View allAll Photos Tagged die
Die Autobahn
Oktoberfest hamlet, Busch Gardens Williamsburg, Williamsburg, VA
Die Autobahn is the park's bumper cars ride next to Das Festhaus. It opened with the Oktoberfest hamlet on May 22nd, 1976.
Die Abfahrt vom Pass Puerto de la Ragua nach Guadix bietet eine weite Aussicht auf die Hochebene und das Kastell von La Calahorra.
Mehr dazu in meinem Reisebericht
Die Apokalyptischen Reiter @Paris 26 04 2012
For more :
www.flickr.com/photos/karydwen/sets/
Follow me on facebook: www.facebook.com/pages/Karydwen-Photography/121522661198228
or twitter:
twitter.com/karydwen
Die Apokalyptischen Reiter @Paris 26 04 2012
For more :
www.flickr.com/photos/karydwen/sets/
Follow me on facebook: www.facebook.com/pages/Karydwen-Photography/121522661198228
or twitter:
twitter.com/karydwen
This image is copyright © 2014 Riley Taylor. All rights reserved. This photo may not be used under ANY circumstances without written consent. Please contact riley@rileytaylorphoto.com for usage rights.
Die schönsten Badeplätze im Tessin - Ticino der Schweiz
.
.
.
Foto entstand während den Arbeiten am Reiseführer ...
.
.
.
«Wild und frisch TESSIN ‒ Die schönsten Badeplätze an Seen, Flüssen und Wasserfällen» - ISBN 978-3-907267-00-4
.
.
«Un tuffo in Ticino ‒ Fiumi, cascate e laghi dove fare il bagno e rinfrescarsi» - italienische Ausgabe - ISBN 978-88-7713-871-2
.
.
«Au fil de l’eau – Tessin: Lacs, rivières et cascades: les plus belles baignades insolites», ISBN 978-88-7713-871-2
.
.
«Natural escapes ‒ Ticino: Spectacular swimming spots on waterfalls, rivers and lakes», ISBN 978-3-907267-02-8
.
.
.
Siehe auch : www.salamanderverlag.ch
.
.
.
Alternative Fotos finden sich auch unter:
.
.
www.facebook.com/hurni.christoph/photos_by
.
.
www.instagram.com/hurnichristoph/
.
.
.
.
.
.
#LibroUnTuffoInTicino #UntuffoinTicino #WildUndFrischTessin #AuFilDeLEauTessin #NaturalEscapesTicino #WildUndFrisch #WildUndFrischTicino #AmazingSwitzerland #VerliebtInDieSchweiz #InLovewithSwitzerland #BeautifulSwitzerland #Switzerland_Vacations #MySwitzerland #DiscoverSwitzerland #VisitSwitzerland #SwitzerlandWonderland #Tessin #ticino #WildSwimming #WildSwimmingSwitzerland #Badespass #Schweiz #suisse #switzerland #svizzera #suissa #swiss #TicinoMoments
.
.
.
.
**************************************************************************************************************
BPSBST6477 Hurni190818
E- Mail : chrigu.hurni@bluemail.ch
**************************************************************************************************************
Letzte Aktualisierung - Ergänzung des Textes : 070721
**************************************************************************************************************
NIF
Die französische Straßentheatergruppe Royal de Luxe nutze vom 2. bis zum 4. Oktober 2009 Berlin als Bühne. Unter dem Titel "Das Wiedersehen von Berlin" wanderten eine Riesin und ein Riese durch die Stadt, bis sie sich am Brandenbureger Tor trafen...
.
The French street theater company Royal de Luxe used Berlin as a stage from 2 to 4 october. Entitled "The reunion of Berlin," a giant and a giantess walked through the city until they met at Brandenbureger Tor.
German cigarette card for Hänsom cigarettes by Jasmatzi Cigarettenfabrik G.M.b.H, Dresden/Ross Verlag, Film Series 4 'Aus tönenden Filmen' (From sound films), no. 533. Photo: National. Rudolf Forster in Die Dreigroschenoper/The Threepenny Opera (G.W. Pabst, 1931).
