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The Tick was a comic book series created by Ben Edlund in 1988 and originally published in black-and-white by the New England Comics store in Boston, Massachusetts. The series provided modest beginnings for its title character, who would later feature in his own television programs and merchandise. The final plot in the comic was never concluded as Mr Edlund left New England Comics to work on the animated series. He has made it clear he never intends to produce the final, 13th issue. Issue 1

Special edition, stamped with a serial number from 1 to 5000, released March 1988. First edition released June 1988.

Ben Edlund, Writer & Artist; Bob Polio, Art Director; George Suarez, Editor & Publisher.

The Tick is in a padded room, confined by a straitjacket. He is bored and decides he will "leave this place." He ends up in the city on patrol against crime. During his patrol he accidentally encounters a group of ninjas interrogating Shing. The Tick, not realizing that he has encountered a crime in progress, leaves to fight crime, with ninjas, hotly, but artlessly, in pursuit. The Tick ends up in a coffee shop demonstrating to a citizen that he is a Tick by demonstrating his sucking ability through a straw. After losing consciousness, the Tick awakes in a subway tunnel, not realizing where he is. Clark Oppenheimer on a nearby train platform sees the Tick in the tunnel and springs into action to save the doomed citizen. The Tick resists being saved, thinking he is in the belly of a whale and Clark an enlarged enzyme, resulting in the two of them being struck by a train. After being disgorged from the tunnel, somewhat worse for wear, Clark runs off to his job at a local newspaper.

Clark Oppenheimer is a subtle but noticeable parody of Superman.

The full story of the Tick's escape from the asylum is revealed in The Tick: Luny Bin series.

The first panel of page 17 is a recreation of the Edward Hopper painting, Nighthawks. This painting appears many times in Tick comics and in the animated series.

Second edition released March 1989 with four extra pages of the Tick. Appearances from the NEC Newsletter. Third edition released Jun 1989. Fourth edition released December 1989. Fifth edition released April 1991. Sixth edition released January 1995. Seventh edition released April 1996. A Special Edition Reprise, with the same cover as the Special Edition with a second cover wrap and serially numbered 5001-14000, released April 1996. Eighth, 10th anniversary edition, released August 1996. Ninth edition, released March 1998.

 

After creating the original mind.Depositor with clips and used it for a while, I found a small problem but it bugs me on regular basis. To insert and pull out the cards, it requires force, no matter how small it is, it creates stress. That's why superior Japanese stationery designs often put into considerations how to reduce user efforts. They call the practice "Universal Design".

 

So I set out to do a simpler version by using two pieces of leather only. I also have a practice to carry a small notepad or Field Notes to capture to-do inputs temporarily before transferring them to GTD index cards. So I'm adding a slit for the notepad and a slit to store extra blank index cards.

 

On the left hand side of the cover, I can put a notepad by inserting it to a slit, put blank GTD index cards in the pocket and insert a Field Notes.

 

On the right hand side I can put two categories of index cards (Personal and Work) into different pockets.

 

There is also a flap used as a bookmark or enclosure.

 

The whole thing becomes more compact and functional. It requires less effort to use, it is a simpler design with pleasant leather as the only material, I'm so happy with it. I especially like the color contrast of the outer white and inner brown. So check out the sections below and learn how to create your own.

 

Original mind.Depositor

Download mind.Depositor Index Card Templates

How to create the original mind.Depositor

How to create mind.Depositor 2

 

Previous cover of mind.Depositor: Lifehacker.com (followup, and Japanese version of it), GTDTimes, Moleskinerie, Koloist, David Allen Co., Lifehacking.jp, Geeks Guide To Productivity

 

More on Scription blog: moleskine.vox.com/library/post/minddepositor-2---leather-...

Created by Veronika (SheDontUseJelly)

Some weeks ago Robin Scholz made some very nice instructions for a 4 sided kirigami star and meanwhile I found some instructions to make a six sided kirigami snowflake or star. I also found two funny sites where you may make some digital experiences with kirigami snowflakes/six pointed stars.

snowflakes.barkleyus.com/

thedomainfo.com/go/?domain=snowflake.bhg.com

In the first one you can’t do inner cuts, but in the second one you do, and you even have the option of making free shapes or geometric ones (in polygon mode). Anyway you’ll have lots of fun with both and they surely help you to get a preview of some of the things you can get before start cutting.

 

is this drawing your attention yet oh partner?

 

blogged

Created using: Faber-Castell Albrecht Durer Watercolor Pencils on Bristol Paper.

By: Ian Rees

Crocheted and knitted (knooked) bodice and bamboo fleece skirt. Pattern made up as i went along. Attemps to shape the knitting were quite imperfect. The ribbed band was a pain in the neck. Still -- not bad for a first go! CRT.Crochet2013.04

If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com

creating our own ad

 

A satin fetishist's dream.

Gagged and veiled and covered with a lot of huge satin fabrics 💕💕

Created in the mid-to-late Nineteenth Century by Melbourne stained glass manufacturer Ferguson and Urie, the Saint Barnabas stained glass window may be found in the western transept of Christ Church Brunswick above the 1972 Roger H. Pogson organ built of cedar with tin piping. It is the most inaccessible window in the church proper, and can only be seen from the Lady Chapel in the eastern transept.

