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You can find my #textures and frames in www.texturepalace.com
Free to use under #creativecommons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. Please if you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated - Szabolcs :)) !!
#Textures, #texture, #texturepalace, #free
Free for use (as an adaptation) in any commercial or noncommercial work. These textures are NOT to be for sale individually or as part of a collection. May be distributed freely if this message is included. See this link for details:
Hello, You can find my #textures and frames in www.texturepalace.com
Free to use under #creativecommons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. Please if you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated - Szabolcs :)) !!
#Textures, #texture, #texturepalace, #free
This work by Martin Teschner is licensed under a Creative Commons Attribution-No Derivative Works 3.0 Germany License.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. If you wish to license them for commercial purposes, want to purchase prints or are interested in commissioning me to take photos, please send me a Flickr mail or visit my website, www.memoriesbymike.zenfolio.com/, for contact information. Thanks.]
Promenade des Artistes, Arrondissement de la Ville-Marie, Montréal.
Présentation de l'œuvre :
La proposition de McEwen et Hilton-Moore est composée de deux colonnes et d’une silhouette canine. Au sommet de la colonne de bronze et de celle d’acier se trouvent respectivement un masque tendant l’oreille vers le sol et une silhouette animale. Les trois éléments se font face dans un carrefour achalandé du Quartier des spectacles.
After Babel, a Civic Square a pour but d’affranchir le lieu des limites de la communication verbale. Entre l’homme et l’animal, la parole est nécessairement obsolète; elle doit laisser place au geste ou à d’autres modes d’expression. Le « square » prend alors tout son sens. Dans cet espace défini comme un lieu régi par un principe d’égalité, l’homme est libéré de la tyrannie du mot. Pour McEwen, l’ensemble sculptural « crée une forme de libération entre les langues en insistant sur ces vocabulaires du silence qui permettent de communiquer sans la parole ».
L’œuvre se situe à la rencontre du langage plastique des deux auteurs. Alors que McEwen privilégie le rassemblement d’éléments antithétiques autour de thèmes comme la communication, la liberté et le regard, Hilton Moore s’interroge sur les rapports entre le corps et l’espace.
Événements associés
La sculpture-installation de McEwen et de Hilton-Moore a été offerte par la ville de Toronto, à l’occasion du 350e anniversaire de Montréal et de l'événement « Toronto fête Montréal ». L’œuvre After Babel, a Civic Square a été choisie à la suite d’un concours sur invitation et installée en 1993 à l’endroit où se trouve actuellement le Quartier des spectacles.
Marlene HILTON-MOORE
Marlene Hilton-Moore est une artiste autodidacte résidant en Ontario, mais originaire du Nouveau-Brunswick. Son travail est représenté dans de nombreuses collections, dont celles de la Banque d’œuvres d’art du Conseil des Arts du Canada et celle de la Wilfrid Laurier University. Elle a également réalisé plusieurs œuvres d’art public, comme Monument aux Valeureux à Ottawa et Column of Valour, monument dédié aux pompiers volontaires de Barrie en Ontario.
John MCEWEN
John McEwen est un artiste ontarien ayant reçu sa formation à la McMaster University (1965) et au Ontario College of Art (1966-1970). Reconnu pour ses interventions dans l’espace public, il a notamment créé Ballad of Ice and Water à Toronto (2008-2009), River as Thread, Canoe as Needle à l’ambassade du Canada à Berlin (2004) et Speaker’s Circle, une œuvre offerte à l’Australie pour son centenaire par le Canada (2004). Son travail a également été exposé à la Biennale de Sidney et au Musée en plein air d’Utsukushigahara au Japon.
artpublic.ville.montreal.qc.ca/oeuvre/after-babel-a-civic...
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
Free for use (as an adaptation) in any commercial or noncommercial work. These textures are NOT to be for sale individually or as part of a collection. May be distributed freely if this message is included. See this link for details:
Hello, You can find my #textures and frames in www.texturepalace.com
Free to use under #creativecommons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. Please if you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated - Szabolcs :)) !!
