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Fujifilm Classic Chrome with adjustments.

LG Development’s HUGO masterplan includes the construction of mid-rise buildings at 751 N. Hudson Ave. and 411 W. Chicago Av. The two mixed-use structures will each stand 9 stories and will collectively house roughly 19,000 square feet of retail and 227 apartment units. The 751 N Hudson Avenue building will accommodate 134 residences; 411 W Chicago Avenue will house the remaining 93 units. Completion is scheduled for third-quarter 2023.

 

The two buildings replace parking lots and will be narrowly separated by 415 W. Chicago Ave, a masonry 1930 low-rise building. The seemingly vacant building is reminiscent of the building containing a cleaner (who owns it) and Bella Luna that remains at the south end of the One Chicago development because the woman refused to sell.

  

From a little while back, the field that is under consderation for development for housing.. we all need a little space.

 

This one is totally as the camera saw it, not really any processing here.

 

Hope your doing great!

 

Thanks for looking,

  

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some structures were demolished to accommodate developments

The first production ADL Enviro200 MMC ever built - a development and testing vehicle - has now been converted into a completely autonomous vehicle with the help of Fusion Processing software, with a driverless bus trial now taking place within Stagecoach Manchester depots. The bus is able to take itself to fuelling points and the washing station, and then park up in the depot, without any further driver input than simply selecting the destination on an in-cab touchscreen. At this stage, the driver does remain in the cab to supervise, but doesn't have any input. A full-scale passenger-carrying driverless bus trial, also using Fusion Processing E200 MMCs, is expected on a new route across the old Forth Road Bridge next year.

 

UK Bus & Coach Show, National Exhibition Centre

3 October 2019

"'Join the Federation, and help expand human development.' Done. 'Apply to the pilot's academy; it is the greatest challenge.' Yep, and I passed. 'Join the Galaxy Regiment, the Federation's sword.' Fighter pilot? Of course, sign me up. But what they didn't tell me is that it is cargo duty. Well, someone has to pick up everyone's freeze-dried, protein meat-substitute."

 

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As with all of my builds, I try to get the digital instructions up on my Brickshelf page (LDraw format). Forgive the sticker attempt in the renders. (And yes, I know one piece is not available in that color, but I wanted four different colors.)

Digbeth, Birmingham, UK

Drip development with lith developer. Method described here... remorseblog.blogspot.com/2023/03/drip-development.html

 

Bradwell, UK, August 2022

treasure island - san francisco, california

Starting to develop some patterns. Not sure what to do with them yet. Would love to hear your feedback.

See my blog for more patterns.

The development of the Range Rover was picked up in 1966 by Gordon Bashford and Charles Spencer King under the leadership of David Bache.

The pre-series appeared in 1969 while the official presentation followed in 1970, then only available as a 3-door model.

This version is also called Range Rover Classic.

The 5-door model was launched in 1981.

 

4275 cc 8 cylinder engine.

1987 kg.

Production Range Rover Mk1: 1969-1996.

Production Range Rover this version: 1981-1996.

Original first reg. number: Febr. 28, 1995.

New Dutch reg. number: Aug. 4, 2020.

Bought at Sept. 29, 2020.

 

Amsterdam-Centrum, Sarphatikade, March 25, 2021.

 

© 2021 Sander Toonen, Halfweg | All Rights Reserved

This is a massive development in Saanich, which is home to the Home Depot. This is the old Mall entrance. It use to house a CIBC bank, a restaurant called JJ Morgans, a Save on Foods grocery store, a 4 screen movie theater and The Home Depot.

Historical research reveals that diverse political rationalities have framed the political means and objectives of state frontiers and borders, just as the difficult work of making borders actual has drawn upon a great variety of technologies

The single word ”border” conceals a multiplicity and implies a constancy where genealogical investigation uncovers mutation and descent. Historical research reveals that diverse political rationalities have framed the political means and objectives of state frontiers and borders, just as the difficult work of making borders actual has drawn upon a great variety of technologies and heterogeneous administrative practices, ranging from maps of the territory, the creation of specialized border officials, and architectures of fortification to today’s experimentation with bio- digitalized forms of surveillance. This chapter argues that we are witnessing a novel development within this history of borders and border-making, what I want to call the emergence of the humanitarian border. While a great deal has been written about the militarization, securitization and fortification of borders today, there is far less consideration of the humanitarianization of borders. But if the investment of border regimes by biometric technologies rightly warrants being treated as an event within the history of the making and remaking of borders (Amoore 2006), then arguably so too does the reinvention of the border as a space of humanitarian government.

Under what conditions are we seeing the rise of humanitarian borders? The emergence of the humanitarian border goes hand in hand with the move which has made state frontiers into privileged symbolic and regulatory instruments within strategies of migration control. It is part of a much wider trend that has been dubbed the ”rebordering” of political and territorial space (Andreas and Biersteker 2003). The humanitarian border emerges once it becomes established that border crossing has become, for thousands of migrants seeking, for a variety of reasons, to access the territories of the global North, a matter of life and death. It crystallizes as a way of governing this novel and disturbing situation,and compensating for the social violence embodied in the regime of migration control.The idea of a humanitarian border might sound at first counterintuitive or even oxymoronic. After all, we often think of contemporary humanitarianism as a force that, operating in the name of the universal but endangered subject of humanity, transcends the walled space of the inter-national system. This is, of course, quite valid. Yet it would be a mistake to draw any simple equation between humanitarian projects and what Deleuze and Guattari would call logics of deterritoralization. While humanitarian programmes might unsettle certain norms of statehood, it is important to recognize the ways in which the exercise of humanitarian power is connected to the actualization of new spaces. Whether by its redefinition of certain locales as humanitarian ”zones” and crises as ”emergencies” (Calhoun 2004), the authority it confers on certain experts to move rapidly across networks of aid and intervention, or its will to designate those populating these zones as ”victims,” it seems justified to follow Debrix’s (1998) observation that humanitarianism implies reterritorialization on top of deterritorialization. Humanitarian zones can materialize in various situations – in conflict zones, amidst the relief of famine, and against the backdrop of state failure. But the case that interests me in what follows is a specific one: a situation where the actual borders of states and gateways to the territory become themselves zones of humanitarian government. Understanding the consequences of this is paramount, since it has an important bearing on what is often termed the securitization of borders and citizenship.

