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LEGOLAND Windsor a theme park dedicated to children aged 3-12 years old and of course big kid adults.
An inspirational land where the kids are the hero and adults relive their childhood.
The fun never stops and imagination knows no bounds, a family attraction like no other.
Set in 150 acres of beautiful parkland, LEGOLAND Windsor is a unique family theme park with over 55 interactive rides, live shows, building workshops, driving schools and attractions.
It's amazing what can be built with LEGO bricks - nearly 55 million of them!
From comical camels to fearsome fire-breathing dragons, world landmarks to musical pirates, young and old alike will be fascinated by the incredible LEGO models throughout the park.
Fun Facts about LEGOLAND Windsor
There are 34 LEGO pieces in an average Miniland figure.
The largest model in Miniland is the Canary Wharf Tower which is 5.2 metres tall and took 3 model makers 850 hours to complete using 200,000 LEGO Bricks!
The smallest models are the pigeons in Trafalgar Square which contain 5 LEGO bricks each
So what’s New in 2011
Atlantis Submarine Voyage - Now Open!
Take a deep breath and submerge yourself in an underwater adventure.
Plunge into the depths with this world-first LEGO® submarine ride and immerse yourself in a magical underwater adventure.
Brahmeswara Temple is a Hindu temple dedicated to Shiva located in Bhubaneswar, Odisha, erected at the end of the 9th century CE, is richly carved inside and out. This Hindu temple can be dated with fair accuracy by the use of inscriptions that were originally on the temple. They are now lost, but records of them preserve the information of around 1058 CE. The temple is built in the 18th regnal year of the Somavamsi king Udyotakesari by his mother Kolavati Devi, which corresponds to 1058 CE.
HISTORY
Historians place the temple to belong to the late 11th century as ascertained from an inscription carried to Calcutta from Bhubaneswar. The inscription indicates that the temple was built by Kolavatidevi, the mother of Somavamsi king Udyota Kesari. It was built with four Natyasalas at a place known as Siddhatirtha in Ekamra (modern day Bhubaneswar). The inscription was recorded during the 18th renal year of Udyotha Kesari, corresponding to 1060 CE. Since the inscription is not in its original place, historians indicate the possibility of the reference to another temple, but based on the location and other features specified, it is ascertained that the inscription belongs to the temple. Also, another issue raised by Panigrahi is that the four cardinal temples are Angasalas (associate temples) and not Natyasalas (dance halls) as indicated in the inscription.
ARCHITECTURE
The temple is classified as a panchatanaya temple where apart from the main shrine, there are four subsidiary shrines in the four corners around the temple. The temple on account of its later origin, has perfectly developed structure compared to its predecessors. The vimana of the temple is 18.96 m tall. The temple is built with traditional architectural methods of wood carving, but applied on stone building. The buildings were built in a shape of full volume pyramid, and then they would be carved inside and outside.The basic structure of the Orissan temple has two connecting buildings. The smaller is the Jagmohana, or assembly hall. Behind it is the Shikhara, the towering sanctuary. Later temples have two additional halls in front - one for dancing, and the other for banquets.
The Brahmeswara shows quite a bit of affinity with the much earlier Mukteswar Temple, including the carved interior of the Jagmohana, and in the sculptural iconography such as the lion head motif, which appeared for the first time in the Mukteswara, and is here evident in profusion. There are quite a number of innovations, however, including the introduction of a great number of musicians and dancers, some holding lutes, on the exterior walls. For the first time in temple architectural history iron beams find their first use.
On sandstone walls there are symbolic decorations and the notion of godlike figures that helps the believer in his meditation. The carvings over the door frame contain beautiful flower designs as well as flying figures. Like the Rajarani, there are images of the eight directional Guardian Deities. There are also quite a number of tantric-related images, and even Chamunda appears on the western facade, holding a trident and a human head, standing on a corpse. Shiva and other deities are also depicted in their horrific aspects.
One of the lost inscriptions stated that a Queen Kolavati presented 'many beautiful women' to the temple, and it has been suggested that this is an evidence of the 'Devadasi' tradition, which assumed such importance in later Orissan temple architecture and temple life.