Austrian film actor Rudolf Forster (1884-1968) appeared in more than 100 films between 1914 and 1968. He was known for Zur Chronik von Grieshuus/Chronicles of the Gray House (1925), Die 3 Groschen-Oper/The Threepenny Opera (1931) and Das Glas Wasser/A Glass of Water (1960).
Rudolf Heribert Anton Forster was born in Gröbming, Austria-Hungary, in 1884. Forster studied acting at the Vienna Conservatory. He was the son of tax official Dr Anton Forster and his wife Josefine, née Bartscht. Rudolf trained as an actor at the Vienna Conservatory after attending a village school and grammar school. In 1903, he made his stage debut in Graz. From 1903 to 1904 he played at the travelling theatre Vereinigte Theater Graz and then at theatres in Linz, Berlin and Ohligs. From 1907 to 1909 he worked at the Theater in der Josefstadt in Vienna, from 1909 to 1910 at the Berlin Theatre, then again in Vienna, including at the Volksbühne from 1913 to 1915. He fought in the First World War from 1915 to 1918. He appeared in silent films from 1919. From 1920 to 1932, he was a member of the Berlin State Theatre under the artistic director Leopold Jessner. From 1919, he appeared in the cinema, initially in heroic or elegant romantic roles. Forster was often assigned by director Friedrich Zelnik, who knew how to integrate the tall and slim shape of the actor into his films such as Die Marionetten der Fürstin/Marionettes of the Princess (Friedrich Zelnik, 1924). He played the ambitious Junker Detlev in one of Ufa's biggest projects, the Theodor Storm adaptation Zur Chronik von Grieshuus/Chronicles of the Gray House (Arthur von Gerlach, 1925). He also starred opposite Werner Krauss and Jenny Jugo as the quirky poet Scarron in the comedy Die Hose/The Trousers (Hans Behrendt, 1927) the film version of Carl Sternheim's play. He also was the leader of a right-wing extremist secret society in Richard Oswald's thriller Feme/Assassination (1927). Forster's first sound film was Georg Wilhelm Pabst's film Die 3 Groschen-Oper/The Threepenny Opera (G.W. Pabst, 1931) in which he starred as Mackie Messer, the king of the thieves and an irresistible pimp. In the Prussian film Yorck (Gustav Ucicky, 1931), he was King Friedrich Wilhelm III and in the war drama Morgenrot (Gustav Ucicky, 1933), he starred as a submarine commander. After 1933, Forster worked increasingly in Austria again. His film appearances during the turmoil of Nazi Germany were rare. In Hohe Schule/The Secret of Cavelli (Erich Engel, 1934), he played a count and trick rider, and in ... nur ein Komödiant/Only a Comedian (Erich Engel,1935) an actor who ‘doubles’ a duke. In 1937, he fled the Nazis and emigrated to the U.S. He performed on Broadway and lived with his wife, actress Eleonora von Mendelssohn in Manhattan for a time. In Hollywood, he played in the film Island of Lost Men (Kurt Neumann, 1939) starring Anna May Wong. After three years in the U.S., he became homesick. The couple divorced and Forster returned to Germany in 1940 to resume his career there. Von Mendelsohn remained in Manhattan until she died in 1951.