Foucault and Frontiers

It is probably fair to say that the theme of frontiers is largely absent from the two courses that are today read together as Foucault’s lectures on ”governmentality” (Foucault 1991; 2007; 2008). This is not to suggest that frontiers receive no mention at all. Within these lectures we certainly encounter passing remarks on the theme. For instance, Foucault speaks at one point of ”the administrative state, born in the territoriality of national boundaries in the fifteenth and sixteenth centuries and corresponding to a society of regulation and discipline” (Foucault 1991: 104).1 Elsewhere, he notes how the calculation and demarcation of new frontiers served as one of the practical elements of military-diplomatic technology, a machine he associates with the government of Europe in the image of a balance of power and according to the governmental logic of raison d’état. ”When the diplomats, the ambassadors who negotiated the treaty of Westphalia, received instructions from their government, they were explicitly advised to ensure that the new frontiers, the distribution of states, the new relationships to be established between the German states and the Empire, and the zones of influence of France, Sweden, and Austria be established in terms of a principle: to maintain a balance between the different European states” (Foucault 2007: 297).

But these are only hints of what significance the question of frontiers might have within the different technologies of power which Foucault sought to analyze. They are only fragmentary reflections on the place borders and frontiers might occupy within the genealogy of the modern state which Foucault outlines with his research into governmentality.2

Why was Foucault apparently not particularly interested in borders when he composed these lectures? One possible answer is suggested by Elden’s careful and important work on power-knowledge and territory. Elden takes issue with Foucault for the way in which he discusses territorial rule largely as a foil which allows him to provide a more fully-worked out account of governmentality and its administration of population. Despite the fact that the term appears prominently in the title of Foucault’s lectures, ”the issue of territory continually emerges only to be repeatedly marginalized, eclipsed, and underplayed” (Elden 2007: 1). Because Foucault fails to reckon more fully with the many ways in which the production of territory – and most crucially its demarcation by practices of frontier marking and control – serves as a precondition for the government of population, it is not surprising that the question of frontiers occupies little space in his narrative.But there is another explanation for the relative absence of questions of frontiers in Foucault’s writing on governmentality. And here we have to acknowledge that, framed as it is previously, this is a problematic question. For it risks the kind of retrospective fallacy which projects a set of very contemporary issues and concerns onto Foucault’s time. It is probably fair to speculate that frontiers and border security was not a political issue during the 1970s in the way that it is today in many western states. ”Borders” had yet to be constituted as a sort of meta-issue, capable of condensing a whole complex of political fears and concerns, including globalization, the loss of sovereignty, terrorism, trafficking and unchecked immigration. The question of the welfare state certainly was an issue, perhaps even a meta-issue, when Foucault was lecturing, and it is perhaps not coincidental that he should devote so much space to the examination of pastoralism. But not the border. The point is not to suggest that Foucault’s work evolved in close,

Humanitarian Government

Before I address the question of the humanitarian border, it is necessary to explain what I understand by the humanitarian. Here my thinking has been shaped by recent work that engages the humanitarian not as a set of ideas and ideologies, nor simply as the activity of certain nongovernmental actors and organizations, but as a complex domain possessing specific forms of governmental reason. Fassin’s work on this theme is particularly important. Fassin demonstrates that humanitarianism can be fruitfully connected to the broader field of government which Foucault outlined, where government is not a necessary attribute of states but a rationalized activity than can be carried out by all sorts of agents, in various contexts, and towards multiple ends. At its core, ”Humanitarian government can be defined as the administration of human collectivities in the name of a higher moral principle which sees the preservation of life and the alleviation of suffering as the highest value of action” (Fassin 2007: 151). As he goes on to stress, the value of such a definition is that we do not see a particular state, or a non-state form such as a nongovernmental organization, as the necessary agent of humanitarian action. Instead, it becomes possible to think in terms of a complex assemblage, comprising particular forms of humanitarian.reason, specific forms of authority (medical, legal, spiritual) but also certain technologies of government – such as mechanisms for raising funds and training volunteers, administering aid and shelter, documenting injustice, and publicizing abuse. Seen from this angle humanitarianism appears as a much more supple, protean thing. Crucially, it opens up our ability to perceive ”a broader political and moral logic at work both within and outside state forms” (ibid.).

If the humanitarian can be situated in relation to the analytics of government, it can also be contextualized in relation to the biopolitical. ”Not only did the last century see the emergence of regimes committed to the physical destruction of populations,” observes Redfield, ”but also of entities devoted to monitoring and assisting populations in maintaining their physical existence, even while protesting the necessity of such an action and the failure of anyone to do much more than this bare minimum” (2005: 329). It is this ”minimalist biopolitics,” as Redfield puts it, that will be so characteristic of the humanitarian. And here the accent should be placed on the adjective “minimalist” if we are not to commit the kind of move which I criticized above, namely collapsing everything new into existing Foucauldian categories. It is important to regard contemporary humanitarianism as a novel formation and a site of ambivalence and undecideability, and not just as one more instance of what Hardt and Negri (2000) might call global “biopolitical production.”The Birth of the Humanitarian Border

In a press release issued on June 29, 2007, the International Organization for Migration (IOM) publicized a visit which its then Director General, Brunson McKinley, was about to make to a ”reception centre for migrants” on the Mediterranean island of Lampedusa (IOM 2007). The Director General is quoted as saying: ”Many more boats will probably arrive on Lampedusa over the summer with their desperate human cargo and we have to ensure we can adequately respond to their immediate needs.... This is why IOM will continue to work closely with the Italian government, the Italian Red Cross, UNHCR and other partners to provide appropriate humanitarian responses to irregular migrants and asylum seekers reaching the island.”

