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Queen Victoria Building, Sydney.

February 2022.

Film Washi, Washi.V.

Minolta Autocord III.

Kodak HC110 developer, Dilution A 6min30sec, agitations/1min at 15c.

Exposure 8sec f/3.5.

Rollei SL66 Shanghai GP3 Pan 100 Barry Thorton 2 bath developer (4+4)

 

Printed :

 

paper ---> Foma Fomabron Variant 111

developer ---> Dektol 1+1

  

Barry Thornton’s Two-Bath Developer

 

The composition of this developer is as follows:

 

Bath A

80 g sodium sulfite

6.5 g metol

Make up to 1 L with water

 

Bath B

12 g sodium metaborate (Kodalk)

30 g salt (my addition, makes grain even smaller)

Make up to 1 L with water

 

Mini Ian likes to bathe in strong coffee - it makes him stay awake longer and write more code.

Camera: Nikon F 80

Lens: Sigma 24-105/4.0

Film: Type-42L (Тип-42л) by Tasma

Filter: No Filter

developer Agfa-12 (Стандартный N 2), dilution (1 + 2), 20 degrees Celsius, time 22 minutes as ISO 800

Scanned by Minolta Dimage ScanElite 5400 by VueScan

f/1.8, 35mm, 1/80

EV: -1.7

Film: Ilford HP5+

Developer: Ilford DD-X (1+4) (07:58, 21.5 C)

Developed on: 2018:01:29

 

Hasselblad H1

CineStill 800T

ECN-2

 

Lomo LC-A+,

HP 200( Agfacolor XRG 200 ),

Exhausted C41 developer, 15min dev,

2016.b4.roll60 , roll 317

Sir John Rogerson (1648–1724) was an Irish politician, wealthy merchant and property developer.

 

Very little is known about his family background or his early life, except that he was born in the Netherlands in 1648. The Rogerson family were probably recent arrivals in Ireland. He lived in London in the late 1660s. He is recorded as a householder of Dublin from 1674. He was elected Lord Mayor of Dublin in 1693–94 and represented Clogher in the Parliament of Ireland from 1692 to 1693, then Dublin City from 1695 to 1703.

 

He built his country residence, "The Glen" or "Glasnevin House" outside the village of Glasnevin.

 

A quay in Dublin was named Sir John Rogerson's Quay owing to his association with its development. In 1713 Dublin Corporation leased him lands by the River Liffey, on condition that he build a quay there.

 

He married firstly Elizabeth Proby, daughter of Emmanuel Proby, and secondly Elizabeth Ward. By his first wife he was the father of John Rogerson (1676-1741), Lord Chief Justice of the King's Bench in Ireland, and a younger son Richard, who was a barrister of the Middle Temple. His widow died in 1726.

By: Mamiya RZ67 Pro II with 110mm f/2.8.

Film: Fuji Neopan Acros

Self-developed: Ilfosol 3 developer 1:14 (20℃ for 7 minutes).

 

Explore # 17 (highest seen) on Sunday, November 15, 2009

While D-76 is a solid developer, and does a solid job with HP5+ I honestly don't think it's the best developer for this fine film. The images while pleasing just look normal.

 

You can read the full review online:

www.alexluyckx.com/blog/index.php/2018/03/20/ccrfrb-revie...

 

Mamiya m645 - Mamiya-Sekor C 35mm 1:3.5 N - Ilford HP5+ @ ASA-400

Kodak D-76 (Stock) 7:30 @ 20C

Meter: Gossen Lunasix F

Scanner: Epson V700

Editor: Adobe Photoshop CC (2018)

What a nasty old day we had last Sunday. I loved it! This was at just about the time, early in the afternoon, when the snow started to turn to rain. It's a familiar pattern in winter: mild air, fresh off the Atlantic, drives colder air ahead of it, contact between the two masses chilling the frontal boundary so that precipitation descends firstly as snow, rapidly turning to rain. Not many about on the A11, where it forms a by-pass around Thetford. Off right the handy BP garage is undergoing a refurb, amounting to a complete demolition and rebuild. It's southbound counterpart, visible through the denuded dripping twigs on the opposite side of the road, was given the same treatment back in the summer.

