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Blog-post on how to digitize old 35mm negatives at heipei.net/2015/03/15/digitizing-old-35mm-film-negatives/
Blog-post on how to digitize old 35mm negatives at heipei.net/2015/03/15/digitizing-old-35mm-film-negatives/
digitized from a Japanese drawing. This one is too big...22486 stitches. want to redo it to be less dense. about 7" wide. Two shades of red rayon thread on cotton canvas.
PictionID:47211373 - Catalog:14_024921 - Title:Atlas 83F Details: Post Launch of Missile 83F Date: 03/21/1963 - Filename:14_024921.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
On 14 September 2012, ITU Library and Archives organized a one-day event, Digitization Day 2012, that focused on digitization projects and best practices for librarians, archivists, and information professionals.
Behind-the-scenes of the Kelmscott Chaucer's digitization process.
This image is for the non-commercial use of UBC Library branches only. For non-UBC use please contact library.communications@ubc.ca.
Photo by: UBC Library Communications and Marketing
Diversity: Digitized In The Game Tour @ Capital FM Arena, on April 03rd, 2012 in Nottingham, United Kingdom
A LOT more photographs of Diversity to come soon....
© Ollie Millington.
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2011 by clicking
here .
My Website currently undergoing a facelift...
Visitor, From April 30th to May 1st, DLD is launching its first conference in the U.S. in New York City. DLD is a global network on innovation, digitization, science and culture which connects business, creative and social leaders, opinion-formers and influencers for crossover conversation and inspiration.(c) Hubert Burda Media
Edited image from the Digitized Sky Survey 2 of the Pinwheel Galaxy in context.
Original caption: This two-colour image shows 3.7 x 2.7 degrees of the surroundings around the Pinwheel Galaxy. It was composed from Digitized Sky Survey 2 images.
Digitized with Negative Lab Pro v2.1.2
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | T-Max 100
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.2 | Lomography
Ilford DDX
I posted a shot of how I digitize my film shots a few weeks ago then promptly went on vacation where I took a lot more shots that I wanted to digitize. While on vacation, I had some ideas on how I could make my digitization process a lot easier.
Enter the Ditigizer Mark II. With around $10 in purchased pieces and the rest scrap laying around the house, I have made the device I was looking for.
The concept is simple. You have 2 lights wired together - one on each side. They provide the light (I am using compact fluorescent bulbs to cut my heat). They illuminate the negative that is placed over the hole in the box. The box is from my Nikon D-60. The taped pieces in front hold the negative flat. And, it works (check my Holga and FED shots).
WARNING - if you do not know what you are doing with electricity, DO NOT attempt this project on your own. I am not responsible if you electrocute yourself or burn your house down. Use common sense - and if you don't have that, don't attempt this project.
I added the Black N White effect using GIMP.
Normally I do not modify any of the photo I click. But I guess working with some photo editing software is fun...
I have uploaded the Original of this photo on Facebook here's the link
Diversity: Digitized In The Game Tour @ Capital FM Arena, on April 03rd, 2012 in Nottingham, United Kingdom
A LOT more photographs of Diversity to come soon....
© Ollie Millington.
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2011 by clicking
here .
My Website currently undergoing a facelift...
Preservation Specialist Ashley Cox and Preservation Technician Tom Schmidt remove a rubber band from a military record salvaged from the 1973 fire. St. Louis, MO, June 2, 2023. National Archives photo by Sean Derrick
Custom design for koozies for a wedding gift. Digitized flower motif from save-the-date in Adobe Illustrator, converted to vectors, then into embroidery file in Embird. Embroidered purchased blank navy koozies and backed with waterproof glue to seal stitches against wear.
Digitization Lab in O'Neill Library where the holdings of The Sacred Heart Review were recently cataloged. Team members who saved the Boston publication included William Donovan, David Richtmyer, Naomi Rubin, Thomas Wall, Bridget Burke and Betsy Post. Read more at bc.edu/chronicle (Photo by Lee Pellegrini)
ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: Digitization of Ernest Nash, Pictorial Dictionary of Ancient Rome. New York: Frederick A. Praeger. Vol. I (1961) & Vol. II (1962). Stanford University (2020). Review: P. Blanckenhagen (1963) & Foto: Simona Murrone, Rome / Instagram (19 Dec. 2019). S.v., Rodolfo Lanciani, F.U.R. (1901) [in PDF]; Italo Gismondi, I Fori Imperiali (1941) & Giuseppe Gatti; Edoardo Gatti & Guglielmo Gatti, in: Carta Archeologica di Roma (1947, 1962 & 1977). wp.me/pbMWvy-dv
1). ROME - Digitization of Ernest Nash, Pictorial Dictionary of Ancient Rome. New York: Frederick A. Praeger. Vol. I (1961) & Vol. II (1962). Stanford University (2020).
The "Pictorial Dictionary of Ancient Rome" Digitization of the "Pictorial Dictionary of Ancient Rome": Volume 1 & Volume 2. Stanford University (2020).
