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An elderly Newar man rests at the Dattatreya Temple (dedicated to the Hindu trinity of Brahma, Vishnu, and Shiva) in Dattatreya Square in the old city of Bhaktapur, Kathmandu Valley, Nepal.
He created those beautiful flowers, nothing compares his wisdom and sweet love.
A collection of my own images without textures.
He created those beautiful flowers, nothing compares his wisdom and sweet love.
Frame by Kim Klassen, thanks a lot!!
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U.S. Air Force F-22 Raptor crew chiefs assigned to the 90th Fighter Squadron are recognized during a Dedicated Crew Chief Ceremony held on Joint Base Elmendorf-Richardson, Alaska, Oct. 23, 2015. During the ceremony crew chiefs were recognized for their dedication and hard work. Every F-22 Raptor has a dedicated crew chief assigned who is trusted with the care and maintenance of the jet. At the ceremony the Airmen received a coin from their respective commanders, a certificate certifying them as dedicated crew chiefs, and new maintenance overalls to designate them as dedicated crew chiefs while working on the flight line. (U.S. Air Force photo/Staff Sgt. Wes Wright)
Meenakshi Amman Temple is a historic Hindu temple located on the southern bank of the Vaigai River in the temple city of Madurai, Tamil Nadu, India. It is dedicated to Parvati, known as Meenakshi, and her consort, Shiva, here named Sundareswarar. The temple forms the heart and lifeline of the 2,500-year-old city of Madurai and is a significant symbol for the Tamil people, mentioned since antiquity in Tamil literature though the present structure was built between 1623 and 1655 CE. It houses 14 gopurams (gateway towers), ranging from 45–50m in height. The tallest is the southern tower, 51.9 metres high, and two golden sculptured vimanas, the shrines over the garbhagrihas (sanctums) of the main deities. The temple attracts 15,000 visitors a day, around 25,000 on Fridays, and receives an annual revenue of ₹ 60 million. There are an estimated 33,000 sculptures in the temple. It was on the list of top 30 nominees for the "New Seven Wonders of the World". The temple is the most prominent landmark and most visited tourist attraction in the city. The annual 10-day Meenakshi Tirukalyanam festival, celebrated during April and May, attracts 1 million visitors.
LEGEND
Meenakshi (IAST Mīnākṣī Tamil மீனாட்சி) is an avatar of the Hindu goddess Parvati - the consort of Shiva, one of the few Hindu female deities to have a major temple devoted to her. The name "Mīnachchi" means fish-eyed and is derived from the words "mīna" meaning fish and "akṣi" meaning eyes. The lady goddess Meenakshi is the principal deity of the temple, not Sundareswarar, unlike most Shiva temples in South India where Shiva is the principal deity. According to Hindu legend, in order to answer the prayers of the second Pandya king Malayadwaja Pandya and his wife Kanchanamalai, Parvati appeared out of the holy fire of the Putra Kameshti Yagna (sacrifice for childhood) performed by the king. According to another legend, the goddess herself gave notice to Kanchanamalai in one of her previous births that Kanchanamalai would have the privilege of mothering the goddess. The girl who came out of the holy fire had three breasts. A voice from the heavens told the king not to worry about the abnormality and added that the third breast would vanish as soon as the girl met her future husband. The happy king named the girl "Tadaatagai" and as the heir to the throne, Tadaatagai was trained carefully in all the 64 sastras, the fields of science .
As the time came for Tadaatagai's coronation, she had to wage war in three worlds encompassing eight directions. After conquering Brahma's Abode, Sathyaloka, Vishnu's Abode, Vaikunta, and Devas' abode Amaravati, she advanced to Shiva's Abode Kailasha. She very easily defeated the bhoota ganas (IAST: Bhūtagana, meaning Shiva's army) and Nandi, the celestial bull of Shiva, and headed to attack and conquer Shiva. The moment she looked at Shiva, she was unable to fight and bowed her head down due to shyness, and the third breast vanished immediately. Tadaatagai realized that Shiva was her destined husband. She also realized that she was the incarnation of Parvati. Both Shiva and Tadaatagai returned to Madurai and the king arranged the coronation ceremony of his daughter, followed by her marriage with Shiva.
The marriage was to be the biggest event on earth, with the whole earth gathering near Madurai. Vishnu, the brother of Meenakshi, prepared to travel from his holy abode at Vaikuntam to preside over the marriage. Due to a divine play, he was tricked by the Deva, Indra and was delayed on the way. After the marriage, the pair ruled over Madurai for a long time and then assumed divine forms as Sundareswarar and Meenakshi, the presiding deities of the temple. Following the tradition, every evening, before closing the temple, a ritual procession led by drummers and a brass ensemble carries the image of Sundareswarar to Meenakshi's bedroom to consummate the union, to be taken back the next morning in dawn. The marriage is celebrated annually as Chithirai Thiruvizha in Madurai. During the period of Nayakar rule in Madurai, the ruler Thirumalai Nayakar linked the festival Azhakar Thiruvizha and the Meenakshi wedding ceremony.
HISTORY
The Meenakshi temple is believed to have been founded by Indra (king of Deva celestial deities). While he was on a pilgrimage to atone for his misdeeds. He felt his burden lifting as he neared the swayambu lingam (self formed lingam, a representation of Shiva used for worship in temples) of Madurai. He ascribed this miracle to the lingam and constructed the temple to enshrine it. Indra worshipped Shiva, who caused golden lotuses to appear in the nearby pool. Tamil literature speaks of the temple over the last two millennia. Thirugnanasambandar, the famous Hindu saint of Saiva philosophy, mentioned this temple as early as the 7th century, and described the deity as Aalavai Iraivan. The temple is believed to have been sacked by the infamous Muslim invader Malik Kafur in 1310 and all the ancient elements were destroyed. The initiative to rebuild the structure was taken by first Nayak king of Madurai, Viswanatha Nayak (1559–1600) under the supervision of Ariyanatha Mudaliar, the prime minister of the Nayak Dynasty and the founder of the Poligar System. The original design by Vishwanatha Nayak in 1560 was substantially expanded to the current structure during the reign of Thirumalai Nayak (1623–55). He took considerable interest in erecting many complexes inside the temple. His major contributions are the Vasantha Mandapam for celebrating vasanthorsavam (spring festival) and Kilikoondu Mandapam (corridor of parrots). The corridors of the temple tank and Meenatchi Nayakar Mandapam were built by Rani Mangammal.
Rous Peter (1786–1828), the Collector of Madurai in 1812, was nicknamed 'Peter Pandian’ as he respected and treated people of all faiths equally. He donated a set of golden stirrups studded with diamonds and red stones to the temple. Goddess Meenatchi is believed to have saved Rous Peter from a fatal incident. He also wished that after his death, his body be buried in a position that would enable his eyes to face the temple.
During the period of early pandian kings, the king taxed the people for constructing this temple. People paid taxes and donations in the form of gold and silver. But the king wanted contribution as low as a bag of rice which would help in feeding the masans who constructed the temple. so the kings collected one handful of rice daily from every house. This would make few bags of rice in the month end. Thus people from all sectors of life contributed in building the temple. Thus, every family has an emotional attachment towards the temple.
