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My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.

 

This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.

 

I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.

 

Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.

 

Cassiobury Park, Watford, Hertfordshire

28th March 2022

  

20220328 IMG_7817

This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.

Nikon FM2 + 20mm f2.8 - B+W 3.0(10 stop) Filter.

 

Ilford FP4 Film + ID11 Developer.

Leica MDa Elmarit F2.8/21mm - Adox Silvermax - Adox Silvermax Developer

tree in coastal wetland sand dunes, Sydney 2019. Voigtlander Bessa II Color-Skopar 105mm f/3.5 rangefinder folding 6x9 camera, Kodak TMAX 100 120 film in TMAX developer 1+4. V700 scan.

Film stock: Kodak Tmax 400

Expiry 01/2003

Format: 135

Camera: Pentax P30

Lens: SMC Pentax-A 50mm F1.4

 

Developer: Caffenol C-L

Time: 60 min @ 20-21degC semi-stand

 

NB The film base was still fogged. New precision scales used so it is not a problem of incorrect proportions of caffenol ingredients.

Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.

 

Camera: Canon A-1, 50mm f1-4.

Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.

The brand new 2018 official Film Photography Project t-shirt modeled by Tom Wright (of MidWest Photo Exchange)

Photo: Mat Marrash

Nikon FM2

Kodak TMax 400

Home processed in the FPP Super MonoBath

Epson v700 scan

 

T-Shirt available at The FPP!

A less traditional view of Battersea Power Station. It won't look like this for much longer...

As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....

 

Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!

We were planning on walking up Cadair Idris but the clouds were covering the top so we waited at the lake and had some lunch. The clouds moved down and this was about as low as they got.

 

Camera: Hasselblad 500C/M

Lens: Zeiss Distagon CF 60mm f/3.5

Film: Ilford Delta 100

Developer: Kodak HC-110 (1+63, 10 mins)

Scanner: Epson 4180

 

3308

FILM: Rollei RPX 100.

CAMERA: Edixa-MAT Reflex.

LENS: Helios 2/58 SMC.

DEVELOPER: Agfa Rodinal.

DATE: JANUARY 2017.

Canadian Geese at Magnolia Dairy in Bothell, Washington.

 

Camera: KMZ FT-2

Lens: Industar-50 50mm f/3.5

Film: Adox HR-50

Developer: Beerenol (Rainier Beer)

relaxing at Manly wharf, Sydney harbour, June 2018. Leica IIIc Cosina-Voigtlander 21mm f/4 Color-Skopar LTM, Foma Retropan 320 in TMAX developer 1+4. V700 scan.

This was a test roll for a Konica C35 I bought for parts. As it turned out the part (rewind assembly) was incompatible with the C35 I was trying to fix. Still, as I took the two rewind knobs apart I figured out how to fix my original camera so the parts camera did its job.

 

It was sold for parts because it had been dropped and the beauty ring around the lens had been pushed in a bit. I'm guessing the owner then though the lens was off-kilter and I thought it might be as well but since everything else worked on the camera I put a roll of throw-away film through it. These are the results.

 

Camera: Konica C35 Automaic

Lens: Fixed 38mm f2.8 Hexanon

Film: GAF SuperHypan 320 (1970s vintage) Shot at 100

Developer: Xtol

Scanner: Epson V600

Photoshop: Curves, Healing Brush (spotting)

Cropping: None

º

Nikon F801s

Zeiss ZF.2 100mm/ƒ2

Agfa APX 100@50 exp. 2010

Silvermax developer 1:29 11min

2-panel stitch

º

Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.

 

Pentax Mz-S

FA 28-105 f4-5.6

Kentmere 400 rated @400

Tmax developer 1+4, 6min @ 20c

 

Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.

 

16-00575_tu6

UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale

1/6

location: spitzingsee, bavaria

camera: bronica c

film: IlfordPanF+

developer: rodinal

image from test roll shot with a newly acquired Beier Beirex 6x9 folder. Many film roller scratches, significant light leaks. Coaxed into this presentation in LightRoom.

Developer: Ilford Ilfotec 3 (1+9)

Time 6.30 mins at 20 C

 

Fixer: Ilford Rapid Fixer (1+5)

Time: 5 mins at 20 C

 

Ilford Wetting Agent

 

Scanner: Agfa afs-100 Scanner

Memory Card: Sandisk SDHC UHS-I 16 GB Card

Miami’s scenic and sophisticated Brickell neighborhood will soon welcome its first waterfront residential tower in over a decade, with the onset of construction officially underway at Una Residences. Developers OKO Group, the luxury development group helmed by real estate mogul Vladislav Doronin, and Cain International have enlisted world-renowned architects Adrian Smith + Gordon Gill (AS+GG) to design the project. The award-winning firm’s design portfolio includes some of the tallest landmark towers across the globe – from China and Dubai to Chicago and Miami – and the soon-to-be world’s tallest building, Jeddah Tower in Saudi Arabia.