WIKIPEDIA
Joseph Stella ( 1877 – 1946 )
Gas Tank - Pittsburgh (American Landscape) - ( 1918)
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Joseph Stella: Visionary Nature
February 24 – May 21, 2023
Italian-born American modernist Joseph Stella (1877–1946) is primarily recognized for his dynamic Futurist-inspired paintings of New York, especially the Brooklyn Bridge and Coney Island. Lesser known, but equally as ambitious, is his work dedicated to the natural world, a theme that served as a lifelong inspiration. Throughout his career, Stella produced an extraordinary number of works—in many formats and in diverse media—that take nature as their subject. These lush and colorful works are filled with flowers, trees, birds, and fish—some of which he encountered on his travels across continents or during his visits to botanical gardens, while others are abstracted and fantastical. Through these pictures, he created a rich and variegated portrait of nature, a sanctuary for a painter in a modern world.
Joseph Stella: Visionary Nature is co-organized by the High and the Brandywine River Museum of Art and is the first major museum exhibition to exclusively examine Stella’s nature-based works. The exhibition features more than one hundred paintings and works on paper that reveal the complexity and spirituality that drove Stella’s nature-based works and the breadth of his artistic vision. Through expanded in-gallery didactics, including a graphic timeline of Stella’s career and a short film, the exhibition digs deeply into the context of the works, exploring their inspirations, meanings, and stylistic influences.
Touring Dates:
Norton Museum of Art, West Palm Beach, Florida (October 15, 2022–January 15, 2023)
Brandywine Museum of Art, Chadds Ford, Pennsylvania (June 17, 2023–September 24, 2023)
www.nytimes.com/2022/11/30/arts/design/joseph-stella-flor...
www.forbes.com/sites/natashagural/2022/12/21/joseph-stell...
www.atlantamagazine.com/news-culture-articles/joseph-stel...
If you know the painter Joseph Stella, it’s probably from his famous urban landscapes like Brooklyn Bridge (1921), a futurist interpretation of New York’s dramatic 20th-century industrialization. But Stella was just as captivated by the botanical world as he was by cityscapes, and today, Atlantans can see that side of the artist in vivid color. Joseph Stella: Visionary Nature, an explosive new exhibit at the High Museum of Art, features dozens of his flower and plant-filled paintings and drawings. In Atlanta through May 21, the exhibit travels chronologically through Stella’s lifelong love-affair with the natural world, from an early study of a piece of bark to the epic, intricate Tree of My Life.
Visionary Nature was a joint effort between the High; the Norton Museum in West Palm Beach, Florida; and the Brandywine Museum in Chadds Ford, Pennsylvania, where it heads next. “They were really focused on [Stella’s] nature works, and we have a great work by Stella here at the High,” said Stephanie Heydt, the museum’s Margaret and Terry Stent Curator of American Art. “It was a great collaboration.”
Stella was born in 1877 in Muro Lucano, a hilly city in southern Italy. He immigrated to New York originally intending to follow his brother into medicine, but after a uninspired stint in medical school, he pivoted to painting. Stella studied briefly under the impressionist painter William Merritt Chase at the New York School of Art and soon developed a reputation as a sensitive interpreter of the urban working class.
The High’s exhibit features of some of these early works, in which the natural world spills out amidst the smokestacks and steel mills of America’s industrial revolution. “This is the Progressive Era at the turn of the twentieth century,” Heydt explained. “And he’s looking at the people in his own community, specifically the Italian immigrants.”
Traveling back in Europe, Stella was inspired by the contemporary artists he saw there: the cubism of Pablo Picasso and early futurism of Umberto Boccioni. He drew on these sources back in the U.S, earning acclaim for his dynamic geometric paintings of the metropolis; several choice selections, including American Landscape (1929), and Smoke Stacks (1921), are on view in this exhibit.
But even as Stella built his career on the towering achievements of urban industry, he yearned for the sunny landscapes of his youth. He frequented havens like the Bronx Botanical Gardens, which opened in 1891 and offered escape from New York’s sooty streets. Walking through Brooklyn one day, he later wrote in an essay, he stumbled across a sapling.
“This little tree is coming up from a crack in the sidewalk, shadowed by a factory, and he sees himself in this tree,” Heydt said. “He says, This is me.”
That encounter inspired Tree of My Life (1919) a florid aria sung to the natural world. A sturdy olive tree—Stella himself—anchors the canvas, surrounded by a vortex of tropical plants, birds, and, in the background, Stella’s native Italian hills. Brandywine Museum Director Thomas Padon envisaged the exhibit after seeing Tree of My Life in a private collection. “I was transfixed,” Padon told the New York Times.
