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Gunite Pool Patio & Coping
deckandpationaturalstones.com/gunite-inground-swimming-po...
Customization is every homeowners aspiration, and with this custom built home the blank slate of a flat empty backyard gave both homeowner and Gappsi’s design team the freedom, liberty and creative license to dream big. Located in the secluded wooded area of Ft. Salonga, a small town along 25a on the north shore of Suffolk county, this newly constructed home was carved out of a dense tree and brush area with the goal of seclusion and privacy. As soon as the home was completed the backyard was the next logical step in making the homeowners house a home. Starting with the homeowners wish list of built in BBQ bar, multi-level areas to entertain, pool, fire pit as well as a natural oasis vibe of isolation from the rest of the world, the task at hand was going to be a challenge to obtain purpose and balance. The free form Gunite pool was the anchor to this project, giving natural curves along the backside of the property to place manicured low maintenance plants as well as a natural rock spill over into the pool, a beautiful backdrop to look out from the homes two large custom arched doors and windows. Two strategically placed planting bed closer to the house helps divide the spaces and create unique areas that one could submerse themselves in without feeling exposed. The entire project was designed to use Gappsi’s Natural Stone Limestone and Travertine line mixed with the round river rock cultured stone veneer to match the homes turret and bring together both indoor and outdoor living areas. The use of Moca travertine coping with the multicolored Melfi limestone in the French pattern exhibits how two different types of stone and an array of color can come together and blend effortlessly into a harmonic visual symphony. Off the house is the main raised patio that serves a multitude of purpose that includes an alfresco cooking and lounging area as well as a vantage point to overlook the sprawling yard. the main dining area is a few steps off the cooking and lounge area to give a feel of separation without a great deal of distance. On the bottom level we see the majority of pool patio with ample sunbathing area to the left as well as a cozy fire pit area nestled off towards the right. With keeping a balance of stone Gappsi design team added a raised flower bed along the upper patio for two reasons, to soften the height of the wall face as well as to keep a streamline look and feel to the entire project by not needing rail systems. Altogether between both the design and install team of Gappsi and the vision and ideas the homeowners had, we took this custom home to new heights with its own custom backyard and gave the look and feel of an expensive resort in the foothills of northern Long Island.
deckandpationaturalstones.com/gunite-inground-swimming-po...
Laboratório de Prótese Dentária EsteticArt | Laboratório de Prótese CAD CAM em SAO PAULO
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Trabalhamos com praticamente todos os sistemas de implantes nacionais e importados.
Economia: Não é necessário enviar componentes calcináveis.
Podemos trabalhar com qualquer tipo de trabalho protético, desde lentes, onlays, próteses convencionais e próteses sobre implantes.
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The castle has been the seat of the Percy family since Norman times. By 1138 the original motte and bailey castle, with wooden buildings, was replaced with stone buildings and walls. In 1309 the keep and defences were made even stronger by Henry de Percy. The castle then stayed unchanged for 400 years. By the 18th century it had fallen into ruins. The keep however was then turned into a gothic style mansion by Robert Adam. In the 19th century the Duke of Northumberland carried out more restoration of the castle.
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ALNWICK CASTLE, THE CASTLE, STABLE COURT AND COVERED RIDING SCHOOL INCLUDING WEST WALL OF RIDING SCHOOL
Heritage Category: Listed Building
Grade: I
List Entry Number: 1371308
National Grid Reference: NU 18685 13574
Details
This list entry was subject to a Minor Amendment on 05/10/2011
NU 1813 NE 2/1 NU 1813 SE 1/1 20.2.52. 5330
Alnwick Castle The Castle, Stable Court and Covered Riding School including West Wall of Riding School
GV I
Alnwick Castle has work of every period on the line of the original motte and bailey plan. By 1138 a strong stone built border castle with a shell keep in place of the motte, formed the nucleus of the present castle with 2 baileys enclosing about 7 acres. The curtain walls and their square towers rest on early foundations and the inner gatehouse has round-headed arches with heavy chevron decoration. The Castle was greatly fortified after its purchase by Henry de Percy 1309 - the Barbican and Gatehouse, the semi-circular towers of the shell keep, the octagonal towers of the inner gateway and the strong towers of the curtain wall date from the early to mid C14. Ruinous by the C18, the 1st Duke had it rehabilitated and extended by James Prince and Robert Adam, the latter being mainly concerned with the interior decoration, very little of which remains except for fireplaces in the Housekeeper's and the Steward's Rooms and for inside the present Estates Office range. Capability Brown landscaped the grounds, filling in the former moat (formed by Bow Burn). The 4th Duke employed Anthony Salvin 1854-65 at the cost of £1/4 million to remove Adam's fanciful Gothic decoration, to restore a serious Gothic air to the exterior and to redesign the state rooms in an imposing grand Italian manner. The Castle is approached from Bailliff gate through the crenellated Barbican and Gatehouse (early C14): lion rampant (replica) over archway, projecting square side towers with corbelled upper parts, fortified passage over dry moat to vaulted gateway flanked by polygonal