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hippolyte.fi/en/nayttely/martti-jamsa/
“I dip the photo paper into the developer, and it begins to darken. In it, I can see a whole century; past events, uncharted landscapes, and even a hint of our surrounding universe.”
The abstract prints in Martti Jämsä’s exhibition are all made in the artist’s own darkroom without a camera or negative. Silver salts, attached via a layer of gelatin to the black and white photo paper’s surface, react when exposed to light. With this method, also known as camera-less photography, images are created using only photographic paper, chemistry, and light.
In making these prints, Jämsä has used old, expired photo papers, some of which have survived from the beginning of the 20th century. Opening a fresh package of aged photographic paper feels special and ceremonious. In Jämsä’s mind, the photosensitive silver gelatin paper has begun its exposure process, right from the moment of manufacturing—instantly when the sheets are encased within the package. Time is what exposes the paper; the developer only coaxes out the image; and the fixer, together with, for example, selenium toning, stops the process and conserves the image for viewing.
While crafting these works, Martti Jämsä explores the possibility for imagining a surrounding landscape constantly in flux, as well as the elapse of time—with layered traces always present in the image. For Jämsä, an abstract photograph does not lose its expressive power regarding the past nor the future. For him, a photograph is always a proof, a valuable mythical object that should be viewed and interpreted from one’s own point of view.
Martti Jämsä’s newest publication, Free Runoff, continues the series of abstract pictures created in his darkroom. Combining images and text, the work orientates Kaija Rantakari‘s poetic writing alongside Jämsä’s photographs. The pictures and poems are printed on a narrow strip of paper that is rolled inside a cardboard tube. The work will be released by Antti Nylén‘s publishing house Bokeh in connection with the exhibition.
Martti Jämsä is a photographer based in Helsinki, known especially for his expressive analogue black and white photography. Jämsä has held numerous solo exhibitions all over Finland since 1982, most recently Pimiön valokuvat(Photos from the Darkroom) at Mikkeli Centre of Photography, 2021, and Pimiö (Darkroom) at Forum Box in Helsinki, 2019. Jämsä’s previous solo exhibition at Hippolyte was in 2017. Additionally, Martti Jämsä has published 12 photo books, and they, including portfolios and artist books, have been an essential part of his practice for decades."
Martti Jämsä
Free runoff – Liquid Density
26 November – 19 December 2021
Photographic Gallery Hippolyte
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In the late 1980's, the King Street Task Force was formed to guide development in the area surrounding the King Street Metro Station. Included in the discussions was the development of a 15,000 square-foot triangular plot of land adjacent to the Metro Station. Two goals were established for the land: to create a park of national significance that would provide a respite in the only public space in the area's high-density urban environment; and to design a work of public art that would incorporate Alexandria's distinct historical significance, integrating public art and creating a memorable civic image in a fluid urban landscape.
In 1989, the King Street Task Force, the Alexandria Park and Recreation Commission, the Alexandria Department of Recreation, Parks and Cultural Activities, and the Alexandria Commission for the Arts joined in a partnership to create the King Street Gardens Committee which administered a national competition for the park, and established a fund-raising plan for project.
In May 1990, a design team from Seattle, Washington, won the national competition. Town meetings and workshops were held to gather community input and to refine the proposal. In June 1991, City Council endorsed the design.
The winning King Street Gardens Park design received the largest available Art in Public Places grant award from both the National Endowment for the Arts and from the Virginia Commission for the Arts.
Additional fund-raising opportunities included the “Buy the Brick" program which generated 2,500 brick orders and the Naming and General Support Opportunities program. The King Street Gardens Committee also approached local foundations, the Commonwealth of Virginia and the Federal Government through a grant application program.
The King Street Gardens Park design received citations from the American Institute of Architects, Seattle Chapter, Seattle, Washington, in 1991 and the Northern Virginia Chapter Award of Excellence in 1992. Also in 1992, the Smithsonian Institution's Traveling Exhibition Service included the King Street Gardens Park design as part of the "Fragile Ecologies" exhibit that traveled to ten cities nationwide. In Spring 1993, two invitational presentations on the King Street Gardens project were held at the Harvard University School of Design. In the fall of 1994, an invitational presentation about the King Street Gardens project was held at the Tate Gallery, London, England.
The Park was dedicated October 4, 1997.