Those of you not interested in the photographic details may skip the rest, but I was getting a bit experimental here. For one thing the film was a Fuji Neopan 400, expired in 2003. It has been discontinued in 120 size: I'm not sure about 35mm. In view of the out-of-datedness, I de-rated it to 200ASA. When I looked up developing times I discovered that the times for the two developers I have to hand ...Ilford Ilfotec LC29 and Fomadon R09... were the same, if the R09 were diluted 1+25. I made up a half-and-half mixture of the two. This is the shot I like best. Others were OK and their lack of sparkle is probably due to the simple fact of poor mid-winter light. Not much we can do about that, but (23rd January) we have already gained 56 minutes of daylight since the solstice in December.

Leica M6 + 35mm f2.8 Zeiss C Biogon T* ZM.

 

Ilford FP4 Plus + ID11 Developer.

Septiembre 2012, Bertiz, Navarra

Efke 25 a 20 ASA. 25' XTol 1:1. Papel 128. Lith Developer, Moersch CarbonToner. Hasselblad 500 CM

Oddly enough one of my first developers to use with Foto 100 is Microphen, and while not my favourite combination but will certainly work in a pinch but I feel it would work better diluted.

 

You can read the full review online

www.alexluyckx.com/blog/index.php/2019/01/07/film-review-...

 

Minolta XE-7 - Minolta MC Rokkor-X PF 1:1.7 f=50mm - Svema Foto 100 @ ASA-100

Ilford Microphen (Stock) 7:30 @ 20C

Scanner: Epson V700

Editor: Adobe Photoshop CC (2019)

Ilford 400, Sprint Standard developer, Sprint Quick Record fixer

 

One of the five images I'll be submitting for my crit on Tuesday. This image is from the scavenger hunt assignment.

 

This was a pretty hard print to make - not 100% happy with it either. Having a blank white background is tougher than I thought it would be.

  

Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.

 

Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.

 

Plotted with Gephi

Taken from a Great Linford Parish Council leaflet.

 

Commemorating the legacy of Gyosei International School UK. The Japanese co-educational boarding school and playing fields closed in 2002 and the site at Willen Park South was redeveloped as Lovat Fields Village and Barret Homes Gyosei housing scheme.

Developer funding paid for eight artworks in Phase 1, which

are related to the themes of; Japanese Connections, Canal

History, Fish, Fowl, Insects and Invertebrates.

The trail is located on both sides of the Grand Union

Canal from H3 Monks Way to H5 Portway and is accessible

from the local redway network.

 

Arachne weaves

 

Seeing the twinned trunks of the tree where the sculpture can be found and thinking about the theme of Insects and Invertebrates, inspired Linda to look again at spider webs. In recreating these amazing structures for the Gyosei Art Trail, she has used the brace line between the tree trunks as a structural point for the two webs, just as a spider would take advantage of what it finds to weave its web across. The title ‘Arachne weaves’ refers to the myth of a mortal who was turned into a spider for daring to say her skill at weaving was greater than Athena’s. Linda hopes her sculpture will encourage visitors to look again at spiders, the beauty they create, perhaps story-telling a new myth of the spider which spins stainless steel webs.

  

Sydney Opera House

 

Film stock: Kodak Gold 100

Expiry: unknown (>10y)

Format: 135

Camera: Pentax P30

Lens: SMC-PentaxA 50mm F1.4

 

Developer: C41 @ Sydney Super8 Photo Lab

Another lighthouse during Photostock 2016. One of the nicest lighthouses to visit in the U.P. of Michigan.

 

Taken with a Speed Graphic and a 210mm Industar-51 barrel lens. I have used this lens a few times now and really like it, and the prices of these Soviet lenses can't be beat. I also have a 300mm Industar-37 I want to try, but I first have to mount it on a Speed Graphic lens board.