The same press release observes that IOM’s work with its ”partners” was part of a wider effort to improve the administration of the ”reception” (the word ”detention” is conspicuously absent) and ”repatriation” of ”irregular migrants” in Italy. Reception centers were being expanded, and problems of overcrowding alleviated. The statement goes on to observe that IOM had opened its office on Lampedusa in April 2006. Since that time ”Forced returns from Lampedusa [had] stopped.”

Lampedusa is a small Italian island located some 200 km south of Sicily and 300 km to the north of Libya. Its geographical location provides a clue as to how it is that in 2004 this Italian outpost first entered the spotlight of European and even world public attention, becoming a potent signifier for anxieties about an international migration crisis (Andrijasevic 2006). For it was then that this Italian holiday destination became the main point of arrival for boats carrying migrants from Libya to Italy. That year more than 10,000 migrants are reported to have passed through the ”temporary stay and assistance centre” (CPTA) the Italian state maintains on the island. The vast majority had arrived in overcrowded, makeshift boats after a perilous sea journey lasting up to several weeks. Usually these boats

are intercepted in Italian waters by the Italian border guards and the migrants transferred to the holding center on the island. Following detention, which can last for more than a month, they are either transferred to other CPTAs in Sicily and southern Italy, or expelled to Libya.Finally, there is a point to be made about humanitarianism, power and order. Those looking to locate contemporary humanitarianism within a bigger picture would perhaps follow the lead of Hardt and Negri. As these theorists of ”Empire” see things, NGOs like Amnesty International and Médecins sans Frontières (MSF) are, contrary to their own best intentions, implicated in global order. As agents of ”moral intervention” who, because they participate in the construction of emergency, ”prefigure the state of exception from below,” these actors serve as the preeminent ”frontline force of imperial intervention.” As such, Hardt and Negri see humanitarianism as ”completely immersed in the biopolitical context of the constitution of Empire” (Hardt and Negri 2000: 36).Humanitarianism, Borders, Politics

Foucauldian writing about borders has mirrored the wider field of governmentality studies in at least one respect. While it has produced some fascinating and insightful accounts of contemporary strategies and technologies of border-making and border policing, it has tended to confine its attention to official and often state-sanctioned projects. Political dynamics and political acts have certainly not been ignored. But little attention has been paid to the possibility that politics and resistance operate not just in an extrinsic relationship to contemporary regimes, but within them.12 To date this literature has largely failed to view politics as something constitutive and productive of border regimes and technologies. That is to say, there is little appreciation of the ways in which movements of opposition, and those particular kinds of resistance which Foucault calls ”counter conduct,” can operate not externally to modes of bordering but by means of ”a series of exchanges” and ”reciprocal supports” (Foucault 2007: 355).

There is a certain paradox involved when we speak of Foucault and frontiers. In certain key respects it could be said that Foucault is one of our most eminent and original theorists of bordering. For at the heart of one of his most widely read works – namely Discipline and Punish – what does one

find if not the question of power and how its modalities should be studied by focusing on practices of partitionment, segmentation, division, enclosure; practices that will underpin the ordering and policing of ever more aspects of the life of populations from the nineteenth century onwards. But while Foucault is interested in a range of practices which clearly pertain to the question of bordering understood in a somewhat general sense, one thing the reading of his lectures on security, governmentality and biopolitics reveals is that he had little to say explicitly about the specific forms of bordering associated with the government of the state. To put it differently, Foucault dealt at length with what we might call the microphysics of bordering, but much less with the place of borders considered at the level of tactics and strategies of governmentality.Recent literature has begun to address this imbalance, demonstrating that many of Foucault’s concepts are useful and important for understanding what kinds of power relations and governmental regimes are at stake in contemporary projects which are re-making state borders amidst renewed political concerns over things like terrorism and illegal immigration. However, the overarching theme of this chapter has been the need for caution when linking Foucault’s concepts to the study of borders and frontiers today. While analytics like biopolitics, discipline and neoliberalism offer all manner of insights, we need to avoid the trap which sees Foucault’s toolbox as something ready-made for any given situation. The challenge of understanding the emergent requires the development of new theoretical tools, not to mention the sharpening of older, well-used implements. With this end in mind the chapter has proposed the idea of the humanitarian border as a way of registering an event within the genealogy of the frontier, but also, although I have not developed it here, within the genealogy of citizenship.

 

What I have presented previously is only a very cursory overview of certain features of the humanitarianization of borders, most notably its inscription within regimes of knowledge, and its constitutive relationship to politics. In future research it would be interesting to undertake a fuller mapping of the humanitarian border in relation to certain trajectories of government. While we saw how themes of biopolitical and neoliberal government are pertinent in understanding the contemporary management of spaces like the detention center, it would seem especially relevant to consider the salience of pastoralism. Pastoral power has received far less attention within studies of governmentality than, say, discipline or liberal government (but see Dean 1999; Golder 2007; Hindess 1996; Lippert 2004). But here again, I suspect, it will be important to revise our concepts in the light of emergent practices and rationalities. For the ways in which NGOs and humanitarians engage in the governance of migrants and refugees today have changed quite significantly from the kinds of networks of care, self-examination and salvation which Foucault identified with pastoralism. For instance, and to take but one example, the pastoral care of migrants, whether in situations of sanctuary or detention, is not organized as a life-encompassing, permanent activity as it was for the church, or later, in a secular version, the welfare state. Instead, it is a temporary and ad hoc intervention. Just as Foucault’s notion of neo-liberalism was intended to register important transformations within the genealogy of liberal government, it may prove useful to think in terms of the neo-pastoral when we try to make better sense of the phenomenon of humanitarian government at/of borders, and of many other situations as well.

williamwalters.net/wp-content/uploads/2012/06/2011-Foucau...

This water tower at Gernrode, Harz, has seen better times, but could present a great development opportunity for an enterprising builder.

Some places encourage quiet contemplation. The people in this photo scarcely moved during the six second exposure.

There are plans afoot to demolish this and replace it all with an exclusive five star hi-rise hotel. There are rumours afoot some on the Town Council are being paid a retainer by a rival seaside town to the east.