 

Slated for completion in 2025, Una Residences will be comprised of 135 spacious condominiums spanning 47 floors boasting unobstructed views of the Atlantic Ocean, Biscayne Bay, and the Miami city skyline. Residences range from two-to-five bedrooms, measuring between 1,100 to 4,786 square feet in size, with two ultra-exclusive penthouses available. The tower’s secluded waterfront location, situated in the picturesque and private South Brickell area at 175 SE 25th Road, is only moments away from downtown Miami’s metropolitan city life, offering buyers the best of both worlds. Residences are priced from $1.9 to $7.4 million, with penthouses up to $21.6 million.

 

“Miami has become an international hub, and its standard of living – its happy lifestyle, warm weather, and lower taxes – continues to attract buyers from all over the world as well as domestically. Una Residences, designed by world-class architects, Adrian Smith and Gordon Gill, have been created for residents to fully benefit from Miami’s appealing characteristics with seamless indoor-outdoor living and sweeping views over Biscayne Bay. Una Residences represents one of the last opportunities to buy a new waterfront property in the established and highly desirable Brickell enclave, one of Miami’s most prestigious neighborhoods,” said developer Vladislav Doronin, Chairman and CEO of OKO Group. “In my 27-year career as a developer, I have been fortunate to work with the world’s best architects. We are delighted to collaborate with world-class architects, Adrian Smith and Gordon Gill – who are known for designing the globe’s most notable skyscrapers – for the design of this one-of-a-kind tower, which will bring a timeless elegance and an enhanced quality of life to Miami.”

 

OKO Group and Cain International broke the mold by enlisting AS+GG to design both the building’s architecture as well as its interior, as most developers view the spaces as mutually exclusive. The team’s holistic perspective to design has allowed the legendary architects to establish an aesthetic relationship between the tower’s materials, textures, and design elements to create continuity and maintain the philosophy of the building inside and out. The designers were tasked with using the language of architecture to embody the spirit of the city and evoke the natural beauty of Brickell’s urban, waterfront environment.

 

“Una’s subtly undulating surface and strong silhouette stands proud at the water’s edge. We drew inspiration from the elegant shape and opulent materials used in classic yacht design – particularly the beautifully lacquered wood, exposed materials, and stainless-steel connections found on the Italian-made yacht, the Riva. Carefully crafted and detailed and meticulously designed, it is elegant and relaxing. Its primary goal is to relate well and add to the beauty of Miami and the wonderful lifestyle this City is so well known for,” said Adrian Smith FAIA, Design Partner, AS+GG.

 

“Adhering to our philosophy that form follows performance, we saw the unique opportunity with Una to give the building a little bit of attitude in its design. It stands contrapposto, where one side of the building is holding its full weight and the other side is relaxed, looking at you. I like that attitude, it’s elegant, it’s very comfortable and it’s sophisticated,” added Gordon Gill FAIA, Co-Design Partner, AS+GG.

 

Just as dramatic up close as it is from afar, residents at Una will approach the building’s driveway and immediately notice the sweeping canopy arc and the smooth lines of the porte cochère, before continuing inside into the grand double-height lobby. Una’s modern curves are complemented by lush, colorful gardens – designed by prominent Swiss landscape firm, Enea Landscape Architecture – that further connect the building to the rich tapestry of Florida’s foliage.

 

Una’s Residences – with spacious layouts, expansive terraces, and private elevators for all units – cater to the specific tastes and needs of today’s luxury buyer. From the moment the elevator opens into their homes, residents are met with stunning views. Bedrooms and living areas are set along the waterfront, allowing for sweeping, unobstructed vistas. Floor-to-ceiling windows welcome daylight into each open-plan space, while extra-wide terraces are carefully integrated into the great rooms and bedrooms. Sliding doors create an open connection to the main living spaces and a seamless flow between inside and outside, while drawing attention to the water. Within the residences, the expanse of windows is set against the warmth of natural materials. Every finish and surface are inspired by yacht design, bringing a sense of elegance and comfort to the rooms, while celebrating the pleasures of life on the bay.

 

Amenities at the boutique tower will complement and enhance Miami’s desirable outdoor lifestyle, including three swimming pools, a children’s splash-pad area and playroom, a movie theater, an Aman Resort-inspired spa and steam room, a state-of-the-art fitness center featuring yoga and personal training facilities, onsite dining, and more. Una’s amenities will also extend beyond the property, as residents will receive exclusive membership access to the Grand Bay Club on the beachfront of Miami’s Key Biscayne.

 

“We continue to believe in Miami’s strength as a global gateway city and are thrilled to be delivering a project that not only meets but exceeds the expectations of international and local residents alike,” said Cain International CEO Jonathan Goldstein. “Una Residences is a one-of-a-kind residential building blending both tranquil privacy and easy access to incredible lifestyle amenities, culture, and world-class entertainment. The homes, unique in both size and grandeur, will achieve a truly differentiated position in the Miami luxury marketplace.”

 

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/List_of_tallest_buildings_in_Miami

www.miamiluxuryhomes.com/una-residences-brickell/

www.unaresidences.com/#readmore

www.architectmagazine.com/project-gallery/una-residences_o

www.elitemiamiproperty.com/brickell/una-condos-for-sale/

bhsmiami.com/una_residences/una_residences.asp

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

   

  

Alina, confectioner, recipe developer. Pastry r&d (incl vegan/parve/sugar free/gluten free): "I repatriated with my family in November. It's funny that my old dream to go to Israel came true, of course). And the dream of living in Jaffa too. I really like it here, although it's unusual to look for a job for so long - two months already ... no matter where, but in food tech. And it really bothers me that I’m here without the necessary connections, without education in my specialty (only my head, knowledge, and experience), but I’ll break through somehow, of course)

 

I wrote, so far, a theoretical course on confectionery ingredients. It turned out to be very useful and once again everything that I know to sorted out in my head. Also, a useful thing is to teach colleagues. I preach awareness))) Perhaps, "more awareness in everything" is generally a good motto)))"

Annually developer cooking session of 5 1/2 liters

Agfa Isoly (Format 4x4)

Rollei RETRO 400S

Moersch ECO developer

 

Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5

  

Fuji X Secrets workshops

  

Read the X-Pert Corner blog.

  

New books:

  

Die Fujifilm X-E2. 100 Profitipps

  

Mastering the Fujifilm X-E1 and X-Pro1

  

The Fujifilm X-E2 – Beyond the Manual

Whitehall is a 75-room, 100,000 square foot Gilded Age mansion open to the public in Palm Beach, Florida in the United States. Completed in 1902, it is a major example of neoclassical Beaux Arts architecture designed by Carrère and Hastings for Henry Flagler, a leading captain of industry in the late 19th century, and a leading developer of Florida as a tourist destination. The building is listed as a National Historic Landmark. It now houses the Henry Morrison Flagler Museum, named after its builder.

 

The site of the home was purchased for $50,000 in 1893 (as of 2010 that would be $1,197,562.39) by Flagler. The site was later surveyed for construction in July 1900 and the home was completed in time for Flagler and his wife to move in on February 6, 1902. The architects were John Carrère and Thomas Hastings, who had earlier designed the Ponce de Leon Hotel and several other buildings in St. Augustine for Flagler. Whitehall was to be a winter residence, and Henry gave it to Mary Lily as a wedding present. They would travel to Palm Beach each year in one of their own private railcars, one of which was No. 91.

 

In 1959, the site was saved from demolition by one of Henry Flagler's granddaughters Jean Flagler Matthews. She established the Henry Morrison Flagler Museum non-profit corporation, which purchased the building in 1959, opening it as a museum in 1960. The upper ten stories of the hotel addition were demolished in 1963 in preparing the museum for the public.

 

Today, Whitehall is a National Historic Landmark and is open to the public as the Henry Morrison Flagler Museum, featuring guided tours, exhibits, and special programs. The museum offers several programs, many of which are seasonal, lasting only from October to January. In addition to an annual chamber music series, the Flagler hosts the Whitehall lecture series, which brings “experts and best-selling authors to discuss Gilded Age topics, events, and local history.” Past lecture series include historical talks about the dawn of the Progressive Era, World War I, Gilded Age presidents, engineering feats, and Metaphysical America: Spirituality and Health Movements During the Gilded Age. The Flagler also holds a special exhibition each year, often showcasing Gilded Age paintings, sculptures, glamour photography, or material culture, such as board games, jewelry, cartoons, Tiffany & Co. silver pieces (including ones displayed at the 1893 Chicago World's Columbian Exposition), and women's fashion. It also hosts a variety of local galas and balls throughout the year. The Museum is located at Cocoanut Row and Whitehall Way in Palm Beach.

 

Flagler died of injuries sustained in falling down a flight of marble stairs at Whitehall in 1913, at the age of 83. Mary Lily died four years later, and the home was devised to her niece Louise Clisby Wise Lewis, who sold the property to investors. They constructed a 300-room, ten-story addition to the west side of the building, obliterating Mr. Flagler's offices and the housekeeper's apartment, and altering the original kitchen and pantry area. Carrere and Hastings were the architects of the 1925 reconstruction. In 1939 it was described as a $4,000,000 building and Palm Beach's second-largest hotel.

 

When it was completed in 1902, Whitehall was hailed by the New York Herald as "more wonderful than any palace in Europe, grander and more magnificent than any other private dwelling in the world." It was designed in the Beaux Arts style, meant to rival the extravagant mansions in Newport, Rhode Island.

 

Distinct from these northern homes, Whitehall had no outbuildings or subsidiary structures. Nor had it elaborately planned or cultivated gardens. Plants, flowers, trees and shrubs were allowed to grow unaided.

 

The mansion is built around a large open-air central courtyard and is modeled after palaces in Spain and Italy. Three stories tall with several wings, the mansion has fifty-five fully restored rooms furnished with period pieces. These rooms are large with marble floors, walls and columns, murals on the ceilings, and heavy gilding.

 

Officially opened February 4, 2005, the $4.5-million Flagler Kenan Pavilion is the first addition to the property since 1925. The 8,100-square-foot (750 m2) pavilion is named after the mogul and William R. Kenan Jr., Flagler's engineer, friend and brother-in-law. It was designed in the Beaux-Arts manner by Jeffery W. Smith of Palm Beach-based Smith Architectural Group, Inc. and took almost four years to build. The featured display in this pavilion is Railcar No. 91, Flagler's private railcar built in Delaware in 1886. According to the museum, the car was restored using “documentation from the National Museum of American History, the Smithsonian, the Delaware State Archives, and the Hagley Museum and Library in Delaware.” It also houses the seasonal Pavilion Café and tea service.

 

Credit for the data above is given to the following websites:

www.flaglermuseum.us/

en.wikipedia.org/wiki/Whitehall_(Henry_M._Flagler_House)

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

 

at a locksmiths' workshop. first time i do what Kodak say i should do with their products - following data sheet of Tmax film and developer - i got a fantastic result. i'm on my way of establishing a solid workflow with one film and one developer. hope the manufacturer will stay afloat...

Developed by Developers Diversified, Quincy Place Mall opened in August 1990, as a 270,000 ft2 mall anchored by JCPenney, Herberger's, and Walmart.

 

A decades long weak economy and the departures of Walmart, JCP, and Herberger's have left the former industrial hub without a thriving retail destination. The Target behind the mall closed in 2015.

 

Developers Diversified really copied what Dial Properties of Omaha was doing when building this mall. The corrugated ceilings, circular lights, dated colors, and anchor combination match the Walmart, JCP, and Herberger's anchored malls that DP was building elsewhere in the Midwest. The mall was build to replace an ailing downtown pedestrian mall that was foundering even before the loss of Younkers.

Camera: Zenza Bronica ETRS - Zenzanon EII 75mm f/2.8

Film: Ilford HP5+

Developer: Kodak HC110 (1+49, 8 mins) Development details on FilmDev

Scanner: Epson 4180

 

2010

Got Three Of This! One To Keep NIP, One To Re-Body And Another To Keep In Her Original Body.

For Processing BW Film - Not For Drinking!

 

The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.

filmphotographystore.com/products/darkroom-supplies-caffe...

The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.

 

D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.

Camera: Yashica J2

Lens: F:1:3.5 32mm

Film: Foma 100 ISO bulk

Developer: Adox Adonal. 7' 30''. 21 C

Stopbath: 1' 00''

Fixer: Fomafix. 5' 00''

Epson Perfection 3170 Photo

Southern Spain. 30 second f22 exposure using a Hoya circular polarizing filter and Formatt-Hitech resin ND filters (approx. 6 stops in total). Raw processed with Iridient Developer and tweaked with Macphun Intensify

location: Munich, Germany

camera: Sinar F1 4x5

film: fomapan 100

developer: rodinal

developer: Fuji Microfine 1+4 expired in 2018 Dec. 12' 22C

film expired in 2015

Mini Ian likes to bathe in strong coffee - it makes him stay awake longer and write more code.

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