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My own eye taken by one of my closest friends.

Sorry about the shoulder there, we were squashed inside and I couldn't get them out of the frame!!

Mobile photo

Burton Wold Wind Farm

The Disaster Training Academy is a three‑day, in-person training experience designed to build confidence, capability, and connection across our regional disaster workforce. Through realistic scenarios, facilitated discussion, and skill‑building activities, participants move beyond online coursework and gain practical experience they can draw on during real disaster operations.

 

(Photographer: Mike Seely / American Red Cross)

Photograph created for A Level Photography, based around the theme of 'Changing Landscapes'. Manipulated using Adobe Photoshop.

Brief- capture an image that closely replicates the technical aspects such as lighting compared to the original while also being inspired by and clearly portraying the chosen Sin.

Focus on post production editing in photoshop.

Coursework: Photo combination 2

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Little Stone

How do artists use colour and texture to abstract the subject matter?

Mixed media; oil paint, pastel and water colour

A3

September - March 2014

Coursework for Bikecicle 2012.

pupils actively engaged in coursework

Coursework submission for 3D Character animation and modelling.

Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.

Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.

Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.

Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.

Photos I have chosen that I am very proud of contributing towards my magazine and website for my media coursework exploring differences in identities.

A3 charcoal + chalk study of John Coplans' photograph ('Self Portrait (Hands on Knees)')

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