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From the stop-motion animated iPad Disassembly video by TechRestore: www.youtube.com/watch?v=Fs79QEbWrLc
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: "Revisiting the Roman Forum: From Pen to Pixel" | "Ricerche al Foro. Dalla matita al pixel. Curia Iulia, nel Foro Romano", in: DHARMA - The School of Architecture, University of Notre Dame & ND | YouTube (2014-18). ENGLISH | ITALIANO. s.v., Prof. James E. Packer, "Digitizing Imperial Rome" & "The Roman Forum" (2010-18). wp.me/pPRv6-4FF
1). The Exhibit - Revisiting the Roman Forum: from Pen to Pixel, Methods of Documentation in the 20th and 21st Centuries (2 April to 31 October, 2014). Rome, Italy. DHARMA (2018).
The Exhibit displays detailed architectural drawings and watercolors, a 3D digital model of the Forum and its monuments and high-resolution panoramic photographs, accompanied by detailed architectural analysis.
Launching in conjunction with the 2014 Digital Future of World Heritage Symposium, Revisiting the Roman Forum: from Pen to Pixel, Methods of Documentation in the 20th and 21st Centuries, the first 3D exhibit on historic preservation in the Roman Forum, is on display from April to Oct 2014 in Rome, Italy. The aim of the exhibition is to provide architects, art historians, academics and the general public with a greater understanding of the development of architectural documentation of excavations at the Roman Forum in the last 100 years from 1905 to 2013.
The primary objectives of the research and culminating exhibition is to advance scholarship and knowledge on the recent developments at the Roman Forum. This Exhibit is the result of research and scholarship by the Digital Historic Architectural Research and Material Analysis (DHARMA) Lab, conducted since summer 2010, in 3D documenting the Roman Forum, Rome, Italy. Though the Roman Forum is a well-known site with over 4 million visitors every year, the Italian cultural ministry notes that few know its real value and historic significance. The goal of our research has been to strengthen the disconnect that exists between scholars of various fields working on this World Heritage Site, the outputs they produce and its relevance to tourists and visitors. To cover this gap of public knowledge and understanding of the Forum, the exhibit will be accompanied by detailed historic text and drawings, materials on Giacomo Boni’s documentation, along with watercolor and 3D high-definition DHARMA documentation, in cooperation with Soprintendenza Speciale per i Beni Archeologici di Roma.
The Exhibit displays detailed architectural drawings and watercolors, a 3D digital model of the Forum and its monuments and high-resolution panoramic photographs, accompanied by detailed architectural analysis. Focus on the documentation of the Roman Forum was developed as the consequence of an existing need in the architectural community to integrate innovative methods of digital documentation and 3D scanning with traditional hand measuring techniques. The resulting highly accurate raw data acquired during this three-year project can be used to produce incredibly precise measured drawings by hand and computer, which provide a basis for generating highly critical and analytical work. The larger objectives of the exhibit are to draw attention to the historic methods of the early scientific documentation at the Roman Forum and the evolution of these methods, providing a basis for new methods of documentation to be developed and utilized in the field today and in the future.
The Exhibit is divided into four distinct sections to provide a greater understanding of the history of documentation, instrumentation, results of historic and present studies at the forum, comparisons of individual temples as based on current data acquisition methods in confrontation with historic studies and 3D views of the Forum to architects, academics and the general public. This layout allows visitors to gain a comprehensive understanding of the Forum as a whole, while being able to gain greater understanding of its individual monuments in a manner that has never been possible before.
Forthcoming Summer 2014, Rome Forum Exhibit and Catalogue, “New Techniques and Traditions”, Exhibit of 19th century work of Ecole des Beaux-Arts architects, materials on Giacomo Boni’s documentation, water color and 3D High definition DHARMA documentation, in cooperation with Soprintendenza Speciale per i Beni Archeologici di Roma and World Heritage Center of UNESCO.
Fonte |source:
-- DHARMA (2018).
dharma3d.org/index.php/news-events/forum-symposium-2014/e...
