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صياح الباب يكفي لا ظهرت .. وبكتم صياحي
لك الله لو تبيني اصرخ .. حبيبي لا تهج الباب
تكلم واحرق بنار العتب طيني وألواحي
عيوني لك مرايا لو تبي .. وافتح ضلوعي كتاب
12.11.09
Hydrabad - Nagpur
One of the my favourite service of NGP which is travelled through sexiest NH 7..!!
There are total 3 services on the route from both side.
* From Nagpur - Hydrabad : 6:00, 8:15, 15:00
* From Hydarabd - Nagpur : 6:00, 7:00, 18:00
This one is 7:00 schedule from Hydrabad towards Nagpur.
MH-40-Y-5006/ MH-40-Y-5007/ MH-40-Y-5085/ MH-40-Y-5087 are 4 dedicated buses on the route from NGP 2
All schedules goes via Pandharkawda, Adilabad, Nirmal, Nijamabad.
Captured at Mahatma Gandhi Bus Stand, Hydrabad...!!!
Dedicated By Aurora Historical Society in 1930. For the Aurora branch incorporated Feb 9 ,1849.stated from Aurora 13miles to Turner Jct.now West Chicago IL. Up date the Burlington's home plate new home, now at the Aurora Tranportantion Center.
Stripe, dedicated billboard bus apparently, in Manhattan, New York, USA. December, 2024. "Advanced billing software from Stripe". Copyright Tom Turner
The Province is helping keep people safe by creating hubs of police, dedicated prosecutors and probation officers focused on tackling repeat violent offending in every region of the province. Learn more: news.gov.bc.ca/28552
Dedicated to all women, mothers, grandmothers, daughters, housewife's, working ladies, queens and goddesses....
May their grace, generosity and perseverance be praised and remembered. They create magic of the simplest moments in spite of today's violation against their human rights and their physical, sexual, psychological and economic abuse.Every women may be a victim once in any part of their life..and every women expecting to be treated as HUMAN BEING and BEING HUMAN to them..
Help to create a better tomorrow for all of them!
Still in the Millenium there is too much to be done and the awareness has to be spread globe wise. After all, they are the mother's of each and every one of us.
Hoysaleswara temple (Kannada: ಹೊಯ್ಸಳೇಶ್ವರ ದೇವಸ್ಥಾನ) (also spelt "Hoysaleshwara" or Hoysaleshvara") is a temple dedicated to Hindu god Shiva. It was built in Halebidu (in modern Karnataka state, India) during the rule of King Vishnuvardhana of the Hoysala Empire in the 12th century. The construction was started around 1120 CE and completed in 1150 CE. During the early 14th century, Halebidu was sacked and looted by Muslim invaders from northern India and the temple fell into a state of ruin and neglect. Previously known as Dorasamudra or Dwarasamudra, Halebidu is 16 km from Belur, 31 km from Hassan and 149 km from Mysore, in the state of Karnataka, India.
HISTORY
According to art critic and historian S. Settar, from contemporary inscriptions it is known that the temple derives its name from the Hoysala ruler at that time, King Vishnuvardhana Hoysaleswara, though interestingly, the construction of the temple was initiated and financed by wealthy Shaiva (a Hindu sect) citizens of the city, prominent among who were Ketamala and Kesarasetti. The temple building activity was taken up in competition to the construction of the Chennakesava Temple at Belur, a Vaishnava (a Hindu sect) temple. Surrounded by numerous tanks, ponds and mantapas, the temple is built in the vicinity of the large Dorasamudhra lake. The tank preceded the temple by nearly 75 years. It is one of the largest temples dedicated to the god Shiva in South India.
TEMPLE PLAN
The temple is a simple dvikuta vimana (plan with two shrines and two superstructures), one for "Hoysaleswara" (the king) and the other for "Shantaleswara" (named after Shantala Devi, queen of King Vishnuvardhana) and is built with chloritic chist (more commonly known as Soapstone or potstone). The temple complex as a whole is elevated on a jagati (platform), which according to historian Kamath, is a feature that became popular in contemporary Hoysala constructions. According to art historian Foekema, the two shrines which are adjoining, face east and each have a mantapa (hall) in front. The two mantapas are connected giving a large and imposing view of the hall. Individually, each shrine is smaller than the one at the Chennakesava Temple at Belur and contains a simple linga, the universal symbol of the god Shiva. The plan of the inside of the temple is simple but the exterior looks different because of the introduction of many projections and recesses in the walls. The towers of the shrines that are missing must have followed the star shape of the shrine, just as in many existing well-preserved towers in other Hoysala temples. The superstructure over the vestibule which connects the shrine to the mantapa, called sukanasi (a low tower that looks like an extension of the main tower), and the row of decorated miniature roofs above the eaves of the hall are all missing. The temple was built at a height that provided the architects sufficient horizontal and vertical space to depict large and small sculptures. According to the art critic James Fergusson, the overall effect of the vertical and horizontal lines, the play of the outline, the effect of light and shade and the plan of the projections and recesses all amounts to a "marvellous exhibition of human labor to be found even in the patient east and surpasses anything in Gothic art". The outer walls of these temples contain an intricate array of stone sculptures. The temple of Halebidu, has been described by art critics James Fergusson and Percy Brown as an "outstanding example of Hindu architecture" and as the "supreme climax of Indian architecture".
