/rangolis are drawn on doorsteps. Family elders present gifts to the young.
Newly cooked rice and savouries prepped for celebrating pongal.
The Sun stands for "Pratyaksha Brahman" - the manifest God, who symbolizes the one, non-dual, self-effulgent, glorious divinity blessing one and all tirelessly. The Sun is the one who transcends time and also the one who rotates the proverbial wheel of time.
Maattu Pongal :
Maatu Pongal is celebrated the day after Thai Pongal. Tamils regard cattle as sources of wealth for providing dairy products, fertilizer, and labor for plowing and transportation. On Maatu Pongal, cattle are recognized and afforded affection. Features of the day include games such as the Jallikkattu and taming wild bull.[citation needed]
Kanu Pidi is a tradition for women and young girls. During Kanu Pidi women feed birds and pray for their brothers' well being. As part of the "Kaka pidi, Kanu pidi" feast women and girls place a feast of colored rice, cooked vegetables, banana and sweet pongal on ginger or turmeric leaves for crows to share and enjoy. During this time women offer prayers in the hope that brother-sister ties remain forever strong as they do in a crow family.[citation needed]
On this day celebrants bathe and decorate their cattle with garlands. Cows are decorated with manjalthanni (turmeric water) and oil. Shikakai apply kungumam (kumkum) to their foreheads, paint their horns, and feed them a mixture of venn pongal, jaggery, honey, banana and other fruits. In the evening people pray to Lord Ganesh. One ritual is to light a torch of coconut leaves and carry it around cattle three times and then run to the border of the village to drop it. This is believed to remove the evil influences caused by the jealousy of other people over the cattle.[citation needed]
Kaanum Pongal[edit]
Kaanum Pongal, the fourth day of the festival, marks the end of Pongal festivities for the year. The word kaanum in this context means "to visit." Many families hold reunions on this day. Brothers pay special tribute to their married sisters by giving gifts as affirmation of their filial love. Landlords present gifts of food, clothes and money to their tenants. Villagers visit relatives and friends while in the cities people flock to beaches and theme parks with their families. Celebrants chew sugar cane and again decorate their houses with kolam. Relatives and friends receive thanks for their assistance supporting the harvest.
In Andhra Pradesh, Mukkanuma, the final day of Sankranthi festival, is celebrated by worshiping cattle. Mukkanuma is famous among non-vegetarians. People do not eat non-vegetarian dishes during the first three days of the festival, saving them for the day of Mukkanuma.
JALLIKATTU:
History:Jallikattu, which is bull-baiting or bull cuddling/holding, is a Tamil tradition called 'Yeru thazhuvuthal' in Sangam literature(meaning, to embrace bulls), popular amongst warriors during the Tamil classical period.[3][4] Bull fighting was has been common among the ancient tribes who lived in the ‘Mullai’ geographical division of Tamil Nadu[5] Later, it became a sport conducted for entertainment and was called ‘Yeruthu Kattu’ in which a fast running bull was corralled with ropes around its neck. In the Naik era, prize money was introduced and the sport became a display of bravery. The term Jallikattu was coined in this era. ‘Jalli’ referred to the silver or gold coins tied to the bulls’ horns. – R. Sundaravandhiya Thevan, Author of Piramalai Kallar Vazhvum Varalarum.[5] . According to legend, in olden days the game was used by women to choose their husbands. Successful "matadors" were chosen as grooms.
The term jallikaṭṭu comes from the term calli kācu (coins) and kaṭṭu (meaning a package) tied to the horns of the bulls as the prize money. Later days during the colonial period this evolved to jallikattu which is the term currently used. A seal from the Indus Valley Civilization[6] depicting the sport is preserved in the National Museum.
