Ilford ID-11
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Strictly speaking, one never understands anything from a photograph - Susan Sontag, "On Photography"
Pitched detail of the Hiberus Hotel under the early evening sun (Zaragoza).
Architects: Martínez Lapeña - Torres Arquitectos, Barcelona (José Antonio Martínez Lapeña y Elías Torres Tur).
Developers: Zaragoza Urbana. Palafox Hoteles.
This horizontal-shaped building boasts a construction quite untypical for an urban hotel. Minimalist in many ways, it looks pretty cold for my taste, yet it neatly fits in its natural environment, smartly protected from the strong regional wind and the outside noise by glass and concrete walls, which are different in size to provide a unique perspective. // Este edificio horizontal exhibe una construcción bastante atípica para ser un hotel urbano. Minimalista en varios sentidos, tiene un aspecto bastante frío para mi gusto, aunque encaja muy bien en su entorno natural, inteligentemente protegido del fuerte viento regional y del ruido exterior por muros de hormigón y vidrio, que tienen tamaños diferentes para proporcionar una perspectiva única.
Taken during the week on the Rolleiflex on a foggy morning, Fomapan 400 film, R09 film developer, Ilford MGWT paper, Moersch 4812 paper developer, Moersch Selenium
Hasselblad 501CM, Kodak Tmax 100 @ISO200 in Pyro 48,
Kallitype on HPR, Sodium citrate developer,
MT9 Gold toner 13 minutes after fixing.
Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
A switch engine in Nebraska caught on film. Reality So Subtle 6x6 pinhole camera, Ilford film and caffenol developer.
Planar 100 with extension tube, Delta400 in Tanol,
Kallitype 20x20cm onto COT320, Sodium acetate developer.
MT3 Vario toner: bleach 1+75 1min, toner setting A, followed by MT10 Gold toner 10 minutes.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: Adobe Camera Raw & Silver Efex Pro 2
(Location: Lake Louisa State Park, Clermont, Florida).
Thanks for your comments, faves and views, really appreciated!
With Gray Crag in the background.
A photo that hath been greatly messed about with in SilkyPix for the purposes of uploading on Sliders Sunday. HSS!
On this stretch of the famous “Mother Road”—the primary US highway connecting the Midwest and West Coast from the 1920s through the 80s—the road is a pair of roadways—the now unused old road (where I stood to take the picture), which was washed out in several places west of Summit Valley by the floods of 1938, and the “new” road, on the left, built as the original road's replacement. As you can see on the hillside near the center of the image, an enterprising local rancher has cleared away the brush in the form of a “66” to commemorate the famous highway, across which generations of Americans migrated west, especially during the Dust Bowl of the 1930s.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
This is ostensibly a technical test: evaluating a Retina II with the Rodenstock Heligon lens set after restoration, exposing a roll of Astrum Foto 200 and processing it in PMK Pyro developer. Exposure: f8.5 at 21 seconds.
I like the results.
Although the development time was longer here, the image appears flawless (no snowballs, no marble structures). Snowballs tend to occur in homogeneous areas. With negatives that have a structured background, such as here, the above-mentioned faults do not occur, or only after a much longer development time.
Fomatone 132 (brandnew batch 080348-01)
Lith A+B+D+water 30+30+20+1000 ml 7 minutes, followed by a Siena mix (for more colour) one minute.
Camera: Rolleiflex Automat 3.5 B (1955)
Lens: Carl Zeiss Tessar 3.5/75mm
Film: Rollei Superpan 200
Developer: Spur Acurol N
Location: Piano di Porlezza, Lombardia, Italia
Looking back towards a snow-capped Fairfield, seen between Gibson Knott and Helm Crag, while on the way up to Tarn Crag in Easedale. Seat Sandal fills in the gap.
Cullasaja Gorge, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. Established in 1753, the British Museum was the first public national museum to cover all fields of knowledge.
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100x: The 2024 Edition
96/100 London landmarks by night
Camera jpeg processed in SilkyPix..
Eno River State Park
Playing with my new lens
590nm IR-converted Pentax K-5
Lensbaby Sol 45/3.5
Iridient Developer
I'm trying to work out a way to use Fomapan 400 as a Kallitype negative, but it's proving difficult to get it to work as I want with Pyro developers. With Pyrocat HD it produces lots of density but higher values are all mashed together into a flat mess. I think I will give up and stick with FP4 for making Kallitype negs.
This is the second of two identically exposed sheets of Fomapan 400, this one developed in home made Mytol, an Xtol ascorbate clone.
Deardorff 8x10 with the Kodak f4.5 Ektar lens, at f8. A six second exposure.
On approach to Dry Falls, Cullasaja River, Nantahala National Forest. The lower section of the falls is just visible.
Pentax K-1
Laowa 20mm f/4 Zero-D Shift
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
Photo taken by Andreas Müller, scan kindly provided by Michael Bernhard for inclusion on this page.