#Textures, #texture, #texturepalace, #free
Es un publicación realizada por el equipo Creative Commons Colombia, con el apoyo de la Fundación Karisma y de Miguel Tejada, en el diseño.
“In the stock of pictorial representations of Istanbul that were produced in the course of the eighteenth century, a remarkable portion were constituted of women lounging leisurely on the grass, smoking, eating, dancing, or engaged in musical gatherings; of men walking, chatting, sipping their coffee, or napping in the shade of a tree; and of young boys and girls riding swings and climbing on trees. Public gardens, in particular, stood out as the most vibrant venue of social and leisure life.”
Source: Shirine Hamadeh, “The City’s Pleasures: İstanbul in the Eighteenth Century,” University of Washington Press, p. 110
#SALTResearch, Photography Archive
“İstanbul’un 18. yüzyılda üretilen resimli temsillerinde, çimlere sere serpe uzanan, tütün içen, yemek yiyen, dans eden ya da müzikli eğlencelere katılan kadınlar, yürüyen, sohbet eden, kahvelerini yudumlayan ya da bir ağacın gölgesinde kestiren erkekler, salıncakta sallanan ve ağaçlara tırmanan genç erkekler ve kızlar önemli bir yer teşkil etmekteydi. Özellikle mesireler, toplumsal yaşam ve boş zamanlar için en hareketli yerler olmuştu.”
Kaynak: Shirine Hamadeh, “Şehr-i Sefa: 18. Yüzyılda İstanbul”, İletişim Yayınları, s. 164
#SALTAraştırma, Fotoğraf Arşivi
Repository: SALT Research
Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.
Dieses Werk von Ukelens ist lizenziert unter einer Creative Commons Namensnennung - Nicht-kommerziell - Weitergabe unter gleichen Bedingungen 4.0 International Lizenz.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
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Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
(You will love it even more in Large :-) )
A few of our office colleagues had given us this beautiful castle as a gift for our wedding and I knew that it would come real handy during one of the weekends. The weekend before the last one was when I shot this & I loved the way the light was streaming in through our windows. I have been working on getting that perfect black backgrounds for sometime now & this click really made me happy. Hope you like it too.
More of my textures and frames in www.texturepalace.com
Free to use under creative commons attribution licence. If you blog an image or use it in any other way, leave the URL in the comments. If you use one of my images in your art, I'd appreciate it if you give credit, link back & show your result (small please) in the comments.
plus.google.com/+Texturepalace/posts
www.facebook.com/texturepalace
Also, every view, comment, fave, invitation and/or adding to a gallery is much appreciated :)) !!
If you like this texture, please feel free to use it however you like. I would love to see what you do with it though, so please comment here with a link to your image. Also please include a link to the texture's page wherever you decide to display your image. This texture is straight out of my camera with minor color adjustments. Please go here to see my layered textures comprised of two or more texture layers in Photoshop.
On Saturday 25 May, University College London (UCL) students called on the support of other students and supporters across London to rally outside their Gaza pro-ceasefire encampment after the announcement that a pro-Israel rally would take place outside their main gate that afternoon.
One of the most frequently heard chants by students on this and other days was
"Disclose, Divest,
We will not stop,
We will not rest."
Among the crowd there were many students from the neighbouring School of Oriental and African Studies (SOAS) where an encampment had already been established about two weeks earlier.
SOAS students earlier published a list of demands including, according to two metre high placard at their encampment -
1. Disclose - Full details of all university investments
2. Divest - from companies complicit in Israel's denial of Palestinian rights - [a list of specific companies followed which included Barclays Bank, Alphabet (Google/Alphabet) and Microsoft.]
3. Terminate - the university's banking and lending arrangement with Barclays
4. Boycott - Israeli academic institutions which are complicit in the violation of Palestinian human rights, including the University of Haifa
5. Commit - to supporting Palestinian education and the rebuilding of Gaza's Schools and Hospitals. Establish partnerships and exchanges with Palestinian institutions and academics. Increase scholarships for Palestinian students. Advocate for removal of restrictions for pro-Palestinian expression.