Whether on the occasion of his first visit in the 1930s or during the more extensive stay in Rome that followed his American adventure (on this, see his biography), Nash’s understanding of the city was greatly conditioned by the groundbreaking work A Topographical Dictionary of Ancient Rome—written by Samuel Platner, revised by Thomas Ashby and published in 1929. That handy guide to classical buildings in the city inspired Nash, whose keen eyes noticed its most glaring lacuna: The book was largely unillustrated. Here, then, was an opportunity to improve the study of classical architecture and archaeology. By bringing his interests and knowledge to the table, Nash strove to provide an illustrated postscript to Platner and Ashby’s classic tome. But more than that, Nash saw an opportunity to conduct historical studies using a medium that went beyond the traditional stuff of scholarship, namely written texts and drawn surveys.
The dictionary publishes 1,338 of the 1,500 photographs taken by Ernest Nash while in Rome during the 1930s and '50s and supplements them with concise historical and architectural descriptions. Curiously, six monuments which lack any physical remnants were arbitrarily included and illustrated not by photographs of ruins, but by images of coins and fragments from the Forma Urbis—the second-century marble map of the city that survives in fragments. That strategy could have been adopted for more than just a parsimonious selection of sites, as some contemporary reviewers noted.
Fonte / source:
--- Nicola Camerlenghi, The "Pictorial Dictionary of Ancient Rome" Digitization of the "Pictorial Dictionary of Ancient Rome": Volume 1 & Volume 2. Stanford University (2020).
exhibits.stanford.edu/nash/feature/the-pictorial-dictiona...
2). ROME - Peter H. Von Blanckenhagen [review of], Ernest Nash, Pictorial Dictionary of Ancient Rome. New York: Frederick A. Praeger. Vol. I (1961) & Vol. II (1962), in: The Art Bulletin, vol. 45, no. 1, 1963, pp. 62–64. Fonte / source: JSTOR, www.jstor.org/stable/3048060. Accessed 13 May 2020.
2.1). P. Blanckenhagen, review (1963), p. 1 =
www.flickr.com/photos/imperial_fora_of_rome/49891240501
2.2). P. Blanckenhagen, review (1963), p. 2 =
www.flickr.com/photos/imperial_fora_of_rome/49891551192
2.3). P. Blanckenhagen, review (1963), p. 3 =
www.flickr.com/photos/imperial_fora_of_rome/49891551162
Foto / fonte / source:
--- Simona Murrone, Rome, the Imperial Fora & the basilica di Massenzio / Instagram (19 Dec. 2019). www.instagram.com/p/B6WQwtJIDpN/?utm_source=ig_web_copy_link
S.v.,
--- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: DBCAR – DATABASE DEL BULLETTINO DELLA COMMISSIONE ARCHEOLOGICA DI ROMA, dal 1872 al 2007, per un totale di 4.080 titoli, in: Saverio G. Archaeologist (04/2018); & Rodolfo Lanciani, “La Forma Urbis Romae,” Roma (1893 – 1901), in: PDF & edizione digitale (2018).
--- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: CARTA ARCHEOLOGICA DI ROMA – INFORMATO MULTIMEDIA: 1). Aggiornamento alla Carta Archeologica di Roma (1947, 1962 & 1977 [2016]) in PDF. & Rodolfo Lanciani, “La Forma Urbis Romae,” Roma | Milano, (1893 – 1901) in 1:1000 in PDF. Foto: Giuseppe Francesco Gatti; Edoardo Gatti & Guglielmo Gatti, SSCOL (2016).
--- ROMA ARCHEOLOGIA e RESTAURO ARCHITETTURA: Cairoli Fulvio Giuliani, “La Pianta dei Fori Imperiali”, in: Articolo di Cairoli Fulvio Giuliani tratto dal catalogo della mostra Ricostruire l’Antico prima del virtuale. Italo Gismondi. Un Architetto per l’Archeologia (1887-1974) a cura di Fedora Filippi. SSBAR | Archivio (2009). S.v., Alvaro de Alvariis (2012); James E. Packer (2008 [= Pierino Di Carlo (1979|1935]); IL MESSAGGERO (23|01|2015) & Dr. Anna M. Liberati (2003).
_____
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2020: ROME – THE IMPERIAL FORA: SCHOLARLY RESEARCH & RELATED STUDIES.
romaarcheologiaerestauroarchitettura.wordpress.com/
--- ROMA ARCHEOLOGIA E RESTAURO ARCHITETTURA 2010-2020: ROME – THE IMPERIAL FORA: SCHOLARLY RESEARCH & RELATED STUDIES.
Diversity: Digitized In The Game Tour @ Capital FM Arena, on April 03rd, 2012 in Nottingham, United Kingdom
A LOT more photographs of Diversity to come soon....
© Ollie Millington.
All rights reserved. Use without permission is illegal !
You can see my best photographs of 2011 by clicking
here .
My Website currently undergoing a facelift...
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2