Tamil-style bull-cuddling:
Jallikattu is based on the concept of "flight or fight". All castes participate in the event. The majority of jallikattu bulls belong to the pulikulam breed of cattle. These cattle are reared in huge herds numbering in hundreds with a few cowherds tending to them. These cattle are for all practical comparisons wild, and only experienced cowherds can mingle with them safely. It is from these herds that calves with competent characteristics and body conformation are selected and reared to become jallikattu bulls. Other breeds of cattle that are suitable for jallikattu are the palingu (or naatu) maadu, the umblachery and the malai maadu.Variants[edit]
There are three variants of jallikattu:
vaṭi manju viraṭṭu - This version takes place mostly in the districts of Madurai- Palamedu, Trichy, Pudukkottai, Dindigul, Theni, Thanjavur, Salem. This version that has been popularised by television and movies involves the bull being released from an enclosure with an opening. As the bull comes out of the enclosure, one person clings to the hump of the bull. The bull in its attempt to shake him off will bolt (as in most cases), but some will hook the guy with their horns and throw him off. The rules specify that the person has to hold on to the running bull for a predetermined distance to win the prize. Only one person is supposed to attempt catching the bull, but this rule being strictly enforced depends on the village where the event is conducted and more importantly, the bull himself. Some bulls acquire a reputation and that alone is enough for them to be given an unhindered passage out of the enclosure and arena.
vēli viraṭṭu - This version is more popular in the districts of Sivagangai, and Madurai. The bull is released in an open ground. This version is the most natural as the bulls are not restricted in any way (no rope or determined path). The bulls once released just run away from the field in any direction that they prefer. Most don't even come close to any human, but there are a few bulls that do not run but stand their ground and attack anyone who tries to come near them. These bulls will "play" for some time (from a few minutes to a couple of hours) providing a spectacle for viewers, players and owners alike.
vaṭam manjuviraṭṭu - "vaṭam" means rope in Tamil. The bull is tied to a 50-foot-long rope (15 m) and is free to move within this space. A team of 7 or 9 members must attempt to subdue the bull within 30 minutes. This version is very safe for spectators as the bull is tied and the spectators are shielded by barricades.
Training of jallikaṭṭu bulls:The calves that are chosen to become jallikattu bulls are fed a nutritious diet so that they develop into strong, sturdy beasts. The bulls are made to swim for exercise. The calves, once they reach adolescence are taken to small jallikattu events to familiarize them with the atmosphere. Specific training is given to vadam manju virattu bulls to understand the restraints of the rope. apart from this, no other training is provided to jallikattu bulls. Once the bulls are released, then instinct takes over.
Controversy[edit]
Injuries and even deaths occur in jallikattu. In 2004, at least 5 people were reported dead and several hundreds injured in various villages. Two hundred have died over the past two decades.[7] Unlike in Spanish bullfighting, the bull is not killed. There are rarely any casualties suffered by the bulls. Several animal activists object to this dangerous game every year,[8] but so far these objections have been in vain. In fact jallikattu is loaded against the matadors, unlike in Spain bullfighting. For instance, the bull's horns are sharpened and the matador cannot use any weapons.
The Animal Welfare Board of India took the case to the Supreme Court, which is considering an outright ban on jallikattu because of the cruelty to animals and the threat to public safety involved. Villagers throw themselves on top of the terrified animals in an effort to "tame" them and claim the prize. This is opposed by animal advocates.
A committee was formed called "Tamizhar Veera Vilayathu Peravai" which was headed by P. Rajasekaran from Madurai. With the support of the Tamil Nadu government, he appealed against the claim of Animal Welfare Board in Supreme Court of India.
On November 27, 2010 the Supreme Court in accordance with the law enacted on the regulation of events, permitted the Tamil Nadu government to allow jallikattu for five months in a year from January 15.
A Bench composed of Justice R.V. Raveendran and Justice A.K. Patnaik made it clear in their order that the animals participating in the event were to be categorized as per the provisions of the Act.
The Bench also directed the District Collectors to make sure that the animals that participate in jallikattu are registered to the Animal Welfare Board and in return the Board would send its representative to monitor over the event.