The temple has four porches for entry and the one normally used by visitors as main entry is actually a lateral entrance (north). There is one entry on the south side and two on the east side, facing two large detached open pavilions whose ceiling is supported by lathe turned pillars. All entry porches have miniature shrines as flanking. In addition there is a sanctuary for the Sun god Surya, whose image stands 2.1 m tall. The pavilions enshrine large images of Nandi, the bull, an attendant of Shiva. The pavilions share the same jagati as the main temple. As in the Chennakesava temple, this temple originally had an open mantapa to which outer walls with pierced window screens made with the same material were erected, making the mantapa a closed one. The window screens are devoid of any art work. The interior of the temple is quite plain except for the lathe turned pillars that run in rows between the north and south entrances. According to Settar, the four pillars in front of each shrine are the most ornate and the only ones that have the madanika (chaste maidens) sculptures in their pillar brackets. There are no other madanikas in the temple.
SCULPTURES
The Hoysaleswara temple is most well known for its sculptures that run all along the outer wall, starting with an dancing image of the god Ganesha on the left side of the south entrance and ending with another image of Ganesha on the right hand side of the north entrance. In all there are two hundred and forty such images. According to the art critic Gerard Foekema, perhaps no other Hoysala temple is as articulate in sculpture as this is and these sculptures are "second to none in all of India". The most intricate of all sculptures are found in the lintels over two of the doorways, one on the south side doorway and the other on one of the eastern doorways.
HORIZONTAL TREATMENT
In this temple the Hoysala architects have broken from the tradition of using five moldings with friezes (which is the "old stlye") at the base of the temple, below the large wall sculptures and the window screens. The outer walls have two eaves that run around the temple. The top eaves is at the roof of the temple where the superstructure meets the wall, and the second eaves is about a meter below. In between there are decorated miniature towers (aedicule). Below the lower eaves are the wall sculptures and below them, the eight moldings. Historian Kamath calls this type of relief work "horizontal treatment". Each of the eight friezes carries an array of decoration. Going from the bottom where the temple wall meets the platform, the lowest frieze depicts charging elephants which symbolize strength and stability, above which, in order, are friezes with lions which symbolize courage, floral scrolls as decoration, horses symbolizing speed, another band of floral scrolls, depictions from the Hindu epics, mythical beasts called makara and finally a frieze with hansas (swans). According to Foekema, no two animals are alike in a total frieze span of over 200 m. In the epic frieze, the epics are not continuous as they are mixed with other depictions. After the construction of this temple, Hoysala architects used this new kind of horizontal treatment only fifty years later, making it a standard style, though they reduced it to six molding friezes.
GARUDA PILLAR
Another interesting object in the temple complex is the rare Garuda Sthamba (Garuda pillar). According to Settar, these are different from virgals (Hero stone). Garudas were elite bodyguards of the kings and queens. They moved and lived with the royal family and their only purpose was to protect their master. Upon the death of their master, they committed suicide. The rare pillar on the south side depicts heroes brandishing knives and cutting their own heads. The inscription honors Kuruva Lakshma, a bodyguard of Veera Ballala II. A devoted officer, he took his life and that of his wife and other bodyguards after the death of his master. This event is narrated in an old Kannada inscription on the pillar. A 2.4 m tall sculpture of Ganesha including the platform rests at the South entrance
WIKIPEDIA
專注 [ Large Size (1024 x 683)∣Original Size (1800 x 1200) ]
Canon EOS 30D + Tamron SP 35-105mm f/2.8 ( for Nikon Mount )
April 22, 2007
by Yueh-Hua
Dedicated to the designers, developers and engineers who build the world’s most engaging user interfaces. From the community, for the community.
الليــله
وأنــا جـالـس لحـالي
ولا أدرى
وش الـلـي طـرالى
مـن دون كـل الخـلايـق
ذكـرتك .. ورجعنـى خيـالي
غــريبــة
بعــد كـل هــالسـنـيـن
تصحـى في قـلبي الحنين
وأتذكــر
The Nauvoo Illinois Temple is the 113th dedicated temple of The Church of Jesus Christ of Latter-day Saints (LDS Church). It is the third such temple that has been built in Illinois (the original Nauvoo Temple and Chicago Illinois Temple being the others).
Located in the town of Nauvoo, the temple's construction was announced on April 4, 1999, by church president Gordon B. Hinckley. Groundbreaking was conducted on October 24, 1999 and the cornerstones were laid November 5, 2000. The structure itself was built in the Greek Revival architectural style using limestone block quarried in Russellville, Alabama. It is built in the same location as the original structure that was dedicated in 1846.
The building measures 130 feet (40 m) long, 90 feet (27 m) wide, and 162 feet (49 m) tall to the top of the statue of Angel Moroni. It has an area of 54,000 square feet (5,000 m2). It is the only temple owned by the LDS Church today that has a bell tower, although the Kirtland Temple also has a bell tower.
Church leaders and architects carefully worked to replicate the original exterior design of the 19th-century temple, which was damaged by an arson fire in 1848 and by a tornado on May 27, 1850. It was consequently condemned and demolished by the Nauvoo City Council. Construction materials and furniture were derived from the original design as well. Its interior floor plan is noticeably different from that of the old Nauvoo Temple, as is the style of the golden angel at the top of the spire. The completion and official dedication was celebrated on June 27, 2002, on the anniversary of the death of Joseph Smith, the church's founder.