Stella painted Tree of My Life and Brooklyn Bridge within a year of each other, announcing a duality that would define the rest of this career. While he painted flowers throughout his life, it was his moody, futurist treatments of New York that made him an art-world celebrity. European artists fleeing World War I were landing in New York in droves, sparking a new creative fascination with the cutting-edge American city. “(Marcel) Duchamp says the art of Europe is dead, and this century is about America,” explained Heydt. “Stella’s understood to be one of the first American-based painters to figure out . . . how to paint the new modern city.”
But Stella’s love of the natural world—and of Europe—endured. He returned to botanical themes throughout his life, infused with the Old Master styles of the Italian Renaissance. Many works in this exhibit invoke the sun-drenched vistas and towering cathedrals of Italy, overrun by sumptuous flowers that are decidedly not native to the Iberian peninsula. Stella—a native turned immigrant—seems to delight in the contradiction: in Dance of Spring (1924), tropical orchids and calla lilies burst open in a beam of beatific light, like Jesus rising to the heavens in a Raphael. Purissima (1927), part of the High’s own collection, evokes the iconic Renaissance Madonna, here transformed by Stella’s whimsy: the stamens of a lily serve as her celestial crown, while snowy egrets (the Florida kind) grace her sides.
With saturations of color abounding in every room, Visionary Nature enjoys an added depth through words. Stella was a prolific writer, and the exhibit makes canny use of text to explore his passion for the living world. “My devout wish,” reads one such diary segment on view, “That my every working day might begin and end . . . with the light, gay painting of a flower.” In a unique addition to their exhibition, the High created a short video featuring more of Stella’s own thoughts. “We wanted to end with his voice telling us how he felt about various paintings in the show . . . or his ideas about art,” explained Heydt.
Stella, who died in 1946, spent the last years of his life in ill health, largely confined to his studio. He never stopped painting the natural world; a few of those last works, modest trees still full of flair, are on view here. A few years before his death, his friend and fellow artist Charmion von Wiegand paid a visit to his studio. She found Stella amidst a riot of color, studiously painting his favorite subject. “Flower studies of all kinds litter the floor,” wrote von Wiegand, “and turn it into a growing garden.”
Dedicated to Isolano For organizing today's Portuguese Flickr friends meeting held at Regaleira, Sintra, Portugal.
When nobody else will listen to you,
I will hear every word.
When nobody else will talk to you,
I will say it all.
When everybody else looks right through you,
I will look into your eyes with a smile.
When everybody else laughs at you,
I will remain by your side.
When others hurt you,
I, too, will feel the pain.
When noone else in this world looks up to you,
I will place you on a pedestal.
When you are hungry,
I will give you my last piece of bread.
When you are thirsty,
I will give you my last drop of water.
When you feel as though you are drowning,
I will swim out to save you.
When noone else seems to need you,
I will always love you.
When you feel as though you are being torn into pieces,
I will give you my heart.
(Heather Cacciatori)
Dedicated to all those who fell during the Great War 1914–1919.
The laying of the four corner stones was performed on Sunday afternoon (27-4-1924) by the Mayor of Port Adelaide (Mr. H. Slade), on behalf of the citizens, Mrs. Magnum on behalf of the mothers, Col. C.P. Butler on behalf of the Returned Soldiers and Sailors' Imperial League, and Miss E. Sanders on behalf of the widows and orphans. The corner stones are symbolical of the men who rallied from the four corners of the globe in answer to Britain's call. In a cavity a canister containing a copy of South Australian newspapers of Saturday April 26, was placed under the citizens' stone.
On 24 May 1925 the unveiling was performed by Lieutenant Colonel L O Betts O.B.E., President of the Semaphore and Port Adelaide Sub Branch R.S. & S.I.L of Australia.
This memorial was built using seventy tons of granite from the quarries at Harcourt in Victoria. Clocks are installed on each face of the monument: the structure is 27 feet high topped by a Carara marble figure of Peace.
Mr I. Topham, of Norwood, was the designer and builder. The design was selected by exhaustive ballot from the 30 designs submitted.
The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). The present building was completed by the emperor Hadrian and probably dedicated about 126 AD.
The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 142 feet.
