View allAll Photos Tagged creativecommons
A portrait of our family that I shot on Thanksgiving morning for this year's Christmas Card. This was lit with a single strobe in a Westcott mini-Apollo softbox camera left and I'm rather happy with the result.
I would greatly appreciate your vote in the 2011 Photoblog Awards. Thanks!
Portfolio | Blog | Photoblog | Twitter | Facebook | ImageKind | Getty Images | 500px
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
fire 2
creative commons
Free to use any way you want including altering and/or selling the high resolution version of this image if you:
a. put a message here, or
b. pm me, or
c. link back to this page.
Free for use (as an adaptation) in any commercial or noncommercial work. These textures are NOT to be for sale individually or as part of a collection. May be distributed freely if this message is included. See this link for details:
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. If you wish to license them for commercial purposes, want to purchase prints or are interested in commissioning me to take photos, please send me a Flickr mail or visit my website, www.memoriesbymike.zenfolio.com/, for contact information. Thanks.]
If you use it I would like to see the product :)
Have Fun!
My new blog Appliquedurever Textures And Photographies
Free Background Image from our denim design pack. download from www.creativity103.com/design-packs/index.htm#roughdenim
really loving growing and eating these Padrón peppers year. They are doing so well in the polytunnel.
ready for the oven
On Saturday 25 May, University College London (UCL) students called on the support of other students and supporters across London to rally outside their Gaza pro-ceasefire encampment after the announcement that a pro-Israel rally would take place outside their main gate that afternoon.
One of the most frequently heard chants by students on this and other days was
"Disclose, Divest,
We will not stop,
We will not rest."
Among the crowd there were many students from the neighbouring School of Oriental and African Studies (SOAS) where an encampment had already been established about two weeks earlier.
SOAS students earlier published a list of demands including, according to two metre high placard at their encampment -
1. Disclose - Full details of all university investments
2. Divest - from companies complicit in Israel's denial of Palestinian rights - [a list of specific companies followed which included Barclays Bank, Alphabet (Google/Alphabet) and Microsoft.]
3. Terminate - the university's banking and lending arrangement with Barclays
4. Boycott - Israeli academic institutions which are complicit in the violation of Palestinian human rights, including the University of Haifa
5. Commit - to supporting Palestinian education and the rebuilding of Gaza's Schools and Hospitals. Establish partnerships and exchanges with Palestinian institutions and academics. Increase scholarships for Palestinian students. Advocate for removal of restrictions for pro-Palestinian expression.
6. Guarantee - the right of students and staff to express solidarity with the Palestinian struggle for liberation including in research, speech and actions.
7. Advocate - for the UK government to implement an arms embargo on Israel, to call for an immediate, unconditional and permanent ceasefire.
As of the date of posting (4 June 2024) at least 36,932 Palestinians have been killed since 7 October, including more than 15,000 children. An estimated 10,000 are missing, of whom most are probably dead. An unknown number of additional deaths due to excess mortality from food shortages, disease and difficulties in obtaining essential medical care and medicines. More than 82,000 Palestinians have been injured, many of them with life-changing injuries including many amputations. According to the United Nations, as of 2 June, more than half of all residential buildings have been destroyed or damaged but with some key infrastructure the destruction is even more devastating - including 80% of commercial facilities and 86% of school buildings damaged or destroyed. Additionally some 83% of groundwater wells are no longer operational.
ttps://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker
REGARDING THE "FROM THE RIVER TO THE SEA" PLACARD
The placard near the bottom of the photo declares "From the River to the Sea Palestine will be Free." There has been a recent and I think dangerously misleading comment by the UK's Home Secretary, Suella Braverman, that this "should be understood as an expression of a violent desire to see Israel erased from the world."
www.theguardian.com/politics/2023/oct/10/people-supportin...
However my own understanding, which is shared by all the activists I have ever spoken with, is that this refers to one of the two alternative future states following any successful internationally backed and recognised peace negotiation, either a two-state solution along the 1967 green line along with possible minor modifications, or a single democratic state (from the River Jordan to the Mediterranean Sea) incorporating Israel, Gaza and the West Bank, where each and every adult would have an equal say in forming the government.
There is of course a third alternative, which is the one which Netenyahu and the current Israeli regime appear to be embarked on, which is the creation of a greater Israel stretching from the Mediterranean to the River Jordan. I referred above to Netenyahu's map showing such a greater Israel at the UN General Assembly.