 

Saint Barnabas was an early convert to Christianity and is known as one of the more prominent disciples of Christianity in Jerusalem. Saint Barnabas was purportedly martyred either by stoning or less probably was bound with a rope by the neck, and then dragged only to the site where he was burned to death. Regardless of the form of his martyrdom, it is agreed that happened in Salamis in Cyprus. In Saint Barnabas' left hand he holds a scroll on which is written words from the Gospel of Matthew in Greek.

 

This window was erected by James Grice, eldest son of pastoralist, businessman, philanthropist and churchman Richard Grice. Richard was born on October the 30th 1813 in Cumberland, England. The son of William Grice and his wife Sarah, née Parke. he was born into a family who ran a private family bank in Cumberland, built on generations of his family who had begun as farmers in the area before becoming successful businessmen in Cumberland. Richard attended Walker's School in Whitehaven, and gained farming experience on one of his family's properties. However, in his mid twenties, Richard felt that his future did not lie in England, so he set sail to Australia in 1839. He arrived at Adelaide in September 1839 with shepherds and a business partner named Benjamin Heape. They did not stay in Adelaide, and journeyed east to Melbourne where Richard and Benjamin set up an importing and exporting business. Richard decided to explore the idea of pastoral opportunities in the Western District where he successfully raised and bred sheep, going on to become one of the most successful pastoralists in Australia. He expanded his pastoral holdings into Queensland. In 1844 Richard married the daughter of James Hibberson, Anne Lavinia. In 1847 they did a Grand Tour of Europe and then settled in the affluent Melbourne suburb of Fitzroy. They had twelve children. Benjamin returned to England in 1852, so Richard entered into a partnership with Mr. T. J. Sumner, who had worked as a clerk within the original firm. Mr. Sumner's eldest daughter married Richard's son James, and the firm became known as Grice, Sumner & Co. The business flourished and by the mid 1870s the firm held vast grazing properties in Victoria, New South Wales, South Australia and Queensland. Richard died at his home in Fitzroy on November the 4th 1882, survived by his wife and by three sons and four daughters.

 

Christ Church, built almost on the corner of Glenlyon Road and Brunswick Street in Brunswick, is a picturesque slice of Italy in inner city Melbourne. With its elegant proportions, warm yellow stuccoed facade and stylish Romanesque campanile, the church would not look out of place sitting atop a rise in Tuscany, or being the centre of an old walled town. This idea is further enhanced when the single bell rings from the campanile, calling worshipers to prayer.

 

Christ Church has been constructed in a cruciform plan with a detached campanile. Although not originally intended as such, at its completion, the church became an excellent example of "Villa Rustica" architecture in Australia. Like other churches around the inner city during the boom and bust eras of the mid Nineteenth Century as Melbourne became an established city, the building was built in stages between 1857 and 1875 as money became available to extend and better what was already in existence. Christ Church was dedicated in 1857 when the nave, designed by architects Purchas and Swyer, was completed. The transepts, chancel and vestry were completed between 1863 and 1864 to the designs created by the architects' firm Smith and Watts. The Romanesque style campanile was also designed by Smith and Watts and it completed between 1870 and 1871. A third architect, Frederick Wyatt, was employed to design the apse which was completed in 1875.

 

Built in Italianate style with overture characteristics of classical Italian country house designs, Christ Church is one of the few examples of what has been coined "Villa Rustica" architecture in Victoria.

 

Slipping through the front door at the bottom of the campanile, the rich smell of incense from mass envelops visitors. As soon as the double doors which lead into the church proper close behind you, the church provides a quiet refuge from the busy intersection of Glenlyon Road and Brunswick Street outside, and it is quite easy to forget that cars and trams pass by just a few metres away. Walking up the aisle of the nave of Christ Church, light pours over the original wooden pews with their hand embroidered cushions through sets of luminescent stained glass windows by Melbourne manufacturers, Ferguson and Urie, Mathieson and Gibson and Brooks Robinson and Company. A set of fourteen windows from the mid-to-late Nineteenth Century by Ferguson and Urie depicting different saints are especially beautiful, filled with painted glass panes which are as vivid now as when they were created more than one hundred years ago. The floors are still the original dark, richly polished boards that generations of worshipers have walked over since they were first laid. The east transept houses the Lady Chapel, whilst the west transept is consumed by the magnificent 1972 Roger H. Pogson organ built of cedar with tin piping. This replaced the original 1889 Alfred Fuller organ. Beautifully executed carved rood figures watch over the chancel from high, perhaps admiring the marble altar.

