View allAll Photos Tagged depth
The only unique knobs in our entire house. My husband's guitar cabinets are embellished with these. HMM everyone!
This is one beautiful place. The calm river flowing, birds chirping around and the bells from wonderful churches around ! Great architecture. Did'nt get much time to dig around.
I used a different method for processing this time. Took 2 exposures and tuned them in lightroom - 1 for lower temperature to get the sky right and the second for the light on the buildings - warmer temp. Tuned a couple more exposures for the bridge and clouds. Brought them into CS3 and Vertorama'ed /Layer masked them together.
Taken BC (before coronavirus) In July 2019 at the National Gallery Victoria when I was attending a Meetup for the Walk and Shoot group. Our theme was composition.
I shot this photo near Times Square in NYC with my iPhone6. Then I post processed it with Snapseed and the new Depth Effects app.
A monochrome image featuring a row of bicycles parked at a rental station. There are about 30 stations with 200 bikes to rent in the greater Des Moines metro area, but at a brisk 20°F this morning, the demand is very low. All the bikes are here, all lined up. This rental station was photographed at E Grand Avenue and Robert D Ray Drive in downtown Des Moines, Iowa.
Developed with Darktable 4.8.0.
Germany. In the woods called "Schönbuch" nearby the City of Stuttgart.
SONY A7II (ILCE-7M2) with e-mount adapted old projection lens Leitz COLORPLAN CF 2.5/90. Sony full-frame in body image stabilization ON. ISO 100. 1/200s. Self made round aperture of about f/4.5 placed in the light beam. Manual mode. The lens (in this case on a Sony a6000) can be seen here --> Colorplan lens.
More photos of this mini sequence with this camera/lens combination can be found here: ---> In The Woods (1) and In The Woods (2).
Feel free to visit my albums. All my old lenses can be found there.
Golden hour photography uses the soft, warm, diffused light just after sunrise or before sunset, creating a magical, flattering glow with long shadows and rich red/gold tones due to the low sun angle filtering light through more atmosphere.
It's ideal for portraits and landscapes, adding depth and a dreamy quality.
Not quite the same in black and white.
Shooting in black and white during the golden hour
shifts focus from warm colours to light, shadow, texture, and mood, creating dramatic, high-contrast images with long shadows and ethereal light, emphasising form and emotion over hue, and often revealing timeless, classic compositions.
The river Tone. Taunton, Somerset, UK.
Although crossed with a few horizontal lines, this photo struck a chord with verticals. The far opening adds a depth to the image as well.
Depth over distance every time, my dear
And this tree of ours may grow tall in the woods
But it's the roots that will bind us here
To the ground
Depth over distance was all I asked of you
And I may be foolish to fall as I do
Still there's strength in the blindness you fear
If you're coming too
If you're coming too
Hold on, wait until that lone sun
Breaks from the arms of the Lord
Hold on, though we may be too young
To know this ride we're on
Depth over distance was all I asked of you
And everybody round here's acting like a stone
Still there's things I'd do, darling, I'd go blind for you
If you let grow sometimes, let it grow sometimes, let it grow
Just let it grow sometimes
Hold on, wait until that lone sun
Breaks from the arms of the Lord
Hold on, though we may be too young
To know this ride we're on
Hold on, though we may be too young
To know this ride we're on
Depth over distance every time, my dear,
And I may be foolish to fall as I do
Still there's strength in the blindness you fear
If you're coming too, hmm
If you're coming too
Hold on, wait until that lone sun
Breaks from the arms of the Lord
Hold on, though we may be too young
To know this ride we're on
To know this ride we're on
To know this ride we're on
Ben Howard
Nearly three months separates the photos in this composite. Yet it feels like much less in my increasingly contorted perspective of time. As a child I would sometimes spin in circles. I loved the momentary sense of imbalance before my senses fell back into rhythm. The passage of time gives me the a similar sense of imbalance. However these days the normal rhythm is never fully restored. I stumble from one season into the next with a failing sense of comprehension about the progression.
Photography at least provides me with a tangible set of way posts to mark my journey. My phone in particular offers an amazing visual tracking of life moments. I often cross through the camera roll quickly. It creates a weird motion blur where you can't really focus on a single image. Rather I discern only shapes and colors that correlate in part to the season in which the pictures were taken. Another trick is to zoom way out until hundreds of photos appear in miniature. Love seeing my recent life translated into to a mosaic, billions of pixels. Individually indiscernible, but collectively representing my daily experiences on the pathway of life.
Standing on the edge off this woodland pond the other day, I was struck by the cold and barren bleakness. I thought back to that brilliant October day when I stood in this exact same spot. The scene literally burst into vibrant and joyous color. This composite conveys that joy, but in a shocking, even disturbing juxtaposition. It put me in mind of the explosion of an underwater depth charge. Yet another unwanted time marker passing me by.
A piece of decayed wall with graffiti in the middle of Amsterdam. In some way this gives me a feeling like I've landed far in the past before Amsterdam was a city.
© Leanne Boulton, All Rights Reserved
Candid eye contact street photography from Glasgow, Scotland. Enjoy!
... for the early bees and the gardener
and for a Peaceful Bokeh Wednesday
with these woodland crocuses / Elfen-Krokusse (Crocus tommasinianus)
in our garden - Frankfurt-Nordend
Le lac d'Oô (Òu en occitan gascon moderne) est un lac des Pyrénées de 42 ha et d'une profondeur maximale de 67 m, artificiel depuis la construction d'un barrage sur le lac glaciaire. Il alimente la centrale hydroélectrique d'Oô d'une puissance de 30 MW. Son nom est particulièrement connu par les cruciverbistes.
Oô vient du gascon iu ou èu, « lac de haute montagne » : « lac d'Oô » est donc une répétition sur le plan étymologique.
Avec sa fameuse cascade de près de 300 mètres de haut qui dégringole du lac d'Espingo situé plus haut (1 882 m), le lac d'Oô (1 507 m) fait partie des randonnées incontournables de la vallée d'Astau, en Haute-Garonne dans les Pyrénées.
Malheureusement le ciel était bouché et nous n'avons pu voir les sommets environnants se refléter dans le lac.
Lake Oô (Òu in modern Gascon Occitan) is a lake in the Pyrenees of 42 ha and a maximum depth of 67 m, artificial since the construction of a dam on the glacial lake. It supplies the Oô hydroelectric plant with a capacity of 30 MW. His name is particularly known by cruciverbists.
Oô comes from the Gascon iu or èu, "high mountain lake": "lac d'Oô" is therefore an etymological repetition.
With its famous waterfall almost 300 meters high which tumbles from the lake of Espingo located higher (1,882 m), the lake of Oô (1,507 m) is one of the essential hikes in the Astau valley, in Haute-Garonne in the Pyrenees.
Unfortunately the sky was cloudy and we couldn't see the surrounding peaks reflected in the lake.
"Life would be so sad and boring if there were never any wonderful and sometimes painful and difficult opportunities for growth.
It is in the growing and the changing and the stretching and the soul exercise that the biggest joys come.
So keep your head up...keep sweatin' through the soul lunges.
You are spectacularly fit for the challenge...you really are. You can do this."
~The Universe ♥
"Really...?"
~Me