Description of the Project
The design proposes that the site be divided into two areas:
1. A marsh full of cat-tails, created as a kind of wetlands museum symbolizing decay and regeneration. We believe that the area will be naturally populated by red-wing black birds, reintroducing some wildlife to the site. A path, accessible to the handicapped, slopes gradually down to the marsh and back up again.
2. Gardens with built-in and movable seating for strollers and people enjoying a break from work. These are hanging gardens, sensual, green, soft and aromatic. The growth springing from the brick and stone paving is reflected in the spring columns.
Connecting and separating the two areas is the hat/plow/prow. This symbolizes man as the instrument of change and in particular George Washington as a prominent man who helped start the process. The form has been consciously oriented west towards the Masonic Temple and the opening below the railroad where King Street bursts into the area.
Concept and Approach
Our approach was to try to reach two goals at the same time:
1. To reflect in our work the past, present and future of Alexandria in physical and cultural ways.
2. To provide an experiential environment which would attract people to it and enhance their awareness of the part of Alexandria in which it is sited.
Our initial concepts were expressed as individual ideas based on our understanding and feelings about the site, community, budget, and goals of the King Street Task Force. These were shared and collaboratively combined to form the proposed design but their strength was affirmed at each stage.
1. Alexandria has been gradually developed over time and development In the area of the site has been extensive. This development has applied a man-made order over the previously existing natural one.
2. George Washington played a major role in the area, being President in Washington, living in Mount Vernon, and socializing in Alexandria. His presence is honored in the Masonic Temple which overlooks the site, but his influence is also reflected in his trade of surveyor, through which he laid out what would be developed.
3. We could reveal the development of this area if we both reflected it and at the same time peeled back some of the man-made order to reinstate the natural order which previously obtained. We were particularly interested in revealing in some way the presence of Hoof' s Run.
4. The site is an island or oasis. We felt that the sense of island could be enhanced in an attractive way if we explored a series of oppositions to the context:
· Greenery vs Facades
· Curved Lines vs Straight Lines
· Softness vs Hardness
· Shade vs Brightness
· Quiet vs Noise
· Sweetness vs Air Pollution
· Wetness vs Dryness
Metaphors and Meanings
As the work evolved we were inspired by our experiences in Alexandria and our research and reading to incorporate in some way the literal sources of inspiration. We recognized that this would produce a literal reading of the experience and reduce its richness and that it would also make it difficult for us to move beyond the inspirations to the experience itself. What has resulted is therefore, more abstract than originally conceived, more open to multiple readings, and most important, more available to redefinition by those who will use and enjoy it. We realize, however that, at this stage in the design, the metaphorical origins are useful to those who look at the design:
1. The Spring Garden near the site, Alexandria gardens and garden clubs, and the general idea of Southern gardens were all important. The metaphor of the garden as a bower or intimate room.
2. We started with George Washington's hat as a symbol of his pervasive influence. Part of the hat disappeared and the remainder was seen as a plow symbolizing the agricultural ordering of the land, as a boat prow, reflecting Alexandria as a port and a train cowcatcher, referencing the continuing presence of railroads on this site.
3. The American penchant for the grid as a planning device is reflected in the relentless way in which we used a grid to order the gardens. Two grids are combined into one in a syncopated way. The upper rectangular grid mimics the planning grid of Alexandria and is superimposed over the greenery. The lower grid is ironically triangular, derived from the fact that the site sits in an exception to the regularity of Alexandria's layout.
4. The marsh is a metaphor for ecological awareness. Although it literally re-introduces a wetland to the area in which one existed, it will exist as a cat-tail museum, requiring human care. This reflects the way in which the activities of humans have accelerated in the last few generations to the point that we now must keep our wildernesses in preserves.
Mong Kok's population density is extremely high. According to Guinness World Records, Mong Kok has the highest population density in the world (mean 130,000 per km2 or 340,000 per mi2) and with a development multiple of four.
