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FP4 in Tanol N+1

Kallitype, HahnemĂĽhle Platinum Rag, Sodium acetate developer, MT3 Vaeio toner: bleach 1+90 2:40 mins, toner setting C

Rolleiflex T, Delta 400 @ISO800 in Finol,

Kallitype onto HahnemĂĽhle Platinum Rag,

developer Rochelle salt, MT10 Gold Toner 2 minutes after fixing.

Toned Kallitype,

Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.

FP4 in Finol,

Kallitype onto HahnemĂĽhle Platinum Rag.

From left to right:

Sodium acetate developer untoned

Palladium toner 1 min 15 secs

MT3 Vario toner: bleach 1+75 15 secs toner setting A

Old Man and the Sea

Date: February 19, 2023

Camera: Leica M-A (Typ 127)

Lens: Summicron-M 50mm (V)

Film: Kodak Tri-X 400 (ei: 200)

Exposure: 1/250 @ f/8

Developer: Kodak HC-110 1:60

Temperature: 20°c

Developing Time: 6’ 30”

Digitized: Nikon D850, Nikkor 60mm Micro AF-S

Full frame: Nikon ES-2 Film Attachment

-Thomas

Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.

It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.

Fuji X-Pro1.

Nikon F3hp

Nikon 50mm F1.4

Kodak 5222

Kodak D96 Developer, 6:35mm 20C

Fix 11mins

© All Rights Reserved

Gibson Bottoms, Mainspring Conservation Trust, Macon County NC

 

590nm IR-converted Pentax K-5

SMC Pentax-A 1:2.8 24mm

Iridient Developer

Affinity Photo

Zenza Bronica ETRSi

Rollei Retro 400 S

Moersch ECO developer

Meaning is Context sensitive.

 

Lately the techies I spend time with have been talking about FullStack Developers as an experience class. I used this picture to make a point in that context.

 

A Prior use of this image was in my 'fall season' photography album.

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Explore: Highest position: 340 on Tuesday, October 21, 2014