Back in Austria, Rudolf Forster starred in the anti-Semitic film Wien 1910/Vienna 1910 (E. W. Emo, 1943) as the anti-Semitic Viennese mayor Karl Lueger. On stage, he played at the Deutsches Theater Berlin and in Vienna. In 1944, Forster was on the list of those pardoned by the Reich Ministry for Popular Enlightenment and Propaganda. After the war, he initially devoted himself to the theatre in Vienna and in both German states. In 1948-1949 he toured Switzerland and in 1963 he appeared at the Salzburg Festival in Faust II. In post-war German films, he specialised in gentlemanly or aristocratic character roles. He could be seen opposite Käthe Dorsch and Hildegard Kneff in Erich Engel’s romantic comedy Fahrt ins Glück/Journey Into Happiness which was filmed in 1944 but not released until 1948. In the historical spy drama Spionage/Espionage (Franz Antel, 1955), he played a field marshal and chief of staff of the Austro-Hungarian army alongside Ewald Balser as Colonel Redl. It was based on the real story of Alfred Redl, an officer serving with Austrian Military Intelligence who was also secretly spying for the hostile Russian Empire before the First World War. Forster appeared opposite Gustav Gründgens and Liselotte Pulver in the historical comedy Das Glas Wasser/A Glass of Water (Helmut Käutner, 1960). In the crime comedy Er kanns nicht lassen/He Can't Stop Doing It (Axel von Ambesser, 1962), he played the superior bishop of Father Brown (Heinz Rühmann). It was loosely based on the Father Brown stories by G. K. Chesterton. The film follows in the post-war tradition of German Krimi films, similar to the series of Edgar Wallace adaptations popular at the time. Forster also appeared in Krimis such as Im Stahlnetz des Dr. Mabuse/The Return of Doctor Mabuse (Harald Reinl, 1961) starring Gert Fröbe, Der Henker von London/The Executioner of London based on Bryan Edgar Wallace and another Edgar Wallace adaptation, Die Gruft mit dem Rätselschloß/The Curse of the Hidden Vault (Franz Josef Gottlieb, 1964) starring Harald Leipnitz. In his later films, Forster mostly embodied the typical grand seigneur. His autobiography ‘Das Spiel, mein Leben’ was published by Propyläen Verlag in 1967. Rudolf Forster was married twice. In 1938, he married the actress Eleonora von Mendelssohn in California. They divorced in 1940. From 1944, his second marriage was to Wilhelmine Karoline Klara Schachschneider, who also administered his estate. Rudolf Forster died in Bad Aussee, Austria, five days before his 84th birthday in 1968. His grave is in the Bad Aussee cemetery.
Sources: Wikipedia (German and English), and IMDb.
And, please check out our blog European Film Star Postcards.
Die Fraktion DIE LINKE im Bundestag hatte zum 9.queer-Empfang ins Aquarium in Kreuzberg geladen. Bei der Veranstaltung berichtete Fraktionschef Dietmar Bartsch unter anderem über die Parlamentsarbeit und den Erfolg bei der Abstimmung „Ehe für alle“.
Die Bike 2008
Vienna bike exhibition
Triumph - Ossimoto
Verena and I visited "Die Bike 2008", especially the Triumph-trader
Ossimoto, who always presents great and extraordinary shows.
Many girls (and a few boys), much skin, dance, music, and fun. And of course - sexy bikes :-)
It was really a very exciting and inspirating day ;-)
Die St.-Clemens-Kirche in Büsum ist ein evangelisch-lutherischer Sakralbau aus dem 15. Jahrhundert. Sie wurde dem heiligen Clemens von Rom, dem Schutzheiligen der Schiffer, Fischer und Küstenbewohner geweiht und trägt daher auch den Namen Fischerkirche.
Die erste Kirche fiel der großen Mandränke von 1362 zum Opfer. Eine zweite Kirche brannte ab. 1442 errichteten die Bewohner Büsums die heute noch vorhandene Kirche auf einer aufgeschütteten Warft. Ausgrabungen zeigten, dass im Fundament zwischen dem Chorbogen und dem Raum von der Kanzel bis zur Westwand andere Fundamentsteine zum Einsatz kamen. Man nimmt daher an, dass die heutige Kirche auf den Resten eines Vorgängerbaus errichtet wurde. 1728 erneuerte man die Westseite der Kirche und baute ein Treppenhaus an. In dieser Zeit drohte auch die Südwand einzustürzen, woraufhin die Gemeinde das gotische Gewölbe abreißen und durch eine flache Holzbalkendecke ersetzen ließ; zusätzlich wurden an der Nordseite Stützpfeiler errichtet.
Wikipedia
Hier stehe ich auf einem der 3 Felsen...War schon ziemlich windig da oben und gefroren hat man auch sehr schnell.
via WordPress ift.tt/3qxEpAc
Die Spiegelreflexkamera – den Moment, in dem das Bild aufgenommen wird, verpassen wir, damit die Kamera sehen kann.