旺角的人口密度極高，平均密度為每平方公里13萬人，現時其地積比率約4倍。
Hong Kong • 香港 '10
St. Helens was established as a river port on the Columbia River in the 1840s. In 1853, the Pacific Mail Steamship Company tried to make the city their only stop on the Columbia River.[7] Portland's merchants boycotted this effort, and the San Francisco steamship Peytona helped break the impasse.[7]
St. Helens was incorporated as a city in 1889.[8]
The Lewis and Clark Expedition passed through and camped in the area that is now St. Helens on the night of November 5, 1805 while on their way to the Pacific Ocean. While here the party encountered Native Americans and Clark observed "low rockey clifts".[9]
Geography
U.S. Route 30 passes through the city.[10]
According to the United States Census Bureau, the city has a total area of 5.51 square miles (14.27 km2), of which, 4.53 square miles (11.73 km2) is land and 0.98 square miles (2.54 km2) is water.[1]
Neighborhoods
Columbia Heights is a formerly separate populated place that is within the city limits of St. Helens.[11][12]
Demographics
Columbia County Court House (1906)
Historical population
Census Pop. %±
1890 220 —
1900 258 17.3%
1910 743 188.0%
1920 2,220 198.8%
1930 3,994 79.9%
1940 4,304 7.8%
1950 4,711 9.5%
1960 5,022 6.6%
1970 6,212 23.7%
1980 7,064 13.7%
1990 7,535 6.7%
2000 10,019 33.0%
2010 12,883 28.6%
Est. 2012 12,910 0.2%
Sources:[4][13][14][15][16][17]
2010 census
As of the census[2] of 2010, there were 12,883 people, 4,847 households, and 3,243 families residing in the city. The population density was 2,843.9 inhabitants per square mile (1,098.0/km2). There were 5,154 housing units at an average density of 1,137.7 per square mile (439.3/km2). The racial makeup of the city was 90.3% White, 0.6% African American, 1.6% Native American, 1.3% Asian, 0.3% Pacific Islander, 1.3% from other races, and 4.5% from two or more races. Hispanic or Latino of any race were 6.1% of the population.
There were 4,847 households of which 38.6% had children under the age of 18 living with them, 46.5% were married couples living together, 14.3% had a female householder with no husband present, 6.1% had a male householder with no wife present, and 33.1% were non-families. 26.1% of all households were made up of individuals and 9.9% had someone living alone who was 65 years of age or older. The average household size was 2.59 and the average family size was 3.11.
The median age in the city was 34 years. 27.6% of residents were under the age of 18; 9% were between the ages of 18 and 24; 29.9% were from 25 to 44; 23.3% were from 45 to 64; and 10.2% were 65 years of age or older. The gender makeup of the city was 49.8% male and 50.2% female.
2000 census
As of the census[4] of 2000, there were 10,019 people, 3,722 households, and 2,579 families residing in the city. The population density was 2,305.6 people per square mile (889.3/km²). There were 4,032 housing units at an average density of 927.8 per square mile (357.9/km²). The racial makeup of the city was 92.74% White, 0.34% African American, 1.68% Native American, 0.63% Asian, 0.15% Pacific Islander, 1.35% from other races, and 3.11% from two or more races. Hispanic or Latino of any race were 4.05% of the population. 21.5% were of German, 10.9% English, 9.5% Irish and 9.3% American ancestry according to Census 2000.
There were 3,722 households out of which 39.3% had children under the age of 18 living with them, 51.5% were married couples living together, 12.6% had a female householder with no husband present, and 30.7% were non-families. 24.2% of all households were made up of individuals and 7.9% had someone living alone who was 65 years of age or older. The average household size was 2.65 and the average family size was 3.12.
City Hall
In the city the population was spread out with 30.2% under the age of 18, 9.0% from 18 to 24, 31.7% from 25 to 44, 19.6% from 45 to 64, and 9.6% who were 65 years of age or older. The median age was 32 years. For every 100 females there were 98.9 males. For every 100 females age 18 and over, there were 96.2 males.
The median income for a household in the city was $40,648, and the median income for a family was $45,548. Males had a median income of $39,375 versus $26,725 for females. The per capita income for the city was $17,237. About 8.7% of families and 11.9% of the population were below the poverty line, including 16.5% of those under age 18 and 4.6% of those age 65 or over.
Tourism
The town is home to sets of many films. These include the Disney Channel television film Halloweentown, and the film adaptation of Stephanie Meyer's novel Twilight.[18]
Population density measures the number of persons per square kilometer of land area. The data are gridded at a resolution of 30 arc-seconds.