It was in the Pavilion shown here that Archie Christie first proposed to the young Agatha Miller. Two years later he was a Royal Flying Corps pilot home on a short leave and they married on Christmas eve 1914. Archie returned to France on Boxing Day.

Seen near Wisley Rally in 2003, is this development Dart. Very odd with a large roof pod and flared rear wheel arches.

This is a massive development in Saanich, which is home to the Home Depot. The crane being erected.

My favorite spot

Scan Agfa APX 100 Expired 2007 und Minolta Dynax 7 mit Minolta 50mm f/1:1,7

The Glasshouse is an international centre for musical education and concerts on the Gateshead bank of Quayside in northern England. Opened in 2004 as Sage Gateshead and occupied by North Music Trust The venue's original name honours a patron: the accountancy software company The Sage Group.

 

History

Planning for the centre began in the early 1990s, when the orchestra of Sage Gateshead, Royal Northern Sinfonia, with encouragement from Northern Arts, began working on plans for a new concert hall. They were soon joined by regional folk music development agency Folkworks, which ensured that the needs of the region's traditional music were taken into consideration and represented in Sage Gateshead's programme of concerts, alongside Rock, Pop, Dance, Hip Hop, classical, jazz, acoustic, indie, country and world, Practice spaces for professional musicians, students and amateurs were an important part of the provision.

 

The planning and construction process cost over £70 million, which was raised primarily through National Lottery grants. The contractor was Laing O'Rourke. The centre has a range of patrons, notably Sage Group which contributed a large sum of money to have the building named after it. Sage plc has helped support the charitable activities of Sage Gateshead since its conception. The venue opened over the weekend 17–19 December 2004.

 

Sage Gateshead was developed by Foster and Partners following an architectural design competition launched in 1997 and managed by RIBA Competitions. Over 100 architects registered their interest and 12 – a mixture of local, national and international talent – were invited to prepare concept designs. A shortlist of six was then interviewed with Foster and Partners unanimously selected as the winner. The Design has gone on to win a number of awards: the RIBA Inclusive Design Award, Civic Trust Award and The Journal North East Landmark of the Year Award.

 

As a conference venue, the building hosted the Labour Party's Spring conference in February 2005 and the Liberal Democrat Party conference in March 2012. On 18 August 2009, Sage Gateshead was selected to host the 2010 and 2011 National Union of Students annual conference. The 2010 Annual Conference took place 13–15 April 2010.

 

In 2022 The Sage Group announced that they were also sponsoring a new development that is being built next to Sage Gateshead which will be called The Sage. Sage Gateshead announced that they will be finding a new name for the venue prior to The Sage opening in 2024. On 13 September 2023 the venue announced its new name, The Glasshouse International Centre for Music.

 

Building

The centre occupies a curved glass and stainless steel building designed by Foster and Partners, Buro Happold (structural engineering), Mott MacDonald (engineering consultants) and Arup (acoustics), with views of Newcastle and Gateshead Quaysides, the Tyne Bridge and the Gateshead Millennium Bridge.

 

The Glasshouse contains three performance spaces; a 1,700-seater, a 450-seater, and a smaller rehearsal and performance hall, the Northern Rock Foundation Hall. The rest of the building was designed around these three spaces to allow for maximum attention to detail in their acoustic properties. Structurally it is three separate buildings, insulated from each other to prevent noise and vibration travelling between them. The gaps between them may be seen as one walks around inside. A special 'spongy' concrete mix was used in the construction, with a higher-than-usual air capacity to improve the acoustic. These three buildings are enclosed (but not touched) by the now-famous glass and steel shell. Sage One was intended as an acoustically perfect space, modelled on the Musikverein in Vienna. Its ceiling panels may be raised and lowered and curtains drawn across the ribbed wooden side walls, changing the sound profile of the room to suit any type of music. Sage Two is a smaller venue, possibly the world's only ten-sided performance space.

 

The building is open to the public throughout the day.

 

Concerts

The Glasshouse will host concerts from a wide range of internationally famous artists, and those who have played at the venue include Above and Beyond, Blondie, James Brown, Bonobo, Andy Cutting, De La Soul, Nick Cave, George Clinton, Bill Callahan, Crosby, Stills & Nash, Dillinger, Grace Jones, Gretchen Peters, Elbow, Explosions in the Sky, the Fall, Herbie Hancock, Mogwai, Morrissey, Mumford & Sons, Pet Shop Boys, Sunn O))), Nancy Sinatra, Snarky Puppy, Sting, Yellowman, Shane Filan of Westlife and others. In February 2015, it was one of the hosts of the second annual BBC Radio 6 Music Festival.

 

It is also home to Royal Northern Sinfonia, of which The Guardian wrote there is "no better chamber orchestra in Britain", and frequently hosts other visiting orchestras from around the world. The current music director for Royal Northern Sinfonia is the pianist and conductor Lars Vogt. In late 2014, Royal Northern Sinfonia collaborated with John Grant, performing at Sage Gateshead, and other venues throughout the UK. Recordings from this tour were made available as a limited edition CD and 12" record via Rough Trade Records in 2015.

 

Opinion

There has been popular debate surrounding what was Sage Gateshead. The venue is popular in the local area because of its concerts, and also its accessible learning courses for all ages and its constant interaction with local schools and academies through programmes such as Sing Up and the option of school visits.

 

Awards

2019: UK National Lottery 25th Birthday Award - Best Arts, Culture and Film

2019: Julie's Bicycle Creative Green 2 Star

2019: Gold Standard - Attitude is Everything

2018: Gold Award for Inclusive Tourism (North East Tourism Awards)

2018: Gold Award for Business Tourism (Visit England Awards for Excellence)

2005: Local Authority Building of the Year

2005: British Construction Industry Awards

2005: RIBA Award for Inclusive Design

 

Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.

 

Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.

 

In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.

 

History

Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.

 

A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.

 

Early

There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.

 

The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).

 

During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.

 

Industrial revolution

Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.

 

In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.

 

Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.

 

In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.

 

Regeneration

In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.

 

In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.

 

Governance

In 1835, Gateshead was established as a municipal borough and in 1889 it was made a county borough, independent from Durham County Council.