The Act states that no jallikattu would be permitted or will be carried out without the permission of the collector and such permission should be obtained one month in prior to the event and the location should also be informed to the board before hand.
Considering the report submitted to the board, which stated the statistics of 12 deaths and 1,614 injuries at the event, the Bench directed the collectors to segregate the events into smaller and larger ones and also added that large amount should be deposited when the events were set large. The Bench considers the board’s suggestion for framing the rules.
The State also responded stating that jallikattu is an ancient, religious and sentimental cultural game that had been conducted for more than 400 years in rural areas during Pongal in January and also for few church festivals from January to December. However, as per the law directs, the event was restricted to five months between January and May.
The State added that at present two lakhs be deposited by the organizers for the benefit of the victims which also includes the victim’s family, in case of an accident or injury during the event.
The government said that a team of veterinarians would be present at the venue for testing and certifying the bulls for participation in the event to provide treatment for bulls that get injured.After the State Government enacted the 'Tamil Nadu Jallikattu Act', the stringent pre-conditions especially the huge caution deposit of Rs. 2 Lakh for small venues and Rs. 5 Lakh for big venues has caused a huge drop in the number of venues where Jallikattu is being held. Over 3000 Jallikattus were believed to have been held a decade earlier. This has now dwindled to just about 25 to 30 villages. The new rules have also meant that there are negligible reports of animal abuse and also very few cases of injuries to Jallikattu Participants (Bull tamers), spectators and bulls.
Ban by Supreme Court[edit]
The Supreme Court on 7 May 2014 banned Tamil Nadu's Jallikattu bull fights.[9][10] A bench of Justice KS Radhakrishnan and Justice Pinaki Chandra Ghose also asked the center to amend the law on preventing cruelty to animals to bring bulls within its ambit.
The court also struck down a 2011 Tamil Nadu law regulating the conduct of Jallikattu. The law provided for conducting Jallikattu from January to May in various places in Tamil Nadu to ensure the protection of not only the participants but also of the spectators.
The ban order came as the apex court allowed an appeal by the Animal Welfare Board of India challenging a Madras high court verdict.
Artistic depictions[edit]
The event has fascinated movie makers for decades. Several movies featuring Jallikattu have been made in Tamil. The most popular among them is Murattu Kalai playing the role of a professional and the most successful bull tamer of the village. Virumaandi, released in 2004, had Kamal HaasSan playing the lead role, and offered the most realistic depiction. He is also known to have acted without stunt doubles.
Another single painting discovered in a cave at Kalluthu Mettupatti, about 35 km west of Madurai, between Madurai and Dindigul, shows a lone man trying to control a bull. Art historian K.T. Gandhirajan estimated that this painting, done in white kaolin, was about 1,500 years old.[11]
Cooking pongal is a traditional practice at Hindu temples during any part of the Temple Festival in Tamil Nadu.
this couple was doing a photo shoot. this is a completely unretouched photo, just as the camera saw it. they had the leica version :)
more: www.gregroberts.com
Thai Pongal (Tamil: தை பொங்கல்) is a Tamil harvest festival.[1] Thai Pongal is celebrated over four days, usually spanning January 13th to 16th in the Gregorian calendar. This corresponds to the last day of the Tamil month Maargazhi to the third day of the Tamil month Thai.
Thai Pongal is one of the most important festivals celebrated by Tamil people in the Indian state of Tamil Nadu, the Indian Union Territory of Puducherry,[2][3] and Sri Lanka. Thai Pongal corresponds to Makara Sankranthi, the winter harvest festival celebrated throughout India.