Technical Details
5 Seconds, Aperture: ~f/9.0, Focal Length: 500 mm, ISO: 200
Olympus E-PL1 with Fotodiox Nikon G-lens to MFT Camera Adapter, Sigma 50-500mm f/4-6.3 EX DG HSM with Formatt ND 2.4 and graduated ND 0.6 filters.
© Camilo Bonilla. All Rights Reserved. No usage allowed including copying or sharing without written permission.
Southeast Metro Manila is visible from the the open air gardens atop SM Aura, a premier shopping mall near Makati and , the business and upscale development areas in Manila. When I was finishing up taking these photos, a security guard beckoned for me to step away from the ledge. The rooftop garden areas are surrounded by approximately 4.5 foot high guard rails nonetheless. The haze on the horizon obscures Laguna de Bay, but Manila American Cemetery is visible in the right portions of the image.
Chicago City = 2.9 million
Chicago MSA = 9.5 million
Chicago CSA = 9.8 million
My world at the moment of capture = 2
Stobie Creek, drains Gibboney Lake into Lake Huron’s North Channel. Old Mill Road, Johnson Township, crosses the creek with a reinforced concrete one lane bridge, built in 1913 by Ontario Public Works (Government of Ontario). Further downstream are the ruins of an abandoned 19th century water powered saw mill: a penstock, concrete foundations, flywheel, and other assorted rusted debris.
30 second exposure with a B+W six stop solid neutral density filter. Processing alchemy with Nik Color Efex and Nik Silver Efex.
This is a colour version of my yesterday's photo. A bit different view, uncropped, right out of the camera.
Size: 16x5x3cm, weight: 534gr.
Density: 2,06gr./cm³ / Estimated grit size: extra extra fine > 15k
Usage: with water, glycerine or oil, oil should be preferred
Colour: maroon/brown/reddish coloured and flaked red pattern with different brightness, the stone has smal flaked green inclusions in different sizes, sometimes huge areas of green sprayed colour, sometimes glass like green inclusion or layers go thru the stone (visible in the corner of this stone)
Maroon/brown/reddish coloured, a very fine and dense stone, its hard to lap in comparison to other slate type stones. It leaves a mirror-finish on the bevel beginning after several strokes..there are several stones around beeing named "Vosges/Vosgenienne/Vosgesienne" which might appear differently then this one.
Also the term "brown escher / brown thuringian" was created to describe a fine stone being comparable in its properties to older thuringian stones. These stones shown here are not in line with the term created by Sham (HIBUDL) as "Brown Turingians" because this term was mentioned to describe the french stones which are labelled and named as "La Lune marque F.G.B.C. by Ghelfi & Birolleau" or "Special Stone for Good Razors" with their stamps (fine, very fine, extra fine) sold by Manufrance (MF).
When these stones are shown often there is a discussion coming up if we talk about:
1. a purple variant of the Llyn Melynllyn (aka Yellowlake Stone, labelled "Salmens Natural Oilstone" or "Genuine Yellow Lake Oilstone)
2. a Vermont Slate mottled green/reddish, mostly used for rooftops
3. or a Vosges / Vosgienne stone
The difference between those comparable stones in their appearance of colour and the patterns can only be done by really testing the stone in its properties. Some identifiers are:
Vosges / Vosgienne:
many smaller and bigger flaked green spots and areas, a stone with fast cutting properties
Llyn Melynllyn aka Yellow Lake:
sometimes green spots, sometimes only one or two round or squashed oval green spots
More on this definition can be found here: Straightrazorplace.com (SRP): "Found another Hone, Need help" badgerandblade.com/vb/showthread.php/397520-Found-another...
main identifiers for the Vosges / Vosgienne:
1. very dense and hard slate stone
2. flaked light green/greenisch inclusions in different sizes
3. fast cutting abilities due it is a very fine finishing stone
4. usable with oil and also with water, oil is preferred create a nice edge
5. beeing lapped a violet/brown slurry arises
6. Glass like green inclusions go thu the stone in form of flecks or layers
My Video on Youtube: "Vosgian / Vosgienne / Vosges Razor Hone"
www.youtube.com/watch?v=TSrIu11A2KA&list=UUvv6dx-BXb3...
More in general here:
Razorandstone.com (R&S): "The Special Stone only for Razors"
www.razorandstone.com/showthread.php?1465-The-Special-Sto...