towers. Stone figures on crenellations here, on Aveners Tower, on Record Tower and on Inner Gateway were carved circa 1750-70 by Johnson of Stamfordham and probably reflect an earlier similar arrangement. In the Outer Bailey to the, north are the West Garrett (partly Norman), the Abbott's Tower (circa 1350) with a rib vaulted basement, and the Falconer's Tower (1856). To the south are the Aveners Tower [C18], the Clock Tower leading into the Stable Yard, the C18 office block, the Auditor's Tower (early Clk) and the Middle Gateway (circa 1309-15) leading to the Middle Bailey. The most prominent feature of the Castle on the west side is the very large Prudhoe Tower by Salvin and the polygonal apse of the chapel near to it. In the Middle Bailey, to the south are the Warders Tower (1856) with the lion gateway leading by a bridge to the grand stairs into the walled garden, the East Garrett and the Record Tower (C14, rebuilt 1885). In the curtain wall to the north are 2 blocked windows probably from an early C17 building now destroyed and the 'Bloody Gap', a piece of later walling possibly replacing a lost truer; next a small C14 watch tower (Hotspur's Seat); next the Constable's Tower, early C14 and unaltered with a gabled staircase turret; close by is the Postern Tower, early C14, also unaltered.'To the north-west of the Postern Tower is a large terrace made in the C18, rebuilt 1864-65, with some old cannon on it. The Keep is entered from the Octagon Towers (circa 1350) which have 13 heraldic shields below the parapet, besides the agotrop3ic figures, and a vaulted passage expanded from the Norman gateway (fragments of chevron on former outer arch are visible inside). The present arrangement of the inner ward is largely Salvin's work with a covered entrance with a projecting storey and lamp-bracket at the rear of the Prudhoe Tower and a corbelled corridor at 1st floor level on the east. Mediaeval draw well on the east wall, next to the original doorway to the keep, now a recess The keep, like the curtain walls, is largely mediaeval except for some C18 work on the interior on the west and for the Prudhoe Tower and the Chapel. The interior contrasts with the rugged mediaeval exterior with its sumptuous Renaissance decoration, largely by Italians - Montiroli, Nucci, Strazza, Mantavani and inspired from Italian sources. The chapel with its family gallery at the east end has 4 short rib vaulted bays and a shallow 3-light apse; side walls have mosaics, covered now with tapestry. The grand staircase With its groin vaulted ceiling leads to the Guard Chamber from which an ante-room leads west into the Library (in the Prudhoe Tower) and east into the Music Room (fireplace with Dacian captives by Nucci). Further on are the Red Drawing Room (caryatid fireplace by Nucci) and the Dining Room (ceiling design copied from St Lorenzo f.l.m. in Rome and fireplace with bacchante by Strazza and faun by Nucci). South of the Middle Gateway are Salvin's impressive Kitchen quarters where the oven was designed to burn a ton of coal per day. West of the Stable Courtyard, with C19 Guest Hall at the south end, is the C19 covered riding school, with stable to north of it, and with its west wall forming the east side of Narrowgate. The corner with Bailliffgate has an obtuse angled tower of 2 storeys, with a depressed ogee headed doorway from the street, and merlons.
Listing NGR: NU1863413479
historicengland.org.uk/listing/the-list/list-entry/137130...
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ALNWICK CASTLE
Heritage Category: Park and Garden
Grade: I
List Entry Number: 1001041
National Grid Reference: NU1739315366, NU2254414560
Details
Extensive landscape parks and pleasure grounds developed from a series of medieval deer parks, around Alnwick Castle, the seat of the Percy family since the C14.
Between 1750 and 1786, a picturesque landscape park was developed for Hugh, first Duke of Northumberland, involving work by James Paine, Robert Adam, and the supervision of work by Lancelot Brown (1716-83) and his foremen Cornelius Griffin, Robson, and Biesley in the 1760-80s, working alongside James and Thomas Call, the Duke's gardeners. During the C19 each successive Duke contributed and elaborated on the expansive, planned estate landscape, within which the landscape park was extended. This was accompanied by extensive C19 garden works, including a walled, formal flower garden designed in the early C19 by John Hay (1758-1836), and remodelled mid C19 by William Andrews Nesfield (1793-1881).
NOTE This entry is a summary. Because of the complexity of this site, the standard Register entry format would convey neither an adequate description nor a satisfactory account of the development of the landscape. The user is advised to consult the references given below for more detailed accounts. Many Listed Buildings exist within the site, not all of which have been here referred to. Descriptions of these are to be found in the List of Buildings of Special Architectural or Historic Interest produced by the Department of Culture, Media and Sport.
HISTORIC DEVELOPMENT
In the C13, Hulne Park, West Park, and Cawledge were imparked within the Forest of Alnwick. Hulne Park lay to the north-west of Alnwick Castle and Cawledge to the south and south-east. By the late Middle Ages, Hulne Park extended to 4000 acres (c 1620ha) enclosed by some 13 miles (c 21km) of wall. It was stocked with some 1000 fallow deer and a tower at Hulne Priory served as a hunting lodge. The parks formed the basis of Alnwick Park, landscaped by Sir Hugh Smithson (1714-86) who in 1750 became Earl of Northumberland, inheriting his father-in-law's northern estates. Prior to this, from 1748 he and his wife, Elizabeth Seymour (1716-76), had lived at Stanwick, Yorkshire (qv) and at Syon Park, London (qv), where they had already established a reputation for gardening, attested by Philip Miller's dedication, in 1751, of his Gardener's Dictionary to the Earl.