It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history, Since the 7th century, the Pantheon has been used as a church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, ruled by Italy's Ministry of Cultural Heritage and Activities and Tourism, It is visited by over 6 million people annually.
Note the military presence.
Dedicated Machine with Multi-Kit installed. Plays (Asteroids Deluxe, Asteroids, Lunar Lander). Not For Sale!
Dedicated to the joy children should experience all over the world in the Third Millenium.
John Behan (born 1938) is an Irish sculptor from Dublin.
He helped establish the Project Arts Centre, Dublin in 1967 and the Dublin Art Foundry. Notable sculptures include "Arrival", commissioned by the Irish Government and presented to the UN in 2000 and "Wings of the World" in Shenzhen, China, 1991. He is a member of Aosdána.
Dedicated to the amazing Silvi aka Miss Takes!!!Thanx for all those gorgeous little master pieces!!!!
Dedicada a Silvia, Miss Takes!!!Gracias por estas increibles obritas de arte!!!!!
A view from a pocket road in Cochin city. The KSEB (Kerala State Electricity Board) workers fixing the broken 11KV electric cable during heavy rain.
Scunthorpe Steelworkers Sculpture Dedicated to all past and present steelworkers and their families from Scunthorpe and the surrounding areas. For those who spent their working lives keeping the steel production flowing through the Second World War. To their contribution to the war effort the British economy and to the building of this town. To those who were injured or lost their lives in service on the steelworks. This is a debt that can be repaid but will never be forgotten. Sculptor - Ray Lonsdale North Lincolnshire
The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is dedicated to the memory and music of Frank Sinatra and benefits the Barbara Sinatra Center for Abused Children. The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational enjoys a rich history as one of the marquee golf and fundraising events in the Palm Springs, California desert. Each year, celebrities, amateur contestants, loyal sponsors and enthusiastic spectators from all over the country look forward to returning to this unique "celebrity friendly" event.
Known as "Frank's little party in the desert," Barbara and Frank Sinatra founded the Frank Sinatra Celebrity Invitational in 1988 to raise funds for the Barbara Sinatra Center for Abused Children at Eisenhower Medical Center, which opened in 1986. Through their efforts, and those of supporters throughout the world, the Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is now one of the most successful events of it's kind.
The mission of the Barbara Sinatra Center for Abused Children is to provide counseling for victims of physical, sexual and emotional abuse and to focus on prevention, community education and breaking the generational cycle of abuse. Barbara Sinatra is quick to thank supporters of the "Frank Sinatra Starkey Hearing Technologies Celebrity Invitational, and she is proud to say "The children who come to us for help continue to receive the therapy they need and deserve; no child is turned away due to a family's inability to pay."
The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is a five (5) player team gross and net scramble golf tournament held at Eagle Falls Golf Course in Indio, California. The Fantasy Springs Resort Casino, also in Indio, is the tournament's hotel and venue for three nights of parties and a spectacular luncheon and fashion show.
One (1) celebrity and four (4) contestants are a team. The team of four (4) amateur players remains together for two (2) consecutive days. The celebrity contestant changes teams for the second day. Current USGA handicaps are verified and applied to all contestants.
Dedicated to those who lost their lives trying to save the German Barque "Mexico", wrecked off Southport, the night of December 9th, 1886.
The Mexico was on its way from Liverpool to Guayaquil, Ecuador when it was caught in a storm. Lifeboats were launched from Lytham, St. Annes and Southport to rescue the crew. The Lytham lifeboat Charles Biggs, which was on her maiden rescue, rescued the twelve crew but both the St. Annes lifeboat Laura Janet and the Southport lifeboat Eliza Fernley were capsized, and 27 of the 29 crew were drowned. To date, this is the worst loss of RNLI crew in a single incident.
Jewish teachers insisted that everything must be regulated, codified; for every moment there must be an established form, a recognizable pattern. Dedicated to such an order of living, the practice of Judaism was in danger of becoming a series of acts performed by rote. Then came the Baal Shem, who reminded the people that spontaneity was as important as pattern, faith as essential as obedience, and that obedience without fervor led to stultification of the spirit.
The Baal Shem Tov’s intention was to prevent Jewish piety from hardening into mere routine. Yet his path also became a habit, a routine. When first conceived, an idea is a breakthrough; once adopted and repeated, it tends to become a cul-de-sac.