 

In 1870, the Old Town Hall was built, designed by John Johnstone who also designed the previously built Newcastle Town Hall. The ornamental clock in front of the old town hall was presented to Gateshead in 1892 by the mayor, Walter de Lancey Willson, on the occasion of him being elected for a third time. He was also one of the founders of Walter Willson's, a chain of grocers in the North East and Cumbria. The old town hall also served as a magistrate's court and one of Gateshead's police stations.

 

Current

In 1974, following the Local Government Act 1972, the County Borough of Gateshead was merged with the urban districts of Felling, Whickham, Blaydon and Ryton and part of the rural district of Chester-le-Street to create the much larger Metropolitan Borough of Gateshead.

 

Geography

The town of Gateshead is in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne at a latitude of 54.57° N and a longitude of 1.35° W. Gateshead experiences a temperate climate which is considerably warmer than some other locations at similar latitudes as a result of the warming influence of the Gulf Stream (via the North Atlantic drift). It is located in the rain shadow of the North Pennines and is therefore in one of the driest regions of the United Kingdom.

 

One of the most distinguishing features of Gateshead is its topography. The land rises 230 feet from Gateshead Quays to the town centre and continues rising to a height of 525 feet at Queen Elizabeth Hospital in Sheriff Hill. This is in contrast to the flat and low lying Team Valley located on the western edges of town. The high elevations allow for impressive views over the Tyne valley into Newcastle and across Tyneside to Sunderland and the North Sea from lookouts in Windmill Hills and Windy Nook respectively.

 

The Office for National Statistics defines the town as an urban sub-division. The latest (2011) ONS urban sub-division of Gateshead contains the historical County Borough together with areas that the town has absorbed, including Dunston, Felling, Heworth, Pelaw and Bill Quay.

 

Given the proximity of Gateshead to Newcastle, just south of the River Tyne from the city centre, it is sometimes incorrectly referred to as being a part of Newcastle. Gateshead Council and Newcastle City Council teamed up in 2000 to create a unified marketing brand name, NewcastleGateshead, to better promote the whole of the Tyneside conurbation.

 

Economy

Gateshead is home to the MetroCentre, the largest shopping mall in the UK until 2008; and the Team Valley Trading Estate, once the largest and still one of the larger purpose-built commercial estates in the UK.

 

Arts

The Baltic Centre for Contemporary Art has been established in a converted flour mill. The Glasshouse International Centre for Music, previously The Sage, a Norman Foster-designed venue for music and the performing arts opened on 17 December 2004. Gateshead also hosted the Gateshead Garden Festival in 1990, rejuvenating 200 acres (0.81 km2) of derelict land (now mostly replaced with housing). The Angel of the North, a famous sculpture in nearby Lamesley, is visible from the A1 to the south of Gateshead, as well as from the East Coast Main Line. Other public art include works by Richard Deacon, Colin Rose, Sally Matthews, Andy Goldsworthy, Gordon Young and Michael Winstone.

 

Traditional and former

The earliest recorded coal mining in the Gateshead area is dated to 1344. As trade on the Tyne prospered there were several attempts by the burghers of Newcastle to annex Gateshead. In 1576 a small group of Newcastle merchants acquired the 'Grand Lease' of the manors of Gateshead and Whickham. In the hundred years from 1574 coal shipments from Newcastle increased elevenfold while the population of Gateshead doubled to approximately 5,500. However, the lease and the abundant coal supplies ended in 1680. The pits were shallow as problems of ventilation and flooding defeated attempts to mine coal from the deeper seams.

 

'William Cotesworth (1668-1726) was a prominent merchant based in Gateshead, where he was a leader in coal and international trade. Cotesworth began as the son of a yeoman and apprentice to a tallow - candler. He ended as an esquire, having been mayor, Justice of the Peace and sheriff of Northumberland. He collected tallow from all over England and sold it across the globe. He imported dyes from the Indies, as well as flax, wine, and grain. He sold tea, sugar, chocolate, and tobacco. He operated the largest coal mines in the area, and was a leading salt producer. As the government's principal agent in the North country, he was in contact with leading ministers.

 

William Hawks originally a blacksmith, started business in Gateshead in 1747, working with the iron brought to the Tyne as ballast by the Tyne colliers. Hawks and Co. eventually became one of the biggest iron businesses in the North, producing anchors, chains and so on to meet a growing demand. There was keen contemporary rivalry between 'Hawks' Blacks' and 'Crowley's Crew'. The famous 'Hawks' men' including Ned White, went on to be celebrated in Geordie song and story.

 

In 1831 a locomotive works was established by the Newcastle and Darlington Railway, later part of the York, Newcastle and Berwick Railway. In 1854 the works moved to the Greenesfield site and became the manufacturing headquarters of North Eastern Railway. In 1909, locomotive construction was moved to Darlington and the rest of the works were closed in 1932.

 

Robert Stirling Newall took out a patent on the manufacture of wire ropes in 1840 and in partnership with Messrs. Liddell and Gordon, set up his headquarters at Gateshead. A worldwide industry of wire-drawing resulted. The submarine telegraph cable received its definitive form through Newall's initiative, involving the use of gutta-percha surrounded by strong wires. The first successful Dover–Calais cable on 25 September 1851, was made in Newall's works. In 1853, he invented the brake-drum and cone for laying cable in deep seas. Half of the first Atlantic cable was manufactured in Gateshead. Newall was interested in astronomy, and his giant 25-inch (640 mm) telescope was set up in the garden at Ferndene, his Gateshead residence, in 1871.

 

Architecture

JB Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that "no true civilisation could have produced such a town", adding that it appeared to have been designed "by an enemy of the human race".

 

Victorian

William Wailes the celebrated stained-glass maker, lived at South Dene from 1853 to 1860. In 1860, he designed Saltwell Towers as a fairy-tale palace for himself. It is an imposing Victorian mansion in its own park with a romantic skyline of turrets and battlements. It was originally furnished sumptuously by Gerrard Robinson. Some of the panelling installed by Robinson was later moved to the Shipley Art gallery. Wailes sold Saltwell Towers to the corporation in 1876 for use as a public park, provided he could use the house for the rest of his life. For many years the structure was essentially an empty shell but following a restoration programme it was reopened to the public in 2004.