The day marks the start of the sun’s six-month long journey northwards (the Uttarayanam). This also corresponds to the Indic solstice when the sun purportedly enters the 10th house of the Indian zodiac Makara or Capricorn. Thai Pongal is mainly celebrated to convey appreciation to the Sun God for providing the energy for agriculture. Part of the celebration is the boiling of the first rice of the season consecrated to the Sun - the Surya Maangalyam.[4]
History[edit]
The origins of the Thai Pongal festival may date to more than 1000 years ago. Epigraphic evidence suggests the celebration of the Puthiyeedu during the Medieval Chola empire days. Puthiyeedu is believed to represent the first harvest of the year.[5] Tamil people refer to Pongal as "Tamizhar Thirunaal," the festival of Tamizhs.[6] Thai Pongal, also referred to as Makara Sankranti, is referred to in the classic work of Hindu astrology, the Surya Siddhanta.[7]
Etymology[edit]
Thai refers to the name of the tenth month in the Tamil calendar, Thai (தை). Pongal usually means festivity or celebration;[8] more specifically Pongal is translated as "boiling over" or "overflow." Pongal is also the name of a sweetened dish of rice boiled with lentils that is ritually consumed on this day. Symbolically, pongal signifies the gradual heating of the earth as the Sun travels northward toward the equinox.
This day coincides with Makara Sankranthi which is celebrated throughout India.
NameRegion
Thai PongalTamil Nadu
Makara SankranthiAndhra Pradesh, Bengal, Kerala, Bihar, Goa, Karnataka, Orissa, Madhya Pradesh, Maharashtra, Manipur,Telangana Uttar Pradesh
UttarayanaGujarat and Rajasthan
LohriHaryana, Himachal Pradesh and Punjab
Magh Bihu/Bhogali BihuAssam
Maghe Sankranti or Makar SankrantiNepal
Pongal Dish :
Besides rice and milk the ingredients of this sweet dish include cardamom, jaggery, raisins, Green gram (split), and cashew nuts. Cooking is done in sunlight, usually in a porch or courtyard, as the dish is dedicated to the Sun god, Surya. The cooking is done in a clay pot that is decorated with coloured patterns called kolam. Pongal has two variants, one sweet and one savoury. The dish is served on banana leaves.
Bhogi[edit]
The day preceding Pongal is called Bhogi. On this day people discard old belongings and celebrate new possessions. The disposal of worn-out items is similar to the traditions of Holika in North India. The people assemble at dawn in Tamil Nadu to light a bonfire in order to burn the discards. Houses are cleaned, painted and decorated to give a festive look. The horns of oxen and buffaloes are painted in villages.
Bhogi is also observed on the same day in Andhra Pradesh. In the ceremony called Bhogi Pallu, fruits of the harvest such as regi pallu and sugar cane are collected along with flowers of the season. Money is often placed into a mixture of treats and is poured over children. The children then separate and collect the money and sweet fruits.
This day is celebrated in Punjab as Lohri and in Assam as Magh Bihu / Bhogali Bihu.
Thai Pongal[edit]
The main event, also known as Thai Pongal, takes place on the second of the four days. This day coincides with Makara Sankranthi, a winter harvest festival celebrated throughout India. The day marks the start of the Uttarayanam, the day of the Indic solstice when the sun purportedly enters the 10th house of the Indian zodiac i.e. Makara or Capricorn.
In the Tamil language the word Pongal means "overflowing," signifying abundance and prosperity.
During the festival milk is cooked in a vessel. When it starts to bubble and overflows out of the vessel, freshly harvested rice grains are added to the pot. At the same time other participants blow a conch called the sanggu and shout "Pongalo Pongal!"[9] They also recite "Thai Pirandhal Vazhi Pirakkum" ("the commencement of Thai paves the way for new opportunities"). This is repeated frequently during the Pongal festival. The Pongal is then served to to everyone in the house along with savories and sweets such as vadai, murukku, paayasam.Tamilians decorate their homes with banana and mango leaves and embellish the floor with decorative patterns drawn using rice flour.[2] kolams/rangolis are drawn on doorsteps. Family elders present gifts to the young.
Newly cooked rice and savouries prepped for celebrating pongal.
