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Currently all pupils at the local High School in Gairloch this band with a slightly different line-up played at the recent Christmas Dance.
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Midwest Current Transformer
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Tel No: 507-364-7373
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Koikhola, Kosba, B Baria,
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DO NOT use this image for any purpose without my prior consent.
Current keeper since 2001.
I nearly missed this one, were I not out drinking with a Corsa fan I'd have perhaps not tried - However, worth it now, seeing it's had the same keeper for almost 24 years. Around 54k covered.
There's still a few Corsa Bs around here, a 'W' one I should capture but I've not had the opportunity to yet.
GRACE,Exhibitions,Current
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Current Exhibition
WINTER FOCUS EXHIBITIONS
January 7 - February 18, 2011
OPENING: January 8, Gallery Talk 5 - 5:30pm, Reception 5:30 - 7:00pm
TRAVIS CHILDERS (UN)NATURAL
Staplerscape, stapler, model material, foam, glue, 3" x 7" x 2", 2010
(UN) NATURAL, Travis
Childers' exhibition of sculpture and installation examines the
meaning of "nature" and how humans manipulate the natural world to
create fabricated environments. In Staplerscape, the artist
covers a stapler with a miniature landscape and examines the idea of
nature taking something back from man. He questions what would happen
if people disappeared from the earth, how soon would nature take
over? As in all of Childers' work, Staplerscape illuminates
an important, current issue through a clever re-purposing of
materials: Pressing on the stapler would destroy a fragile landscape
while posing a larger question: How do everyday actions impact the
global environment?
See a brief video of Travis Childers at GRACE
See the DCist review
ELLEN CORNETT MENAGERIE
The Happy Marriage, pastel on paper, 34" x 26" , 2010
MENAGERIE, Ellen Cornett's series of pastel paintings, explores
contemporary social dilemmas through the world of fairy tales and
animals. Using her impressive drawing facility, the artist
juxtaposes vivid pastel paintings with unsettling content. One of
ten works on exhibit, The Happy Marriage, features two
chickens in a reversal of the usual barnyard pecking order. With
her claws extended, a hen stands on a rooster's back while he
appears bewildered. Cornett is deliberately vague about the meaning
of this work: Is the rooster a hen-pecked husband or is the hen-wife
hanging on for dear life? Either way, it's a wry commentary on
the modern marriage as a complicated balancing act.
Brief video of Ellen Cornett at GRACE
MATT RAVENSTAHL GUILT
Slave Block (stills), digital video, 5 minutes, 2010
Matt Raventstahl's GUILT uses video and sculpture to expose
the internal experience of racism and blaming others. Slave
Block documents the artist wielding a sledgehammer as he attempts
to smash a marble replica of a slave auction block. The video
addresses both the punishing burden of slave labor and the artist's
attempt to free himself from white guilt. In a related installation,
Untitled, the remnants of the marble block have been gathered
into a pile.
Ravenstahl used the same stones in his second video, Throwing
Stones, which explores how guilt often leads to victimization.
The video documents the artist casting stones directly at the viewer.
As the video progresses, a Plexiglas wall separating the artist from
the viewer gradually scars, taking the focus of the camera from
the perpetrator to the wounds.
Brief video of Matt Ravenstahl at GRACE
An interesting article about Matt in the Reston Patch
Education Programs
Adult Programs (Appetite for Art & the hub theatre)
T.G.I.F and InterAct Story Theatre (Families)
Super Studio (Children 6-10)
Weekend Workshops (Children must be accompanied by an adult.)
Press:
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I work on smallish sections and attach them to the side of the bigger piece once complete. This system kind of developed during the piecing process.
Pattern: English Paper Piecing hexagonal quilt
Materials: All kinds of fabric. In particular pistachio greens, aqua blues, dots with some barkcloth for good measure.
Start Date: early May 2009
End Date:
True Legends of the Golden Horseshoe: A Tribute to Wally Boag and Betty Taylor
This tribute was by invitiation only at Disneyland on September 18, 2011.
Always struck me that the building next to the Lamborghini showroom was boarded up. Seemed to sum up the current economic climate perfectly
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
We currently have an odd number (11) of safe numbers revealed, not counting the one in the rightmost column. Remember that there must be an even number of safe numbers in column 1 to fulfill 3’s clue, so boxes 7 and 13 cannot change the evenness/oddness of the number of safe numbers.
Suppose the rightmost column contained an odd number of safe numbers. Then we would have an even number of safe numbers, with only 20 and 34 as locations left to place safe numbers. 22’s clue tells us that the murderer is in the rightmost column if the rightmost column contains and odd number of safe numbers. Therefore, 20 could not be the murderer, so it would have to be safe (8’s clue tells us it cannot be a victim, and we have already determined that it is not an accomplice). Then we would have an odd number of safe numbers, with only 34 left as a potential safe number. Since 14 tells us that the number of safe numbers is even, 34 would have to be safe.