Together they embarked on an ambitious scheme to restore the Castle, develop the grounds and estate, and restore the Percy family traditions and identity at Alnwick. Those employed at Alnwick were also involved elsewhere on the Northumberland estates: James Paine, architect at Syon House, Daniel Garrett, architect at Northumberland House, the Strand (1750-3), Robert Adam, architect at Syon (1762-9), Lancelot Brown, landscape architect at Syon Park (1754-72).
In 1751, Thomas Call (1717-82), who had been the Earl's gardener at Stanwick, prepared a scheme for the parklands and pleasure grounds, including a plan for Brizlee Hill (the south part of Hulne Park). Call and his relation James, working at Alnwick by 1756, were responsible for the development of Hulne Park over twenty years. The date and extent of Lancelot Brown's involvement at Alnwick is uncertain, although his foremen Griffin, Robson, and Biesley worked at Alnwick with teams of men between 1771and 1781 and records shown that they also worked alongside Call and his men (in 1773 for example, Call had a team of sixty men and Biesley one of seventy-eight).
Hulne Park was developed as a picturesque pleasure ground with extensive rides, follies, and the enhancement of natural features. A characteristic of the Duke's scheme was his recognition of antiquarian sites within the landscape, which were embellished. Thus in 1755, Hulne Priory was purchased to become the focal point of Hulne Park. A garden was made within the cloister walls and, from c 1763, the priory became the gamekeeper's residence, with a menagerie of gold and silver pheasants. Statues of friars cut by the mason Matthew Mills were set in the landscape. In 1774, a medieval commemorative cross to Malcolm Canmore (listed grade II), situated at the northern entrance to the North Demesne, was restored.
Following the Duchess' death in 1776, the Duke decorated all her favourite locations with buildings, some being ideas she had noted in her memoranda. Work also included other notes and ideas the Duchess had had, including the ruin at Ratcheugh Crag and some ninety-eight drives and incidents.
Plans for the parklands at the North Demesne, Denwick, and Ratcheugh Crags were developed in the late 1760s, although in the case of the North Demesne some parkland planting had been undertaken by 1760, and the major work undertaken in the early 1770s is that attributed to Brown, mainly on stylistic grounds.
During the C19, under the second Duke (1742-1817) the parks were extended, this including the purchase of Alnwick Abbey and part of its estate. The complex of drives was also extended and this was accompanied by extensive plantations, including the large Bunker Hill plantation central to the north area of Hulne Park, named to commemorate the Duke's action in 1775 in the War of American Independence. Most significantly, between 1806 and 1811, building centred on construction of a perimeter wall, defining the boundary of Hulne Park, and lodges and gateways at entrances to the parks. The carriage drives were extended, necessitating the construction of bridges over the River Aln. These schemes were implemented by estate workers, local masons, and David Stephenson, the Duke's architect.
As the Castle had no formal flower gardens, John Hay was commissioned between 1808 and 1812 to design pleasure gardens to the south-east of the Castle, linking it with a new walled garden at Barneyside, furnished with a range of hothouses, glasshouses, and pine pits. These were extended in the 1860s when Anthony Salvin, employed in the restoration of the Castle, built a gateway between the inner bailey and the pleasure gardens. Nesfield designed a scheme for the walled gardens to be developed as an ornamental flower and fruit garden, with a large central pool, conservatory, and a series of broad terraces and parterres. The Alnwick scheme can be compared to Nesfield's in the precincts of Arundel Castle, West Sussex (qv), in 1845.
Alnwick Castle, parks and estate remain (2000) in private ownership, the latest significant developments being the replanting and restoration of the North Demesne (1990s) and plans to completely remodel the walled garden.
SUMMARY DESCRIPTION
Alnwick Castle parks cover a tract of countryside encircling Alnwick town on its west, north, north-east, and south sides. The land is a mixture of contrasting landscape types, with high heather moorland and the rough crags of the Northumbrian Sandstone Hills sweeping down to the improved pasture lands along the wooded Aln valley. The parks exploit the boundaries of these distinctive landforms where the rugged moorland gives way to the pastoral, rolling landscape of the Aln, on its route to the sea. In the west parklands the river is confined between hills, and in places has incised deep, narrow valleys while in the east the landscape is more open.
The registered area of 1300ha is bounded on its north-east side by the Hulne Park wall, west of the Bewick to Alnwick Road (B6346). The west side of the area here registered follows field boundaries to the west of Shipley Burn, starting at Shipley Bridge, and then turns south-west at a point c 1km south of the bridge. It then runs for south-west for c 2.3km, to the west of Hulne Park, before crossing the River Aln and running parallel to Moorlaw Dean for c 1.2km, on the west side of the burn. The southern area is defined by Hulne Park wall running around the south point of Brizlee Wood then in a line due east, south of Cloudy Crags drive, to cross the Stocking Burn and reach Forest Lodge. The boundary then defines the north-western extent of Alnwick town and, crossing the Canongate Bridge, the southernmost extent of the Dairy Grounds.