 

Post millennium

The council sponsored the development of a Gateshead Quays cultural quarter. The development includes the Gateshead Millennium Bridge, erected in 2001, which won the prestigious Stirling Prize for Architecture in 2002.

 

Former brutalism

The brutalist Trinity Centre Car Park, which was designed by Owen Luder, dominated the town centre for many years until its demolition in 2010. A product of attempts to regenerate the area in the 1960s, the car park gained an iconic status due to its appearance in the 1971 film Get Carter, starring Michael Caine. An unsuccessful campaign to have the structure listed was backed by Sylvester Stallone, who played the main role in the 2000 remake of the film. The car park was scheduled for demolition in 2009, but this was delayed as a result of a disagreement between Tesco, who re-developed the site, and Gateshead Council. The council had not been given firm assurances that Tesco would build the previously envisioned town centre development which was to include a Tesco mega-store as well as shops, restaurants, cafes, bars, offices and student accommodation. The council effectively used the car park as a bargaining tool to ensure that the company adhered to the original proposals and blocked its demolition until they submitted a suitable planning application. Demolition finally took place in July–August 2010.

 

The Derwent Tower, another well known example of brutalist architecture, was also designed by Owen Luder and stood in the neighbourhood of Dunston. Like the Trinity Car Park it also failed in its bid to become a listed building and was demolished in 2012. Also located in this area are the Grade II listed Dunston Staithes which were built in 1890. Following the award of a Heritage Lottery Fund grant of almost £420,000 restoration of the structure is expected to begin in April 2014.

 

Sport

Gateshead International Stadium regularly holds international athletics meetings over the summer months, and is home of the Gateshead Harriers athletics club. It is also host to rugby league fixtures, and the home ground of Gateshead Football Club. Gateshead Thunder Rugby League Football Club played at Gateshead International Stadium until its purchase by Newcastle Rugby Limited and the subsequent rebranding as Newcastle Thunder. Both clubs have had their problems: Gateshead A.F.C. were controversially voted out of the Football League in 1960 in favour of Peterborough United, whilst Gateshead Thunder lost their place in Super League as a result of a takeover (officially termed a merger) by Hull F.C. Both Gateshead clubs continue to ply their trade at lower levels in their respective sports, thanks mainly to the efforts of their supporters. The Gateshead Senators American Football team also use the International Stadium, as well as this it was used in the 2006 Northern Conference champions in the British American Football League.

 

Gateshead Leisure Centre is home to the Gateshead Phoenix Basketball Team. The team currently plays in EBL League Division 4. Home games are usually on a Sunday afternoon during the season, which runs from September to March. The team was formed in 2013 and ended their initial season well placed to progress after defeating local rivals Newcastle Eagles II and promotion chasing Kingston Panthers.

 

In Low Fell there is a cricket club and a rugby club adjacent to each other on Eastwood Gardens. These are Gateshead Fell Cricket Club and Gateshead Rugby Club. Gateshead Rugby Club was formed in 1998 following the merger of Gateshead Fell Rugby Club and North Durham Rugby Club.

 

Transport

Gateshead is served by the following rail transport stations with some being operated by National Rail and some being Tyne & Wear Metro stations: Dunston, Felling, Gateshead Interchange, Gateshead Stadium, Heworth Interchange, MetroCentre and Pelaw.

 

Tyne & Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central, Newcastle Airport , Sunderland, Tynemouth and South Shields Interchange.

 

National Rail services are provided by Northern at Dunston and MetroCentre stations. The East Coast Main Line, which runs from London Kings Cross to Edinburgh Waverley, cuts directly through the town on its way between Newcastle Central and Chester-le-Street stations. There are presently no stations on this line within Gateshead, as Low Fell, Bensham and Gateshead West stations were closed in 1952, 1954 and 1965 respectively.

 

Road

Several major road links pass through Gateshead, including the A1 which links London to Edinburgh and the A184 which connects the town to Sunderland.

 

Gateshead Interchange is the busiest bus station in Tyne & Wear and was used by 3.9 million bus passengers in 2008.

 

Cycle routes

Various bicycle trails traverse the town; most notably is the recreational Keelmans Way (National Cycle Route 14), which is located on the south bank of the Tyne and takes riders along the entire Gateshead foreshore. Other prominent routes include the East Gateshead Cycleway, which connects to Felling, the West Gateshead Cycleway, which links the town centre to Dunston and the MetroCentre, and routes along both the old and new Durham roads, which take cyclists to Birtley, Wrekenton and the Angel of the North.

 

Religion

Christianity has been present in the town since at least the 7th century, when Bede mentioned a monastery in Gateshead. A church in the town was burned down in 1080 with the Bishop of Durham inside.[citation needed] St Mary's Church was built near to the site of that building, and was the only church in the town until the 1820s. Undoubtedly the oldest building on the Quayside, St Mary's has now re-opened to the public as the town's first heritage centre.

 

Many of the Anglican churches in the town date from the 19th century, when the population of the town grew dramatically and expanded into new areas. The town presently has a number of notable and large churches of many denominations.

 

Judaism

The Bensham district is home to a community of hundreds of Jewish families and used to be known as "Little Jerusalem". Within the community is the Gateshead Yeshiva, founded in 1929, and other Jewish educational institutions with international enrolments. These include two seminaries: Beis Medrash L'Morot and Beis Chaya Rochel seminary, colloquially known together as Gateshead "old" and "new" seminaries.

 

Many yeshivot and kollels also are active. Yeshivat Beer Hatorah, Sunderland Yeshiva, Nesivos Hatorah, Nezer Hatorah and Yeshiva Ketana make up some of the list.

 

Islam

Islam is practised by a large community of people in Gateshead and there are 2 mosques located in the Bensham area (in Ely Street and Villa Place).

 

Twinning

Gateshead is twinned with the town of Saint-Étienne-du-Rouvray near Rouen in France, and the city of Komatsu in Japan.