6. Guarantee - the right of students and staff to express solidarity with the Palestinian struggle for liberation including in research, speech and actions.
7. Advocate - for the UK government to implement an arms embargo on Israel, to call for an immediate, unconditional and permanent ceasefire.
As of the date of posting (4 June 2024) at least 36,932 Palestinians have been killed since 7 October, including more than 15,000 children. An estimated 10,000 are missing, of whom most are probably dead. An unknown number of additional deaths due to excess mortality from food shortages, disease and difficulties in obtaining essential medical care and medicines. More than 82,000 Palestinians have been injured, many of them with life-changing injuries including many amputations. According to the United Nations, as of 2 June, more than half of all residential buildings have been destroyed or damaged but with some key infrastructure the destruction is even more devastating - including 80% of commercial facilities and 86% of school buildings damaged or destroyed. Additionally some 83% of groundwater wells are no longer operational.
ttps://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker
REGARDING THE "FROM THE RIVER TO THE SEA" PLACARD
The placard near the bottom of the photo declares "From the River to the Sea Palestine will be Free." There has been a recent and I think dangerously misleading comment by the UK's Home Secretary, Suella Braverman, that this "should be understood as an expression of a violent desire to see Israel erased from the world."
www.theguardian.com/politics/2023/oct/10/people-supportin...
However my own understanding, which is shared by all the activists I have ever spoken with, is that this refers to one of the two alternative future states following any successful internationally backed and recognised peace negotiation, either a two-state solution along the 1967 green line along with possible minor modifications, or a single democratic state (from the River Jordan to the Mediterranean Sea) incorporating Israel, Gaza and the West Bank, where each and every adult would have an equal say in forming the government.
There is of course a third alternative, which is the one which Netenyahu and the current Israeli regime appear to be embarked on, which is the creation of a greater Israel stretching from the Mediterranean to the River Jordan. I referred above to Netenyahu's map showing such a greater Israel at the UN General Assembly.
According to the United Nations, there are already 250 subsidised Israeli settlements, occupied by 633,000 Israeli settlers, established in contravention of international law across much of the best land in the West Bank and East Jerusalem. There are also 650 Israeli military checkpoints restricting the right of travel for Palestinians between the main towns in the West Bank, and currently all travel through any of these checkpoints for Palestinians is being denied.
www.ochaopt.org/sites/default/files/westbank_a0_25_06_202...
www.youtube.com/watch?v=KMIZTiN-TrE
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A creative commons PHOTO LICENSE for COMMERCIAL USE for this photo is AVAILABLE for over sixty NGOs and socialist or progressive publications which are listed on the link below
Although this image is being posted on an attribution noncommercial share alike basis CC BY-NC-SA 2.0 DEED, the following organisations and publications listed on the link below are also welcome to reproduce it even if it is for commercial purposes. However please publish the image on the same attribution noncommercial share alike basis. For more info or if any other organisation, person or publication wishes to publish this photo on a commercial basis please email me at alisdare@gmail.com.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. If you wish to license them for commercial purposes, want to purchase prints or are interested in commissioning me to take photos, please send me a Flickr mail or visit my website, www.memoriesbymike.zenfolio.com/, for contact information. Thanks.]
On November 1, 2018 the Los Angeles Fire Department (LAFD) Foundation honored members of the Department who have demonstrated exceptional bravery, excellence, and commitment to their community.
VALOR
This year the Medal of Valor and Award of Merit honorees include seven members who distinguished themselves while off duty in Las Vegas, during the Route 91 Harvest Music Festival and a member who saved the lives of three young children at a structure fire in Wilmington.