 

Albert Purchas, born in 1825 in Chepstow, Monmouthshire, Wales, was a prominent Nineteenth Century architect who achieved great success for himself in Melbourne. Born to parents Robert Whittlesey Purchas and Marianne Guyon, he migrated to Australia in 1851 to establish himself in the then quickly expanding city of Melbourne, where he set up a small architect's firm in Little Collins Street. He also offered surveying services. His first major building was constructing the mansion "Berkeley Hall" in St Kilda on Princes Street in 1854. The house still exists today. Two years after migrating, Albert designed the layout of the Melbourne General Cemetery in Carlton. It was the first "garden cemetery" in Victoria, and his curvilinear design is still in existence, unaltered, today. In 1854, Albert married Eliza Anne Sawyer (1825 - 1869) in St Kilda. The couple had ten children over their marriage, including a son, Robert, who followed in his father's footsteps as an architect. Albert's brother-in-law, Charles Sawyer joined him in the partnership of Purchas and Sawyer, which existed from 1856 until 1862 in Queens Street. The firm produced more than 140 houses, churches, offices and cemetery buildings including: the nave and transepts of Christ Church St Kilda between 1854 and 1857, "Glenara Homestead"in Bulla in 1857, the Melbourne Savings Bank on the corner of Flinders Lane and Market Street (now demolished) between 1857 and 1858, the Geelong branch of the Bank of Australasia in Malop Street between 1859 and 1860, and Beck's Imperial Hotel in Castlemaine in 1861. When the firm broke up, Albert returned to Little Collins Street, and the best known building he designed during this period was St. George's Presbyterian Church in East St Kilda between 1877 and 1880. The church's tall polychomatic brick bell tower is still a local landmark, even in the times of high rise architecture and development, and St, George's itself is said to be one of his most striking church designs. Socially, Albert was vice president of the Royal Victorian Institute of Architects for many years, before becoming president in 1887. He was also an inventor and philanthropist. Albert died in 1909 at his home in Kew, a wealthy widower and much loved father.

 

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

  

I'm holding one of the amazing figures created by Nele Azevedo as part of the Minimum Monumnet art installation Custom House steps, Belfast - 20 Oct 2012 as I place it it begins to melt and part of the water dripping down the steps making this art installation purely transitory as it brings ot mind the victims of Titanic who died after the ship hit an ice berg !

Created for a wonderful family that owns one of this areas Original You Pick Farms! Some tiers had tall white chocolate wraps to hold piles of delicious berries.

Artist adding finishing touches on her Buddha carving. Below is another artist carving out a Buddha.

 

Workshop at Siem Reap, Cambodia

 

XA503133

created with prompts using stable diffusion

A session on how virtual reality has opened the door to new mediums of creating and experiencing stories in the media and entertainment industry.

a bubble for me... please?

Create a dreamy, vintage-inspired portrait of a glamorous woman standing confidently in front of a classic turquoise pickup truck. She wears a bold cherry-red dress that accentuates her hourglass silhouette, with soft blonde curls framing her face in a Hollywood-pinup style. The sunlight adds a gentle glow, enhancing the nostalgic atmosphere as she poses with subtle elegance and allure. Capture the blend of retro charm, automotive Americana, and timeless beauty, evoking the spirit of 1950s glamour brought to life in a modern, polished scene.

Created with fd's Flickr Toys

  

.Saint David, or Dewi Sant, as he is known in the Welsh language, is the patron saint of Wales. He was a Celtic monk, abbot and bishop, who lived in the sixth century. During his life, he was the archbishop of Wales, and he was one of many early saints who helped to spread Christianity among the pagan Celtic tribes of western Britain.

 

Created for K-Play Plus (a place to create from other members pictures) @

www.flickr.com/groups/kaleidoscope_players/

Original Source: www.flickr.com/photos/aremco/4293242850/

Create-a-Monster Sea Monster. Repainted by me and rerooted by tsubasahome.

(She's mine, not for sale)

Created from an artwork by the late Hong Kong Artist Ah Chung (1933-2018).

To learn more of the artist or purchase a Giclee print of the artwork, please visit www.ahchung.com.hk

for heartfelt good deeds seen with loving intentions…

I created this quilt for the BONUS Project QUILTING Triple Trouble Challenge: www.persimondreams.blogspot.com/2013/12/project-quilting-...

 

We were to use a random bundle of fabrics to create our quilt. We had to use three nine patches (find mine in the grass), three stars (in the sky) and another block (courthouse steps around the shirts) to create our quilt. This quilt came about organically. I saw this 'Just Shirts' exchange and then used that to make three shirts to hang on a clothesline. I found a paper piecing pattern that included soe tuilps at another show I attended...I thought it would be perfect. Just a cute fun little quilt.

 

I used wavy linear quilting in the sky and grass - nothing special but I like the movement it creates!

 

I bordered with a brown wood fabric - to mimic a frame for the 'cute' picture I had created.

 

Made in Poynette, WI by Kim Lapacek

Visit to special beauty salon

Veiled and covered with a lot of finest silk fabrics

Created for 7th MMM Challenge

Source image with thanks to Philipp Butzug

museum picture by me.

 

Geological Museum was established on May 16, 1928. This museum has been renovated with a grant from JICA (Japan International Cooperation Agency). After renovation, reopened and Geological Museum was inaugurated by the Vice President, Megawati Sukarnoputri on August 23, 2000. As one of the historic monuments, museums are under government protection and the national heritage. In this museum, stored and managed geological materials are abundant, such as fossils, rocks, minerals. All of them were collected during fieldwork in Indonesia since 1850.

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