 

Taken 6/14/16 during Photostock 2016

Pacemaker Speed Graphic

KMZ 210mm Industar-51 f/4.5 lens

f/11

1/500

Ilford HP5+ 4x5 sheet film

Developed in Kodak Xtol 1+1

Negative scanned with Epson V500

 

Development details on FilmDev

Fujifilm X-M1, XC16-50mmF3.5-5.6 OIS, all pre-production, RAW / Iridient Developer & Apple Aperture

  

Read the X-Pert Corner article about using the X-M1 and the two new lenses (XF27mmF2.8 & XC16-50mmF3.5-5.6 OIS) on June 27th.

  

Free PDF reading samples from my current book on the X-Pro1 (also suitable for X-E1 users):

  

English: Mastering the Fujifilm X-Pro1 (reading samples, 65 pages, PDF)

  

German: Das Fujifilm X-Pro1 Handbuch (65 Seiten Leseproben, PDF)

º

Nikon F801s

Takumar 28mm/ƒ3.5 + Cir. Polarizer

Ilford Pan F+

HC-110 1:60 7min

º

General Mills Purity Oats Facility was sold in 2019 to a developer. The site had produced Cheerios for General Mills. In 2020, the future of the production facility, including silos and head house had not been announced. However, the developer has adapted buildings and structures in the area for other uses while maintaining their architectural integrity

Pentacon Six TL (S/N 51715)

Carl Zeiss Jena DDR MC Sonnar 2.8/180 (S/N 9928426)

Kentmere PAN 400 at 3200 ISO

Foma Fomadon Excel 1:1 for 22 min. 30 s. (20C)

Canon AE-1 Program

Adox Silvermax 100 Reversal (!)

 

Scanned with Plustek 8100

 

Processing:

 

-FD 11:30@22C

-Bleach 4min

-Clear 1min

-Second Exposure to light

-Second Developer 4min (Same as FD)

-Fix 3min

 

(rinse between every step)

Agitations: 30sec at the beginning, 5sec every 30sec

 

Used formulas (for 1l):

 

Developer (custom variation of D-11 and D-19)

- Metol 1g

- Sodium sulphite 75g

- Hydroquinone 9g

- Sodium carbonate, anhydrous 45g

- KBr 5g

 

Bleach

- sodium bisulfate (NOT bisulfite!) 65g

- potassium dichromate 10g

 

Clearing

- Sodium sulphite 50g

--------------------------------------------------

 

It's way too dark. Probably needs developer tweaks. You can check out first test I've done with my friend some time ago:

 

www.flickr.com/photos/92518190@N05/30610090843/in/datepos...

「eo」~extra ordinary

Suvet 3D Character Animation Model of 3D Modelling by Gameyan 3D Animation Studio, Indianapolis- Indiana

 

PROJECT: 3D CHARACTER DEVELOPMENT FOR GAME

CATEGORY: 3D GAME CHARACTERS

 

For More : www.gameyan.com/3d-character-modeling.html

 

Suvet is 3D Character Modeling for game development. he is very unique in look with cycling leg and yellow heavy hair. He has sward with hazardous look. The quality of the render and image is pretty good. Tools used for this software is Zbrush, Maya, Photoshop, V-ray By 3D Art Outsourcing.

© István Pénzes

Please NOTE and RESPECT the copyright.

 

Spring 2019 @home

 

Leicaflex SL2

Summilux 80mm

Kodak T-max 400 @100

Kodak T-max developer

Imacon Flextight 343

Camera: Olympus OM-10

Film: expired HP5+

Developer: Caffenol CH RS 12min @20°C

Tank: Agfa Rondinax

 

Eno River State Park

 

Pentax K-1 (pixel-shift mode)

Pentax-A 50/1.2

Iridient Developer

Camera: Canon Elan 7n

Film: Ultrafine Finesse 400

Lens: EF 28-105mm f/3.5-4.5

This group of Sanderling seem to be symbolic of the battle against the relentless drive of the developers. So much of the Algarve has been destroyed under the turf of golf courses and the concrete of hotels. It is a unique area for wildlife which is rapidly being lost. AROCHA are working hard to protect these vital habitats against massive pressures.