Nothing, therefore, is accidental. Even an intruding thought does not come at random. A thought is like a person. It arrives because it needs to be restored. A thought severed, abused, seeks to be reunited with its root. Furthermore, it may be a message sent to remind a man of a task, a task he was born to carry out.
Even in the densest darkness one could see the flicker of a spark, for a ray of the Holy was at the core of all that was. It was a man’s task to redeem the hidden radiance, the divine kernels sealed in their husks. Since the Divine was everywhere, one might easily experience the radiance of the Holy in any place at any moment. “There is nothing that does not contain a glint of holiness, for without it nothing could possibly exist.”
If there be any love pure and free from admixture with the other passions, it is that which lies concealed in our inmost heart, unknown to our very selves.
-A Passion for Truth by Abraham Joshua Heschel
Dedicated to the 'Girl with the Biggest & Cutest Smile on Earth'
:-D
Happy Birthday dear SHUBHI
<|:)
Hope all your wishes come true :) :) :)
Dedicated to the Glory of Ukraine - 20 images - Canon EOS 40D with Legacy Super-Takumar 1:3.5 28mm Prime (M42 mount) & Fotodiox M42-EOS adapter & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Dedicated to all MOTHERS
Muslims celebrate only 2 EIDs , But every single day in the whole year is a mother’s day for them.. ^^
نحن كمسلمين لانحتفل إلا بعيدين عيد الفطر وعيد الأضحى
لكن لأمهاتنا .. كل يوم بالنسبة لنا هو يومهم
لهذا تعمّدت أن لا أضع هذا الإهداء بنفس يوم الأم ^^
الله يحفظهم ويخليهم لنا ويجعلنا وإياكم من خير البارين بهن
وعلى رأسهم
أمي الحبيبة
وأمي الجنان
و أختي الكبيرة
^_^
A Rockbridge County bridge on I-81 is dedicated July 14, 2014, at the Hines Memorial Armory in Lexington, Va., in honor of Master Trooper Jerry Hines, a Virginia State Police trooper killed in the line of duty Feb. 20, 1989, who also served as a first sergeant at the armory later named in his honor. Col. W. Steven Flaherty, superintendent for the Virginia State Police officiated the ceremony and Virginia state Sen. Creigh Deeds and Virginia state Delegate Ben Cline, who both sponsored the legislation to name the bridge in Hines’ honor, spoke at the ceremony, along with retired Maj. J.T. “Jimmy” Poole, Hines’ commander at the time of his death. (Photo by Staff Sgt. Terra C. Gatti, Virginia Guard Public Affairs)
Dedicated to Heather Buckley who luvs her some doll babies. More Monster High 2013 details at idlehands1.blogspot.com/2013/02/toy-fair-2013-monster-hig...
Brihadeeshwara Temple (Peruvudaiyar Kovil) is a Hindu temple dedicated to Shiva located in Thanjavur in the Indian state of Tamil Nadu. It is also known as Periya Kovil, RajaRajeswara Temple and Rajarajesvaram. It is one of the largest temples in India and is an example of Dravidian architecture during the Chola period. Built by emperor Raja Raja Chola I and completed in 1010 AD, the temple turned 1000 years old in 2010. The temple is part of the UNESCO World Heritage Site known as the “Great Living Chola Temples”, with the other two being the Brihadeeswarar Temple, Gangaikonda Cholapuram and Airavatesvara temple.
The temple stands amidst fortified walls that were probably added in the 16th century. The vimanam (temple tower) is 216 ft (66 m) high and is the tallest in the world. The Kumbam (the apex or the bulbous structure on the top) of the temple is carved out of a single rock and weighs around 80 tons.
There is a big statue of Nandi (sacred bull), carved out of a single rock measuring about 16 ft (4.9 m) long and 13 ft (4.0 m) high at the entrance. The entire temple structure is made out of granite, the nearest sources of which are about 60 km to the west of temple. The temple is one of the most visited tourist attractions in Tamil Nadu.
History of Brihadeeswarar Temple
rulmozhivarman, a Tamil emperor who was popular as Rajaraja Chola I laid out foundations of Brihadeeswarar Temple during 1002 CE. It was first among other great building projects by Tamil Chola. A symmetrical and axial geometry rules layout of this temple. Temples from same period and two following centuries are expressions of Tamils Chola power, artistic expertise and wealth. Emergence of these types of features, such as multifaceted columns along with projecting signals of square capitals signifies arrival of Chola style, which was new at that time.