Fonte | video |source:
Revisiting the Roman Forum From Pen to Pixel HD - "Revisiting the Roman Forum: From Pen to Pixel" to video designed and created by Prof. William Donaruma from the Dept. of Film, Television and Theater. The film describes the DHARMA, School of Architecture, University of Notre Dame's work in partnership with the Special Heritage Cultural Heritage and the Ministry of Culture, Rome, Italy. Funding credit: Nanovic Institute.
-- ND School Of Architecture | YouTube (04/2014) [16:45], in: ENGLISH | ITALIANO.
www.youtube.com/watch?v=Ij80lN0K5u0
-- Italy Roman Forum Project. ND School Of Architecture (2010).
2). DHARMA Lab uses both traditional and innovative methods of documentation of World Heritage sites. In July 2010, the DHARMA Lab, in cooperation with the Sopritendenza Speciale per i Beni Archeologici di Roma, undertook a project at the Roman Forum, a World Heritage site —the center of political, religious, commercial, and judicial life in ancient Rome—to measure, document, and draw large areas of the historic site. Employing the latest optical technology, a high definition-surveying laser, and Gigapan the team was able to document the existing state of the site in unprecedented detail. Traditional methods of hand-measuring and photogrammetry were conducted to supplement the data gathered through this digital technique. In a continuing partnership with the Soprintendenza, the D.H.A.R.M.A. Lab produced detailed architectural drawings, a 3-D digital model, and high-resolution panoramic photographs, with detailed analysis forthcoming.
Students at Notre Dame have spend the Fall 2010 in the World Heritage Studies course, under the Historic Preservation concentration at the school, rendering the data scanned at the Roman Forum site in vellum and water color. To date these are the most precise measured drawings that have been made from this ancient city, the cradle of western civilization. We are presently in conversation with UNESCO and the Soprintendenza Speciale per i Beni Archeologici di Roma, Ministry of Heritage and Culture and the Archaeological Service, Rome to create a joint exhibit on the documentation of the Forum from the 19th through the early 21st century tentatively in late summer 2013/2014.
Permission was granted by the Soprintendenza Speciale per i Beni, Archeologici di Roma, Ministry of Heritage and Culture to accurately measure and draw the monuments and ruins at the Roman Forum. Working on site in July 2010 a team of Notre Dame School of Architecture faculty and students produced 27 scans, 30 digital panoramic photography views, in addition to collecting hand-measured data. Over the following months, the DHARMA team produced a series of detailed drawings and watercolors based on the raw field data and panoramic views. Many of the original and derivative works and research findings were displayed in a 2014 Exhibit in Rome and detailed in various publications.
Fonte |source:
-- Italy Roman Forum Project. ND School Of Architecture (2010).
www.dharma3d.org/index.php/projects/italy
architecture.nd.edu/news-events/news/3d-documentation-of-...
-- Ricerche al Foro. Dalla matita al pixel. Curia Iulia, nel Foro Romano | Soprintendenza Speciale per i Beni Archeologici di Roma, in collaborazione con DHARMA, Istituto di architettura Università Notre Dame, Indiana (USA)(3 – 13 aprile 2014).
www.beniculturali.it/mibac/export/MiBAC/sito-MiBAC/Conten...
Foto | fonte |sources:
-- Notre Dame Architecture | FACEBOOK (05/2018).
www.facebook.com/NotreDameArchitecture
--Foto: "Ricerche al Foro. Dalla matita al pixel," (04/2014) in:
www.clementemoraleda.com/portfolio/
s.v.,
-- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: Michele Russo, “Il colore nel rilievo e nella rappresentazione di beni archeologici,” pp. 404-16 [in PDF]; “FORO ROMANO (1905-06),” in: AA.VV, Colore e
Colorimetra Contrbuti Multidisciplinari. Vol. XIII A (2017).
-- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: Josef Theodor Hansen | Danish Artist (1848 – 1912), “THE FORUM ROMANUM”, (c. 1906?). Artnet.com (04/2018) & s.v., Michele Russo, “FORO ROMANO (1905-
06),”(2017).
-- ROMA ARCHEOLOGIA e IL FORO ROMANO e GIACOMO BONI: “Ricerche al Foro Romano. Dalla matita al pixel,” Roma, Curia Iulia (03-13|04|2014) [Italiano | English].
