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This board shows my exploration of trees using the bark texture and as inspiration to create samples which had a texture using the textile techniques tyvek, wadding, mola, burning, water soluble, free machine and applique. I also drew images inspired by my primary images to draw out shapes and patterns in the bark.
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For my coursework I wanted to focus on nature and the fundamentals of our world. I used a number of techniques to create texture and depths, for instance i used wire around some of the lotus.
One of my development/experiment pieces of work, looking at work by Auerbach and Tony Bevan, manipulating and abstracting the figure.
Inks and Marker Pen. A1
Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.
This is my third and final initial idea where my designs and ideas were expressed through two point perspective drawings and thinking ideas.
A3 Sketchbook double spread. (left) Referencing encaustic artists above and an image of my own encaustic work below. (right) Small trials of the effects of other mediums with wax.
My first year A-level Fine Art coursework was based on the topic of 'memories' where I explored the idea of flowers representing different stages and events in life. I researched into the artist Manet and experimented with his style to develop my own. I did various colour pencil studies of the decaying process of flowers from photos I had taken, where I discovered that the colour of the pencils became purest on a darker background. Finally, I studied a selection of vases, with the idea that they are what holds all the memories together, and used different pressures with colour pencils to create a glass effect. The photos I took of the vases were inspired by another artist, Jacqueline Gnott, who always paints flowers inside vases with a black background.