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Aerial technology used for locust control, Georgia
©FAO/A. Monard. Editorial use only. Copyright FAO.
Control Group's latest initiative is to promote the discussion and support of woman in tech. This was prompted in response to the New York Tech Meetup's "Conversation with Women in Technology" event.
Learn more about our Women in Tech initiatives: blog.controlgroup.com/2012/07/18/women-in-technology
These photos are from our first event hosting a code & coffee session with Girl Develop It. Learn more about them at www.girldevelopit.com
You control your iPod using the controls on the jacket. You can disable the control pad by holding down the Volume Decrease (-) and Volume Increase (+) buttons for 2 seconds. Enable the controls again by holding down the Volume Decrease (-) and Volume Increase (+) buttons for 2 seconds. That is kick ass!
During our trip to Las Vegas in August 2008, Chuck, Kyle (madmarv), and I headed over to the Hoover Dam for an audio tour for our Podcast Technorama. Here is Part 1 and Part 2 of the Audio Tour and here is the complete set of Pictures
James Wadham photos - the first Mission Motorsport Launch Control event. All images are available for use - please credit Mission Motorsport / Launch Control in any use.
here we are provide the best tummy control shapewear that is really workable and best for bulky women's.
Just messing around metropolitan park in Santiago... I spotted this curve right in front of the Japanesse garden, were most bikers slowed down to make a closed U turn, but I spotted this guy comming down really fast... I barely had time to prefocus, shot and panning the action...
The amplifier sound controls for an electric guitar is my submission for the "control" themed weekly challenge
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Here's the control system for my face.
The eye direction is controlled by another smaller nurbs curve control infront of the face. It's like zorro's eye mask thing.
All the controls here are made from nurbs curves and clusters. I followed the Digitial Tutors tutorial along with some of Jasons material to create my blendshapes and controls. There is also my own personal touch in there too when it comes to the controls, as sometimes I thought the controls mentioned in the DT tutorials were VERY vague. Such as using a box to control the tongue when yo ualready have another half a dozen boxes controlling everything else.
So I made my own shapes which are by FAR easier to use and understand. An F for the f shape your mouth makes which all you have to do is scale F in the Y to change. Same for the U and M apart from the fact that you scale the U on the X axis to get the desired result. The chinc ontrol is there also as a round shape at the bottom and the arrow over it is the jaw roll.
Then there is the mouth shape with various controls inside and to the sides of it. The mouth shape isn't a control in itself, the arrow within the mouth shape is. That is linked to a cluster which controls vertices of the mouth shape to make it appears as if the mouth shape is either smiling or not smiling thus making it easier to recognise what your face is doing. The smaller peanutty shape in the middle of the mouth is the tongue control. The two arrows by the side of the motuh shape are the right and left grin controls.
The nose shape in the middle of the G.U.I. controls the main snarl where as the two arrows by either side are parented to this control and control the left and right snarl. The peanut shapes under the eyes control the left and right eye twitches, the lower of the two shapes above the eyes controls the left and right blink/wink and the two shapes above those control the eyebrow raises. All of th eye controls use the Translate Y axis for movement.
The final shape within the G.U.I. controls the angry and sad expressions. The circle does nothing but represent the face, whilst the arrow has the same function as the mouth/smile/frown control; it moves vertices to make a sad/menacing face. As for the exclamation above the head that makes the characters eyes go wide with shock and slightly adjusts the area around the eyes when moved up and down. All the controls are linked to the outside face shape for ease of movement if they are in the way.
I decided to link my cluster controls to arrows because cluster can be hard to select at the best of times and it saves me having to unslect the selection boxes in the Maya G.U.I.