To the east of the Castle the registered area takes in the entire North Demesne bounded on its north by Long Plantation, a perimeter belt which lies on the south side of Smiley Lane and then extends eastwards to meet the junction of the B1340 and A1 trunk road. The A1 has effectively cut through the North Demesne from north to south and, although physically divorcing the two areas, they are still visually conjoined. Defined on its north side within the hamlet of Denwick by tree belts, the park extends eastwards for 1km before cutting across southwards to meet the River Aln at Lough House. This latter stretch is bounded by a perimeter belt. The south boundary of the North Demesne follows the river in part, before meeting the Alnwick to Denwick road (B1340). To the south, the Castle gardens are delimited from the town by property boundaries along Bondgate. An outlying area of designed landscape at Ratcheugh is also included.
A complex series of drives is laid throughout the parks, particularly in Hulne Park. A series of thirty standing stones stand at the beginning of the drives or where they converge. These are inscribed with the names of the drives and act as signposts.
Alnwick Castle (1134 onwards, c 1750-68 by James Paine and Robert Adam, 1854-6 by Anthony Salvin, listed grade I) lies on the high ground on the south side of the Aln valley, commanding views to the north, east, and west. To the south is Alnwick town but the landscape is designed so that the town is not in view of the Castle. The principal views from the Castle lie over the North Demesne.
The North Demesne originally included Denwick Park (they have now been divided by the A1 road), and together these 265ha form the core parkland designed by Brown. Perimeter tree belts define the park, and clumps and scatters of specimen trees ornament the ground plan. The Aln has been dammed to give the appearance of an extensive, natural serpentine lake, with bridges as focal points: the Lion Bridge (John Adam 1773, listed grade I) and Denwick Bridge (1766, probably also by Adam, listed grade I). A programme of replanting and restoration of the North Demesne is under way (late 1990s).
The medieval deer park of Hulne extended to the north of the Shipley Road (outside the area here registered). Hulne Park is now 1020ha and is in agricultural and forestry use. The principal entrance from Alnwick town is Forest Lodge, the only extant part of Alnwick Abbey. Hulne Park is completely enclosed by an early C19 perimeter wall, c 3m high with shaped stone coping and buttresses every 20m. Nearly 5km of wall lies alongside roads, 5km across fields, and 5km defines perimeter woodland and moorland from the enclosed park.
The park design consists of a series of oval-shaped enclosures, defined by tree belts vital for shelter. The highest point is in the west area of the park, from where there are long-distance views east to the sea. The River Aln winds its way through the park via a series of contrasting steep valleys and flatter lands. The valleys are emphasised by planting on the upper slopes, while the lower areas are encircled with designed plantations to emphasise the river's meanders and ox-bow lakes.
Picturesque incidents survive at Nine Year Aud Hole, where the statue of a hermit (late C18, listed grade II) stands at the entrance to a natural cave along Cave Drive, and at Long Stone, a monolith standing high on the west side of Brizlee Hill, with panoramic views over Hulne Park to the north-west. The picturesque highlight is Hulne Priory (original medieval buildings, C18 alterations and enhancements, all listed grade I), which includes a summerhouse designed by Robert Adam (1778-80, listed grade I) and statues of praying friars erected in the Chapter House (late C18). The Priory's picturesque qualities are well appreciated from Brizlee Tower (Robert Adam, listed grade I), built in 1781 to commemorate the creation of the Alnwick parks by the first Duke and Duchess, a Latin inscription stating:
Circumspice! Ego omnia ista sum dimensus; Mei sunt ordines, Mea descriptio Multae etiam istarum arborum Mea manu sunt satae. [Look about you. I have measured all these things; they are my orders; it is my planning; many of these trees have been planted by my own hand.]
Brizlee is sited on a high point which can be seen in views north-west from the Castle, mirroring views north-east to the 'Observatory' on Ratcheugh Crag, a sham ruined castle sited as an eyecatcher on high ground and built by John Bell of Durham in 1784 (plans to further elaborate it were designed by Robert Adam).
Another principal feature of Hulne Park is a series of regular, walled enclosures (the walls set in ditches with banks cast up inside the compounds) which line Farm Drive, the central road through the park, north-westwards from Moor Lodge. This functioned as the third Duke's menagerie, and is still pasture.
The 15ha Dairy Ground links Hulne Park and the North Demesne. It principally consists of the Aln valley north-west of the Castle, stretching between Canongate Bridge and Lion Bridge, laid out as pleasure gardens. Barbara's Bank and the Dark Walk are plantations laid out with walks on the steep slopes with a Curling Pond to the north of the Aln.
The walled garden of 3ha lies to the south-east of the Castle, reached by the remains of C19 pleasure gardens laid out on the slopes above Barneyside. After the Second World War use of the glasshouses ceased, and until recently (late 1990s) the Estate Forestry Department used it. The earthwork terraces and remnants of specimen planting of Nesfield's scheme survive.
REFERENCES
Note: There is a wealth of material about this site. The key references are cited below.
The Garden, 5 (1874), pp 100-1, 188; 20 (1881), pp 155-6 Gardeners' Chronicle, ii (1880), pp 523-4, 587; ii (1902), pp 273-4 J Horticulture and Cottage Gardener 15, (1887), pp 296-8 P Finch, History of Burley on the Hill (1901), p 330 Country Life, 65 (22 June 1929), pp 890-8; 66 (6 July 1929), pp 16-22; 174 (4 August 1983), p 275 D Stroud, Capability Brown (1975), pp 103-4 Garden History 9, (1981), pp 174-7 Capability Brown and the Northern Landscape, (Tyne & Wear County Council Museums 1983), pp 19, 22-3, 27, 42 Restoration Management Plan, Alnwick Castle, (Land Use Consultants 1996) C Shrimpton, Alnwick Castle, guidebook, (1999)
Description written: August 2000 Resgister Inspector: KC Edited: June 2003
historicengland.org.uk/listing/the-list/list-entry/100104...