Up to 1.5 million visitors a year have visited Nauvoo since the temple opened in 2002.
The Nauvoo Temple was the second temple constructed by the Church of Jesus Christ of Latter Day Saints, commonly known as the Mormons. The church's first temple was completed in Kirtland, Ohio, United States in 1836. When the main body of the church was forced out of Nauvoo, Illinois in the winter of 1846, the church attempted to sell the building, finally succeeding in 1848. The building was damaged by fire and a tornado before being demolished.
en.wikipedia.org/wiki/Nauvoo_Illinois_Temple
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
This is from right after I graduated high school, and had broken my ankle as a result of an unfortunate encounter with a red-winged blackbird (really!). Didn't stop me from playing!
Top marks to the guys on the end of platform 3, braving the elements to record 60163 Tornado's latest visit to Shrewsbury, in her new coat of BR blue livery.
The working is the return Cathedrals Express, 1Z28 Shrewsbury to Paddington, 17.52 departure in extremely wet and inclement weather. The wind had got up by this time, as can be seen from the spare steam from the safety valves, my brolly turned inside out too! Saturday, 24.11.12.
The Pashupatinath Temple (Nepali: पशुपतिनाथ मन्दिर) is a famous, sacred Hindu temple dedicated to Pashupatinath and is located on the banks of the Bagmati River 5 kilometres north-east of Kathmandu Valley in the eastern city of Kathmandu, the capital of Nepal. This temple is considered one of the sacred temples of Hindu faith. The temple serves as the seat of the national deity, Lord Pashupatinath. This temple complex is on UNESCO World Heritage Sites's list Since 1979. This "extensive Hindu temple precinct" is a "sprawling collection of temples, ashrams, images and inscriptions raised over the centuries along the banks of the sacred Bagmati river" and is included as one of the seven monument groups in UNESCO's designation of Kathmandu Valley as a cultural heritage site. One of the major Festivals of the temple is Maha Shivaratri on which day over 700,000 devotees visit here.
The twelve Jyotirlinga (in India) are the body and the Jyotirlinga at Pashupatinath in Kathmandu (Nepal) is the head over this body.
The temple is one of the 275 Paadal Petra Sthalams (Holy Abodes of Shiva) on the continent. Kotirudra Samhita, Chapter 11 on the Shivalingas of the North, in Shiva Purana mentions this Shivalinga as the bestower of all wishes.
HISTORY
The temple was erected anew in the 15th century by Lichhavi King Shupuspa after the previous building had been consumed by termites. Countless further temples have been erected around this two -storied temple. These include the Vaishnav temple complex with a Ram temple from the 14th century and the Guhyeshwari Temple mentioned in an 11th-century manuscript.
LEGEND ABOUT THE TEMPLE ORIGIN
Pashupatinath Temple is the oldest Hindu temple in Kathmandu. It is not known for certain when Pashupatinath Temple was founded. But according to Nepal Mahatmaya and Himvatkhanda, the deity here gained great fame there as Pashupati, the Lord of all Pashus, which are living as well as non-living beings. Pashupatinath Temple's existence dates back to 400 A.D. The richly-ornamented pagoda houses the sacred linga or holy symbol of Lord Shiva. There are many legends describing as to how the temple of Lord Pashupatinath came to existence here. Some of them are narrated below:
THE COW LEGEND
Legend says that Lord Shiva once took the form of an antelope and sported unknown in the forest on Bagmati river's east bank. The gods later caught up with him, and grabbing him by the horn, forced him to resume his divine form. The broken horn was worshipped as a linga but overtime it was buried and lost. Centuries later an astonished herdsmen found one of his cows showering the earth with milk. Digging deep at the site, he discovered the divine linga of Pashupatinath.
THE LINCHCHAVI LEGEND
According to Gopalraj Vamsavali, the oldest ever chronicle in Nepal, this temple was built by Supuspa Deva, a Linchchhavi King, who according to the stone inscription erected by Jayadeva 11 in the courtyard of Pashupatinath in 753 AD, happened to be the ruler 39 generations before Manadeva (464-505 AD).
THE DEVALAYA LEGEND
Another chronicle states that Pashupatinath Temple was in the form of Linga shaped Devalaya before Supuspa Deva constructed a five storey temple of Pashupatinath in this place. As the time passed, the need for repairing and renovating this temple arose. It is learnt that this temple was reconstructed by a medieval King named Shivadeva (1099-1126 AD). It was renovated by Ananta Malla adding a roof to it. Thousands of pilgrims from all over the world come to pay homage to this temple, that is also known as 'The Temple of Living Beings'.
OTHER BELIEFS
There are several complex stories involving the origins of Pashupatinath. One story goes, in brief, that Shiva and Parvati came to the Kathmandu Valley and rested by the Bagmati while on a journey. Shiva was so impressed by its beauty and the surrounding forest that he and Parvati changed themselves into deers and walked into the forest. Many spots in the Kathmandu Valley are identified as places where Shiva went during his time as a deer. After a while the people and gods began to search for Shiva. Finally, after various complications, they found him in the forest, but he refused to leave. More complications ensued, but ultimately Shiva announced that, since he had lived by the Bagmati in a deer's form, he would now be known as Pashupatinath, Lord of all animals. It is said that whoever came here and beheld the lingam that appeared there would not be reborn as an animal.