 

Notable people

Eliezer Adler – founder of Jewish Community

Marcus Bentley – narrator of Big Brother

Catherine Booth – wife of William Booth, known as the Mother of The Salvation Army

William Booth – founder of the Salvation Army

Mary Bowes – the Unhappy Countess, author and celebrity

Ian Branfoot – footballer and manager (Sheffield Wednesday and Southampton)

Andy Carroll – footballer (Newcastle United, Liverpool and West Ham United)

Frank Clark – footballer and manager (Newcastle United and Nottingham Forest)

David Clelland – Labour politician and MP

Derek Conway – former Conservative politician and MP

Joseph Cowen – Radical politician

Steve Cram – athlete (middle-distance runner)

Emily Davies – educational reformer and feminist, founder of Girton College, Cambridge

Daniel Defoe – writer and government agent

Ruth Dodds – politician, writer and co-founder of the Little Theatre

Jonathan Edwards – athlete (triple jumper) and television presenter

Sammy Johnson – actor (Spender)

George Elliot – industrialist and MP

Paul Gascoigne – footballer (Newcastle United, Tottenham Hotspur, Lazio, Rangers and Middlesbrough)

Alex Glasgow – singer/songwriter

Avrohom Gurwicz – rabbi, Dean of Gateshead Yeshiva

Leib Gurwicz – rabbi, Dean of Gateshead Yeshiva

Jill Halfpenny – actress (Coronation Street and EastEnders)

Chelsea Halfpenny – actress (Emmerdale)

David Hodgson – footballer and manager (Middlesbrough, Liverpool and Sunderland)

Sharon Hodgson – Labour politician and MP

Norman Hunter – footballer (Leeds United and member of 1966 World Cup-winning England squad)

Don Hutchison – footballer (Liverpool, West Ham United, Everton and Sunderland)

Brian Johnson – AC/DC frontman

Tommy Johnson – footballer (Aston Villa and Celtic)

Riley Jones - actor

Howard Kendall – footballer and manager (Preston North End and Everton)

J. Thomas Looney – Shakespeare scholar

Gary Madine – footballer (Sheffield Wednesday)

Justin McDonald – actor (Distant Shores)

Lawrie McMenemy – football manager (Southampton and Northern Ireland) and pundit

Thomas Mein – professional cyclist (Canyon DHB p/b Soreen)

Robert Stirling Newall – industrialist

Bezalel Rakow – communal rabbi

John William Rayner – flying ace and war hero

James Renforth – oarsman

Mariam Rezaei – musician and artist

Sir Tom Shakespeare - baronet, sociologist and disability rights campaigner

William Shield – Master of the King's Musick

Christina Stead – Australian novelist

John Steel – drummer (The Animals)

Henry Spencer Stephenson – chaplain to King George VI and Queen Elizabeth II

Steve Stone – footballer (Nottingham Forest, Aston Villa and Portsmouth)

Chris Swailes – footballer (Ipswich Town)

Sir Joseph Swan – inventor of the incandescent light bulb

Nicholas Trainor – cricketer (Gloucestershire)

Chris Waddle – footballer (Newcastle United, Tottenham Hotspur and Sheffield Wednesday)

William Wailes – stained glass maker

Taylor Wane – adult entertainer

Robert Spence Watson – public benefactor

Sylvia Waugh – author of The Mennyms series for children

Chris Wilkie – guitarist (Dubstar)

John Wilson - orchestral conductor

Peter Wilson – footballer (Gateshead, captain of Australia)

Thomas Wilson – poet/school founder

Robert Wood – Australian politician

Fuji X-Pro1, Samyang 24mm TS lens

 

Western Australia's new Museum, almost complete at this date, is built around and above the old 1913 State Library, which will now be part of the museum.

Fujifilm GFX50R with Hasselblad Makro-Planar 120mm f4

THIS IS FIGHTING 3D MULTIPLAYER GAME DEVELOPED FOR IOS PLATFORM.

All 3D Art Work, Animation – Motion Capture and game development developed by GameYan – Game Development Company.

 

Our Studio Overview.

 

GameYan is a game and movie art design & development Animation Production House which creates next generation 3D Art for feature films and 3D game development. Being a digital art outsourcing production hub and Film Production Company, Our professional team of artists can develop variety of 3D art content for movie and video games along with low optimized characters for mobile and virtual reality interactive games.

 

Project: Multiplayer – 3D iOS Mobile Game Development

Client: Roberto

Category: Game Development

Country: Italy

 

Read more: www.gameyan.com/game-development-company-design-studio.html

 

Novoflex adapter and Nikkor AF MICRO 105mm F:2.8

Amberg off-street, 2021.

The Lavochkin La-5 (Лавочкин Ла-5) was a Soviet fighter aircraft of World War II. It was a development and refinement of the LaGG-3 and was one of the Soviet Air Force's most capable types of warplane.

Development

The La-5's heritage began even before the outbreak of war, with the LaGG-1, a promising yet underpowered aircraft – turning a full circle, for example, took 20 seconds. The LaGG-3 was a modification of that design that attempted to correct this by both lightening the airframe and fitting a more powerful engine. Nevertheless, this was not enough, and the lack of power remained a significant problem.

 

In early 1942, two of the LaGG-1 and -3's designers, Semyon Lavochkin and Vladimir Gorbunov, attempted to correct this deficiency by experimentally fitting a LaGG-3 with the more powerful Shvetsov ASh-82 radial engine. Since the LaGG-3 was powered by an inline engine, they accomplished this by grafting on the nose section of a Sukhoi Su-2 (which used this engine). By now, the shortcomings of the LaGG-3 had caused Lavochkin to fall out of Joseph Stalin's favour, and factories previously assigned to LaGG-3 construction had been turned over to building the rival Yakovlev Yak-1 and Yak-7. The design work required to adapt the LaGG-3 to the new engine and still maintain the aircraft's balance was undertaken by Lavochkin in a small hut beside an airfield over the winter of 1941-1942, all completely unofficially.