The Sun stands for "Pratyaksha Brahman" - the manifest God, who symbolizes the one, non-dual, self-effulgent, glorious divinity blessing one and all tirelessly. The Sun is the one who transcends time and also the one who rotates the proverbial wheel of time.
Maattu Pongal :
Maatu Pongal is celebrated the day after Thai Pongal. Tamils regard cattle as sources of wealth for providing dairy products, fertilizer, and labor for plowing and transportation. On Maatu Pongal, cattle are recognized and afforded affection. Features of the day include games such as the Jallikkattu and taming wild bull.[citation needed]
Kanu Pidi is a tradition for women and young girls. During Kanu Pidi women feed birds and pray for their brothers' well being. As part of the "Kaka pidi, Kanu pidi" feast women and girls place a feast of colored rice, cooked vegetables, banana and sweet pongal on ginger or turmeric leaves for crows to share and enjoy. During this time women offer prayers in the hope that brother-sister ties remain forever strong as they do in a crow family.[citation needed]
On this day celebrants bathe and decorate their cattle with garlands. Cows are decorated with manjalthanni (turmeric water) and oil. Shikakai apply kungumam (kumkum) to their foreheads, paint their horns, and feed them a mixture of venn pongal, jaggery, honey, banana and other fruits. In the evening people pray to Lord Ganesh. One ritual is to light a torch of coconut leaves and carry it around cattle three times and then run to the border of the village to drop it. This is believed to remove the evil influences caused by the jealousy of other people over the cattle.[citation needed]
Kaanum Pongal[edit]
Kaanum Pongal, the fourth day of the festival, marks the end of Pongal festivities for the year. The word kaanum in this context means "to visit." Many families hold reunions on this day. Brothers pay special tribute to their married sisters by giving gifts as affirmation of their filial love. Landlords present gifts of food, clothes and money to their tenants. Villagers visit relatives and friends while in the cities people flock to beaches and theme parks with their families. Celebrants chew sugar cane and again decorate their houses with kolam. Relatives and friends receive thanks for their assistance supporting the harvest.
In Andhra Pradesh, Mukkanuma, the final day of Sankranthi festival, is celebrated by worshiping cattle. Mukkanuma is famous among non-vegetarians. People do not eat non-vegetarian dishes during the first three days of the festival, saving them for the day of Mukkanuma.
JALLIKATTU:
History:Jallikattu, which is bull-baiting or bull cuddling/holding, is a Tamil tradition called 'Yeru thazhuvuthal' in Sangam literature(meaning, to embrace bulls), popular amongst warriors during the Tamil classical period.[3][4] Bull fighting was has been common among the ancient tribes who lived in the ‘Mullai’ geographical division of Tamil Nadu[5] Later, it became a sport conducted for entertainment and was called ‘Yeruthu Kattu’ in which a fast running bull was corralled with ropes around its neck. In the Naik era, prize money was introduced and the sport became a display of bravery. The term Jallikattu was coined in this era. ‘Jalli’ referred to the silver or gold coins tied to the bulls’ horns. – R. Sundaravandhiya Thevan, Author of Piramalai Kallar Vazhvum Varalarum.[5] . According to legend, in olden days the game was used by women to choose their husbands. Successful "matadors" were chosen as grooms.
The term jallikaṭṭu comes from the term calli kācu (coins) and kaṭṭu (meaning a package) tied to the horns of the bulls as the prize money. Later days during the colonial period this evolved to jallikattu which is the term currently used. A seal from the Indus Valley Civilization[6] depicting the sport is preserved in the National Museum.