It is one architectural exemplar, which showcases true form of Dravida kind of architecture in temples and is a representative of ideology of Chola Empire and Southern India’s Tamil civilization. Brihadeeswarar Temple “testifies to Chola’s brilliant achievements in architecture, painting, bronze casting and sculpture.”
It is said that after seeing Pallava Rajasimha Temples in Kanchipuram, Emperor Rajaraja Cholan had the dream of establishing such a huge temple for Lord Shiva. Brihadeeswarar Temple is first among all buildings, which make use of granite fully and it finished within five years from 1004 AD to 1009 AD.
The greatest of Chola emperors Rajaraja-I (985 A.D – 1012 A.D) the son of Sundara Chola (Parantaka-II) and Vanavan mahadevi built this magnificent temple named Brihadeeswarar at Thanjavur – the capital of Chola dynasty.
From the Epigraphical evidence it is known about Rajaraja-I started building this temple on his 19th year and completed on 275th day of his 25th year. It took just 6 years to complete this work on 1010 A.D.
The Chola reign declined and they were ousted by the Pandyas who were in turn thrown over by the Vijayanagara Empire. In 1535, the Vijayanagara king installed a Nayak king and the clan, called Tanjore Nayaks, reigned till the mid-17th century. In 1674, the Marathas conquered Tanjore. Later, like the rest of the country, Thanjavur too fell into British hands.
The inscriptions and frescoes on the walls of Brihadeeswarar Temple record the rise and fall of the city’s fortunes. Shiva’s representation is as a gigantic stone lingam. This is covered by a vimanam that extends to 216 feet. It is built with stones that are bonded and notched without any mortar. The topmost stone, an engineering marvel, weighs about eighty tons.
Rajaraja-I named this temple as Rajarajesvaram and the deity Shiva in Linga form as Peruvudaiyar, the temple is also known in the deity’s name as Peruvudaiyarkovil (in Tamil language). In later period Maratta and Nayaks rulers constructed various shrines and gopurams of the temple.
The Brihadeeswarar Temple was completed in around 1010 in the southeastern part of the new capital Thanjavur constructed in the basin of the Kaveri (Cauvery) River by the king of the Chola Dynasty, Rajaraja I (r. 985-1014). It has also been called Rajarajesvara Temple after the king’s name. It is one of the two greatest temples from the age of the Chola Dynasty together with the Rajendra -Cholisvara Temple built in the next new capital, Gangaikondacholapuram, which was constructed by his successor Rajendra I. Those constructions were prodigious national projects showing the Chola Empire’s hegemony in south India.
It is said that the Brihadeeswarar Temple was erected in only seven years. Its precincts are surrounded with cloisters covering an area of 120m by 240m and are also surrounded outside with heavy brick walls for an area of 350m square including a large tank (reservoir).
There is a Nandi Shrine, two continuous extensive Mandapas (worship rooms), an Antarala (antechamber), and a Vimana with a high tower, all in line on the east-west axis.
On the same axis stand Gopurams (temple gateways) of the early phase at the eastern center of the cloister and the brick wall. They are the sole entrance spots to the temple precincts.
Though they are embellished with sculptures, they look much lower than later Gopurams of huge temples in south India, as the height of the Vimana is great in contrast.
The second Gopura on the line of the cloisters is 24m in both width and height, lower than the first Gopura, but its sculptures are larger, with a pair of Dvarapalas (guardian figures) on both sides of the doorway.
Nandhi of Brihadeeswarar Temple
In the cloisters surrounding the precincts is a line of Lingas (phalluses), symbol of Shiva, and wall paintings from the Nayaka period on the rear walls delight the eye of pilgrims. This Brihadeeswarar Temple made of granite and brick is the greatest work of the Dravidian (northern) style in its grand scale and high degree of perfection, alongside of the great temple in Gangaikondacholapuram. The development of stone temples in the southern Indian style, having started at the small temples at Mahabalipuram, reached their summit here. It became the model of the temples to be built in south India and Southeast Asia in the period of the Chola Dynasty.