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Make your family night out in your own backyard with a Rosetta Fireplace. Products shown: custom Belvedere Fireplace, Belvedere Walls, Grand Flagstone, and Dimensional Coping
Need to remodel an older pool? Need to fix old or damaged coping? Here's one way... remove the existing coping and part of the existing deck. Expose the top of the pool wall and surrounding area. Install VASTEC USA's Coping to the existing pool wall. Pour new concrete deck. Be creative.. these installers built new steps and used VASTEC coping to frame the new steps giving this old pool a stylish new look! Contact us at 888-282-7832 or www.vastecusa.com for more info.
Coping with the loss of my horse Alibar has not been easy. The kind words and shared experiences of my friends on Flickr and on other sites have been a great comfort to me. My husband, family, and friends have surrounded me with sympathy and love and it astounds me to realize how much of an impact my little chocolatey horse made on all who met him in person or through my photos. I've heard the good and the bad and I appreciate it all. Some have told me that time will heal my wounds and some have told me of horses they lost decades ago who still haunt their memories.
It is a beautiful and terrible thing to realize that the Earth keeps turning even though my own little world is upside down. The races go on, Bryan the Cat needs to be fed, I need to get work done.
I've known a lot of people who lose a one-in-a-million horse and they drop out of the equestrian world for years... sometimes forever. I don't want to do this. I'm doing my best to be brave and jump back in the deep end. When I arrived at Monmouth Park on Saturday, I got big hugs and some very supportive words from my photographer friends. I'm also trying to visit my barn as frequently as I can. Horses are great therapists.
The race goes on and an amazing horse is carrying me.
Ph: 888-282-7832
We developed our Coping For Fiberglass Pools as an easy alternative to styrofoam concrete forms. It gives you a much more consistent look without the drawbacks of cantilever deck forms. It takes 2 guys about 2 hours to install and you can shim the coping to match the waterline on out of level pools. Also - you don't have to get into the pool to finish the concrete - definitely a bonus in cold weather.
Check out the video on YouTube:
Ph: 888-282-7832
We developed our Coping For Fiberglass Pools as an easy alternative to styrofoam concrete forms. It gives you a much more consistent look without the drawbacks of cantilever deck forms. It takes 2 guys about 2 hours to install and you can shim the coping to match the waterline on out of level pools. Also - you don't have to get into the pool to finish the concrete - definitely a bonus in cold weather.
Check out the video on YouTube:
Laboratório de Prótese Dentária EsteticArt | Laboratório de Prótese CAD CAM em SAO PAULO
11 3854-6451
Trabalhamos com praticamente todos os sistemas de implantes nacionais e importados.
Economia: Não é necessário enviar componentes calcináveis.
Podemos trabalhar com qualquer tipo de trabalho protético, desde lentes, onlays, próteses convencionais e próteses sobre implantes.
laboratorio, laboratorio de protese, laboratório de prótese, laboratorio de protese dentaria, laboratório de prótese dentária, prótese dentária, protese dentaria, cad cam, cad cam, cadcam, cadcam, cerec, sirona, neoshape, neodent, conexao, titanium fix, 3shape, vita, ivoclar, abutment, pilar, lente, lente de contato dental, ,lentes de contato, dental, dentais, dentaria, dentario, dente, coroa, porcelana, cerâmica, ceramica, protocolo, protocolo branemark, protocolo ceramico, fresadora, estrutura, interface, link, base, metalica, metálica, coping, zircônia, emax, feldspatico, feldspatica, dissilicato de litio, dissilicato, dissilicato de lítio, lentes, onlay, flexivel, flexite, aparafusada, parafusada, cimentada, sao paulo, sedex, estética, ceramicas injetadas, injetada, prensada, prensado, dentista, laboratorios, ,protese dental, qualidade
A hand lettered sign explains the shopping bag policy during the pandemic, at Trader Joe's grocery store on 14th St NW in Washington, DC.
Ph: 888-282-7832
We developed our Coping For Fiberglass Pools as an easy alternative to styrofoam concrete forms. It gives you a much more consistent look without the drawbacks of cantilever deck forms. It takes 2 guys about 2 hours to install and you can shim the coping to match the waterline on out of level pools. Also - you don't have to get into the pool to finish the concrete - definitely a bonus in cold weather.
Check out the video on YouTube: www.youtube.com/vastecusa
ORLANDO, Fla. – Dozens of Soldiers from the 143d Sustainment Command (Expeditionary) joined members of veteran services organizations to honor the families of fallen heroes during the 6th Annual Operation: Love Letters event conducted March 24, 2018, at St. John Vianney Catholic School in Orlando.
Hosted by the Orlando Survivor Outreach Services, a U.S. Army community support program dedicated to helping families cope with grief from losing loved ones who have served their country. Operation: Love Letters provides a forum of fellowship for family members to share their memories of the deceased through food, games, music, arts and crafts. Conceived in Orlando in 2013, this local activity has transformed into a U.S. Army sponsored flagship program for the entire nation with international reach.