 

When the prototype took flight in March, the result was extremely pleasing - the fighter finally had a powerplant that allowed it to perform as well in the air as it had been supposed to on paper. After flying, the LaG-5 (the change in name reflecting that one of the original LaGG designers was no longer with the programme), Air Force test pilots declared it superior to the Yak-7, and intensive flight tests began in April. After only a few weeks, the design was modified further, cutting down the rear fuselage to give the pilot better visibility.

 

By July, Stalin ordered maximum-rate production of the aircraft, now simply known as the La-5 and the conversion of any incomplete LaGG-3 airframes to the new configuration. The prototype was put in mass production almost immediately in factories located in Moscow and in the Yaroslav region. While still inferior to the best German fighters at high altitudes, the La-5 proved to be every bit their match closer to the ground. With most of the air combat over the Eastern Front taking place at altitudes of under 5,000 m (16,404 ft), the La-5 was very much in its element. Its rate of roll was excellent.

 

Further refinement of the aircraft involved a fuel-injected engine, further lightening of the aircraft, and fixed slats to improve all-round performance. This was designated the La-5FN and would become the definitive version of the aircraft. A full circle turn took 18–19 seconds. Altogether, 9,920 La-5s of all variants were built, including a number of dedicated trainer versions, designated La-5UTI. Several La-5s had three Berezin B-20 cannon installed in the nose capable of a salvo of 3.4 kg/s rounds. Further refinements of the aircraft would lead to the Lavochkin La-7.

 

A number of La-5s continued in the service of Eastern Bloc nations after the end of the war, including Czechoslovakia.

Flying the La-5

 

In the summer of 1943, a brand-new La-5 made a forced landing on a German airfield providing the Luftwaffe with an opportunity to test-fly the newest Soviet fighter. Test pilot Hans-Werner Lerche wrote a detailed report of his experience.[1] He particularly noted that the La-5FN excelled at altitudes below 3,000 m (9,843 ft) but suffered from short range and flight time of only 40 minutes at cruise engine power. All of the engine controls (throttle, mixture, propeller pitch, radiator and cowl flaps, and supercharger gearbox) had separate levers which served to distract the pilot during combat to make constant adjustments or risk suboptimal performance. For example, rapid acceleration required moving no less than six levers. In contrast, contemporary German aircraft, especially the BMW 801 radial-engined variants of the Focke-Wulf Fw 190 front line fighter, had largely automatic engine controls with the pilot operating a single lever and electromechanical devices, like the Kommandogerät pioneering engine computer on the radial-engined Fw 190s, making the appropriate adjustments. Due to airflow limitations, the engine boost system (Forsazh) could not be used above 2,000 m (6,562 ft). Stability in all axes was generally good. The authority of the ailerons was deemed exceptional but the rudder was insufficiently powerful at lower speeds. At speeds in excess of 600 km/h (370 mph), the forces on control surfaces became excessive. Horizontal turn time at 1,000 m (3,281 ft) and maximum engine power was 25 seconds.

 

In comparison with Luftwaffe fighters, the La-5FN was found to have a comparable top speed and acceleration at low altitude. It possessed a higher roll rate and a smaller turn radius than the Bf 109 and a better climb rate than the Fw 190A-8. The Bf 109 utilizing MW 50 had superior performance at all altitudes, and the Fw 190A-8 had better dive performance. Lerche's recommendations were to attempt to draw the La-5FN to higher altitudes, to escape attacks in a dive followed by a high-speed shallow climb, and to avoid prolonged turning engagements.

 

The La-5 had its defects. Perhaps the most serious being the thermal isolation of the engine, lack of ventilation in the cockpit, and a canopy that was impossible to open at speeds over 350 km/h. To make things worse, exhaust gas often entered in the cockpit due to poor insulation of the engine compartment. Consequently, pilots ignored orders and frequently flew with their canopies open.[2]

 

In general, Soviet pilots appreciated the La-5 as an effective fighter. "That was an excellent fighter with two cannons and a powerful air-cooled engine", recalled pilot Viktor M. Sinaisky. "The first La-5s from the Tbilisi factory were slightly inferior, while the last ones from the Gorki plant, which came to us from Ivanovo, were perfect. At first we received regular La-5s, but then we got new ones containing the ASh-82FN engine with direct injection of fuel into the cylinders. It was perfect. Everyone was in love with the La-5. it was easy to maintain too."[3] Nevertheless La-5 losses were high, the highest of all fighters in service in USSR, not considering those of the Yak-1. In 1941-45, VVS KA lost 2,591 La-5s, 73 in 1942, 1,460 in 1943, 825 the following year and 233 in 1945.

 

General characteristics

Crew: one pilot

Length: 8.67 m (28 ft 5.33 in)

Wingspan: 9.80 m (32 ft 1.75 in)

Height: 2.54 m (8 ft 4 in)

Wing area: 17.5 m² (188 ft²)

Empty weight: 2,605 kg (5,743 lb)

Loaded weight: 3,265 kg (7,198 lb)

Max. takeoff weight: 3,402 kg (7,500 lb)

Powerplant: 1 × Shvetsov ASh-82FN radial engine, 1,385 kW (1,850 hp)

 

Performance

Maximum speed: 648 km/h (403 mph)

Range: 765 km (475 miles)

Service ceiling: 11,000 m (36,089 ft)

Rate of climb: 16.7 m/s (3,280 ft/min)

Wing loading: 186 kg/m² (38 lb/ft²)

Power/mass: 0.42 kW/kg (0.26 hp/lb)

 

Armament

 

2 × 20 mm ShVAK cannons, 200 rpg

2 × bombs up to 100 kg (220 lb) each

 

polaroid | 600 film expired

One of my favorite clips showing a staged gag where Leaonard Nimoy in costume from Spock's Brain is handcuffed at gunpoint while reading the headline of the LA Times from July 11th 1968. On this day Benjamin Spock was sentenced to a two year jail term for supporting draft evaders and declaring the Vietnam war unconsitutional in the famous Boston Five trial. This is the exact same time as the thrid season episode Spock's Brain was filmed, hence the costume. A great reminder of the political climate of 1968 in addition to the production of Star Trek.

  

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