However, after the end of the Chola Dynasty in the 13th century, temple style would change dramatically. Huge Vimanas would not be built anymore, rather temple precincts would be expanded, surrounding the temple in fold upon fold, and constructing only Gopurams in a colossal scale on the four sides. The outer Gopurams would be erected higher, and would eventually attain more than 60m. The relationship of height between the main shrine and its gates would be completely reversed. From this point too, the Brihadeeswarar Temple in Thanjavur is the best representative of orthodox south Indian temple architecture.
Popularity
Thanjavur Periya Koil is the grandest creation of Cholas and it is visible from any area in Thanjavur, perhaps the only temple with such a characteristic.
This temple is part of the UNESCO World Heritage Site “Great Living Chola Temples”. The temple became popular all over the country on its 1000th birthday in September 2010. In its commemoration, a rupees postage stamp, featuring the 216 feet tall Raja Gopuram (Vimana) was released by the India Post. A 5 rupee coin was released by the Reserve Bank of India. A 1000 Rupees Commemorative Coin with the same picture on the 5 rupees coin of Thanjavur Periya Kovil will be issued soon. This will be the first 1000 Rupees coin to be released in the Republic of India coinage, but it will not be for public circulation. In April 1954, the Reserve Bank of India had released a 1000 rupees currency note with panoramic view of the temple. Later, during the Indira Gandhi rule, all 1000 rupees notes were demonetized to curtail black money.
Temple Timeline
he much celebrated ‘Ponnambalam’ (temple with golden roof) at Thillai (Chidambaram) was just a few hours of journey away.
Thiruvarur, the most important ‘Sapta Vitanka Sthalam’, which had the patronage of the Cholas right from the days of Manuneedhi Cholan and Musukuntha Cholan, was also nearby.
So were numerous temples referred to as ‘paadal Petra Sthalangals’ – temples where the Saivite saints Appar, Sundarar, Sambandhar and Manickavasagar had sung Thevaram hymns (religious hymns praising the deeds of Lord Shiva).
Then, what made Rajaraja Cholan build a massive temple in his capital city?
Few centuries back, the Pallavas had given a new dimension to art and architecture. Under their patronage rose the majestic Rathas, Shore Temple and Yali Caves at Mamallapuram. Rajasimha Pallavan built two splendid temples in Kanchipuram ‘Paramesvara Vinnagaram’ and ‘Kailasanathar Kovil’. The latter, dedicated to Lord Siva, held Rajaraja Cholan’s attention. He called it ‘kachchipettu Periya Thali’ (The Big Temple of Kanchipuram). Rajaraja Cholan’s dreams and aspirations were always huge. The visionary he was in all matters, there is no wonder that he envisaged a huge temple to celebrate the power of divinity.
Many a people, have wondered why he chose to build an imposing monument. Did he want to showcase the power and might of his empire by building something colossal? Did he want to stamp his authority and tell the world, ‘Look what I have accomplished?’ Did he want to get rid of sins wrought by years of warfare or get a magical cure to a disease of unknown origin, as some people claim? May be the reason was simple. He wanted to show the whole world the towering presence of God that is everlasting against human life that is highly evanescent.
أفرح معك و أزعل عليك و أشتاق لك و أتحداك
أضعف و أقوى بين يديك و تجرفني اللـهفه جداك
بكل المقاييس أهتويك في القلب و المهجه غلاك
و أصبّر فوادي عليك و أصفح و أسامح لك خطاك
و أبيع غيرك و أشتريك و أنسى الألم و أنا معاك
Dedicated to my felow Kaper Pierre Lesage... (I told you I'll go back to that site) :-) :-)
Floralis Generica is a beautiful sculpture located in United Nations Park in Buenos Aires. A giant, 23 meter sculpture made of steel and aluminum which moves, closing its petals at night and opening them during the day. It has some lighting for special ocassions too. The sculpture is the work of Argentinian architect Eduardo Catalano.
Full KAP Session www.youtube.com/watch?v=F1AAfF2PEHE
Dedicated to my flickr-friend Hobo:
Li ho cercati, gli zingari felici in piazza Maggiore: che fossero questi?
"Ma ho visto anche degli zingari felici corrersi dietro, far l'amore e rotolarsi per terra. Ho visto anche degli zingari felici in piazza Maggiore a ubriacarsi di luna, di vendetta e di guerra."