According to the United Nations, there are already 250 subsidised Israeli settlements, occupied by 633,000 Israeli settlers, established in contravention of international law across much of the best land in the West Bank and East Jerusalem. There are also 650 Israeli military checkpoints restricting the right of travel for Palestinians between the main towns in the West Bank, and currently all travel through any of these checkpoints for Palestinians is being denied.
www.ochaopt.org/sites/default/files/westbank_a0_25_06_202...
www.youtube.com/watch?v=KMIZTiN-TrE
***************************************
Please follow me on Instagram at
www.instagram.com/alisdarehickson/
*********************************************
A creative commons PHOTO LICENSE for COMMERCIAL USE for this photo is AVAILABLE for over sixty NGOs and socialist or progressive publications which are listed on the link below
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation, person or publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
This texture is free to use in your creative works.
Please do not redistribute or make small changes and claim it as your own.
Please provide credit via a link under your work back to this image or to my account where possible.
I would love to see the results of your work, so please leave me a link or a small copy in my comment box below.
Thank you,
Brenda.
I belong to these sets. ~Textures Vol 2~ & ~Textured Masks~
If you are looking for more stock images and textures, please check out my group
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
14 x 14 Available for use in your artwork with creative commons license ~
Do not claim nor redistribute as your own. I would enjoy seeing your creative results in small size for this texture. If you'd like, please do post it on this thread. Have fun!
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Born in Florence to American expatriate parents, John Singer Sargent (1856–1925) is considered Europe's leading portrait painter of the Edwardian era. He was educated at both Accademia delle Belle Arti and Paris's École des Beaux Arts. While in Paris, under the guidance of Émile–Auguste Carolus–Duran, a portraitist and muralist, Sargent learned to paint directly from observation without first sketching, employing a fluidity, influenced by the Impressionists. Sargent created more than 2,900 paintings, mainly portraits and landscapes from his travels across the Atlantic, Europe, the Middle East and America. We've collected some of his finest public domain paintings in this collection, including his most famous opus, Madame X, they are all available to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1328956/john-singer-sargent-impressionist-portraits-cc0-oil-paintings-and-watercolors?sort=curated&mode=shop&page=1
Le Plateau-Mont-Royal, Partie nord du parc Lahaie, à l'angle du boulevard Saint-Laurent et de l’avenue Laurier Est
Type : Sculpture
Technique(s) : bronze coulé, acier inoxydable, bronze, feuille de bronze
Description de l’œuvre :
L’œuvre est composée de trois pièces en forme d’arc qui, tels des portails, invitent le promeneur à y circuler. Chaque pièce comprend, à sa base, des encadrements de portes surdimensionnés au sommet desquels se déploie un assemblage d’objets domestiques, tous collectionnés par l’artiste dans l’arrondissement, puis reproduits en bronze. Les silhouettes composites des trois sculptures réfèrent au patrimoine architectural environnant et évoquent la diversité de la communauté du quartier.
Biographie :
Catherine Bolduc Diplômée en histoire de l’art et en arts visuels, Catherine Bolduc expose depuis 1997 des œuvres fantasmagoriques composées de sculptures, d’installations et de dessins. Exploratrice de nouveaux territoires, imaginaires et réels, elle puise tant dans la littérature que dans ses longs séjours en Allemagne, au Japon, en Chine, en Irlande et en Turquie. Au Québec, son travail a été présenté au Musée national des beaux-arts du Québec, à la Galerie de l’UQAM et à la Maison des arts de Laval. À l’étranger, on a pu voir ses pièces à la galerie Toni Tapiès (Barcelone), à GASP (Boston) et au Künstlerhaus Bethanien (Berlin).