1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Prof. James E. Packer,” Digitizing Imperial Rome: A computerized Approach to the Architectural History of the Roman Imperial Forum.” James E. Packer, Professor
Emeritus Northwestern University (2010). (11 OCT. 2010).
www.flickr.com/photos/imperial_fora_of_rome/5072597504/
s.v.,
1.1). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Prof. James E. Packer, "Digitizing Imperial Rome: A computerized Approach to the Architectural History of the Roman Imperial Forum.” James E. Packer, Professor
Emeritus Northwestern University (2010-18).
www.flickr.com/photos/imperial_fora_of_rome/albums/721576...
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Preservation Officer Vicki Lee and Preservation Specialist Ashley Cox discuss examples of the records found in the B-files, which were laid out for the 2023 Congressional Open House at the National Personnel Records Center in Saint Louis, MO, June 2, 2023. National Archives photo by Sean Derrick
Blog-post on how to digitize old 35mm negatives at heipei.net/2015/03/15/digitizing-old-35mm-film-negatives/
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
With my 2009 MacBook Pro retrofitted with an SSD, it's ready to go to work as my audio machine, here recording into Audacity.
The setup is a Realistic Lab (forget the number) turntable into an old school Pioneer Amp (one with turntable inputs, meaning built in pre-amp). I have an audio our from the back (RCA to mini-plug) going into the line in jack of my MacBook Pro.
And Troubadour is a fitting first disc to do, since it is a favorite of Jason, who was the one who shipped me a turntable from Vancouver.
PictionID:45273739 - Catalog:14_018047 - Title:GD/Astonautics Program Models Details: Model Atlas Rocket Set Up for Open House Date: 07/12/1958 - Filename:14_018047.TIF - - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
(Somewhat Less Harsh) Antidote to Soft, Fluffy Romantic Snow Pictures
Hilldale Shopping Center as I recall, Madison, 1985, Olympus XA, Tri-X.
Note: I've been digitizing some of my old black and white negs using my Opteka Slide Duplicator with the D90. Seems to work pretty well (the holder accomodates strips of film, as well as slides). The process created a 35-meg TIFF file from this negative. I inverted in Photoshop, adjusted Curves slightly and was good to go.
Far higher resolution and better tonal range, and also did a better job of reproducing the Tri-X 35mm grain from this dense neg than the version below, which was made from a 3x5 print. I could print this as large as i could possibly want, while the older version really only worked in low-res screen mode. Ironically, the cruddy image is probably more dramatic, with the exaggerated grain from over-sharpening a soft image and the strange, cloud-like streaks in the sky, which are really light reflections on the curved print surface. Low-fi photography does have its advantages sometimes.
PictionID:54823872 - Catalog:14_035335 - Title:GD/Astronautics Testing Details: LN2 Test at Pt. Loma; Stub Tank Damage aAfter Explosion Date: 05/07/1959 - Filename:14_035335.tif - ---- Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
digitize |ˈdɪdʒɪtʌɪz|
verb [ trans. ] [usu. as adj. ] ( digitized)
convert (pictures or sound) into a digital form that can be processed by a computer.
I tried it, and it didn't seem to work.
Two Of A Kind Challenge
via Instagram ift.tt/2d0C2SQ Flat USD5.99 per design - less than 12 hours turnaround - PayPal - Since 1999.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
My jerry rigged setup to digitize my negatives. I am getting ~120 megapixel images using stitched macro photographed images.
Digitized with Negative Lab Pro v2.1.2
Leica M3 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M3 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
MakerBot unveils its latest invention, the Digitizer 3D scanner at its Downtown Brooklyn headquarters
91017938 :Piction ID--Manufacturing---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a generous grant from the NHPRC: NHPRC and the San Diego Air and Space Museum
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Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Diversity: Digitized In The Game Tour @ Capital FM Arena, on April 03rd, 2012 in Nottingham, United Kingdom
A LOT more photographs of Diversity to come soon....
© Ollie Millington.
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2011 by clicking
here .
My Website currently undergoing a facelift...
Diversity: Digitized In The Game Tour @ Capital FM Arena, on April 03rd, 2012 in Nottingham, United Kingdom
A LOT more photographs of Diversity to come soon....
© Ollie Millington.
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2011 by clicking
here .
My Website currently undergoing a facelift...