-Claudio Lolli-
Jongmyo is a Confucian shrine dedicated to the perpetuation of memorial services for the deceased kings and queens of the Korean Joseon Dynasty (1392–1897). According to UNESCO, the shrine is the oldest royal Confucian shrine preserved and the ritual ceremonies continue a tradition established in the 14th century. Such shrines existed during the Three Kingdoms of Korea period (57-668), but these have not survived. The Jongmyo Shrine was added to the UNESCO World Heritage list in 1995.
Jongmyo is adjacent to Changdeokgung and Changgyeonggung in the south. They used to be connected in the Joseon period, but were separated by a road built by Japanese colonialists. Nowadays there is a construction plan to recover the original structure of the shrine.
The main buildings of Jongmyo was constructed in October, 1394 when Taejo, first king of Joseon Dynasty, moved the capital to Seoul. It was destroyed by fire in the Japanese invasions of Korea (1592–98), then rebuilt in 1608.
HISTORY
When it was built in 1394 by order of King Taejo, the Jongmyo Shrine was thought to be one of the longest buildings in Asia, if not the longest. The main hall, known as Jeongjeon, had seven rooms. Each room was reserved for a king and his queen. The complex was expanded by King Sejong (r. 1418–50) who ordered the construction of Yeongnyeongjeon (Hall of Eternal Comfort). This practice of expansion continued, with the growth of the complex moving from west to east, because of the need to house more memorial tablets during the reigns of later kings until there were a total of 19 rooms. However, during the Seven-Year War (1592–98), Japanese invaders burned down the original shrine and a new complex was constructed in 1601 and has survived to this day. The original tablets were saved in the invasion by hiding them in the house of a commoner and also survive. A king's tablets were enshrined three years after his death. There are 19 memorial tablets of kings and 30 of their queens, placed in the 19 chambers. Each room is very simple and plain in design. Only two kings' memorial tablets are not enshrined here. In addition to the tablet, there is a panel listing each king's accomplishments.
The current Jeongjeon is National treasure of Korea No. 227 and is the longest building in Korea of traditional design.
DESCRIPTION
Viewed from the king's throne at Gyeongbokgung Palace, Jongmyo Shrine would have been on the king's left while the Sajik Shrine, another important Confucian shrine, was on the right. This arrangement was derived from Chinese practice. The main halls are surrounded by hills. In front of the main hall is the Woldae Courtyard, which is 150 meters in length and 100 meters in width.
The south entrance gate was reserved for spirits to enter and exit, the east gate was for the king, and the west gate was for the performers of the royal ritual.
The Jongmyo Shrine is divided into 15 main parts.
This list is incomplete; you can help by expanding it.
Jeong Moon -정문- (Front Gate),
'Mang-Myo Ru',
'Gong-min Wang' Shrine,
'Hyang-Dae Cheong (향대청)'
'Uh-sook' Room (shil),
'Panwi Dae',
'Jun-Sa Chung (전사청)'
RITUALS AND PERFORMANCES
An elaborate performance of ancient court music (with accompanying dance) known as Jongmyo jeryeak (hangul: 종묘제례악; hanja: 宗廟祭禮樂) is performed there each year for the Jongmyo jerye ritual. Musicians, dancers, and scholars would perform Confucian rituals, such as the Jongmyo Daeje (Royal Shrine Ritual) in the courtyard five times a year. Today the rituals have been reconstructed and revived. The Jongmyo Daeje has been designated as Important Intangible Cultural Property No. 56 and is performed every year on the first Sunday in May. The Jongmyo Jerye-ak, the traditional court music of Joseon, is performed by the Royal Court Orchestra and has been designated as Important Intangible Cultural Property of South Korea No. 1. This court music has its origins in Chinese court music that was brought to Korea during the Goryeo period (918-1392). King Sejong composed new music for the ritual based largely on hyangak (with some dangak) in 1447 and 1462. .
The songs invite the ancestral spirits to descend from heaven to enjoy the kings achievements in founding the dynasty and defending the country in order to encourage their descendants to follow in their footsteps.
Today the members of the Jeonju Yi Royal Family Association perform the rites to the accompaniment of music and dance provided by musicians from the National Center for Korean Traditional Performing Arts and dancers from the Gukak National High School.
ACCESS
Jongmyo entry is located 155 Jong-no, Jongno-gu. The nearest subway station is Jongno 3-ga Station (Station #130 on Line 1, Station #329 on Line 3, Station #534 on Line 5).
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