THE TEMPLE
ARCHITECTURE
The temple is the geographic and ritual center of the ancient city of Madurai and one of the largest temple complexes in Tamil Nadu. The temple complex is divided into a number of concentric quadrangular enclosures contained by high masonry walls. It is one of the few temples in Tamil Nadu to have four entrances facing four directions. Vishwantha Nayaka allegedly redesigned the city of Madurai in accordance with the principles laid down by Shilpa Shastras (Sanskrit: śilpa śāstra, also anglicized as silpa sastra meaning rules of architecture) relevant to urban planning. The city was laid out in the shape of square with a series of concentric streets culminating from the temple. These squares continue to retain their traditional names, Aadi, Chittirai, Avani-moola and Masi streets, corresponding to Tamil month names. Ancient Tamil classics mention that the temple was the center of the city and the streets happened to be radiating out like lotus and its petals. The temple prakarams (outer precincts of a temple) and streets accommodate an elobrate festival calendar in which dramatic processions circumabulate the shrines at varying distances from the centre. The vehicles used in processions are progressively more massive the further they travel from the centre. The complex is in around 180,000 m2.
GOPURAMS
The temple is surrounded by gopurams (gateway tower), - There are 14 gopuram the tallest of which, the famous southern tower, rises to over 52 m and was built in 1559. The oldest gopuram is the eastern one, built by Maravarman Sundara Pandyan during 1216-1238 Each gopuram is a multi-storeyed structure, covered with thousands of stone figures of animals, gods and demons painted in bright hues. The outer gopuram presents steeply pyramidal tower encrusted with plaster figures, while the inner gopuram serves as the entrance to the inner enclosure of Sundareswarar shrine.
SHRINES
The central shrine of Meenakshi Amman temple and her consort Sundareswarar are surrounded by three enclosures and each of these are protected by four minor towers at the four points of the compass, the outer tower growing larger and reaching higher to the corresponding inner one. The Meenakshi shrine has the emerald-hued black stone image of Meenakshi. The Sundareswarar shrine lies at the centre of the complex, suggesting that the ritual dominance of the goddess developed later. Both the Meenakshi and Sundareswarar shrines have gold plated Vimanam (tower over sanctum). The golden top can be seen from a great distance in the west through the apertures of two successive towers. The area covered by the shrine of Sundareswarar is exactly one fourth of the area of the temple and that of Meenakshi is one fourth that of Sundareswarar.
The tall sculpture of Ganesh carved of single stone located outside the Sundareswarar shrine in the path from Meenashi shrine is called the Mukuruny Vinayakar. A large measure of rice measuring 3 kurini (a measure) is shaped into a big ball of sacrifice and hence the Ganesh is called Mukkurni Vinayagar (three kurinis). This deity is believed to be found during a 17th-century excavation process to dig the Mariamman temple tank.
TEMPLE TANK AND SURROUNDING PORTICO
The sacred temple tank Porthamarai Kulam ("Pond with the golden lotus"), is 50 m by 37 m in size. In the Tamil legends, the lake is supposed to judge the worth of a new piece of literature. Authors place their works here and the poorly written works are supposed to sink and the scholastic ones are supposed to float, Tirukkural by Tiruvalluvar was one such work.
Only a fraction of 17th and 18th century paintings of Nayak period survives and one such portion is found in the small portico on the western side of the tank. It depicts the marriage of Sundareswarar and Meenkashi attended by Vijayaranga Chokkanatha and Rani Mangammal. The painting is executed on a vivid red background, with delicate black linework and large areas of white, green and ochre. The celestial couple is seated inside an architectural frame with a flowering tree in the background.
HALLS
The corridor surrounding the sanctum the Meenakshi is called kilikoondu Mandapam ("bird cage corridor"). The space was once used to keep green parrots that were trained to utter the name of Meenakshi. There are two large cages full of squawking green parrots.
The Kambatadi Mandapam ("Hall of temple tree") with its seated Nandi (sacred bull) has various manifestations of Shiva carved and also contains the famous "Marriage of Meenakshi" sculpture. Sculptures of Shiva and Kali trying to out-dance one another are pelted with balls of ghee by devotees. A golden flagstaff with 32 sections symbolizes the human backbone and is surrounded by various gods, including Durga and Siddar.
The Puthu Mandapam ("new hall") constructed by Tirumala Nayak contains large number of sculptures. It is situated opposite to the east gopuram.
The Ashta Shakthi Mandapam ("Hall of eight goddess") is the first hall in the entrance of Meenakshi shrine tower near to East Tower. Ashta indicates eight and Shakthi refers to goddess - the hall has statues of eight goddesses. The gopurams (towers) can be viewed from this hall. The passage was named for eight forms of goddess Shakti carved on its pillars. Other sculptures and paintings depict the Tiruvilayadal (holy games of Shiva). The sculptures of heroes of Mahabharata, the Pancha pandavas can be seen in the Pancha Pandava Mandapam (Hall of Pandavas).
The Viravasantharaya Mandapam is a large hall with huge corridors. To the south of this hall is the kalyana mandapam, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chithirai Festival in mid-April. The golden images of Meenakshi and Sundareswarar are carried into the 16th century oonjal mandapam (swing corridor) and placed on the swing every Friday at 5:30 p.m. The shrine has a 3-storied gopuram guarded by two stern dwarapalakas (guardians) and supported by golden, rectangular columns that bear lotus markings. Along the perimeter of the chamber, granite panels of the divine couple are present. The hall is situated in the western bank of the temple tank.
The Mudali Pillai Mandapam or Iruttu Mandapam (Dark hall) is a wide and long hall built by Muthu Pillai during 1613. On the pillars of the halls, there are fine sculptures depicting the story of Shiva taking the form of Bikshadanar to teach the sages a lesson.
The Mangayarkarasi mandapam is a newly built hall situated opposite to the marriage halls and bears the name of saindy queen, Mangayarkarasi who contributed to Saivism and Tamil language. To the south of Mangayarkarasi mandapam lies the Servaikarar Mandapam, a hall built by Marudu brothers in 1795. The Nagara mandapam (Hall of beating drums) lies opposite to Sundareswarar shrine was built by Achaya Rayar, the minister of Rani Mangammal in 1635. The Kolu Mandapam is a hall for displaying dolls during the Navarathri festival celebrated during September–October. This hall is situated in the second corridor of the Meenakshi shrine at the western side.
HALL OF THOUSAND PILLARS
The Meenakshi Nayakkar Mandapam ("Hall of 1000 pillars") has two rows of pillars carved with images of yali (mythological beast with body of lion and head of an elephant), commonly used as the symbol of Nayak power. It is situated to the north of Sundareswarar flag staff hall. The Thousand Pillar Hall contains 985 (instead of 1000) carved pillars. The hall was built by Ariyanatha Mudaliar in 1569 and blends engineering skill and artistic vision. Ariyanatha Mudaliar was prime minister and general of Viswanatha Nayak, the first Nayaka of Madurai (1559–1600). He was also the founder of Poligar System, the quasi-feudal organization of the country dividing it into multiple palayams or small provinces in which each palayam was ruled by a palayakkarar or a petty chief. At the entrance of the hall is the statue of Ariyanatha Mudaliar seated on a horse-back, flanking one side of the entrance to the temple. The statue is periodically garlanded by worshippers. Each pillar in the hall is a carved monument of the Dravidian sculpture. The more prominent among the carved figures are those of Rati (wife of Kama), Karthikeya, Ganesha, Shiva as a wandering mendicant and endless number of yalis (mythical figures of lions). There is a Temple Art Museum in the hall where icons, photographs, drawings, and other exhibits of the 1200 years old history of the temple are displayed. Just outside this hall, towards the west, are the Musical Pillars. Each pillar, when struck, produces a different musical note.