Now instead suppose that there are an even number of safe numbers in the rightmost column. Then 22’s clue tells us that the rightmost column does not contain the murderer, so the murderer would have to be 20 (from 35’s clue, it is the only possible number left). Then we would have an odd number of safe numbers, with only 34 to be filled in. Therefore, 34 would have to be safe.
Either way, 34 is guaranteed to be safe.
Black Sea water (50% salinity) flows out along the surface of the Bosphorus but beneath this there is a similar flow into the Black Sea of Mediterranean water (normal salinity).
my current desktop a variation of another desktop made - actually almost an exact copy, just changed the wallpaper and moved the 10-foot HUD clock to the right
Currently LeaseWeb has a bandwidth capacity of 1.5 Tbps (terabits per second). LeaseWeb always maintains substantial reserve bandwidth capacity to meet any customer connectivity requirements.
Our main cabinet currently holds beautiful objects created from spent bluebell blooms by Australian artist Holly Story (2011). Please take time to admire the workmanship that has gone into creating each fragile piece. The stitching is exquisite. Holly became fascinated by the dens precariously constructed by children playing in the forest and her weavings can be seen as responses to their ephemeral forms.
These items are from UCA’s newly-acquired archive. Stour Valley Arts was formerly a public arts organisation primarily operating in Ashford, Kent. It commissioned a range of public art works in King’s Wood, engaging the public in art through the context of ancient woodlands, operated by the Forestry Commission.
Also on show is a notebook from the archive. The notebook has a beautiful cover made with leaves. Inside are descriptions and photographs of schools taking part in artist Tim Norris’ autumn workshops in Kingswood, where children learnt to create sculptures using natural materials.
Furthermore, also on show are books related to creating art using nature.
All images belong to University for the Creative Arts (UCA). Content and images can be used for educational use only.
More information about our newly acquired archive, please read UCA Archives wordpress blog :
or email: archives@ucreative.ac.uk
#Indy #Auto #Show #IndyAutoShow #Indianapolis #Indiana #jezevec #new #current #make #model #year #manufacturer #dealers #forsale #sell #industry #automotive #automaker #CAR #汽车 #汽車 #auto #automobile #voiture #αυτοκίνητο #車 #차 #carro #автомобиль #coche #otomobil #automòbil #automobilių #cars #motorvehicle #Automóvel #自動車 سيارة# #Automašīna אויטאמאביל# #automóvil #자동차 #自動車 #samochód #automóveis #bilmärke #தானுந்து #Bifreið #ავტომობილი #Automobili #Awto #Giceh 2010s #IndianapolisConventionCenter" #December2014 #newcar #brandnewcar #carshow #review #specs #photo #image #picture #photography #compare #carshow2016 #customer #stockphoto #shopper #shopping #buying NEW CAR "nuwe motor" "makinë të re" "سيارة جديدة" "新车" "nieuwe auto" "nouvelle voiture" "neues Auto" "nuova auto" "nuova auto" 新車 "carro novo" "carro novo" "coche nuevo" PHOTO "նոր ավտոմեքենան" "yeni avtomobil" "новы аўтамабіль" "নতুন গাড়ী" "novi automobil" "нова кола" "cotxe nou" "nový vůz" "ny bil" "nieuwe auto" "uue auto" "bagong kotse" "uusi auto" "מכונית חדשה" "mobil baru" "ಹೊಸ ಕಾರು" "새 차" "jaunu auto" "naujas automobilis" "шинэ машин" "ماشین جدید" "nowy samochód" "mașină nouă" "nové vozidlo" "novo vozilo" "gari mpya" "мошини нав" "புதிய கார்" "కొత్త కారు" "รถคันใหม่" "yeni araba" "yangi avtomobil" "xe mới" "car newydd" "נייַ מאַשין" "car entsha"
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Jake Behrens is an evangelist and engineer at Apple. Jon Parrott is works is a developer programs engineer at Google. David Demaree is a product manager for Typekit Adobe.
They all work in the the tech industry, and what also unites these three is their unconventional path to their current jobs. None of them have formal training in coding or computer science: Behrens holds a bachelor’s of arts in journalism and advertising; Parrott says he barely graduated high school; and Demaree shares that he went to art school.
The three are among hundreds who took to Twitter this weekend using the hashtag #UnqualifiedForTech, showing that not all tech jobs require relevant credentials, and that great talent often comes from diverse and multi-disciplinary backgrounds.
But the conversation also revealed an unanticipated—and discomforting—trend: many who land jobs without a CS degree (or at least feel comfortable tweeting about it) are white.
The conversation was started by Alice Goldfuss, a site reliability engineer at GitHub with a degree in film. “I was tired of reading about how unqualified the Equifax [Chief Information Security Officer] was due to her music degree,” Goldfuss wrote in an email to EdSurge on why she created the hashtag. “Yes, there was gross misconduct and incompetence at Equifax, but that has nothing to do with her degree… I wanted to stand up for those who have an unconventional path into tech.”
