Ilford ID-11
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Ogdensburg is a city in St. Lawrence County, New York, United States. The population was 11,128 at the 2010 census. In the late 18th century, European-American settlers named the community after American land owner and developer Samuel Ogden.
The City of Ogdensburg is at the northern border of New York at the mouth of the Oswegatchie River on the south bank of the St. Lawrence River. T
FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper Hahnemühle Platinum Rag
developer Sodium acetate
Chair and drying octopus, Parikia, Paros
July 1975
photo by Mary Lou
2400 dpi scan of a 6x6 cm Kodak VP120 negative
Mamiya C220 TLR, 80 mm lens
Affinity Photo
In Berlin, close to Mercedes Benz Arena, I found these fountains on a very hot day. Seems like people get crazy.
One guy posing for a foto, lifting his bicycle and kids playing with the water :-)
Captured with my analog Leica M3, loaded with a Kodak T-Max 400 Development details on FilmDev
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
Looking back down the path, with Gibson Knott at the end of the ridge, and Helm Crag beyond it. Seat Sandal's summit is lost in the clouds and so is Fairfield behind it.
Processed in SilkyPix
Horton Grove Nature Preserve
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
16:9 panorama crop
Iridient Developer
I'm trying to work out a way to use Fomapan 400 as a Kallitype negative, but it's proving difficult to get it to work as I want with Pyro developers. With Pyrocat HD it produces lots of density but higher values are all mashed together into a flat mess. I think I will give up and stick with FP4 for making Kallitype negs.
This is the second of two identically exposed sheets of Fomapan 400, this one developed in home made Mytol, an Xtol ascorbate clone.
Deardorff 8x10 with the Kodak f4.5 Ektar lens, at f8. A six second exposure.
Another bird shot from my trusty balcony. It was a very warm day and these Pigeons were busy.
Hope everyone has a great weekend.
Thanks for all the comments and support :)
This photo was shot on a sunny but cold winter day on Kodak Gold 200 in 135 (35mm) format. It was developed and digitized at home by yours truly. This is part of my continuing quest to achieve the best results possible from film at the lowest possible investment of production time and money. I'm not there yet, but I am quite happy with the improvements so far.
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 35mm f/2 IS USM
Film: Kodak Gold 200 (at ISO 160)
Developer: Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
Queen Branch, Mainspring Conservation Trust, Macon County NC
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Contact print on Fomabrom variant 111, developer Kodak DEKTOL 1+2, ILFORD FP4 Plus developer Kodak D-76 1+3.
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Minolta Maxxum 7000
Minolta AF 28-85/3.5-4.5
Kodak Tri-X
Rodinal Developer 7min@20C
DsLr DiGiTiZeD
PS ( two exposures ala dynamic range type, masked off only revealing some detail on the pot!!!
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
Mushrooms in Bothell, Washinton.
Camera: Ricoh Diacord L
Lens: Rikenon f/3.5 8cm with Rondo Close-up attachment II
Film: Fujifilm Neopan Acros II
Developer: Beerenol (Rainier beer)
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Camera: Olympus Trip 35
Lens: Zuiko 40 mm f/2,8
Film: Fomapan 200 @100
Process: Foma Universal Developer @6,5min @20C
In PORTO and throughout Portugal are buildings like this-
prime location(s) along the Douro River,
close to other Investment opportunities,
but- because of layers of burdensome Bureaucratic B.S.-
these buildings- sit, undeveloped while housing and especially affordable housing remains a scarcity here,
as in many parts of developed world today.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Assif Melloul valley, central High Atlas mountains
Pentax MX, smc Pentax-M 1:2.8 100mm, Ilford HP5 film/ID-11 1+3 developer
«The shadow became the master, the master became the shadow» G.-H. Andersen
Film camera Mamiya RZ67 ProII, lens Mamiya Sekor Z 110mm f2/8, film Foma 100.
Dark room: enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1.
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium
An American Hornbeam (Carpinus caroliniana) in early spring green leans out between two Sycamores (Planatus occidentalis), Eno River State Park
Pentax K-1
SMC Pentax 1:1.8 85mm
Iridient Developer