The event commenced with full military honors as the 143d ESC’s color guard and the Patriot Riders Guard led the opening ceremony in the Pledge of Allegiance and the Star-Spangled Banner. The color guard then set up a Fallen Comrade table and conducted a “13 Folds” ceremony to honor all American service members who made the ultimate sacrifice.
Miles Espaillat, the youngest of three sons of Maj. Gen. Francisco Espaillat, lit the candle on the Fallen Comrade Table. Espaillat’s father served as the commanding general of the 143d ESC from 2014-2016. He died of a heart attack April 7, 2017, while serving as general officer for the Office of the Chief of the Army Reserve.
After the opening ceremony, the family members shared their most cherished memories of their son, daughter, parent or spouse. Some brought framed photos while others baked their loved ones’ favorite dessert. The 143d ESC Soldiers joined several family members in creating crafts and writing love letters.
Representatives from the USO, Veterans Affairs, Operation Military Matters and the Orlando Vet Center also attended the festivities to share the many free resources such as grief counseling, care packages, and financial assistance tailored to families coping with the loss of a loved one.
Operation: Love Letters concluded with its most cherished tradition as Soldiers, families and volunteers gathered at the school’s courtyard to release dozens of balloons with messages addressed to their fallen heroes.
Photo and Sgt. John L. Carkeet IV, 143d ESC
Ph: 888-282-7832
We developed our Coping For Fiberglass Pools as an easy alternative to styrofoam concrete forms. It gives you a much more consistent look without the drawbacks of cantilever deck forms. It takes 2 guys about 2 hours to install and you can shim the coping to match the waterline on out of level pools. Also - you don't have to get into the pool to finish the concrete - definitely a bonus in cold weather.
Check out the video on YouTube:
A touch of Indonesia in your own back yard. A wonderful use of natural stone pool coping with Stile Edges custom edging with a traditional looking Bali hut thatched roof.
These platform edge concrete Coping Stones are clearly not coping with the weather and are in an obviously dangerous condition.
A visit to Marks Hall Gardens & Arboretum in Essex. It's not far from Coggeshall. The site used to have a country house but it was demolished in the 1950s.
Marks Hall Estate is a striking heritage landscape that extends to over 2,200 acres of Essex countryside. It includes tenanted farm holdings, residential and commercial property, broadleaved woodlands of high nature conservation value, an 18th Century Coach House event venue and at its heart an Arboretum; a stunning collection of trees.
The Arboretum forms an unmissable attraction in Essex, combining beautiful formal lakeside gardens, an enviable collection of trees originating from every temperate area of the world and miles of leafy woodland walks to explore and enjoy.
Over 40,000 visitors a year come to explore Marks Hall, enjoy home cooked food and delicious cakes in the restored Essex Barn and browse the plant centre and gift shop. Many choose this charming setting to celebrate their wedding with family and friends.
The Charitable Trust was established in 1971 and receives no external funding. With your support, we will ensure that this special place will be enjoyed by generations to come.
The Iron Bridge is close to the Visitor Centre. It crossed the Robin's Brook.
Grade II Listed
Iron Bridge, Approximately 275 Metres South of Marks Hall Cottages
Listing Text
TL 82 NW COGGESHALL MARKS HALL ROAD
2/157 Iron Bridge,
approximately 275
metres south of Marks
Hall Cottages
GV II
Garden bridge. Circa 1800. Red brick with limestone copings and cast iron
railings. Carries an estate road (of Marks Hall Estate) from E to W across
Robin's Brook, width approximately 4.50 metres, length overall approximately 10
metres. Semi-circular arch (damaged on N side) with segmental coping of plain
stone slabs. Cast iron railings each side, made of 6 large sections over the
bridge itself, and 2 straight sections on the road approaches to the bridge,
jointed together and sealed with lead. The NE straight section is dismounted
and damaged at time of survey, March 1987; the SW straight section is missing.
The sections over the bridge are of radial design with a central boss; the
straight sections are of crossed diagonals; 3 plain vertical bars between the
sections, 2 at each end. On the handrail are urn finials, 2 complete and one
damaged on the N side, one damaged finial on the S side; all are mounted in
square mortices and sealed with lead. The bosses are of lion's head design,
sealed with lead into iron rings. On the N (inner) side of the S railing the 6
bosses are complete; on the S side of the same railing are 5 bosses, all but one
cracked. On the S (inner) side of the N railing are 2 intact bosses and 2
damaged; on the N side of the same railing are 4 bosses. The carriageway and
approaches were covered with concrete for wartime use; this could be removed. S
of the bridge the river channel is contained by 2 brick walls with sloping stone
copings terminating in square piers, each with a plain spiked railing with 3
stirrup stays. 3 iron ties through the bridge with simple roundels and square
nuts at each end. Brick dam across N arch.
Listing NGR: TL8400925191
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Description
TL 82 NW COGGESHALL MARKS HALL ROAD
2/157 Iron Bridge,
approximately 275
metres south of Marks
Hall Cottages
GV II
Garden bridge. Circa 1800. Red brick with limestone copings and cast iron
railings. Carries an estate road (of Marks Hall Estate) from E to W across
Robin's Brook, width approximately 4.50 metres, length overall approximately 10
metres. Semi-circular arch (damaged on N side) with segmental coping of plain
stone slabs. Cast iron railings each side, made of 6 large sections over the
bridge itself, and 2 straight sections on the road approaches to the bridge,
jointed together and sealed with lead. The NE straight section is dismounted
and damaged at time of survey, March 1987; the SW straight section is missing.