On Sunday, the self-taught programmer tweeted the following:
Hi, I’m a Site Reliability Engineer at a large tech company.
I have a BFA in Film.
Anyone else #unqualifiedfortech?
— Alice Goldfuss (@alicegoldfuss) September 17, 2017
At first the conversation stirred responses from folks like Behrens or Parrot, many who felt empowered to share their non-technical backgrounds.
I’m a Sr Incident Responder at a gaming company. I have a BA in Genetics and French. Took no computer classes in school. #unqualifiedfortech t.co/KPIcTfgmuA
— Emily Gladstone Cole (@unixgeekem) September 17, 2017
Principal engineer & architect at an awesome tech co with ~250 engineers.
I have two degrees in plant ecology.#unqualifiedfortech
— Brent Miller (@foliosus) September 17, 2017
But it quickly opened up new questions about how privilege intersects with who benefits the most from certain degrees, alternative education providers, or even no formal higher education at all. “I think #UnqualifiedForTech speaks a lot to imposter syndrome and sexism/racism in tech,” Goldfuss shared. “Having a film degree means I never feel qualified to be in a technical role and being a woman means there’s many systemic biases that reaffirm my doubt.”
Other contributors in the thread pointed out that many of those who managed to land a tech job without the expected qualifications were men, white and still held some level of higher education under their belt.
Also worth nothing, I have an associates, a year experience, portfolio and github. If you’re a POC anything short of a bachelors won’t help
— Hakeem (@hxk33m) September 18, 2017
What’s missing in #UnqualifiedForTech: social capital of being a white straight dude let people believe your self-teaching was good enough.
— Taber Andrew Bain (@taber) September 18, 2017
When you get a moment, I encourage you to read through the many #unqualifiedfortech responses.
Then realize how many of us are white.
— Alice Goldfuss (@alicegoldfuss) September 18, 2017
“It’s far easier for a white man to get hired without proper credentials than a white woman, due to the ratio of white men with power in tech. And it’s easier for a white woman to get hired than a [person of color], especially women of color,” Goldfuss elaborated in an email. “Breaking into tech without a CS degree isn’t easy, but having the right skin color and gender gives you a leg up.”
tech white dudes rn: “I don’t have a CS degree”
meanwhile women poc gotta have 10x degrees just to get taken srsly
— butt | masking (@__biancat) September 18, 2017
The tweet storm touched at a common debate in the higher-ed community—what degrees or credentials are necessary to land a job in today’s changing work landscape? Goldfuss began her own career working in web support for a marketing company, but began learning Python at night to work towards her next role. After later becoming a software engineer, she then added Linux to her repertoire, again studying by night.
Goldfuss later moved into ops roles site reliability engineering. To get there she says she learned from books, watching videos online, getting help from colleagues “and many late-night mistakes.”
What’s clear from the hashtag—and research—is that Goldfuss is far from alone in that endeavor. A 2016 study by Stack Overflow, an online community and job board for developers, shows 69 percent of developers are self-taught, and less than half have a BA or BS in computer science or a similar field.
Wendy Nather, principal security strategist at the account protection firm Duo Security, told The Washington Post this week that it’s “extremely common” for companies like hers to hire workers coming from nontechnical backgrounds. The article reads: “What these people bring to the job is a way of thinking about problems — and then solving them — that draws on the best of other disciplines.”
Tech Employees Question Credentials, Prerequisites and Privilege With #UnqualifiedForTech published first on ift.tt/2x05DG9
Czech Republic (The Golden Lane in Prague)
PRAHA
PRAŽSKÝ HRAD
ZLATA ULIČKA
prague - the prague castle - the golden lane
(C) KINCL&HAUNER
TEL 02/20571111
FAX 02/20571113
foto (c) milan@klincl.cz
Title: Akbar's tomb
Other title: Tomb of Akbar
Date: circa 1605 (begun) 1612-1614 (finished)
Current location: Sikandra Rao, Uttar Pradesh, India
Description of work: Construction of the tomb is thought to have been in progress when Akbar (reg 1556–1605) died and was ""...completed between 1612 and 1614 by his son, the emperor Jahangir (reg 1605–27). The contribution of each has been debated: the form of the building seems characteristic of Akbar's reign, while some of the decoration is typical of Jahangir."" R. Nath, Oxford Art Online
Description of view: Close up view of a highly decorated ceiling of mostly blue and gold with a lantern hanging in the center.
Work type: Architecture and Landscape
Style of work: Mughal
Culture: Indian (Islamic)
Materials/Techniques: Stone
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: 10/28/2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2008-0472 Akbar Tomb.jpg
Record ID: WB2008-0472
Sub collection: tombs
monuments
Copyight holder: Copyright Henry Pisciotta