Razorandstone.com (R&S): "another reddish brown (French) Hone ID"
www.razorandstone.com/showthread.php?2711-Another-reddish...(French-)-Hone-IDx
Razorandstone.com (R&S): "My new two french friends (Slate & Vosgienne)
www.razorandstone.com/showthread.php?2906-My-new-two-fren...(Slate-amp-Vosgienne)
Straightrazorplace.com (SRP): "French Hones"
straightrazorplace.com/hones/92323-french-hones.html
Badger&Blade (B&B): "Hone id (Maroon, Brown, darkred)"
badgerandblade.com/vb/showthread.php/389242-Hone-id-(Maroon-Brown-darkred)?p=5936973
Taken on my trip to California
Where: San Clemente( north beach), Ca
NO HDR!
--Equipment--
Camera: D50
Lens: Nikkor 50mm f1.8 AI-s
Filters: Tiffen Netural Density .9
Monopod: ----
Taken at: 1/15s @ f/16
ISO: 200
Size: 13,4 x 8 x 2,8cm / weight:
Density:
Usage: with oil can be tried with water / Grit Size Estimation: above 4k-10k (depends)
Turkey Oil Stone or former known as "Pierre Du Levant", "Pierre Du L'est", "Turkois Stone" or "Turkey Stone". In Germany these Stones were also known as Levantiner or Levantischer Schleifstein.
A very hard Dolomit (from Hardness Novaculite like) stone, smells like sulphur when lapped. Different inclusions, looks like it has many different cracks inside the stone.
A Stone which is known as beeing a bevel setter and mid-range Stone, some of these Stones are finishers....so these properties have to be checked out and cannot be determined by their look.
It seems to be that there is now a newer sourced stone which is named "Cretan Hone" which origin is in creece, which was a Part of the Ottoman Empire, so this Stone is also qualified as beeing a "Turkish Oil Stone", Check the Thread on Coticule.be
Identifiers:
1) very hard Dolomit stone (Novaculite like)
2) very dark black more going into brownish when light can shine thru
3) looks like it has serveral broken cracks inside which is found on several Novaculite types
4) smells like sulphur when slurry is arrised or the stone is lapped
My Videos:
www.youtube.com/watch?v=y6k0KWL42G8
www.youtube.com/watch?v=5EIe-e6yP64
More Videos:
Maksim Enevoldsen @ Youtube: "Turkish Oil Hone"
www.youtube.com/watch?v=uVj3DBTfQa4
More Information here:
Razorandstone (R&S): "Turkish Oil Stone"
www.razorandstone.com/showthread.php?163-turkish-oil-stone
Razorandstone (R&S): "Cretan Hone"
www.razorandstone.com/showthread.php?1121-Cretan-Hone
Straightrazorplace.com (SRP): "Oil Stone Turkey"
straightrazorplace.com/hones/37077-oil-stone-turkey.html
Coticule.be: "Cretan Oil Stone"
www.coticule.be/the-cafeteria/message/26869.html
Available Links:
Olivias Seife: "Steinevergleich"
www.olivia-seife.de/steinvergleich.htm
www.olivia-seife.de/steinvergleich.htm#Turk
Available Literature in German: (Some of them might be available over Google Books)
[1] Hartmann, Carl
Conversations Lexikon der Berg-, Hütten- & Salzwerkskunde, 1841 (Page 131)
[2] Rüst, Dr. W.A. - Die Mechanische Technologie, 1838 (§214, Page 240/241)
Mirco Klassisch with a warm colorcast and texture density.
How to use:
- Import the style as allways.
- Apply the style after your normal workflow.
- Adjust the slider "saturation" in the "Color correction" module for the intensity of colorcast.
- Adjust the slider "opacity" in the "Grain" module for the intensity of textures density.
Hope you like it, share for free.
For this one and other styles by the user's community jump to dtstyle.net.