Medal of Valor: A member is entitled to consideration for this award by performing an act of conspicuous heroism and/or bravery under extreme personal risk above and beyond the calculated personal risk demands of the fire service. Seven members earned this prestigious award this year, they are:
Firefighter/Paramedic Rio-Bec Hernandez
Firefighter III Darin Crandell
Captain II Ted Kalnas
Captain I Brett Kearns
Firefighter/Paramedic Michael Mandahl
Firefighter III Nicholas Shrode
Engineer Robert James Hays III
Award of Merit: Earned by members taking conspicuous action in rendering aid during a life-saving or life-threatening situation under circumstances which pose calculated risk to the members or performing an endeavor which brings significant credit to the Department. This outstanding award goes to:
Firefighter III Anthony Michael Cresta
Lifetime Achievement Award: Presented to a retiree of the Department who exemplifies the true spirit of “Service to the Community” through their actions while on active duty and as a retired member. This year’s recipient is:
Chaplain George Negrete (retired)
The Crystal Flame Community Service Award: Presented to a sworn member of the Department who has gone beyond their regular duties, demonstrating exceptional compassion and personal commitment to the community. This year’s recipients are:
Battalion Chief Alicia Welch (retired)
Battalion Chief Kris Larson
Captain II Monica Hall
Captain I Jennifer Wilcox
Chief’s Distinguished Service Award: Presented when an individual or a Section of the Department performs with distinction in service to the LAFD and the community. We are proud to present this award to:
LAFD Air Operations
Legacy Service Award: In her role as the former President of the LAFD Foundation, she was instrumental in raising money to fund and develop youth programs, technology, equipment, and leadership training for our Department. We are honored to give this award to: Ms. Karen Wagener.
"Our members routinely respond to a variety of incidents that place significant risks on themselves. The members being honored have exceeded what is typically expected of them and deserve to be recognized. I would like to acknowledge the LAFD Foundation for making this event possible, with special thanks to our new Foundation President, Ms. Liz Lin, our Board Chairman Mr. Mike Ahmar as well as the Foundation Board and Support members who have worked tirelessly to produce another outstanding event." - LAFD Fire Chief Ralph Terrazas
LAFD Event - 11012018
Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Gary Apodaca
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
Bringing the sheep home near Stylos (Crete).
Bringing the sheep home on Crete, Crete 2022, by fraganda photo, licensed under CC BY-SA 4.0
Fully deconstructed, in white.
# 梁英傑 LEUNG Ying Kit, Yankee
Futuristic Classic
yankeeleung@hotmail.com
+852 6191 0654
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
梁英傑 LEUNG Ying Kit, Yankee: Futuristic Classic: Look 5 / PolyU Fashion Show 2013 / SML.20130626.6D.17143
/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #Crazyisgood #SMLMen
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #梁英傑 #LeungYingKit #YankeeLeung #Mens #men #boys #WTF
# 黃嘉麗 WONG Ka Lai, Kali
Monsters Family
kalai.w1990@gmail.com
+852 6849 7416
# Sponsor
+ China Union (Cashmere) International Group Limited
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
黃嘉麗 WONG Ka Lai, Kali: Monsters Family: Look 3 / PolyU Fashion Show 2013 / SML.20130626.6D.16994
/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #Crazyisgood
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #WongKaLai #KaliWong #黃嘉麗 #MonstersFamily #womens #women #models #cashmere
Hundreds of leading activists, advocates, librarians, educators, lawyers, technologists, and more came together during the 2019 Creative Commons Global Summit in Lisbon for discussion and debate, workshops and planning, talks and community building. For more information: summit.creativecommons.org/
And then a model stopped during runway and start to manipulate them.
# 王敏芝 WONG Man Chi, ManG
Contemporary Pinocchio
mang.wong0104@gmail.com
+852 9718 2302
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
王敏芝 WONG Man Chi, ManG: Contemporary Pinocchio: Look 1: Metamorphosis / PolyU Fashion Show 2013 / SML.20130626.6D.17161
/ #PolyUFashionShow2013 #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #Crazyisgood #SMLWomen
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #理工大學 #PolyU #fashion #design #people #王敏芝 #WongManChi #ManGWong #womens #women #WTF #models
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.