If you're thinking that I missed a developer, you're right, usually the third roll is Rodinal. But honestly I'm glad I decided against using Rodinal and switching it up to FX-39. The SFX, Yellow Filter, the way the light filtered through the threes plus FX-39 created this ethereal scene out of a fantasy film or novel. There's magic in these woods.

 

You can read the full review online!

www.alexluyckx.com/blog/index.php/2020/08/10/film-review-...

 

Minolta Maxxum 9 - Minolta Maxxum AF 28mm 1:2.8 (Yellow-12) - Ilford SFX 200 @ ASA-200

Adox FX-39 II (1+9) 7:30 @ 20C

Scanner: Epson V700

Editor: Adobe Photoshop CC

Camera: Leica M5

 

Lens: Canon Serenar LTM 50mm f/1.8

 

Film: Kodak Tmax-400

 

Developer: Fomadon Excel

 

Dilution & Time: Stock, 5 Minutes @ 23 Degrees C

 

Other Notes:

 

This analog film photograph was digitized by photographing the negative using a Canon 5D Mark IV, FD 50mm f/3.5 Macro Lens mounted with a FD to EF adapter, 25 mm extension tube, and a Nikon slide copying adapter ES-1 attached to the front of the lens. Illumination of the negative was by a Canon 600 EX Speedlite. Digital image imported to Lightroom, adjusted, and then exported as a JPEG file.

Collection: Icelandic and Faroese Photographs of Frederick W.W. Howell, Cornell University Library

 

Title: Bessastaðir Church, Álptanes (Álftanes).

 

Date: ca. 1900

 

Place: Bessastaðir (Iceland)

 

Medium: collodion print

 

Repository: Fiske Icelandic Collection, Rare & Manuscript Collections, Cornell University Library

 

Accession: 1923.1.36

 

Description: Both the church and the building aft of it, now the president's residence, have undergone extensive restoration.

 

URL: http://cidc.library.cornell.edu/howell/intro.asp

 

Persistent URI: http://hdl.handle.net/1813.001/626c

 

There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell Univeristy Library which is making it freely available with the request that, when possible, the Library be credited as its source.

   

We had some help with the geocoding from Web Services by Yahoo!

  

developer: Kodak T-Max 1+9 11' (18c)

Huashi Dajie 花市大街, or Flower Market Street, was a historical commercial street outside Beijing’s former Gate of Advocating Literature 崇文門. The street was originally named after the nearby imperial Divine Log Warehouse 神木廠. Since Ming Dynasty 明代 (1368-1644), it started to host spontaneous morning markets of paper flowers. This commercial activity became fixed in Qing Dynasty 清代 (1644-1912), and thus the street was gradually referred to as the Flower Market Street.

 

Throughout Qing Dynasty, the industry of artificial flower production and trade gathered around Huashi Street. The flowers were usually made of paper, flannel or silk, those sold as traditional Chinese women’s hair accessories – also known as the Capital Flowers 京花 – were once even exported to Europe after being exhibited in the early world expos which the Qing empire participated. Another special kind of artificial flowers produced here was the bonsai of flowers and fruits made from colourful precious stones such as jade 玉石盆景. The customers of some time-honoured jade bonsai workshops in this street included imperial palaces in Beijing.

 

Between 2002 and 2006, the historical blocks around Huashi Street with numberless Courtyard Houses 四合院, Hutongs 胡同 and old shopfronts were erased during the local government and real estate developers’ joint urban renewal projects. Besides a few listed protected heritage sites, the historical urban landscape of Huashi Street has been replaced by modern high-rise residential blocks.

 

This photo was taken during demolitions in 2003.

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