München-Riem
1978-04-29 (29 April 1978)
F-BHRU “Poitou”
Sud SE-210 Caravelle III
58
Air France
F-BHRU is lined up for take-off on Riem’s runway 25. This Caravelle’s cockpit would later be preserved and used as a fixed-base simulator at Ismaning near Munich from 2015 (moved to Sweden in January 2022 and now in use at Bunge Flygmuseum, Fårösund, Sweden).
Information from flycaravelle.com:
F-BHRU “Poitou” construction number 58, flew for the first time from Toulouse Blagnac airport on November 3, 1960 and was in service with Air France until it was decommissioned on August 28, 1980 when ferried from Charles to Gaulle airport to Paris Orly airport.
After being scrapped between November 1980 and April 1981, the cockpit was stored in a training center for air traffic controllers at Orly for 13 years. There it was originally supposed to be converted into a simulator. The project that was started was never completed for financial reasons. The cockpit almost ended up in the scrap heap in 1993. It was accidentally discovered and rescued by a member of the French association “Jean Bapiste Salis” from la Ferté Alais near Paris.
In cooperation with the “Le Caravelle Club” in Stockholm, which owns the last functioning Caravelle, software and hardware developer cockpit-concept.de and our knowledge as commercial pilots, a true-to-the-original simulator has been created from the cockpit, which has been in use since October 2015 in Ismaning near Munich. It was moved from Munich to Gotland, Sweden in January 2022.
Source: www.flycaravelle.com/ (see here for many more photos)
Daily Mail article on Nils Alegren’s F-BHRU cockpit restoration project (including photos):
www.dailymail.co.uk/news/article-7245679/Pilot-spends-80-...
F-BHRU with Air France at EDI in January 1962 (bare metal belly):
www.airhistory.net/photo/356894/F-BHRU
F-BHRU with Air France at LHR in April 1973 (bare metal belly):
www.flickr.com/photos/158949556@N05/40692069710
F-BHRU’s cockpit at La Ferte Alais, France, in July 2006:
www.flickr.com/photos/158949556@N05/41777454474
F-BHRU’s cockpit at Oberschleißheim (EDNX) leaving for Ismaning in October 2013:
imgproc.airliners.net/photos/airliners/4/8/7/2346784.jpg
F-BHRU’s cockpit restored as a simulator at Ismaning, Germany, in October 2014:
imgproc.airliners.net/photos/airliners/6/8/5/2518586.jpg
View from F-BHRU’s cockpit at Ismaning in May 2016:
imgproc.airliners.net/photos/airliners/5/8/5/2827585.jpg
F-BHRU’s packaged for the trip to Sweden at XFW in January 2022 (together with ex-Lufthansa 707 D-ABOD’s cockpit):
www.flickr.com/photos/digro/51826830533
www.flickr.com/photos/digro/51827064984
www.flickr.com/photos/digro/51827064929
Scan from Kodachrome slide.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Orange filter, T-MAX 100 Professional (Kodak TMX 6052) developed in Ilfosol S 1+9, digitised by photographing the original negative on a light pad - tethered capture and digital development in Lightroom.
The Howgills as a whole lie within the county of Cumbria, although the area remains in the Yorkshire Dales National Park.
"Cautley Spout is England's highest (cascade) waterfall above ground. (Gaping Gill on Ingleborough falls a greater unbroken distance into a pothole, and Hardraw Force has a greater unbroken fall above ground). The broken cascade of falls tumbles a total of [nearly 200m] down a cliff face at the head of a wild and bleak glacial valley that comes down from a high plateau called The Calf. [...] This fall is one of the few cascade falls in England; most are either tiered or plunge falls." (Wikipedia)
January 23, 2021
Goleta, California
Pentax MZ-S, Pentax smc P-F 35-105mm f/4-5.6, Kodak T-Max 100
XTOL Developer Stock 7 1/2 Minutes
Epson Perfection V550 Photo
First attempt at Pinhole photography. I messed up in the developing tank. I didn't have enough developer so the bottom has that white area. DIY camera, 6x9 film. 0.3mm Pinhole. Lens is about about 1-1/2 inch (4 cm) from film. If I figure out a way to move the lens a little further away from the film, I can get rid of that vignetting ring. But that ring looks kinda cool.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
February 27, 2021
San Ysidro Creek Land Preserve
Montecito, California
Pentax MZ-S
Pentax smc P-F 24-50mm f/4 Kodak T-Max 100
f/6.7 1/45 ISO 100
XTOL Developer Stock 7 1/2 Minutes
Epson Perfection V550 Photo Scanner
0.01 inches recorded for the month of February...
The camera I used was a Zeiss Ikon 521 with a Tessar 3.5/75mm lens. It takes 16 pictures on 120-rollfilm, format 4.5x6cm. Aperture was set to 5.6.
Film used was Kodak Tri-X@400.
Developed with Jobo B&W developer, 11 minutes, rotary-development.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.