 

~~~~

Prior use as: "Fall fungus":

 

Another find on one the Fall walks of this year through the local Conservation area.

 

Explored June 11, 2022

(Image taken with an Analog film camera).

A long term project will guide you and help you grow.

(Press "L" or click on the image for a large view).

Black & White Film: Arista Edu 100 @ISO 100.

Camera: Canon A2 (1992)

Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)

Developer: Xtol 1:1 @78°f for 12 minutes,

Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.

Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11

(Location: Hillsborough River State Park, Thonotosassa, Florida).

Thanks for your comments, faves and views, really appreciated!

 

Agfa Clack Pinhole f/220

Fuji Acros 100

Moersch ECO developer

 

Slightly recomposed and slightly different lighting, in color this time. Appalachian cove forest along the Bartram Trail, Nantahala National Forest.

 

Pentax K-1

SMC Pentax 1:1.8 55mm

Iridient Developer

Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida

 

Pentax K-1

SMC Pentax 1:1.8 55mm

Iridient Developer

The sodium acetate developer produces the coolest image tone in Kallitype.

One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.

For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.

Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.

Right with a short rinse with tap water after the clearing bath,

Coffee developer and Ilford's multigrade.

Kallitype

HahnemĂĽhle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:

untoned

MT10 Gold toner

MT3 Vario toner (thiourea)

"An early-morning walk is a blessing for the whole day."

Henry David Thoreau

 

“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”

E. M. Forster

 

“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown

Beginners in the technique of Kallitype often ask which developer they should choose.

Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.

Henry County, Georgia

Ilford HP5+ film developed with HC-110.

This is a bulk gas carrier and guess what. That is a gas power station in the backround

Shot from Portishead Quay as the BRO Developer approaches Avonmouth.

The New Brighton Hotel, early evening, Manly village, Sydney, spring 2018. Leica CL M-Rokkor 40mm f/2 Kodak TMAX P3200 (old version) in TMAX developer 1+4 9.4mins 24C. V700 scan.

 

In Flickr Explore October 07, 2018.

Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.

 

Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?

 

Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.

 

Note: I chose this as my "photo of the day" for Nov 21, 2015

 

************************

 

In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.

 

I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…

I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.

 

The comprehensive review can be found on my blog here:

 

amazingsky.net/2023/01/01/testing-raw-developer-software-...

Carl Zeiss Jena Sonnar 1:2 f=5cm (collapsible)

Kiev 4M

ORWO N75 @ 400ISO

Ilford ID11 Stock (9min 30sec)

developer: Kodak T-Max 1+7 16' (16c)

Leica MP

Leica Elmarit 28mm f/2.8 III

Ferrania P30

Adox Silvermax Developer (1+29)

11 min 20°C

Scan from negative film

Give me a Mouse,not a touchscreen.

Proponent Credit Union, Nutley, New Jersey, 4X5 Chamonix 45F-2 Camera, 75mm Rodenstock Grandagon Lens, FPP Frankenstein Film developed in Pyrocat HD developer

Minolta Dynax 505si Super

Carl Zeiss Jena Flektogon 35mm/f2.4

Ilford HP5+ @1600

Foma Fomadon Excel (stock, 20C for 13min)

The ingredients required for making enough Caffenol-C for the development of ten 120 films

 

The developer mixture described below seems to work with both black and white films (gives, obviously, black and white negs) and for colour films films that normally require a C-41 process (which results in a copper-toned negative. Note that Caffenol-C does not work for old colour films that require a C-22 process...

 

www.ausphoto.net

© Dirk HR Spennemann 2009, All Rights Reserved

  

========================================

CAFFENOL-C

Standard receipe, taken from various sources on the net.

  

INGREDIENTS:

Instant Coffee (not decaf)

Washing Soda (Sodium carbonate, Na2CO3)

Ascorbic Acid Powder (Vitamin C)

Dishwashing liquid

Fixer

  

FORMULA

12oz water

5 teaspoons Instant Coffee

3 1/2 teaspoons washing soda (Sodium carbonate, Na2CO3)

1/2 teaspoon ascorbic acid

   

PREMIXED INGREDIENTS

Premix solutions can be set up. But do not premix the whole developer as it (reputedly) has a short shelf-life. For ease, create premix solutions of required strength for each of three developer ingredients so that in the end all that needs to be done is to mix equal amounts of each of the three premixes

 

Strength for premixes:

Instant Coffee: 10 teaspoons / 12 oz

Washing Soda: 7 teaspoons / 12 oz

Ascorbic acid:1 teaspoons / 12 oz

 

when ready to develop, mix required quantity in three even parts.

 

Small Patterson Tank

120mm roll film requires 550 ml (20 oz)--ie 3 x 7 oz for the development of a roll of 120 film (which gives 21 oz, but makes life easier).

  

SET UP for 120 roll:

Premix 21 oz developer (see above)

Premix 20 oz fixer

Premix 20 oz final wash (with one drop of dishwashing liquid)

   

DEVELOPING

Developing 16 mins (initially worked with 12 min, whch proved to short, then moved to 16 minutes)

Continuous agitation first minute

thereafter agitate 3 x / minute

 

Rising

3 rinse baths @ 6 x agitation each (first bath can contain some vinegar to act as stop bath)

 

Fixing

5 mins @ 3 agitation /minute

 

Final Rinse

Fill, agitate 3x

Refill, agitate 6x

Refill, agitate 12x

Refill with soapy water, agitate slowly 24x

 

Dry

 

Taken on Mamiya 7 II and Kentmere 100 film on 5 January 2025. The sun was very low, just a few degrees above the horizon. The film was developed in the new SPUR Omega developer (1+18, 12 min) and printed on Ilford MGRC deLuxe in Moersch SE4 developer.

Canon EOS 50E, Tamron 28-75/2.8, film Foma 200, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, scanner Epson 3200

Camera: Olympus 35 SPn

Lens: Fixed 42mm f.17 G.Zukio

Film: Fujifilm Neopan 400 (Legacy Pro)

Developer: Xtol

Scanner: Epson V600

Photoshop: Curves, Healing Brush (spotting)

Cropping: None

This is a scan of a 120 film negative that was shot with a Mamiya C220 on Kodak Tr-X 400. I was developed with Rodinal R09 OneShot developer and Film Photography Project Fixer in a Paterson Tank. Scanned on a Epson V600 scanner with a custom made masks to include the film edges.

We have finally released the Developer Kit for our mesh heads!

 

Please share your advertisements in our flickr group, so our customers can find you: www.flickr.com/groups/4144858@N23/

Testing times for D96 developer, I found this guy fishing on the Blanchard River. It's rare to see the river that low and to be able to steps on the falls, it would be even more rare if that guy caught anything.

 

Camera: Canon A-1, 50mm f1-4.

Film: Polypan F, ISO 50, expired 2015. FPPD-96 developer, 68 Degree, 8 minutes, 30 seconds, slow but continuous agitation in the Lab Box.

developer: Fuji Microfine 13' (20c)

A less traditional view of Battersea Power Station. It won't look like this for much longer...

UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale

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