Tamil-style bull-cuddling:
Jallikattu is based on the concept of "flight or fight". All castes participate in the event. The majority of jallikattu bulls belong to the pulikulam breed of cattle. These cattle are reared in huge herds numbering in hundreds with a few cowherds tending to them. These cattle are for all practical comparisons wild, and only experienced cowherds can mingle with them safely. It is from these herds that calves with competent characteristics and body conformation are selected and reared to become jallikattu bulls. Other breeds of cattle that are suitable for jallikattu are the palingu (or naatu) maadu, the umblachery and the malai maadu.Variants[edit]
There are three variants of jallikattu:
vaṭi manju viraṭṭu - This version takes place mostly in the districts of Madurai- Palamedu, Trichy, Pudukkottai, Dindigul, Theni, Thanjavur, Salem. This version that has been popularised by television and movies involves the bull being released from an enclosure with an opening. As the bull comes out of the enclosure, one person clings to the hump of the bull. The bull in its attempt to shake him off will bolt (as in most cases), but some will hook the guy with their horns and throw him off. The rules specify that the person has to hold on to the running bull for a predetermined distance to win the prize. Only one person is supposed to attempt catching the bull, but this rule being strictly enforced depends on the village where the event is conducted and more importantly, the bull himself. Some bulls acquire a reputation and that alone is enough for them to be given an unhindered passage out of the enclosure and arena.
vēli viraṭṭu - This version is more popular in the districts of Sivagangai, and Madurai. The bull is released in an open ground. This version is the most natural as the bulls are not restricted in any way (no rope or determined path). The bulls once released just run away from the field in any direction that they prefer. Most don't even come close to any human, but there are a few bulls that do not run but stand their ground and attack anyone who tries to come near them. These bulls will "play" for some time (from a few minutes to a couple of hours) providing a spectacle for viewers, players and owners alike.
vaṭam manjuviraṭṭu - "vaṭam" means rope in Tamil. The bull is tied to a 50-foot-long rope (15 m) and is free to move within this space. A team of 7 or 9 members must attempt to subdue the bull within 30 minutes. This version is very safe for spectators as the bull is tied and the spectators are shielded by barricades.
Training of jallikaṭṭu bulls:The calves that are chosen to become jallikattu bulls are fed a nutritious diet so that they develop into strong, sturdy beasts. The bulls are made to swim for exercise. The calves, once they reach adolescence are taken to small jallikattu events to familiarize them with the atmosphere. Specific training is given to vadam manju virattu bulls to understand the restraints of the rope. apart from this, no other training is provided to jallikattu bulls. Once the bulls are released, then instinct takes over.
Controversy[edit]
Injuries and even deaths occur in jallikattu. In 2004, at least 5 people were reported dead and several hundreds injured in various villages. Two hundred have died over the past two decades.[7] Unlike in Spanish bullfighting, the bull is not killed. There are rarely any casualties suffered by the bulls. Several animal activists object to this dangerous game every year,[8] but so far these objections have been in vain. In fact jallikattu is loaded against the matadors, unlike in Spain bullfighting. For instance, the bull's horns are sharpened and the matador cannot use any weapons.
The Animal Welfare Board of India took the case to the Supreme Court, which is considering an outright ban on jallikattu because of the cruelty to animals and the threat to public safety involved. Villagers throw themselves on top of the terrified animals in an effort to "tame" them and claim the prize. This is opposed by animal advocates.
A committee was formed called "Tamizhar Veera Vilayathu Peravai" which was headed by P. Rajasekaran from Madurai. With the support of the Tamil Nadu government, he appealed against the claim of Animal Welfare Board in Supreme Court of India.
On November 27, 2010 the Supreme Court in accordance with the law enacted on the regulation of events, permitted the Tamil Nadu government to allow jallikattu for five months in a year from January 15.
A Bench composed of Justice R.V. Raveendran and Justice A.K. Patnaik made it clear in their order that the animals participating in the event were to be categorized as per the provisions of the Act.
The Bench also directed the District Collectors to make sure that the animals that participate in jallikattu are registered to the Animal Welfare Board and in return the Board would send its representative to monitor over the event.
The Act states that no jallikattu would be permitted or will be carried out without the permission of the collector and such permission should be obtained one month in prior to the event and the location should also be informed to the board before hand.