FINDING OF SHIVA LINGA AT PASHIPATINATH TEMPLE
It is said that the wish-fulfilling cow Kamadhenu took shelter in a cave on the Chandravan mountain. Everyday Kamadhenu went down to the place the lingam was sunken into the soil and poured her milk on top of the soil. After ten thousand years some people saw Kamadhenu pouring milk on that same spot everyday, and started to wonder what that would be. So they removed the soil and found the beautiful shining lingam and started worshiping it.
TEMPLE COMPLEX
The area of Pashupatinath encompasses 264 hectare of land including 518 temples and monuments. Main pagoda style temple is located in the fortified courtyard within the complex guarded by Nepal Police and has a police outpost post along with living quarter within. In front of the western door there is a huge statue Nandi bull, in bronze. Along with many temples and shrines of both Vaishnav and saiva tradition.
TEMPLES AND SHRINES IN THE INNER COURTYARD
Vasuki nath temple
Unmatta Bhairav temple
Surya narayan temple
Kirti mukh bhairav shrine
Budanil kantha shrine
Hanuman shrine
184 shivaling shrine
TEMPLES AND SHRINES IN THE OUTER COMPLEX
Ram mandir
Virat swaroop temple
12 jyotirlingha and Pandra Shivalaya
Guhyeshwari Temple
MAIN TEMPLE ARCHITECTURE
This main temple is built in the Nepalese pagoda style of architecture. All the features of pagoda style is founded here like cubic constructions, beautifully carved wooden rafters on which they rest (tundal). The two level roofs are of copper with gold covering. The temple resides on a square base platform with a height of 23m 7 cm from base to pinnacle. It has four main doors, all covered with silver sheets. This temple has a gold pinnacle (Gajur). Inside are two Garbhagrihas, outer and inner. The inner garbhagriha or sanctum sanctorum is where the idol is placed and outer sanctum is an open corridor like space.
THE DEITY
The sacro sanctum, or the main idol is a stone Mukhalinga with a silver yoni base bound with silver serpent. The lingam is one metre high and has faces in four directions. These faces represents various ascepts of Shiva; Sadyojata (also known as Barun), Vamdeva (also known as Ardha nareshwor), Tatpurusha, Aghor & Ishana (imaginative). Facing West, North, East, South and Zenith respectively representing five primary elements namely earth, water, air, light and ether. Each face has tiny protruding hands holding rudraksha mala on right hand and a kamandalu on the other.Unlike other shiva lingams in India and Nepal this pashupati shiva lingam is always Dressed in its golden vastra except during abhishakam, so pouring milk and ganga jal is only possible during abhishakam through the main priests.
PRIESTS
Daily rituals of Pashupatinath are carried out by two sets of priests ;one being the Bhatt priests and other Bhandari. Bhatta or Bhatt are the one who performs the daily ritual and can touch the lingam, where as Bhadaris are the helper and temple care taker priests but are not qualified perform pooja rituals or to touch the deity.
Bhatta or Bhat are highly educated Vedic bhramin Scholars from Brahmin family from South Indian State Karnataka.Unlike other Hindu temples priesthood of Pashupatinath is not hereditary. Priests are selected from a group of scholars educated by Shri Shankaracharya Dakshinamnaya Peeth Sringeri on Rig Vedic Recitation, initiated in Pashupata Yoga by Kashi Math,Shiva Āgama and learned Recitation of Samaveda from Haridwar.After qualifying and fulfilling all those criteria they will be selected for Priesthood by Raj Guru of Pashupatinath Temple undergoing strict examination on Vedas and Shiva Agamas and then the qualifies are sent to Kathmandu for performing Puja and Daily Worship of Lord Shri Pashupatinath This tradition is reported to have started by the request of Adi Shankaracharya in the 8th century, who sought to unify the different states of Bharatam (Unified India) by encouraging cultural exchange. This procedure is also followed in other temples around Bharata-varsa which were sanctified by Adi Shankaracharya. The unique feature of this temple is that only 4 Bhatta priests can touch the deity.Current Bhatt priests of the temple are;
Ganesh Bhat (15th head priest of the Pashupatinath Temple aka Mool Bhat) from Udupi.
Ram Karanth Bhat from Mangaluru.
Girish Bhat from Sirsi.
Narayan Bhat(Recently appointed) from Bhatkal
Raghavendra Bhat (Priest for Vasuki Nath temple only)
Bhandaris or Rajbhandari are the treasurers, temple caretakers, and assistant priest of the temple.
These Bhandaris are the descendants of helper priests brought up by early Bhatts, but were allowed to settle in Kathmandu valley and later assimilated in existing Newar caste of Rajbhandari - a high-caste Chathariya/Kshatriya clan of Kashyapa gotra. Their main function is to help the Bhatta priest and perform maintenance of the inner Garbhagriha. They can have little or no Vedic knowledge but still qualify as assistant priests if they belong from the same family lineage and undergo some basic criteria like caste, gotra, lineage purity, educational qualification, etc. They work in set of four and change in every full moon day. There are a total of 108 Bhandaris.