RELIGIOUS SIGNIFICANCE OF THE TEMPLE
A distinct feature of Meenakshi in terms of iconography is the presence of parrot in her right hand. The parrot is generally associated with the Vaishnava azhwar saint Andal. "Pancha Sabhai" refers to the five royal courts of Nataraja (dancing form of Shiva) where he performed cosmic dance. The Tamil word velli means silver and ambalam means stage or altar. This massive Nataraja sculpture is enclosed in a huge silver altar and hence called "Velli Ambalam" (silver abode). This is a special figure of Natarja which usually differs from Chola bronzes; in the Chola images, Nataraja is shown dancing with his left leg raised, but this sculpture has the right leg raised. According to the Tiruvilayaadal Puranam (Shiva's sacred games), this is on the request of Rajasekara Pandya, who was a sincere devotee of Shiva. He requested the deity to change his position, as he felt that keeping the same foot raised would put enormous strain and got a graceful acquiescence from the divine master.
RITUALS
WORSHIP
There are close to 50 priests in the temple who perform the puja (rituals) during festivals and on a daily basis. Like other Shiva temples of Tamil Nadu, the priests belong to Shivaite to the Adishaivas, a Brahmin sub-caste. The priests live in a closed area north of the temple. The temple has a six time pooja calendar everyday, each comprising four rituals namely abhisheka (sacred bath), alangaram (decoration), neivethanam (food offerings) and deepa aradanai (waving of lamps) for both Meenakshi and Sundareswarar. The puja (worship) ceremonies are held amidst music with nadhaswaram (pipe instrument) and tavil (percussion instrument), religious instructions in the Vedas by priests and prostration by worshippers in front of the temple mast. The common practise is to worship Meenakshi before Sundareswarar. Margazhi (December–January) ritual is prominent one for winning a perfect, god-like husband - it is Meenakshi's ennai kappu festival. Aligned with the cardinal points, the street plans forms a giant mandala (group) whose sacred properties are believed to be activated during the mass clockwise circumambulation of the central temple.
FESTIVALS
The most important festival associated with the temple is the "Meenakshi Thirukalyanam" (the divine marriage of Meenakshi) that is celebrated in April every year. The wedding of the divine couple is regarded as a classic instance of south Indian female-dominated marriage, an arrangement referred as "Madurai marriage". The male dominated marriage is called "Chidambaram marriage", referring to Shiva's uncontested dominance, ritual and mythic, at the famous Shiva temple of Chidhambaram. The marriage brings together rural and urban people, deities and mortals, Saivas (those who worship Shiva) and Vaishnavas (those who worship Vishnu) in order to celebrate Meenakshi as the royal monarch. During the one-month period, there are a number of events including the "Ther Thiruvizhah" (chariot festival) and "Theppa Thiruvizhah" (float festival). Major Hindu festivals like Navrathri and Shivrathri are celebrated in the temple. Like most Shakti temples in Tamil Nadu, the Fridays during the Tamil months of Aadi (July–August) and Thai (January–February) are celebrated in the temple by thousands of devotees. "Avani Moola Utsavam" is a 10-day festival mainly devoted to Sundareswarar describes his various Thiruvilayadal meaning Shiva's sacred games.
LITERARY MENTION
Down the centuries, the temple has been a centre of education of Tamil culture, literature, art, music and dance. All three assemblies of Tamil language, the Tamil Sangam (about the 3rd century BCE to the 3rd century CE), were held at Madurai. Tamil poets of different epochs participated in these assemblies and their composition is called Sangam literature. During the third Tamil sangam, the comparative merit of the poets was decided by letting the works float in the lotus tank of the temple. It was believed that a divine force would cause the work of superior merit to float on the surface while the inferior literary work would sink. Tevaram, the 7th-8th century Tamil canonoical work on Shiva, are works by the three prominent Nayanars (Saivites) namely Appar, Sundarar and Thirugnanasambandar. The temple has been glorified by the hymns of Tevaram by all the three poets. Different hymns of Sambandar on the temple mention the queen of Pandya Nadu, his desire to defeat Jains in debate, the miracles performed by him curing the king's fever, the Jains' provocation of Sambandar by burning his house and challenging him to debate, and Sambandar's eventual victory over them. A poem from the Third Tirumurai by Sambandar is as under –
"Lady who has eyes that are comparable to the startled eyes of the deer!
the great chief queen of the Vaḻuti! listen to what I say. Do not feel distressed that I am such a young boy from whose mouth milk is flowing. when the god in Tiruvālavāy stands by my side as help, I can not be easily defeated by the low people who inflict many sufferings on others and who live in hills beginning with great Āṉaimalai."
There are few poets in Tamil history who sang about goddess Parvati. The notable among them is Kumaraguruparar, a 17th-century Tamil poet, who composed Meenakshi Pillaitamil on Meenakshi of this temple. King Tirumalai Nayak's patronage of Kumaraguruparar has an important place in the history of pillaitamil (a genre of Tamil literature). Kumaraguruparar visited a lot of temples and when he visited this temple, he composed Meenakshi pillaitamil on Meenakshi. Legend has it that goddess appeared in the dreams of Nayak directing him to arrange the recital of Kumaraguruparar before a learned assembly. The king made elobrate arrangements for the event. Meenakshi impersonated herself in the form of a small girl and enjoyed the recital. As Kumaraguruparar was explaining the 61st verse, the goddess appreciated by garlanding the poet with a string of pearls and disappeared.
WIKIPEDIA
Tablet Dedicated to Thoth
Egypt, 1st-2nd century AD
Thoth appears three times, from left to right: Assimilated with the moon god Khonsu-Harpokrates, in baboon form, and as an ibis-headed crowned figure. The last wears an elaborate mythological kilt like those seen on representations of Roman Period pharaohs at Dendara. Three small panel on this kilt illustrate, the top: Griffin-type form that presumably represents the god Nemesis, an eagle (?), and a seated baboon.
Dedicated to the Semitic god Bel (Baal), lunar god Aglibol & sun god Yarhibol.
Architect: the Greek Alexandras (Αλεξάνδρας).
The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is dedicated to the memory and music of Frank Sinatra and benefits the Barbara Sinatra Center for Abused Children. The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational enjoys a rich history as one of the marquee golf and fundraising events in the Palm Springs, California desert. Each year, celebrities, amateur contestants, loyal sponsors and enthusiastic spectators from all over the country look forward to returning to this unique "celebrity friendly" event.
Known as "Frank's little party in the desert," Barbara and Frank Sinatra founded the Frank Sinatra Celebrity Invitational in 1988 to raise funds for the Barbara Sinatra Center for Abused Children at Eisenhower Medical Center, which opened in 1986. Through their efforts, and those of supporters throughout the world, the Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is now one of the most successful events of it's kind.