Considering the report submitted to the board, which stated the statistics of 12 deaths and 1,614 injuries at the event, the Bench directed the collectors to segregate the events into smaller and larger ones and also added that large amount should be deposited when the events were set large. The Bench considers the board’s suggestion for framing the rules.
The State also responded stating that jallikattu is an ancient, religious and sentimental cultural game that had been conducted for more than 400 years in rural areas during Pongal in January and also for few church festivals from January to December. However, as per the law directs, the event was restricted to five months between January and May.
The State added that at present two lakhs be deposited by the organizers for the benefit of the victims which also includes the victim’s family, in case of an accident or injury during the event.
The government said that a team of veterinarians would be present at the venue for testing and certifying the bulls for participation in the event to provide treatment for bulls that get injured.After the State Government enacted the 'Tamil Nadu Jallikattu Act', the stringent pre-conditions especially the huge caution deposit of Rs. 2 Lakh for small venues and Rs. 5 Lakh for big venues has caused a huge drop in the number of venues where Jallikattu is being held. Over 3000 Jallikattus were believed to have been held a decade earlier. This has now dwindled to just about 25 to 30 villages. The new rules have also meant that there are negligible reports of animal abuse and also very few cases of injuries to Jallikattu Participants (Bull tamers), spectators and bulls.
Ban by Supreme Court[edit]
The Supreme Court on 7 May 2014 banned Tamil Nadu's Jallikattu bull fights.[9][10] A bench of Justice KS Radhakrishnan and Justice Pinaki Chandra Ghose also asked the center to amend the law on preventing cruelty to animals to bring bulls within its ambit.
The court also struck down a 2011 Tamil Nadu law regulating the conduct of Jallikattu. The law provided for conducting Jallikattu from January to May in various places in Tamil Nadu to ensure the protection of not only the participants but also of the spectators.
The ban order came as the apex court allowed an appeal by the Animal Welfare Board of India challenging a Madras high court verdict.
Artistic depictions[edit]
The event has fascinated movie makers for decades. Several movies featuring Jallikattu have been made in Tamil. The most popular among them is Murattu Kalai playing the role of a professional and the most successful bull tamer of the village. Virumaandi, released in 2004, had Kamal HaasSan playing the lead role, and offered the most realistic depiction. He is also known to have acted without stunt doubles.
Another single painting discovered in a cave at Kalluthu Mettupatti, about 35 km west of Madurai, between Madurai and Dindigul, shows a lone man trying to control a bull. Art historian K.T. Gandhirajan estimated that this painting, done in white kaolin, was about 1,500 years old.[11]
Cooking pongal is a traditional practice at Hindu temples during any part of the Temple Festival in Tamil Nadu.
Oven caramelized Vidalia onions and garlic. Need I say more?? The house was my temple for the day.
These were pureed in preparation for a pasta, chickpea and rapini dish I'm making for my Mom this Mother's Day.
The Episcopal Divinity School offers a serene scene on my walk to Harvard Square from my parents' home in Cambridge, Mass.
An elderly woman devotee gets into a trance.
24th Annual Chariot festival of Sri Mayurapathy Paththirakaali temple is held today (6th of August 2011) in Colombo amidst heavy downpour. Five wooden carved chariots parade through the streets of Bambalapitty (Colombo 04), Havelock Town (Colombo 05) and Wellawatte (Colombo 06).
Devotees dressed elegantly and took part in religious rituals such as carrying clay pots of camphor, rolling themselves on the ground, smashing coconuts and hanging on hooks (Kaavadi ~ Men only). Few devotees who fulfill their vows, got into trance and danced on the streets. Devotional songs played throughout the dazzling parade. Traditional and non ~ traditional musical instruments added colour to the festival.
The huge windows of the Divinity School reinterpret the outside reality through their web of often small and subtle distortions. (best view large)