ENTRY AND DARSHAN
Temple courtyard has 4 entrances in all directions.The western entrance is the main entrance to the temple courtyard and rest three entrances are only opened during big festival . Temple security (Armed Police Force Nepal) is selective regarding who is allowed entry into the inner courtyard . Practicing Hindus and buddhist of Indian and Tibetan descendent are only allowed into temple courtiyard . Practicing Hindus of western descent are not allowed into the temple complex along with other non Hindu Visitors. Sikh and Jain groups are allowed into the temple compound if they are of Indian ancestry. Others can look at the main temple from adjacent side of the river and has to pay a nominal fee of $10 (1000 Nepali rupee) for visiting hundreds of small temples in the external premises of the temple complex . The inner temple courtyard remains open from 4 am to 7 pm for the devotee but the Inner Pashupatinath Temple where the Lingam of lord Pashupatinath is established is open from 5am to 12 pm for the morning ritual and viewing and from 5pm to 7 pm for evening ritual. Unlike many other Saiva temples devotees are not allowed to enter in the inner-most Garbhagriha but are allowed to view from the exterior premises of the outer Garbhagriha.
FESTIVALS
There are many festivals throughout the year .Thousands of people attend these festival.The most important festival is the Maha Shiva Ratri .Bala chaturthi and Teej.
CONTROVERSY OF 2009
In January 2009, after the forced resignation by the chief priest of Pashupatinath temple, the Maoist-led government of Nepal "hand picked" Nepalese priests to lead the temple, thus bypassing the temple's long-standing requirements. This appointment was contested by the Bhandaris of the temple, stating that they were not against the appointment of Nepalese priests but against the appointment without proper procedure. After the appointment was challenged in a civil court, the appointment was overruled by Supreme Court of Nepal.However, the government did not heed the ruling and stood by its decision. This led to public outrage and protests over a lack of transparency. The paramilitary group of the CPN (Maoist), called YCL, attacked the protesters, leading to over a dozen injuries. Lawmakers and activists from opposition parties joined protests, declaring their support for the Bhatta and other pro-Bhatta protesters. After long dissatisfaction and protest by Hindus both in and outside Nepal, the government was forced to reverse its decision that had been declared illegal by the Supreme Court of Nepal and reinstate Bhatta priests.
2015 EARTHQUAKE
The main temple complex of Pashupatinath and the sanctum sanctorum was left untouched but some of the outer buildings in the World Heritage Site were damaged by the April 2015 Nepal earthquake.
WIKIPEDIA
dedicated to gremxul (timmy gambin)
When I saw out of my window at this rainy day while the sun came out to delight the tiles my brain said: it's a gremxul !
Dedicated to Екатерина Аверкина and her colours (and Eka Shonya). But you're much better than me as photographers.
Dedicated to the memory of our dear friend, John Fawcett, Head of Collection Development, Buswell Library, Wheaton College, Illinois. A man of great soul, mighty laughter, profound depth of faith, a counselor of others, a musician, and, in his long battle with cancer, an inspiration and amazement to us all. For Margie, Charlotte, and Josiah, may you find yourselves wrapped in the tender love of family and friends, as you suffer this great loss.
For my double portrait of John & Margie, and tribute to them both, see also:
www.flickr.com/photos/walford/2363827457/
While the doctors thought John would die the night before this poem was written, in his great fortitude, he pressed on until the end of May, defying all possible expectations, and inspired many in the intervening months. Such was John!
John Fawcett's funeral was a three-hour epic of music and celebration for a life richly lived and devoted to the worship and service of the God he loved. It was masterfully crafted and composed--in all its parts--around a dazzlingly rich array of musical sound and acclaimed Word of God--that took all present through a full gamut of emotions, from the grieving of our loss, to the joyful celebration of the resurrection, the latter aspect of which included all the many children dancing in the aisles--something I have never seen at a funeral. It was a fitting culmination to his long recent months (and years) of battle with cancer, and the tone of the service was triumphal, while not escapist, nor pretending that death is not anything but our last and worst enemy. I have never experienced anything like it, and I presume that John himself orchestrated the entire musical production, which included a piece composed and performed especially for the event, by his friend, professional pianist, Danial Paul Horn, also of Wheaton College.
Dedicated Home Cinema Room- Anthem MRX 500,Artcoustic 65-50SL 4-2s Speakers, Rako Lighting, Screen Research Screen, JVC X30 3D Projector. Sounding & Looking Amazing!
Germanwings confirmed its flight #4U9525 from Barcelona to Dusseldorf crashed in the French Alps with 144 passengers and six crew members on board.
My thoughts go out to families of the victims :'(
www.reuters.com/article/2015/03/24/us-france-crash-airbus...
Foz do Arelho, Portugal.
Dedicated to my Flickr friend Sunset Luísa, wishing you a less stressing year.
The long text below has to do with the Portuguese language and the way we should write "sunset" in Portuguese : "pôr-do-sol", "por-do-sol", "por do sol", "pôr do sol" or "pôr do Sol" ? Believe me or not, there are Portuguese using all those forms - and I shall not tell you about the problems with the plural!
___________________________
Dedicada à minha amiga do Flickr Luísa-dos-pores-do-sol, desejando-te um ano menos desgastante.
___________________________
Nota para o/a visitante de língua portuguesa, que anda muito baralhado/a
(pois, pois, a maioria das pessoas, professores e tudo, anda no Flickr a escrever "o sol" e não "o Sol", como devia e, se calhar, também me apanham a mim)
Escreve-se "pôr-do-sol" e o plural é "pores-do-sol".
