Ilford ID-11
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Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Meopta Flexaret IIa (S/N:30130190a)
Meopta Mirar II 1:3.5 f=80mm (S/N: 20449300)
ORWO NP20 (25 ISO) - develop before 10.1986
Agfa Rodinal 1:100 for 35 min (20C)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is the MacDonald Stump image made on Kodak Tmax 400, rated at 200 ASA and developed in Thornton 2 Bath developer (5 + 5), for comparison with the one made on Ilford FP4+. Both good, both very different in look/feel.
But TMY is remarkable when developed with the Thornton 2 Bath developer. Grain practically vanishes, and the tonality is exceptional.
See the FP4 version here: flic.kr/p/2r2ppjG
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
The hotel was constructed by real estate developer Walter G. McCarty on the site of the former Beverly Hills Speedway. It was completed in 1928 (when the city had fewer than 18,000 residents), and was then known as the "Beverly Wilshire Apartment Hotel". The E-shaped structure is built of a Tuscan stone and Carrara marble in the Italian Renaissance architecture style.
Renamed the Beverly Wilshire Hotel by new owners, it was renovated with a ballroom in the 1940s to accommodate the popular big bands of the day. An Olympic-sized swimming pool was built and championship tennis courts were added, with tennis champion Pancho Gonzalez as tennis director
The Beverly Wilshire Hotel is a historic luxury hotel in Beverly Hills, California. Located at the intersection of Wilshire Boulevard and Rodeo Drive, it was completed in 1928. It has been used as a shooting location for films and television series. Guests have included US president 168
There's this house, built out of the strongest ever-looking concrete blocks, it looks well built, but it's been sitting empty like this for quite some time now. Usually, it's only visible from the main road, from below, but I've found a road that goes just next to it.
Taken with Minolta SR-T 303 film camera and Minolta MD Tele-Rokkor 135mm F2.8 telephoto lens on AgfaPhoto APX 400 film. Developed in Adox Adonal developer, 1+50 dilution at 22.5°C.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
The New Brighton Hotel, early evening, Manly village, Sydney, spring 2018. Leica CL M-Rokkor 40mm f/2 Kodak TMAX P3200 (old version) in TMAX developer 1+4 9.4mins 24C. V700 scan.
In Flickr Explore October 07, 2018.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
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In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
If I was an ant living near Dow's Lake, I sure would be happier if Ottawa's urban development was a little more cohesive and didn't pander so much to the developers. It's too bad Gréber didn't have Haussmann's or L'Enfant's vision, cojones or clout...
Mariposa Grove of Giant Sequoias, Yosemite National Park
Pentax K-1
Mirex tilt/shift adapter
SMC Pentax-A 645 1:3.5 150mm
Iridient Developer
Day 260
Today it is Luke, Nicky and I. Thank you both for letting me take your photo.
Nicky is the one that got me involved in 365 in the first place!
The first freezing morning,late september. Pentax mx smc pentax m 135/3,5 Close-up +1 Kodacolor 200 Tetenal C-41 developer kit
Louisville, Colorado I'm sure various developers are trying to tear this farm away and replace it with homes or stores. Shame.
Pinhole image on Fuji Provia 100 film. The developer was expired Tetenal E-6, and images came out vague, almost non-existant. I managed to dig out some tones with my scanner.
Shot with my converted 6x6 "Pinhof" camera on Woldwide Pinhole Photography day of 2021.
We have finally released the Developer Kit for our mesh heads!
Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/
Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.
Camera: Canon A-1, 50mm f1-4.
Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.
Camera: Hasselblad 500C/M
Lens: Zeiss Distagon CF 60mm f/3.5
Film: Ilford HP5+ @ 800
Developer: Kodak HC-110 (1+49, 11 mins) Development details on FilmDev
Scanner: Epson 4180
Cropping, levels and dust removal done in Darktable.
7102
@ kujyu-kuri hama, chiba, apr/2011
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
Kodak 400TX (Kodak TMAX Developer 1:4 )
--
"悲惨な現実を前にしても云おう。
波の音は、さざ波のような調べでないかもしれない。荒れ狂う鉛色の波の音かもしれない。
時に、孤独を直視せよ。
海原の前に一人立て。自分の夢が何であるか。海に向かって問え。
青春とは、孤独を直視することなのだ。直視の自由を得ることなのだ。大学に行くということの豊潤さを、自由の時に変えるのだ。自己が管理する時間を、ダイナミックに手中におさめよ。流れに任せて、時間の空費にうつつを抜かすな。
いかなる困難に出会おうとも、自己を直視すること以外に道はない。
いかに悲しみの涙の淵に沈もうとも、それを直視することの他に我々にすべはない。
海を見つめ、大海に出よ。
嵐にたけり狂っていても海に出よ。"
--卒業式を中止した立教新座高校3年生諸君へ。（校長メッセージ）
niiza.rikkyo.ac.jp/news/2011/03/8549/
This photo is the end of the series.
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My comments will delay..