The sections over the bridge are of radial design with a central boss; the
straight sections are of crossed diagonals; 3 plain vertical bars between the
sections, 2 at each end. On the handrail are urn finials, 2 complete and one
damaged on the N side, one damaged finial on the S side; all are mounted in
square mortices and sealed with lead. The bosses are of lion's head design,
sealed with lead into iron rings. On the N (inner) side of the S railing the 6
bosses are complete; on the S side of the same railing are 5 bosses, all but one
cracked. On the S (inner) side of the N railing are 2 intact bosses and 2
damaged; on the N side of the same railing are 4 bosses. The carriageway and
approaches were covered with concrete for wartime use; this could be removed. S
of the bridge the river channel is contained by 2 brick walls with sloping stone
copings terminating in square piers, each with a plain spiked railing with 3
stirrup stays. 3 iron ties through the bridge with simple roundels and square
nuts at each end. Brick dam across N arch.
Listing NGR: TL8400925191
Felicity Redman - Singer of Opera - Coping Admirably with Gale Force Winds in the Royal Mile - Edinburgh Festival 2009
Another fantastic day at the Edinburgh Festival - the forecast was rain - during the day there was a small amount of rain - I was lucky - there were very strong winds - umbrellas and small children being blown away!
Edinburgh Festival is a collective term for several simultaneous arts and cultural festivals which take place during August each year in Edinburgh - the Festival has been running for over 50 years and attracts participants ..and audiences from all over the world.
During the season Edinburgh is "hoachin" - ie very busy
more info available here
It’s the little details that count. Sterling Pool coping creates a smooth and uniform perimeter around your pool, holds the vinyl liner in place, and provides a hand-hold for swimmers to rest against.
Made from extruded aluminum, coping is a finishing touch that unites the look of your pool, just like the trim or molding in your house.
Your Strong Support builder can also offer our special EdgelightTM coping, which bounces softly diffused light off the surface of your pool, creating an elegant optical effect. Incorporating 42-strand perimeter fiber optic lighting made by Fiberstars®, Inc.,
Edgelight coping is the most advanced perimeter pool lighting system available. Light strands are available in a wide range of colors, both static and changing.
Find out more clicky.me/3eLd
Ph: 888-282-7832
We developed our Coping For Fiberglass Pools as an easy alternative to styrofoam concrete forms. It gives you a much more consistent look without the drawbacks of cantilever deck forms. It takes 2 guys about 2 hours to install and you can shim the coping to match the waterline on out of level pools. Also - you don't have to get into the pool to finish the concrete - definitely a bonus in cold weather.
Check out the video on YouTube: www.youtube.com/vastecusa
Laboratório de Prótese Dentária EsteticArt | Laboratório de Prótese CAD CAM em SAO PAULO
11 3854-6451
Trabalhamos com praticamente todos os sistemas de implantes nacionais e importados.
Economia: Não é necessário enviar componentes calcináveis.
Podemos trabalhar com qualquer tipo de trabalho protético, desde lentes, onlays, próteses convencionais e próteses sobre implantes.
laboratorio, laboratorio de protese, laboratório de prótese, laboratorio de protese dentaria, laboratório de prótese dentária, prótese dentária, protese dentaria, cad cam, cad cam, cadcam, cadcam, cerec, sirona, neoshape, neodent, conexao, titanium fix, 3shape, vita, ivoclar, abutment, pilar, lente, lente de contato dental, ,lentes de contato, dental, dentais, dentaria, dentario, dente, coroa, porcelana, cerâmica, ceramica, protocolo, protocolo branemark, protocolo ceramico, fresadora, estrutura, interface, link, base, metalica, metálica, coping, zircônia, emax, feldspatico, feldspatica, dissilicato de litio, dissilicato, dissilicato de lítio, lentes, onlay, flexivel, flexite, aparafusada, parafusada, cimentada, sao paulo, sedex, estética, ceramicas injetadas, injetada, prensada, prensado, dentista, laboratorios, ,protese dental, qualidade
www.vastec-usa.com, Ph: 888-282-7832, This photo set shows how to install VASTEC USA's Coping For Fiberglass Pools, an easy alternative to styrofoam cantilever concrete deck forms. We developed this coping so we could install more fiberglass swimming pools and so we didnt have to get into the pool (in the winter) to finish the cantilever edge. Turns out it's great for the do-it-yourself homeowner also. There's also a video on YouTube: www.youtube.com/user/vastecusa
Part of the front left hand side coping stone. It's the only section complete so far. It's made up of glass gems, blue tiles, iridescent tiles, gold dust tiles, glitter tiles and mirror tiles. The theme here is blue mostly creating the impression of water or the ocean. I've used a variety of different tile arrangements for this piece but still with the same overall theme. Not only does it have a theme but a 3d look. The coping stone was flat so I created various shapes and sculptures using a variety of spare materials before tiling them.
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Here I've used an arrangement of gold and silver mirror tiles amongst the blues. The clear glass gems on the far left are set on mirror and is supposed to represent a small waterfall. It will form part of a bigger feature with a further sculpture on top.