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The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is a five (5) player team gross and net scramble golf tournament held at Eagle Falls Golf Course in Indio, California. The Fantasy Springs Resort Casino, also in Indio, is the tournament's hotel and venue for three nights of parties and a spectacular luncheon and fashion show.
One (1) celebrity and four (4) contestants are a team. The team of four (4) amateur players remains together for two (2) consecutive days. The celebrity contestant changes teams for the second day. Current USGA handicaps are verified and applied to all contestants.
Title.
Snack.Chocolate.Juice.
Color is overflowing.
With you immediately a side.
image from Next novel.
''Still would stand all time ( unforgettable'2 )''
Paris,France,2012. shot.............. 3 / 6
(today's photograph.It is unpublished.)
Image.
Avery Sunshine.....Nothing To Something (2014)
Supplement.
The photography period of Paris.
The day which left Japan.2012.July 21.
The day which arrived to Japan.2012.July 26.
Quantity of a photograph.
Not less than 35 GB.
(No RAW . Private life is excluded.)
Please enjoy my photograph.
Thank you.
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iTunes store. Electronic publishing. Under a plan.
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flickr . ( XL size )
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www.flickr.com/photos/stealaway/
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Postscript 2.
Today's text.
I prepared 9 languages.
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Заглавие.
Snack.
Шоколад.
Сок.
Цвет разливается.
С вами немедленно сторона.
Título.
Lanche.
Chocolate.
Suco.
Cor está alagando.
Com você imediatamente um lado.
Título.
Tómese un refrigerio.
Chocolate.
Extraiga jugo.
El color está rebosando.
Con usted inmediatamente un lado.
Titolo.
Spuntino.
Cioccolato.
Succo.
Il colore sta inondando.
Con Lei immediatamente un lato.
Titel.
Kleinigkeit.
Schokolade.
Saft.
Farbe ist überströmend.
Mit Ihnen sofort eine Seite.
Titre.
Collation.
Chocolat.
Jus.
La couleur déborde.
Avec vous immédiatement un côté.
타이틀.
스넥. 초콜릿. 주스.
색채는, 흘러넘치고 있다. 너의 바로 곁에서.
标题。
零食。巧克力。果汁。
色彩，溢出。是你的马上一方。
標題。
零食。巧克力。果汁。
色彩，溢出。是你的馬上一方。
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My Novel Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1 www.fotolog.com/stealaway/63010795
2 www.fotolog.com/stealaway/63010850
3 www.fotolog.com/stealaway/67367788
4 www.fotolog.com/stealaway/67367870
5 www.fotolog.com/stealaway/71689162
6 www.fotolog.com/stealaway/71689178
7 www.fotolog.com/stealaway/74743283
8 www.fotolog.com/stealaway/74743308
9 www.fotolog.com/stealaway/74743327
10 www.fotolog.com/stealaway/74743347
11 www.fotolog.com/stealaway/78430116
12 www.fotolog.com/stealaway/78430133
13 www.fotolog.com/stealaway/78430151
14 www.fotolog.com/stealaway/78430171
15 www.fotolog.com/stealaway/78430187
16 www.fotolog.com/stealaway/78430217
17 www.fotolog.com/stealaway/81839262
18 www.fotolog.com/stealaway/81839268
19 www.fotolog.com/stealaway/81839275
20 www.fotolog.com/stealaway/81839277
21 www.fotolog.com/stealaway/81839286
22 www.fotolog.com/stealaway/81839299
23 www.fotolog.com/stealaway/84441380
24 www.fotolog.com/stealaway/84441385
25 www.fotolog.com/stealaway/84441393
26 www.fotolog.com/stealaway/84441399
27 www.fotolog.com/stealaway/84441403
28 www.fotolog.com/stealaway/84441405
29 www.fotolog.com/stealaway/84441411
30 www.fotolog.com/stealaway/85928332
31 www.fotolog.com/stealaway/85928336
32 www.fotolog.com/stealaway/85928339
33 www.fotolog.com/stealaway/85928343
34 www.fotolog.com/stealaway/85928345
35 www.fotolog.com/stealaway/85928348
36 www.fotolog.com/stealaway/85928352
37 www.fotolog.com/stealaway/85928356
38 www.fotolog.com/stealaway/85928359
38.1 www.fotolog.com/stealaway/86410872
39 www.fotolog.com/stealaway/86410869
40 www.fotolog.com/stealaway/86410864
41 www.fotolog.com/stealaway/86410860
42 www.fotolog.com/stealaway/86410856
43 www.fotolog.com/stealaway/86410853
44 www.fotolog.com/stealaway/86410850
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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The next photography place.
2015.
Britain.
2016.
Switzerland.
I am very pleasure.
:)
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Exhibition in 2014.
2014. October. From the 7th to the 13th. (One week.)
Theme.XXX . (Kiss Kiss Kiss) - 2:00 p.m. in 2019 -
Place. Sakura-shi, Chiba.
Kawamura Memorial Museum of Art.
For details, later is used again.
The theme of this exhibition is a woman.
Switzerland Montreux art fair
Work name.
The woman at 11:00 p.m.
Term.
From November 5, 2014 to the 9th.
The hall.
Monterey Switzerland. Music & convention center.
Address.
Montreux Muxic & Convetion CentreGrand-95 Ch-1820 Montreux.
sponsor.
Edmond de Rothschild bank.
2015. Spring.
Theme.
This must be the place I waited years to leave .
Place. Tokyo Big Sight.
Sponsoring. Design festa.
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/dp/4862648665/ref=mem_taf_books_u
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I went to New York 2007.
Day when Japan was left. March 9. Afternoon.
Day where it returned to Japan. March 14. Afternoon.
I am in Japan now.
The photograph in New York starts as follows.
www.fotolog.com/stealaway/22748231
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Japanese is the following.
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glossom
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Children try our playground equipment at Banyan Park in Newbury Park, while Conejo Valley Recreation and Park District officials dedicated 3.6-acre neighborhood facility Friday. News Chronicle Collection, photographer unknown. 03-26-1967_1, CTO_316.
We’re happy to share this digital image on Flickr. Please note that this is a copyrighted image. For information regarding obtaining a reproduction of this image, please contact the Special Collections Librarian of the Thousand Oaks Library at specoll@tolibrary.org
"Playgrounds" is a new series dedicated to the urban study of the Italian urban landscape, starting from my city Como and extending slowly my research towards the neighboring towns and occasionally also outside the province. I invite you to observe especially the background, the surrounding urban environment. There are no people, there are no children in this series. No more street photos with people in my albums, for a long time.
The following photos were taken by and appear courtesy of photographer Alexander Kellum.
On Saturday, 4/6/17 over 80 dedicated volunteers arrived at Bread and Cheese Creek to clean up the beautiful little historic stream. Before they left a 40 yard dumpster was nearly filled with trash and debris stream and its bank totally over 3 tons!!! This included 290 bags of trash, truck full of metal to be recycled, 4 shopping carts, 2 bikes a couch, 2 plastic chairs, a mattress, a night stand, an entertainment stand and much more!!! Thank you everyone so very much for all your incredible hard work under such tough conditions! Our volunteer dedication to working toward a cleaner, greener, healthier community and environment cannot be topped!
