Painting with Developer
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Toned Kallitype,
Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.
It used to be a pub. The Sun Inn offered everything the traveller needed including accommodation and a beer garden behind the building. These days, pubs are being converted into residential homes and developers make sure that the yard behind is turned into accommodation too, rental or other.
Fuji X-Pro1.
FP4 N+1 in Tanol.
coolest Kallitype tone without a toning is a combination of Arches Platine and Sodium acetate developer
View from Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 18mm
Iridient Developer
Affinity Photo
Glen Falls Trail, Nantahala National Forest
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Only just taller than a tree ...
El Capitan in afternoon light (and forced perspective).
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
holga
another cropped from the darkness.
doll by Sandy Mastroni
**I love comments and I'll take faves, too, but I don't like big group icons, so please, don't put them here. I'll delete them and you. sorry.
Konica Auto-Reflex 60's SLR camera
Hexanon lens 57mm 1:1.4
Ilford Fp4+ Film
f 5.6 at 1/250
Home Developed by www.flickr.com/photos/ukke_photo/
Rodinal Developer 1+25
Brumley Preserve, Orange County NC
Pentax K-1
Pixel-shift super-resolution mode
SMC Pentax 1:1.8 85mm
Iridient Developer
"An early-morning walk is a blessing for the whole day."
Henry David Thoreau
“What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?”
E. M. Forster
“We can only appreciate the miracle of a sunrise if we have waited in the darkness” -Unknown
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is the MacDonald Stump image made on Kodak Tmax 400, rated at 200 ASA and developed in Thornton 2 Bath developer (5 + 5), for comparison with the one made on Ilford FP4+. Both good, both very different in look/feel.
But TMY is remarkable when developed with the Thornton 2 Bath developer. Grain practically vanishes, and the tonality is exceptional.
See the FP4 version here: flic.kr/p/2r2ppjG
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Paine’s Bridge, Chatsworth, Derbyshire, England.
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
500cm - Planar2.8-80
BerggerPancro400
D-76 1:1 @20°C for 17 minutes
first time i used D-76 and the Bergger Pancro400
i already love this film or the developer makes the difference.
No matter! how do you like the results?
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Leica M2
Leica Summilux 35mm f/1.4 II
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium
I went on a business trip back in December. We met the team and visited the office. It was a lot of fun, but the weather was dull and gray, and time was tight, so I got to see just a tiny bit of the excellent industrial-era brick architecture.
Taken with Pentax MV film camera and smc Pentax-M 50mm F1.4 lens, on AgfaPhoto APX 400 black & white film. Developed in Adonal, 1+50 dilution slightly above 22°C.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
If I was an ant living near Dow's Lake, I sure would be happier if Ottawa's urban development was a little more cohesive and didn't pander so much to the developers. It's too bad Gréber didn't have Haussmann's or L'Enfant's vision, cojones or clout...
Egret (heron) in flight in coastal wetlands, Sydney, May 2020. Moments before I had encountered this egret on a walking track in the wetlands. As I edged closer it took off, flying right past me towards the setting sun.
Olympus OM4-Ti OM Zuiko 28mm f/3.5 Ilford HP5+ @ISO800 in Microphen developer dilution 1+1. V700 scan.
© copyright 2020 Lynn Burdekin. All Rights Reserved.
Manly ferry crossing Sydney heads, spring 2018. Leica IIIf rangefinder Cosina-Voigtlander 35mm f/2.5 Color-Skopar LTM, Ilford FP4+ in Kodak XTOL developer. V700 scan.
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2018 Lynn Burdekin. All Rights Reserved.
Joshua Tree (Yucca brevifolia), down but not out. This higher-elevation section of the park is remarkably lush, from the abundance of flowers in this “superbloom” year as well as the pinyon-juniper forest intermixed with Joshua Trees.
Pentax K-1
Mirex tilt/shift adapater
SMC Pentax-A 645 1:3.5 150mm
Iridient Developer
Leica MP
Leica Elmarit 28mm f/2.8 III
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Nara Visa is basically a ghost town. Hardly anything moves here, hardly anything is alive. "Business" here is more a concept than an actual thing.
Ira's Bar is one of the ghosts. The building was once the town's bank long long ago. Rumor has it that there was once a second story on this, but it was removed ages ago. The bar closed up sometime in the early 80's, and it's sat like this since then. In a dead town, old buildings and signs stay for long time (forever?), waiting for nature or age to remove them. No greedy developers anxious to knock stuff down.