"Pôr" tem acento, para não se confundir com a preposição "por", mas os verbos por si formados (supor, compor, repor, etc.) não têm, pois não são susceptíveis de confusão. Perde o acento no plural. E escreve-se com hífenes, quando nos referimos ao momento do dia e não ao astro em determinada posição. "Sol" passa a "sol com minúscula, porque não se usam maiúsculas entre hífens.
Fontes:
ciberduvidas.sapo.pt/pergunta.php?id=486
ciberduvidas.sapo.pt/pergunta.php?id=541
ciberduvidas.sapo.pt/pergunta.php?id=2845
ciberduvidas.sapo.pt/pergunta.php?id=268 (quanto ao plural)
www.gramaticaonline.com.br/gramaticaonline.asp?menu=3&... (fonte brasileira)
Discorda? Siga para o 1º comentário, s.f.f.
This group of dedicated young performers of the viol (a stringed instrument popular up to the 18th Century) played a range of dance music and other works from the 16th and 17th centuries during a concert given in St. Mary’s Visitors Centre, Gateshead Quays. The Consort was directed by Mr John Finnon, Master of the Viols.
The Avison Ensemble is proud to have sponsored this year’s Music Celebration Week presented by Gateshead Music Service. Hundreds of children across Gateshead were involved in workshops, sing-a-longs, demonstrations and concerts, as well as a WOPPING big, music-filled picnic at Gibside!
The Avison Ensemble is grateful to The Roland Cookson Fund at The Community Foundation and the Arts Council North East for supporting Music Celebration Week.
The Avison Ensemble is the outstanding period instrument orchestra based in Newcastle upon Tyne, which plays and popularises the music of Charles Avison (1709-1770) and other English classical composers of the Baroque period, such as Garth, Arne and Herschel. The Ensemble also performs Purcell, Handel, Vivaldi, Corelli, Geminiani, Pergolesi, Teleman, Rameau, Bach, Mozart, Haydn and Beethoven.
Situated in the northern transept, the Combined Services Chapel stretches the entire length and has stone walls on three sides while a carved stone screen separates the chapel from the transept. It is accesed by an ornate carved wooden doorway. Originally completed around 1210, for many generations the chapels had been unused, until in 1911 officers of the Lincolnshire Regiment conceived the idea of refurbishing one as their regimental chapel. Other services followed. There are now three chapels, the first dedicated to St George is the soldiers’ chapel. The centre one, the seamen’s chapel is dedicated to St Andrew and the furthest one to St Michael, the airmen’s chapel. These were dedicated in 23rd April 1912 (Soldiers). St Andrew’s chapel was rededicated in 1923 and St Michael’s in 1929. St George's Chapel Capt J Brunt VC MC Wooden altar rail, inscription carved at base. Soldiers Chapel Carpet Located in the Soldiers Chapel placed on steps in front of the altar. Ornamental carpet with the emblems of the Brigade of Guards, Machine Gun Corps, Lincolnshire Regiment, Lincolnshire Yeomanry and Royal Artillery. The five regiments represent seven individual casualties. RA 2nd Lt Eric Farrow Scott, Ypres 30th October 1917. Lincolnshire Yeomanry Maj Robert Wright and Lt Charles Wright, Palestine 1917. Lincolnshire Regiment Captain Vere De Houghton Hohenzollern Redoubt 13th October 1915. Brigade of Guards Lt Claude John Pym killed 1917 and Lt Francis M Pym missing 1916. Machine Gun Corps Major John Stamp France 1918. St George’s Chapel has a wooden lectern bearing a shield with the arms and motto of the Grenadier Guards Association St Andrew's The carpet was given by Sir Edmund and Lady Royds in memory of their Sub Lt son who died in duty in 1917, restored May 1996 to commemorate shipmates who died in WW11. Many of the fittings in this chapel commemorate famous seamen and explorers associated with the area. St Michael's chapel Lt C O Hayward Airmen’s Chapel Banner attached to a pole hanging on the left of the sanctuary. Top left has two ravens, one with a chrism of oil, the other with a ring. Lower left are Flanders poppies, upper right fictional arms of St Oswald. Sqn Ldr Henry Eric Maudslay and Crew killed in breaching the Ruhr Dams May 1943. Silver altar cross and candlesticks (St Michael’s) Lincolnshire ATC Hanging Candelabra RAF Southern Rhodesia WW11 Wooden bench, carved inscription, painted crest on back of bench in proud and loving memory of our boys from Southern Rhodesia Australian Servicemen RAF Wooden bench, painted crest on upright back of bench Inscription In loving memory of our noble boys 8th Sqn RAF Standard, Royal Australian Airforce Standard, RAF Escaping Society Standard, RAF Ensign, 83 (Pathfinder) Sqn RAF, 617 Sqn RAF. Colours of no 5 and no 11 Squadrons (Coningsby) are also laid up here. In the airmen’s chapel are the memorial books for nos 1 and 5 groups of Bomber Command. Banner worked by Miss Joan Wilson in memory of her step-brother Lt Charles Oswald Hayward Lincolnshire Regiment/Royal Fling Corps killed in action 17th January 1916. Dedicated 3rd April 2014, is a wrought iron pedestal designed by Adrian Stapleton of Trinity Forge and commissioned by Cranwell, Coningsby, Digby and Waddington RAF stations. There are numerous other badges, banners and flags in the chapels. Other memorials, Books of Remembrance and stained glass windows have separate entries on this website. Staff at the Information desk opposite the entrance door are exceptionally helpful and can aid with specific enquiries. Much of this information comes from the 3 excellent booklets provided by the cathedral on the individual chapels.