While this cleanup was planned and run by Clean Bread and Cheese Community Cleanups we couldn’t do any of it without our incredible volunteer and our wonderful supporters. We would like to thank the Alliance for the Chesapeake Bay and American Rivers for all their assistance and support on this cleanup and to thank Burger King, Pat's Pizzeria Dundalk MD, Dominos, Chick-fil-a and Chesapeake Traders Food Warehouse for their generous donations of food to feed all our hungry and hardworking volunteers!!! Thank you so much Tradepoint Atlantic and G&M Foods for your generous donations allowing is to purchase much needed supplies! Thank you to Baltimore County Highways for supplying us with a dumpster and helping out! We would also like to thank all the incredible volunteers!
The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is dedicated to the memory and music of Frank Sinatra and benefits the Barbara Sinatra Center for Abused Children. The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational enjoys a rich history as one of the marquee golf and fundraising events in the Palm Springs, California desert. Each year, celebrities, amateur contestants, loyal sponsors and enthusiastic spectators from all over the country look forward to returning to this unique "celebrity friendly" event.
Known as "Frank's little party in the desert," Barbara and Frank Sinatra founded the Frank Sinatra Celebrity Invitational in 1988 to raise funds for the Barbara Sinatra Center for Abused Children at Eisenhower Medical Center, which opened in 1986. Through their efforts, and those of supporters throughout the world, the Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is now one of the most successful events of it's kind.
The mission of the Barbara Sinatra Center for Abused Children is to provide counseling for victims of physical, sexual and emotional abuse and to focus on prevention, community education and breaking the generational cycle of abuse. Barbara Sinatra is quick to thank supporters of the "Frank Sinatra Starkey Hearing Technologies Celebrity Invitational, and she is proud to say "The children who come to us for help continue to receive the therapy they need and deserve; no child is turned away due to a family's inability to pay."
The Frank Sinatra Starkey Hearing Technologies Celebrity Invitational is a five (5) player team gross and net scramble golf tournament held at Eagle Falls Golf Course in Indio, California. The Fantasy Springs Resort Casino, also in Indio, is the tournament's hotel and venue for three nights of parties and a spectacular luncheon and fashion show.
One (1) celebrity and four (4) contestants are a team. The team of four (4) amateur players remains together for two (2) consecutive days. The celebrity contestant changes teams for the second day. Current USGA handicaps are verified and applied to all contestants.
No dedicated "STOP REQUESTED" sign; the message is cycled on the next stop/route/date/time display. The red LED indicator would be useful, as I saw a couple people pulling the cord after the "STOP REQUESTED" chime was activated.
A fitness lifestyle brand dedicated to committed athletes of all kinds. Whether you're a wknd warrior or a 24/7 pro- You live the life, now wear the gear..."We are Fitness Apparel."..#transformationtuesday.#mcm.#wcw.#fitfam.#fitspo.#fitness.#gymtime gym time.#treadmill.#gainz.#workout.#getStrong.#getfit.#justdoit.#youcandoit.#bodybuilding.#fitspiration.#cardio.#ripped.#gym.#geekabs.#crossfit.#beachbody.#exercise.#weightraining.#training.#shredded.#abs.#sixpacks.#muscle.#strong.#lift.#weights.#Getfit.#weightloss.#wod.#aesthetic.#squad.#shreadding.#personaltrainer.#cleaneating.#healthy.#cleanrecipes.#healthychoice.#cleanRecipe.#eatclean.#glutenfree.#vegan.#paleo.#fitfood.#healthylifestyle.#healthyrecipes.#eatclean.#organic.#foodporn.#protein.#dreambitviral.#quote.#quotes.#inspiring.#motivation.#fitnessquote.#youcandoit.#justbringit.#dreambig.#success.#staypositive.#noexcuses.#marathon.#running.#run.#instarunner.#trailrunner.#halfmarathon.#ultramarathon.#5k.#10k.#yogi.#yoga.#handstand.#yogapose.#soul.#spirituality.#meditate.#trueself.#balance.#meditation.#Igyoga.#theloyalbrand.#loyal.#fitnessapparel.#apparel.#mma.#stongman.#powerlifting.#crossfit.#bench.#deadlift.
Our dedicated CIP in China is specifically designed for students and graduates who wanted to take a lead in global cities. We offer short term (up to 3 months) internship and long term (6-12 months) paid and unpaid employment positions in global cities in China such as Beijing, Dalian and Chengdu.
The Lockheed Martin HC-130J Hercules The Combat King II is the U.S. Air Force's only dedicated fixed-wing personnel recovery platform and is flown by the Air Education and Training Command (AETC) and Air Combat Command (ACC). This C-130J variation specializes in tactical profiles and avoiding detection and recovery operations in austere environments. The HC-130J replaces HC-130P/Ns as the only dedicated fixed-wing Personnel Recovery platform in the Air Force inventory. It is an extended-range version of the C-130J Hercules transport. Its mission is to rapidly deploy to execute combatant commander directed recovery operations to austere airfields and denied territory for expeditionary, all weather personnel recovery operations to include airdrop, airland, helicopter air-to-air refueling, and forward area ground refueling missions. When tasked, the aircraft also conducts humanitarian assistance operations, disaster response, security cooperation/aviation advisory, emergency aeromedical evacuation, and noncombatant evacuation operations.
Features
Modifications to the HC-130J have improved navigation, threat detection and countermeasures systems. The aircraft fleet has a fully-integrated inertial navigation and global positioning systems, and night vision goggle, or NVG, compatible interior and exterior lighting. It also has forward-looking infrared, radar and missile warning receivers, chaff and flare dispensers, satellite and data-burst communications, and the ability to receive fuel inflight via a Universal Aerial Refueling Receptacle Slipway Installation (UARRSI).
The HC-130J can fly in the day; however, crews normally fly night at low to medium altitude levels in contested or sensitive environments, both over land or overwater. Crews use NVGs for tactical flight profiles to avoid detection to accomplish covert infiltration/exfiltration and transload operations. To enhance the probability of mission success and survivability near populated areas, crews employ tactics that include incorporating no external lighting or communications, and avoiding radar and weapons detection.
Drop zone objectives are done via personnel drops and equipment drops. Rescue bundles include illumination flares, marker smokes and rescue kits. Helicopter air-to-air refueling can be conducted at night, with blacked out communication with up to two simultaneous helicopters. Additionally, forward area refueling point operations can be executed to support a variety of joint and coalition partners.
Background
The HC-130J is a result of the HC/MC-130 recapitalization program and replaces Air Combat Command's aging HC-130P/N fleet as the dedicated fixed-wing personnel recovery platform in the Air Force inventory. The 71st and 79th Rescue Squadrons in Air Combat Command, the 550th Special Operations Squadron in Air Education and Training Command, the 920th Rescue Group in Air Force Reserve Command and the 106th Rescue Wing, 129th RQW and 176th Wing in the Air National Guard will operate the aircraft.
First flight was 29 July 2010, and the aircraft will serve the many roles and missions of the HC-130P/Ns. It is a modified KC-130J aircraft designed to conduct personnel recovery missions, provide a command and control platform, in-flight-refuel helicopters and carry supplemental fuel for extending range or air refueling.
In April 2006, the personnel recovery mission was transferred back to Air Combat Command at Langley AFB, Va. From 2003 to 2006, the mission was under the Air Force Special Operations Command at Hurlburt Field, Fla. Previously, HC-130s were assigned to ACC from 1992 to 2003. They were first assigned to the Air Rescue Service as part of Military Airlift Command.
General Characteristics
Primary function: Fixed-wing Personnel Recovery platform
Contractor: Lockheed Aircraft Corp.
Power Plant: Four Rolls Royce AE2100D3 turboprop engines
Thrust: 4,591 Propeller Shaft Horsepower, each engine
Wingspan: 132 feet, 7 inches (40.4 meters)
Length: 97 feet, 9 inches (29.57 meters)
Height: 38 feet, 9 inches (11.58 meters)
Operating Weight: 89,000 pounds (40,369 kilograms)
Maximum Takeoff Weight: 164,000 pounds (74,389 kilograms)
Fuel Capacity: 61,360 pounds (9,024 gallons)
Payload: 35,000 pounds (15,875 kilograms)
Speed: 316 knots indicated air speed at sea level
Range: beyond 4,000 miles (3,478 nautical miles)
Ceiling: 33,000 feet (10,000 meters)
Armament: countermeasures/flares, chaff
Basic Crew: Three officers (pilot, co-pilot, combat system officer) and two enlisted loadmasters
Unit Cost: $66 million (fiscal 2010 replacement cost)
Initial operating capability: 2013
"Peterborough Cathedral, properly the Cathedral Church of St Peter, St Paul and St Andrew – also known as Saint Peter's Cathedral in the United Kingdom – is the seat of the Anglican Bishop of Peterborough, dedicated to Saint Peter, Saint Paul and Saint Andrew, whose statues look down from the three high gables of the famous West Front. Although it was founded in the Anglo-Saxon period, its architecture is mainly Norman, following a rebuilding in the 12th century. With Durham and Ely cathedrals, it is one of the most important 12th-century buildings in England to have remained largely intact, despite extensions and restoration.
Peterborough Cathedral is known for its imposing Early English Gothic West Front (façade) which, with its three enormous arches, is without architectural precedent and with no direct successor. The appearance is slightly asymmetrical, as one of the two towers that rise from behind the façade was never completed (the tower on the right as one faces the building), but this is only visible from a distance.
Peterborough is a cathedral city in Cambridgeshire, England, with a population of 202,110 in 2017. Historically part of Northamptonshire, it is 76 miles (122 km) north of London, on the River Nene which flows into the North Sea 30 miles (48 km) to the north-east. The railway station is an important stop on the East Coast Main Line between London and Edinburgh. The city is also 70 miles (110 km) east of Birmingham, 38 miles (61 km) east of Leicester, 81 miles (130 km) south of Kingston upon Hull and 65 miles (105 km) west of Norwich.
The local topography is flat, and in some places the land lies below sea level, for example in parts of the Fens to the east of Peterborough. Human settlement in the area began before the Bronze Age, as can be seen at the Flag Fen archaeological site to the east of the current city centre, also with evidence of Roman occupation. The Anglo-Saxon period saw the establishment of a monastery, Medeshamstede, which later became Peterborough Cathedral.
The population grew rapidly after the railways arrived in the 19th century, and Peterborough became an industrial centre, particularly known for its brick manufacture. After the Second World War, growth was limited until designation as a New Town in the 1960s. Housing and population are expanding and a £1 billion regeneration of the city centre and immediately surrounding area is under way. Industrial employment has fallen since then, a significant proportion of new jobs being in financial services and distribution." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
The 9-11 Memorial was dedicated on October 5, 2014 by the Fire Department New York Marine Corps Association. It is part of the 1.07 mile walking trail in Semper Fidelis Memorial Park at the National Museum of the Marine Corps in Triangle, Virginia. Semper Fidelis Memorial Chapel is located next to Semper Fidelis Memorial Park. The trail covers part of the 1,300 mile Old Kings Highway (c. 1650-1735) built by order of Charles II of England. This route required colonial governors to create a main road which connected Charleston, South Carolina to Boston, Massachusetts. Semper Fidelis Park is next to the Marine Corps Museum, Locust Shade Park, and Marine Corps Base Quantico. The National Museum of the Marine Corps is at 18900 Jefferson Davis Highway (U. S. Route 1) in Prince William County.
Courtesy Dwayne & Maryanne Moyers, Realtors
The General William Tecumseh Sherman Monument was dedicated on October 15, 1903 at the intersection of 15th Street, Pennsylvania Avenue & Treasury Place, a site Sherman is reported to have stood while reviewing returning Civil War Troops in 1865. Originally commissioned in 1896 by the United States Department of War and the Society of the Army of the Tennessee, General Sherman Statue Committee at a cost of approximately $90,000, plans for the monument were submitted by Carl Rohl-Smith. Rohl-Smith died in 1900, and supervision of the work was continued by Lauritz Jensen, under the direction of Smith's widow, Sara.
The monument features a 14-foot bronze equestrian figure of General Sherman, which was completed by Jensen, mounted atop a 42-foot high pedestal built by the Harrison Granite Company with granite furnished by the Fletcher Granite Company. The four sides of the pedestal are each adorned with a relief of a battle scene, finished up by Jensen. The reliefs on the east and west side are surmounted, respectively, by the bronze figure groups representing War and Peace, and flanked by two portrait medallions on each side, depicting generals who served under Sherman. The medallions were created by Theo Kitson. Both War and Peace were originally modeled by Stephen Sinding, but the figure of War, which was modeled after drawings by Rohl-Smith, was found not to harmonize with the rest of the monument and was remodeled by Sigvald Asbjornsen. At each corner of the base stands a life-size soldier represening each branch of the army--Infantry, Artillery, Cavalry, and Engineers. Rohl-Smith completed three of the four soldier figures on the corners of the monument and Asbjornsen completed the fourth figure, but sources differ as to whether it was the artilleryman or the cavalryman. All of the sculptures were cast by Gorham Manufacturing Company. A six-foot-wide mosaic encircling the base, listing the names of all Sherman's battles, was done according to Rohl-Smith designs and laid by the National Mosaic Company.
LEGOLAND Windsor a theme park dedicated to children aged 3-12 years old and of course big kid adults.
An inspirational land where the kids are the hero and adults relive their childhood.
The fun never stops and imagination knows no bounds, a family attraction like no other.
Set in 150 acres of beautiful parkland, LEGOLAND Windsor is a unique family theme park with over 55 interactive rides, live shows, building workshops, driving schools and attractions.
It's amazing what can be built with LEGO bricks - nearly 55 million of them!
From comical camels to fearsome fire-breathing dragons, world landmarks to musical pirates, young and old alike will be fascinated by the incredible LEGO models throughout the park.
Fun Facts about LEGOLAND Windsor
There are 34 LEGO pieces in an average Miniland figure.
The largest model in Miniland is the Canary Wharf Tower which is 5.2 metres tall and took 3 model makers 850 hours to complete using 200,000 LEGO Bricks!
The smallest models are the pigeons in Trafalgar Square which contain 5 LEGO bricks each
So what’s New in 2011
Atlantis Submarine Voyage - Now Open!
Take a deep breath and submerge yourself in an underwater adventure.
Plunge into the depths with this world-first LEGO® submarine ride and immerse yourself in a magical underwater adventure.
Altarpiece panel
Alabaster, 1425-50
In England there were more parish churches dedicated to St Thomas than to any other saint. His image featured in stained glass, wall paintings and sculpture, across the country and also abroad.
English carvers produced alabaster panels depicting his life and death, many of which were exported to the Continent.
Becket kneels in prayer. Four knights approach and two drive their swords into his head. Edward Grim watches the scene unfold.
[British Museum]
Thomas Becket: Murder and the Making of a Saint
(May - Aug 2021)
On 29 December 1170, Becket was assassinated in Canterbury Cathedral by four knights with close ties to King Henry II, an act that left Medieval Europe reeling. Becket was one of the most powerful figures of his time, serving as royal chancellor and later as Archbishop of Canterbury. Initially a close friend of Henry, the two men became engaged in a bitter dispute that culminated in his violent and public death – an event that sent shockwaves across Europe and caused an immense political fallout.
Marking the 850th anniversary of his brutal murder, this special exhibition presents Becket's tumultuous journey from a merchant's son to an archbishop, and from a revered saint in death to a 'traitor' in the eyes of Henry VIII more than 350 years later.
Becket was a second-generation French immigrant, born around 1120 in Cheapside, in the City of London, to Gilbert and Matilda, who had left Normandy following the Norman Conquest. His father was a well-connected merchant but the family were neither excessively wealthy nor powerful. Becket was sent to school at Merton Priory and, after a few years studying in Paris, he eventually gained employment through one of his father’s friends as a clerk for Theobald, the then Archbishop of Canterbury. Becket was described by his contemporaries as intelligent, charming and authoritative and, in 1155, he got his biggest break. Recognising his talents, Theobald suggested that Henry II appoint Becket as Chancellor of England. He and the king quickly became close friends, hunting, gaming and travelling around England together. Becket embraced life in the royal court: he is said by his contemporary biographers to have enjoyed vast wealth, throwing lavish parties, decorating his residences with beautiful furnishings and making numerous journeys to France on his own ships.
When the position of Archbishop of Canterbury became vacant, Becket was put forward. Given his lifestyle and reputation he was an unlikely candidate but the king had other ideas. Henry was keen to appoint his close friend to the role but, crucially, he wanted him to continue as Chancellor. With Becket in both positions, Henry saw an opportunity to exercise greater authority over the Church as well as the state. Becket was appointed Archbishop on 23 May 1162 and consecrated (officially blessed) on 3 June. However, at some point during the rest of that year, and against the king’s wishes, Becket resigned as Chancellor. His actions drove a wedge between him and the king which would never be repaired. From this point on, Becket’s relationship with Henry began to deteriorate. A series of disputes ensued regarding the division of power between the Crown and the Church. By 1164, tensions were at an all-time high and, in October, Becket was summoned to appear before the King’s council and ordered to forfeit all his personal property. He refused to accept the terms of his punishment and, fearing further repercussions from the king, he fled to France.
Becket remained in exile in France for six years. During this time Henry flexed his power in England. His most blatant snub of his old friend’s authority was his decision to have his son, Henry the Young King, crowned in June 1170 by Becket’s long-standing enemy, the Archbishop of York. Becket appealed to the Pope and, under significant pressure, Henry agreed to reopen negotiations. Following this, the Archbishop and the king spoke privately for the first time since 1164, and Henry promised to restore Becket’s rights as Archbishop of Canterbury. Becket was reassured that it would be safe to return to England. However, his final act was to punish those involved in the unauthorised coronation. Before leaving France Becket issued three letters expelling (excommunicating) the Archbishop of York and two bishops from the Church. This act was to have devastating consequences upon his return to England.
Becket returned from exile on 1 December 1170. Contemporary reports record that he was greeted on his journey back to the Cathedral by cheering crowds and rejoicing monks, but he faced increasing hostility by the authorities loyal to the king. Meanwhile, the Archbishop of York and the Bishops of London and Salisbury, furious that they had been excommunicated, travelled to Henry’s royal court in Normandy where they relayed Becket’s actions to the king. Henry was outraged and, although it is unclear whether he ever specifically ordered retribution for Becket’s actions, his furious outburst prompted four knights – Reginald FitzUrse, William de Tracy, Hugh de Morville and Richard le Bret – to travel to Canterbury in search of Becket.
...One key account was written by a man named Edward Grim, who was so close to Becket during the skirmish that he was wounded by one of the knight’s swords. Grim tells us that when the four knights arrived at Canterbury Cathedral, Becket was in the Archbishop’s Palace. They attempted to arrest him but he refused. Becket was persuaded by the monks to take refuge in the church, but the knights pursued him, bursting into the Cathedral with swords drawn...As Grim recounts, Becket held tight onto one of the Cathedral’s pillars to prevent them seizing him, and it was at this point that one of the knights raised his sword for the first time, bringing it down on Becket, slicing off the crown of his head. Two of the other knights then started to attack Becket and most of the monks fled. The third blow brought the Archbishop’s life to an end...
Chaos ensued following the murder, and with none of those present knowing what to do next, the body remained where it had fallen for several hours. Some individuals dipped parts of their clothes in his spilled blood, or collected it in small vessels to take away in anticipation of Becket’s future sanctity. After spending the night on the high altar of the Cathedral, he was buried by the monks the next day in the crypt. Reports immediately circulated of miraculous healings connected to Becket. Facing increasing pressure from the people of Canterbury, the monks opened the crypt of the Cathedral so pilgrims could visit his tomb. An extraordinary wave of miracles was recorded and, in recognition of this, Becket was made a saint (canonised) by the Pope on 21 February 1173. It was one of the fastest canonisations in history. Becket’s reputation as a miracle-working saint spread quickly and people from all over Europe started to flock to Canterbury in the hope that they would be healed. As well as visiting the tomb, pilgrims could also purchase a mixture of his blood and water, called St Thomas’ Water, which was bottled and sold by opportunistic monks in small lead vessels called ampulla. Henry II, in a public act of penance for his involvement in the murder, visited the tomb in 1174, granting royal approval to Becket’s cult.
Becket’s death and subsequent miracles transformed Canterbury Cathedral into one of the most important pilgrimage destinations in Europe. In 1220 his body was moved from the crypt to a glittering new shrine in a purpose-built chapel upstairs in the Cathedral. Geoffrey Chaucer famously captured something of the atmosphere of pilgrimage to this shrine in his Canterbury Tales. In death Becket remained a figure of opposition to unbridled power and became seen as the quintessential defender of the rights of the Church. To this end you can find images of his murder in churches across Latin Christendom, from Germany and Spain, to Italy and Norway. Becket was, and remains, a truly European saint. His relics at Canterbury were visited by people from across the continent until 1538, when Henry VIII would label him a traitor, order the destruction of his shrine and try to wipe him from history altogether.
[British Museum]
Taken in the British Museum
dedicated to the brave pirate Captain Hook...
who all his life tried to catch this idiot Peter Pan...