Context gives new understanding to modern lingo…
Newell Harry
Untitled (THIS/DAM/MAD/SHIT), 2013
Tongan Ngatu (bark cloth), ink
279 x 118 cm
Newell Harry
Untitled (MILF/FILM/LAME/MALE), 2013
Tongan Ngatu (bark cloth), ink
279 x 118 cm
# Newell Harry
+ 1972: Born Sydney, Australian: South African/Mauritian ancestry
+ 1993-1995: Diploma of Fine Arts, The National Art School, East Sydney Technical College
+ 1997-2000: Bachelor of Fine Arts (Hons.1), College of Fine Arts, University of New South Wales, Sydney
+ 2001-2004: Master of Fine Arts, College of Fine Arts, University of New South Wales, Sydney
+ 2010-2013: Sessional Lecturer, COFA UNSW, Sydney
# Rosly Oxley9 Gallery
# SML Data
+ Date: 2013-05-23T16:45:18+0800
+ Dimensions: 4930 x 3286
+ Exposure: 1/30 sec at f/4.0
+ Focal Length: 32 mm
+ ISO: 100
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14009
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Newell Harry (b.1972 Australia): Untitled (THIS/DAM/MAD/SHIT), 2013 + Untitled (MILF/FILM/LAME/MALE), 2013 (Tongan Ngatu (bark cloth), ink)” / Rosly Oxley9 Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14009
/ #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects #SMLTypography #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #ABHK #NewellHarry #RoslyOxley9 #people #WTF #LOL #typography
Promenade des Artistes, Arrondissement de la Ville-Marie, Montréal.
Présentation de l'œuvre :
La proposition de McEwen et Hilton-Moore est composée de deux colonnes et d’une silhouette canine. Au sommet de la colonne de bronze et de celle d’acier se trouvent respectivement un masque tendant l’oreille vers le sol et une silhouette animale. Les trois éléments se font face dans un carrefour achalandé du Quartier des spectacles.
After Babel, a Civic Square a pour but d’affranchir le lieu des limites de la communication verbale. Entre l’homme et l’animal, la parole est nécessairement obsolète; elle doit laisser place au geste ou à d’autres modes d’expression. Le « square » prend alors tout son sens. Dans cet espace défini comme un lieu régi par un principe d’égalité, l’homme est libéré de la tyrannie du mot. Pour McEwen, l’ensemble sculptural « crée une forme de libération entre les langues en insistant sur ces vocabulaires du silence qui permettent de communiquer sans la parole ».
L’œuvre se situe à la rencontre du langage plastique des deux auteurs. Alors que McEwen privilégie le rassemblement d’éléments antithétiques autour de thèmes comme la communication, la liberté et le regard, Hilton Moore s’interroge sur les rapports entre le corps et l’espace.
Événements associés
La sculpture-installation de McEwen et de Hilton-Moore a été offerte par la ville de Toronto, à l’occasion du 350e anniversaire de Montréal et de l'événement « Toronto fête Montréal ». L’œuvre After Babel, a Civic Square a été choisie à la suite d’un concours sur invitation et installée en 1993 à l’endroit où se trouve actuellement le Quartier des spectacles.
Marlene HILTON-MOORE
Marlene Hilton-Moore est une artiste autodidacte résidant en Ontario, mais originaire du Nouveau-Brunswick. Son travail est représenté dans de nombreuses collections, dont celles de la Banque d’œuvres d’art du Conseil des Arts du Canada et celle de la Wilfrid Laurier University. Elle a également réalisé plusieurs œuvres d’art public, comme Monument aux Valeureux à Ottawa et Column of Valour, monument dédié aux pompiers volontaires de Barrie en Ontario.
John MCEWEN
John McEwen est un artiste ontarien ayant reçu sa formation à la McMaster University (1965) et au Ontario College of Art (1966-1970). Reconnu pour ses interventions dans l’espace public, il a notamment créé Ballad of Ice and Water à Toronto (2008-2009), River as Thread, Canoe as Needle à l’ambassade du Canada à Berlin (2004) et Speaker’s Circle, une œuvre offerte à l’Australie pour son centenaire par le Canada (2004). Son travail a également été exposé à la Biennale de Sidney et au Musée en plein air d’Utsukushigahara au Japon.
artpublic.ville.montreal.qc.ca/oeuvre/after-babel-a-civic...
Painting of the Blind Beggar pub. Part of a mural of East End places of interest. At corner of Aberavon Road and the Mile End Road. London Borough of Tower Hamlets.
Free for use (as an adaptation) in any commercial or noncommercial work. These textures are NOT to be for sale individually or as part of a collection. May be distributed freely if this message is included. See this link for details:
~ free texture ~ creative commons license ~ by attribution ~ alicepopkorn
you can copy/paste :
texture by <a href="http://www.flickr.com/photos/47283811@N06/4378349799/"> alicepopkorn </a>
License: Public Domain Dedication (CC0)
Source: Unsplash
Learn more about Domestic Cats on Wikipedia.