LEGOLAND Windsor a theme park dedicated to children aged 3-12 years old and of course big kid adults.
An inspirational land where the kids are the hero and adults relive their childhood.
The fun never stops and imagination knows no bounds, a family attraction like no other.
Set in 150 acres of beautiful parkland, LEGOLAND Windsor is a unique family theme park with over 55 interactive rides, live shows, building workshops, driving schools and attractions.
It's amazing what can be built with LEGO bricks - nearly 55 million of them!
From comical camels to fearsome fire-breathing dragons, world landmarks to musical pirates, young and old alike will be fascinated by the incredible LEGO models throughout the park.
Fun Facts about LEGOLAND Windsor
There are 34 LEGO pieces in an average Miniland figure.
The largest model in Miniland is the Canary Wharf Tower which is 5.2 metres tall and took 3 model makers 850 hours to complete using 200,000 LEGO Bricks!
The smallest models are the pigeons in Trafalgar Square which contain 5 LEGO bricks each
New in 2011 - Atlantis Submarine Voyage
Take a deep breath and submerge yourself in an underwater adventure.
Plunge into the depths with this world-first LEGO® submarine ride and immerse yourself in a magical underwater adventure.
So what’s New in 2012
STAR WARS MINILAND EXPERIENCE - The Force has arrived at LEGOLAND
Take a trip to a galaxy far, far away at the UK’s only indoor LEGO® Star Wars™ Miniland Experience at the LEGOLAND® Windsor Resort. Enjoy seven of the most famous scenes from the six live-action Star Wars movies, as well as a scene from the animated series Star Wars: The Clone Wars™ all made out of 1.5 million LEGO® bricks built in 1:20 scale. Follow the chronological path through the Star Wars timeline and retrace the major events of the beloved Saga featuring 2,000 LEGO® models, authentic sounds and lighting effects in the ultimate LEGO® Star Wars experience.
LEGOLAND WINDSOR RESORT HOTEL - Now open
An exciting LEGO adventure awaits you, as the amazing 150 room, fully themed LEGOLAND Hotel opens at LEGOLAND Windsor RESORT!
Staying overnight at the new LEGOLAND Windsor Resort Hotel is a must for all LEGO fans. From the spectacular dragon-guarded entrance and interactive LEGO features through to the brightly coloured pirate splash pool and fully themed bedrooms, the new hotel will inspire imaginations and create laugh-out loud memories. With dedicated indoor play areas, entertainment and a buffet-style restaurant serving child-friendly meals, it’s the perfect family treat.
ViewFinders Overseas Outing Nov 2010 Japan - Sensō-ji (Asakusa)
Sensō-ji (金龍山浅草寺, Kinryū-zan Sensō-ji?) is an ancient Buddhist temple located in Asakusa, Taitō, Tokyo.
It is Tokyo's oldest temple, and one of its most significant. Formerly associated with the Tendai sect, it became independent after World War II. Adjacent to the temple is a Shinto shrine, the Asakusa Shrine.[1]
The temple is dedicated to the bodhisattva Kannon, also known as Guan Yin or the Goddess of Mercy.
According to legend, a statue of the Kannon was found in the Sumida River in 628 by two fishermen, the brothers Hinokuma Hamanari and Hinokuma Takenari. The chief of their village, Hajino Nakamoto, recognized
the sanctity of the statue and enshrined it by remodeling his own house into a small temple in Asakusa, so that the villagers could worship the Kannon.[2]
The first temple was built on the site in 645, which makes it the oldest temple in Tokyo.[3] In the early years of the Tokugawa shogunate, Tokugawa Ieyasu designated Sensō-ji as tutelary temple of the Tokugawa clan.[4]
The Nishinomiya Inari Shrine is located within the precincts of Sensō-ji; and a torii identifies the entry into the hallowed ground of a Shinto shrine. A bronze plaque on the gateway structure lists those who contributed to the construction of the torii, which was erected in 1727 (Kyōhō 12, 11th month).[5]
During World War II, the temple was bombed and for the most part destroyed. It was rebuilt later and is a symbol of rebirth and peace to the Japanese people. In the courtyard there is a tree that was hit by a
bomb in the air raids, it had regrown in the husk of the old tree and is a similar symbol to the temple itself.
Sensō-ji is the focus of Tokyo's largest and most popular matsuri (Shinto festival), Sanja Matsuri. This takes place over 3–4 days in late spring, and sees the surrounding streets closed to traffic from dawn until late evening.
Pilgrims and tourists flocking to Sensō-ji have shopped at the small stores here for centuries.Dominating the entrance to the temple is the Kaminarimon or "Thunder Gate". This imposing Buddhist structure features
a massive paper lantern dramatically painted in vivid red-and-black tones to suggest thunderclouds and lightning. Beyond the Kaminarimon is Nakamise-dori with its shops, followed by the Hōzōmon or "Treasure House Gate" which provides the entrance to the inner complex. Within the precincts stand a stately five-story pagoda and the main hall, devoted to Kannon Bosatsu.[6]
Many tourists, both Japanese and from abroad, visit Sensō-ji every year. Catering to the visiting crowds, the surrounding area has many traditional shops and eating places that feature traditional dishes (hand-made noodles, sushi, tempura, etc.). Nakamise-Dori, the street leading from the Thunder Gate to the temple itself, is lined with small shops selling souvenirs ranging from fans, ukiyo-e (woodblock prints), kimono
and other robes, Buddhist scrolls, traditional sweets, to Godzilla toys, t-shirts, and cell-phone straps. These shops themselves are part of a living tradition of selling to pilgrims who walked to Sensō-ji.
