View allAll Photos Tagged continuous

Leica M3, 50mm F2. 8

Elmar LTM, Ilford FP4 (frozen since 1992), ID11 1:0 continuous agitation in a Rondinax.

Low carbohydrate, healthy fat strawberry thumbprint cookies. No added sugar, no refined grains or industrial bean/seed/vegetable oils. Still working to understand food lighting ✌️, will post recipe at recipes.tedeytan.com , as well continuous glucose monitor readings after ingestion 😀

 

#LCHF #MetabolicHealth #DiabetesReversal #CGM #Food #FoodPhotography #SonyMirrorless #SonyA6500 #DC #instaDC 🍪

This diptych was created during a life drawing class using charcoal on A3 sized pale grey/stone colour paper. These were done very quickly and expressively (less than a minute for each) and I am extremely glad with the outcome because they look so organic and really reflect the expression and flow from my hand when I drew the piece. The continuous lines that have been created are really abstract, figureative and stylised which represent my style and even though the portraits aren't proportionally accurate, they still have their own charming personalities and narratives. This is through the enchanting curves and nature of the line, where it is thick in some areas and thin in the other is also crucial in the overall tone and atmosphere of the piece.

 

The reason why I made this piece into a diptych is because the drawings by themselves are whimsical but there is something about them when they are together that makes them really charming and aesthetically pleasing. whether that be the composition they are in (both being triangles) or the notion that there is a narrative of one figure peeking over the threshold between both sheets of paper (one could almost imagine the full image would look like the figure is on tippy toes as she is curiously looking in the distance) to look at the other figure.

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

Official list entry

 

Heritage Category: Listed Building

Grade: II*

List Entry Number: 1209774

Date first listed: 10-Jan-1951

Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

 

Location

 

Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD

County: Devon

District: Teignbridge (District Authority)

Parish: Buckfastleigh

National Park: DARTMOOR

National Grid Reference: SX 74147 67411

 

Details

  

Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).

 

© Historic England 2022

A Fair Display of Innovation and Initiative

03.16.2023

Photo by Douglas Stutz

Naval Hospital Bremerton/Navy Medicine Readiness and Training Command Bremerton

 

A Fair Display of Innovation and Initiative…Navy Medicine Readiness Training Command Bremerton staff took part in a Continuous Process Improvement Fair to showcase innovations and initiatives in providing safe, high-quality patient care from a number of clinic, department and directorate areas.

Submissions included the following entries: Directorate Surgical Services Anesthesia department Planning for Manning; Increasing OR First Case On-Time Starts from the Main Operating Room team with Directorate Surgical Services; Improving DMHRSi [Defense Medical Human Resource System – