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afternoon picnics at Dee Why on Sydney's northern beaches, March 2018. Leica IIIc Cosina-Voigtlander 21mm f/4
LTM Kodak TMAX100 in TMAX developer. V700 scan.
Reloaded from my old stream.
Not HDR. ;)
One of my more successful efforts with Silkypix Developer Studio, IMHO.
_DSC7773_26mm_f16_1-160[b]
Kiev 6C, Biometar 80/2.8, 6×6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
Developer: Ilford Ilfotec 3 (1+9)
Time 7.30 mins at 20 C
Fixer: Ilford Rapid Fixer (1+9)
Time: 4 mins at 20 C
Ilford Wetting Agent
Scanner: Agfa afs-100 Scanner
Memory Card: Sandisk SDHC UHS-I 16 GB Card
Into the sun test shot at ISO 800, f/8, 1/10000 electronic shutter, with substantial Highlight and Shadow recovery processing on RAW image in Iridium Developer and Aperture.
My plans around Watford rapidly changed when I visited Cassiobury Park and discovered they were in the process of moving a few dinosaurs around. You know how it goes.
This was a grab shot through the car window before I parked up properly and shows a Triceratops, or at least a Homo sapiens interpretation of it, being transported in the park.
I now know that it forms part of 'Jurassic Encounters' which consists of around 50 automated dinosaurs that move their jaw and limbs and growl - it lasts from 2nd to 18th April 2022.
Despite the event name, the Triceratops did not roam the planet in the Jurassic era, coming much later in the Late Cretaceous period, and only existed about two million years prior to the Mass Extinction.
Cassiobury Park, Watford, Hertfordshire
28th March 2022
20220328 IMG_7817
This picture was developed with E6 chemistry that had been sitting out at room temperature since February. Quite the vintage look even though this is fresh Provia 100F slide film.
Electra's brother. Some people say he is lazy, but he is just calm.
Exakta HS-2 (Cosina CT)
SMC Pentax 1:1.8 55mm
Fomapan 200
Fomadon Excel Stock (for 7min)
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Finally got to make 2x 5l of Kodalith developer (Danke Thomas!) - the old instant does quiet fine.
PRW118 in Kodalth (1:1 + KBr)
Shot of a Tulip, developed with leafes of the same tulip (and others); shot on Ilford FP4 with a Hasselblad 500
Taken during the summer, in Mortehoe, near Woolacombe, Devon, on a spur of the moment camping trip.
I'm waiting on 3 xpro films to come back from the developers.... can you tell?!
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
Needless to say, the second attempt with Merlot developer did not go as well as the first. I left the film in the developer longer and actually got thinner negs. I am currently analyzing the process and have some things I am going to try. These heavily cropped images were dragged out of the film. They were the only two of even instructive merit.
Terminator 3, Kodak Tri-X, merlot developer
Gravestone of two, I guess brothers (at least in arms): older Ivan (Иван Иванович Буртик) and younger Peter (Петр Иванович Буртик)
There is a report which says where Ivan was buried just after battle of Poznań in which he died: pamyat-naroda.ru/heroes/memorial-chelovek_donesenie80909860/
Report says:
Ivan Ivanovitch Burtik
Date of birth: 1915
Place of birth: Byelorussian SSR, Brest region, Brest district, village Kolodno
Place of conscription: 08/06/1944 Brest RVK, Byelorussian SSR, Brest region, Brest district
Last place of service: 236th Infantry Division
Date of leave: 21.02.1945
Reason for leave: killed
Primary burial place: Poland, Poznań Voivodeship, Poznań, Piłsudski str., on the square, between the house and the theater, a mass grave.
Zorki 1D - №4830526
Industar-22 1:3,5 f=50mm P N5414989
Fomapan 200
Fomadon Excel Stock (for 6:30min)
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Smooth Terrain and New Horizons
December 10, 2015 Luke Weber Creators, Developers, News, Tech developer feature, game design, game development, Studio1
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
Dark room print on Fomabrom 111 in Ilford MG developer. Intensive toning (15 min) in Foma Selenium 1+19, although it doesn't show easily in the scan.
All the news that fits...
FPP D96 BW Developer (Powder to make 1 Gallon)
filmphotographystore.com/collections/darkroom-supplies/pr...
The Film Photography Project brings you FPP D96 BW negative developer powder in handy packages that makes 1 Gallon of developer when mixed with water.
Long considered the go-to BW developer for the motion picture industry, D96 is a highly adaptable lower contrast film developer that enables you to increase the contrast by increasing your developing time or agitation. We’ve tested this developer with cinema films like FPP X2 (Eastman Double-X), FPP Blue Sensitive BW, ORWO Cinema Film and FPP LOW ISO BW and standard BW photography films like Kodak Tri-X, T-Max, Ilford FP4 and HP5 films to stunning results.
Powder Makes 1 Gallon of Developer
Long Shelf Life
Develop up to 50+ rolls
Average development time 7-8.5 minutes
This developer has a very long life, when you mix the gallon, you can store it on a one gallon jug OR store it in 4 one quart bottles. If you store in 4 separate 1 quart bottles, as you use it and the contrast begins to lower, start a second fresh bottle, and save the first one for extremely contrasty lighting or films. We recommend using it as a stock developer, use it without diluting and pour it back into your quart container for re-use.
What about diluting and using as “one-shot”?
You can also dilute it 1:1, but make sure you use fresh, unused stock for this and do not reuse this combination, it is one-shot. This developer will begin to lose contrast with use rather than completely exhaust.
The package makes 1 gallon of developer, which is about a 50% savings over buying it by the litre and if you store it in 4 one quart bottles it’s like getting 3 developers in 1, stock for re-use, stock for dilution for one-shot and a lower contrast bottle of used stock for hard lighting and high contrast films!
We are testing with many films but have found a lot to fall within 7 to 8.5 minutes. Massive Developing chart has a D96 developer option as well. Many report getting at least 50+ rolls from this quantity.
Here are starting times for some of our favorite films.
FILM ISO TEMP TIME
100Tmax 100 68F 7 minutes & 30 seconds
400Tmax 400 68F 8 minutes
TMZ3200 3200 68F 12.5 minutes
FPP Low ISO BW 6 68F 7 minutes
FPP SONIC BW 25 68F 8 minutes
Ferrania P30 80 68F 9 minutes
X2 (Double-X) 200 68F 7 minutes & 30 seconds
400 TX 400 68F 8 minutes
Orwo UN54 100 68F 5 minutes & 30 seconds
Orca B/W Lomo 100 68F 6 minutes
FP4 125 68F 8 minutes
HP5 400 68F 9 minutes
FPP Blue Sensitive 6 68F 7 minutes & 30 seconds
Polypan F 50 68F 9 minutes
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
An old experiment in the photography developing process. The darker marks are where the developer has been spraying or brushed on to the photopaper. The white lines are from the actual photograph.
Visit my website at www.markchadwick.co.uk to see more of my work. Thanks for viewing!