Senator Buono, along with Assemblymen Patrick Diegnan and Peter Barnes, listened to the concerns of parents, students, taxpayers and teachers about the current state of public education in NJ.
Edison, January 20, 2011
Laboratório de Prótese Dentária EsteticArt | Laboratório de Prótese CAD CAM em SAO PAULO
11 3854-6451
Trabalhamos com praticamente todos os sistemas de implantes nacionais e importados.
Economia: Não é necessário enviar componentes calcináveis.
Podemos trabalhar com qualquer tipo de trabalho protético, desde lentes, onlays, próteses convencionais e próteses sobre implantes.
laboratorio, laboratorio de protese, laboratório de prótese, laboratorio de protese dentaria, laboratório de prótese dentária, prótese dentária, protese dentaria, cad cam, cad cam, cadcam, cadcam, cerec, sirona, neoshape, neodent, conexao, titanium fix, 3shape, vita, ivoclar, abutment, pilar, lente, lente de contato dental, ,lentes de contato, dental, dentais, dentaria, dentario, dente, coroa, porcelana, cerâmica, ceramica, protocolo, protocolo branemark, protocolo ceramico, fresadora, estrutura, interface, link, base, metalica, metálica, coping, zircônia, emax, feldspatico, feldspatica, dissilicato de litio, dissilicato, dissilicato de lítio, lentes, onlay, flexivel, flexite, aparafusada, parafusada, cimentada, sao paulo, sedex, estética, ceramicas injetadas, injetada, prensada, prensado, dentista, laboratorios, ,protese dental, qualidade
These platform edge concrete Coping Stones are clearly not coping with the weather and are in an obviously dangerous condition.
Families were able to scrape these remaining bits of cassava from their fields. More common staple foods like rice and corn were wiped out.
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
Des familles ont pu récupérer ces restes de manioc dans leurs champs, mais les aliments de base plus communs, tels que le riz et le maïs, ont été détruits.
© EU 2012 – Story and photo credits: EC/ECHO/Nicolas Le Guen
Builder asked us to match Solomon Colors Ginger for the deck on this gorgeous Leisure Pools fiberglass pool. Boom. Done. #fiberglasspools #poolcoping #coloredconcrete #leisurepools #leisurepoolsusa #leisurepoolsaus
NEVILLE HALL AND WOOD MEMORIAL HALL
list.historicengland.org.uk/resultsingle.aspx?uid=1024739
Also Known As: North of England Mining and Mechanical Engineers Institute, WESTGATE ROAD ORCHARD STREET Offices, library and lecture theatre. 1869-72 by Archibald M. Dunn for the Coal Owners' Association on behalf of the North of England Institute of Mining Engineers; lecture theatre interior 1902 by Cackett and Burns Dick. Polychrome sandstone with Shap granite columns at entrance; slate roof. Gothic style. 3 storeys, 5 bays to Westgate Road and 3 windows in right corner bay; right return to Orchard Street has 4 bays and a fifth wide gable. Corner steps to panelled door with side and overlights, in projecting canted ground-floor section; corbelled-out oriel above has lancet windows and female figure. Ground floor has shouldered mullioned-and-transomed windows and panels above with carved colts of arms; cusped 2-centred arches over similar first floor windows, except those in second and third bays which are square-headed and have stone balcony. Buttresses define bays and support shafts to Lombard frieze above first floor. Third-floor windows project into half-dormers with cusped heads under gables flanked by plinth blocks which originally held griffins, now removed. Octagonal corner turret; steeply-pitched roof with truncated chimneys; Neville symbol finial to turret. A decorated sill band on the Orchard Street elevation commemorates the ' North of England Institute of Mining and Mechanical Engineers, erected AD 1870.'
Interior shows much high-quality work. Entrance leads to broad staircase hall with closed-string open-well stair having heavy turned baluster balustrade and massive newels, and original doors, those to ground-floor lecture theatre, double, half-panelled under segmental heads installed 1902 along with the lecture theatre. Lecture theatre has a near-semicircle of bench seating; dado panelling and rear dado screen. Past presidents are commemorated in the panelling to the side walls. Egg and dart moulding to cornice, and mouldings continue into arched entrance, terminating in Ionic capitals with lions; compartmented ceiling. To side jack-arched fireproof bookstore with built-in glazed cabinets and shelving; book-store to rear is a later structure with iron galleries.
The upper floors above the lecture theatre and book store are occupied by the Wood Memorial Hall, the Institute's library. Double-height with gallery on two sides; five bays and with stained glass windows at each end commemorating Nicholas Wood of Hetton, first President of the Institute, who died 19 December 1865. His statue - in stone canopied surround - dominates the library, which is entered from the centre of the opposite side, flanked by stone fireplaces. Barrell-vaulted roof with skylight supported on short, paired stone columns with capitals, heavy modillion cornice with stencilled frieze above. Round-arched arcades between intended for busts, though only John Buddle and Thomas Emerson Forster are so far so commemorated. Below, the walls are panelled, and embellished with the names of past presidents. Cast-iron balconies with spiral stairs at each end.
Chamfered coping to dwarf walls in front supporting cast-iron area railings.
The building commemorates Newcastle's former pre-eminence in coal mining and the coal trade. It houses the world's most significant mining library and related primary material.