Join us on Flickr: www.flickr.com/groups/darktable/
Style file: free and open
Photo: by Rodnei Reis Fotografia, ©2014
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Hair4all Consultation Guide with Phil Osmond 'The Hair Man'
Free Phone: 0808 133 5151 Email: info@hair4all.com www.hair4all.com
The municipality has 1.624 inhabitants and an area of 880 hectares for a population density of 185 inhabitants per square kilometre. It rises along the coast on a mountainous area and is 303 metres above sea-level. Main economic activity is agriculture. Products mostly cultivated are citrus fruit, grapes, lemons, olives, fruit. Breeding present is cattle and interesting is also the production of dairying products. Savoca derives its name from plans called "Sambuchi", (elder-trees), popularly said Saùchi from Greek Sabùka and still now called saùche in Sicily. Before of the year thousand the places were live to you from the "Pentefur", a community that allocated itself in the quarter that it has their name. Savoca was founded in 1134 from Ruggero II and it was developed around to the "Stronghold of Pentefur" where, to the time of the Arabic domination, it was constructed a castle called "Saraceno Castle", such fortress came restructured chased from the Archbishops of Messina to which it belonged until at the sec.XVIII. In the Middle Ages it was a town with castle, town-walls building, offices trained to you, judicial and two doors, of which one of these he is still today existing. In the centuries XIV and XV many churches were constructed, between which that monumental of S.Lucia annexed to the convent of the Dominican fathers, constructed in 1465; this collapsed in 1880 because of a landslide. Until the 1492 a Jewish community found itself (approximately 200 persons) that it had a sinagoga. Savoca had in the time of the caused migratory flows from calamità natural that they reduced the town in the only inhabited area, today Pentifurri quarter. Between monuments, of remarkable architectonic interest they are the Church Mother with a renaissance rose window on the portal, the Church of S. Michele with beautiful portals, in sandstone stone, of the first of the 1500's, the Church of S. Nicolò, constructed in XIV the century, has the aspect of a fortress, the ruderi of the Castle Pentefuro or "Saraceno", medieval house with "window double lancet window" constructed in the late five hundred that belonged to the Fleres families, Trischitta, Altadonna and today of the family Cantatore, and the Convent with the Church of the Cappuccini with the Catacombe containing the mummie of the notables, patrizi and the Abbots, dressed with dresses of the first 1800's.
Savoca è un comune italiano di 1.786 abitanti della provincia di Messina in Sicilia.Città d'Arte e paese dalle sette facce, dal 2008 è inserita tra i Borghi più belli d'Italia. Ha un'economia prevalentemente agricola che però si sta votando al turismo culturale. Sussistono coltivazioni di agrumeti, vigneti, uliveti, frutteti, mandorli, ortaggi e, allevamenti rurali di bovini, pecore, capre e suini. Conserva, nel suo territorio, antiche vestigia di origine medioevale, rinascimentale e barocca. È famoso perché possiede una cripta in cui sono custodite ed esposte le salme imbalsamate dei notabili del paese risalenti ai secc. XVIII e XIX e, per essere stato scelto come set di numerosi film di grande successo, come "il Padrino" di Francis Ford Coppola del 1972 e La vita rubata del 2007. Savoca fa parte del comprensorio turistico della Valle d'Agrò ed è altresì comune aderente all'Unione dei Comuni delle Valli joniche dei Peloritani e del P.I.T.13.Il comune di Savoca ha un'estensione di circa 8 km². L'abitato è costituito da un centro storico e da tante frazioni più o meno piccole immerse nella campagna. La vegetazione presente è quella tipicamente mediterranea: nelle zone pianeggianti ci sono dei rigogliosi agrumeti, mentre nelle zone collinari sono presenti vasti vigneti ed uliveti. Il capoluogo comunale si trova a 303 metri s.l.m., conta 106 abitanti ed è costituito da un borgo medioevale La maggior parte della popolazione abita le frazioni di Rina (498 abitanti), San Francesco di Paola (407 abitanti) e Contura, che si trovano nei pressi della Fiumara d'Agrò nell'omonima valle. Le altre frazioni sono: Cucco, Màllina, Romissa, Mancusa, Mortilla, Botte, Rogani e Cantidati Superiore.L'antico e caratteristico centro storico, ricco di antichi monumenti di origine medioevale, si caratterizza per la presenza di stretti e tortuosi vicoli ed è suddiviso in sette quartieri : Sant'Antonio,Cappuccini, Borgo,San Michele,San Rocco,Pentefur,e San Giovanni .
This photo makes me think of the poster of a movie, or the DVD cover of some TV show..don't you think so? I put some comments on it in my blog at streetomaton.com
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Hair4all Consultation Guide with Phil Osmond 'The Hair Man'
Free Phone: 0808 133 5151 Email: info@hair4all.com www.hair4all.com