Within the temple itself, and also at many places on its approach, there are omikuji stalls. For a suggested donation of 100 yen, visitors may consult the oracle and divine answers to their questions. Querents shake labelled sticks from enclosed metal containers and read the corresponding answers they retrieve from one of 100 possible drawers.
Within the temple is a quiet contemplative garden kept in the distinctive Japanese style.
The Nakamise-dōri (仲見世通り?) is a street on the approach to the temple. It is said to have come about in the early 18th century, when neighbors of Sensō-ji were granted permission to set up shops on the approach to the temple. However, in May 1885 the government of Tokyo ordered all shop owners to leave. In December of that same year the area was reconstructed in Western-style brick. During the 1923 Great Kantō earthquake many of the shops were destroyed, then rebuilt in 1925 using concrete, only to be destroyed again during the bombings of World War II.
The length of the street is approximately 250 meters and contains around 89 shops.[7]
Today marks the 33rd anniversary since the Opening Ceremony of the Sarajevo 1984 Olympic Winter Games and so I dedicated my afternoon to capturing some of its history. The most remarkable location is the Bob Sled track, which was built in concrete and survives to this day. It remains now as a living monument to the Games, although for the locals, it feels also like a forgotten place.
Draped in overgrown foliage and graffiti, I learned that it has become a popular place to come walking and, while the snow was too deep to walk its length today, I had the chance to see a few of its turns.
It's hard to know how to place this as an Olympic legacy. It has become a tourist attraction, that much is clear. But it does not resonate with conventional legacy language. After all, it has become a line of desire rather than a purposeful sports facility. Yet, I think it is all the richer for this, and there is something truly authentic about it, as a manifestation of cultural heritage, re-worked by the local community.
Clearly, the 1990s war broke continuity for the city, in terms of many things, but also that Olympic legacy. The cable car running from the city to the mountain venue was lost - but is being re-built I am told. Also, many Olympic buildings were destroyed. So, there is something also compelling about the robustness of this unusually permanent concrete bob sled run.
My trip here has been all the richer for venturing out to see this amazing site and I hope you will agree that there is a beauty to this Olympic heritage, even if it was not the one intended when it was imagined.
My cousin loves his Cadillac that much that he got it tattooed onto him. And after going for a cruise in it I can understand why. It's an awesome machine!
A series of shots dedicated to the Dannee and Sam\Sanguine first so called “Night to Remember” something that Dannee indeed always to remember the first and only evening when that mysterious Sam challenged her into contest and his brew her so drunk that her memory of whole night was like erased… until recently when with some unexpected “help” she remembered everything…
Everything about their romantic rendezvous was perfect - the jokes, their travel to misty Grove, where Dannee in attempt to refresh jumped into waterfall and how Sam carried her back, gave her a new dress, then the dancing and the romantic atmosphere, when it was just two of them, two people enjoying themselves, free from responsibilities, doubts and fears at least for a while.
However those joking words of Sam about Dannee losing her dress to an uneven battle with the dirt, that kind compliment about her looking like a golden dragoness in her new scaled dress turned darker as his sympathy and tenderness vanished to savage desire, those moments he never spoke with her about of finally revealed… As his darker lustful side emerged with her immense fear what it might lead too… Dannee managed to soothe his fierce desire in other way then being defiled but for her it has been humiliation, then came the fear and almost despair when she realized she wasn't in Skyrim, but in Oblivion, at the mercy of the Daedric Prince, realizing that she truly didn't know who that mysterious Sam was and trusted him so easily but before she could further torment herself he found her.
He didn’t know what to say, she looked so lost and sad, such a contrast to him. It has been so long he felt himself so happy… she gave him such intense satisfaction he didn’t feel for years, like tidal wave, drowning out anything else in the world. It felt so raw and intimate and personal, even more intimate than if he had taken her. He should have been touching her too, take her to his home, to his bed, he thought guiltily, he should be offering her pleasure in return and giving her the comfort and touch she so desperately needs. But he was drunk and everything was happening all at once, the sensations so overwhelming and new that they destroyed any possibility of coherent thought at that time… But it wasn’t only physical satisfaction, she made him happy even by her company. He felt something coiled lazily deep inside him, something that’s just waiting to be given a chance, and here he is, giving it a chance. He’s letting someone in. But apparently Dannee had different opinion… He tried to comfort her until he realized it would no good, he still could make it up for her, make her smile again, make her really happy but first thing was to erase this whole evening from her mind, because it seems no matter what he will say will help her now, nothing but something like spell, that would not be strong enough to erase her entire memory of the night, but it would suffice in blurring it enough to make her second guess its truth, perhaps labeling it as just another unbidden fantasy without anything that may hurt her feelings…
One magic trick and Dannee found that she was at some new magical looking place with her friend, Sam who looked at her with something like affection, like he craves so much more than her touch and company, like he craves her more than anything else in the entire world…
“Why do you look at me like this, Sam?” The last thing she remembered how he brought her here to breathe a fresh air…
“It is just… you made me so happy, and you are so beautiful, dearie, body and soul.”