;))
Hoysaleswara temple (also spelt "Hoysaleshwara" or Hoysaleshvara") is a temple dedicated to Hindu god Shiva. It was built in Halebidu (in modern Karnataka state, India) during the rule of King Vishnuvardhana of the Hoysala Empire in the 12th century. The construction was started around 1120 CE and completed in 1150 CE. During the early 14th century, Halebidu was sacked and looted by Muslim invaders from northern India and the temple fell into a state of ruin and neglect. Previously known as Dorasamudra or Dwarasamudra, Halebidu is 16 km from Belur, 31 km from Hassan and 149 km from Mysore, in the state of Karnataka, India.
HISTORY
According to art critic and historian S. Settar, from contemporary inscriptions it is known that the temple derives its name from the Hoysala ruler at that time, King Vishnuvardhana Hoysaleswara, though interestingly, the construction of the temple was initiated and financed by wealthy Shaiva (a Hindu sect) citizens of the city, prominent among who were Ketamalla and Kesarasetti. The temple building activity was taken up in competition to the construction of the Chennakesava Temple at Belur, a Vaishnava (a Hindu sect) temple. Surrounded by numerous tanks, ponds and mantapas, the temple is built in the vicinity of the large Dorasamudhra lake. The tank preceded the temple by nearly 75 years. It is one of the largest temples dedicated to the god Shiva in South India.
TEMPLE PLAN
The temple is a simple dvikuta vimana (plan with two shrines and two superstructures), one for "Hoysaleswara" (the king) and the other for "Shantaleswara" (named after Shantala Devi, queen of King Vishnuvardhana) and is built with chloritic chist (more commonly known as Soapstone or potstone). The temple complex as a whole is elevated on a jagati (platform), which according to historian Kamath, is a feature that became popular in contemporary Hoysala constructions. According to art historian Foekema, the two shrines which are adjoining, face east and each have a mantapa (hall) in front. The two mantapas are connected giving a large and imposing view of the hall. Individually, each shrine is smaller than the one at the Chennakesava Temple at Belur and contains a simple linga, the universal symbol of the god Shiva. The plan of the inside of the temple is simple but the exterior looks different because of the introduction of many projections and recesses in the walls. The towers of the shrines that are missing must have followed the star shape of the shrine, just as in many existing well-preserved towers in other Hoysala temples. The superstructure over the vestibule which connects the shrine to the mantapa, called sukanasi (a low tower that looks like an extension of the main tower), and the row of decorated miniature roofs above the eaves of the hall are all missing. The temple was built at a height that provided the architects sufficient horizontal and vertical space to depict large and small sculptures. According to the art critic James Fergusson, the overall effect of the vertical and horizontal lines, the play of the outline, the effect of light and shade and the plan of the projections and recesses all amounts to a "marvellous exhibition of human labor to be found even in the patient east and surpasses anything in Gothic art". The outer walls of these temples contain an intricate array of stone sculptures. The temple of Halebidu, has been described by art critics James Fergusson and Percy Brown as an "outstanding example of Hindu architecture" and as the "supreme climax of Indian architecture".
The temple has four porches for entry and the one normally used by visitors as main entry is actually a lateral entrance (north). There is one entry on the south side and two on the east side, facing two large detached open pavilions whose ceiling is supported by lathe turned pillars. All entry porches have miniature shrines as flanking. In addition there is a sanctuary for the Sun god Surya, whose image stands 2.1 m tall. The pavilions enshrine large images of Nandi, the bull, an attendant of Shiva. The pavilions share the same jagati as the main temple. As in the Chennakesava temple, this temple originally had an open mantapa to which outer walls with pierced window screens made with the same material were erected, making the mantapa a closed one. The window screens are devoid of any art work. The interior of the temple is quite plain except for the lathe turned pillars that run in rows between the north and south entrances. According to Settar, the four pillars in front of each shrine are the most ornate and the only ones that have the madanika (chaste maidens) sculptures in their pillar brackets. There are no other madanikas in the temple.
SCULPTURES
The Hoysaleswara temple is most well known for its sculptures that run all along the outer wall, starting with an dancing image of the god Ganesha on the left side of the south entrance and ending with another image of Ganesha on the right hand side of the north entrance. In all there are two hundred and forty such images. According to the art critic Gerard Foekema, perhaps no other Hoysala temple is as articulate in sculpture as this is and these sculptures are "second to none in all of India". The most intricate of all sculptures are found in the lintels over two of the doorways, one on the south side doorway and the other on one of the eastern doorways.
HORIZONTRAL TREATMENT
In this temple the Hoysala architects have broken from the tradition of using five moldings with friezes (which is the "old stlye") at the base of the temple, below the large wall sculptures and the window screens. The outer walls have two eaves that run around the temple. The top eaves is at the roof of the temple where the superstructure meets the wall, and the second eaves is about a meter below. In between there are decorated miniature towers (aedicule). Below the lower eaves are the wall sculptures and below them, the eight moldings. Historian Kamath calls this type of relief work "horizontal treatment". Each of the eight friezes carries an array of decoration. Going from the bottom where the temple wall meets the platform, the lowest frieze depicts charging elephants which symbolize strength and stability, above which, in order, are friezes with lions which symbolize courage, floral scrolls as decoration, horses symbolizing speed, another band of floral scrolls, depictions from the Hindu epics, mythical beasts called makara and finally a frieze with hansas (swans). According to Foekema, no two animals are alike in a total frieze span of over 200 m. In the epic frieze, the epics are not continuous as they are mixed with other depictions. After the construction of this temple, Hoysala architects used this new kind of horizontal treatment only fifty years later, making it a standard style, though they reduced it to six molding friezes.
GARUDA PILLAR
Another interesting object in the temple complex is the rare Garuda Sthamba (Garuda pillar). According to Settar, these are different from virgals (Hero stone). Garudas were elite bodyguards of the kings and queens. They moved and lived with the royal family and their only purpose was to protect their master. Upon the death of their master, they committed suicide. The rare pillar on the south side depicts heroes brandishing knives and cutting their own heads. The inscription honors Kuruva Lakshma, a bodyguard of Veera Ballala II. A devoted officer, he took his life and that of his wife and other bodyguards after the death of his master. This event is narrated in an old Kannada inscription on the pillar. A 2.4 m tall sculpture of Ganesha including the platform rests at the South entrance.
Spotmatic II | SMC Takumar 28mm | Arista Premium 400
Urban Light, LACMA.
Roll #98, Frame 12. Vivitar k2 (yellow) filter. 30s; f/16 [ev 2]
Dev: D-76 (1:1), 225mL. 10 min @ 19°C (5-10 sec rolling agit / min).
"Gewidmet"
Dieses Tattoo möchte ich allen widmen die ich liebe!
Das kleine M am Ende des Wortes steht für:
Marianne
Max und Maria
Das D im Wort für Dietmar
Das A für Adelheid
Und die Sterne für den Rest meiner Familie: Ernst, Brigitte, Ralf, Jochen und Günter!
Ich widme dieses Tattoo allen Tieren und der Umwelt, stellvertretend ist der Vogel.
Außerdem widme ich es alle meinen besten Freunden, ihr wisst wer gemeint ist. Danke, dass ihr immer für mich da seid!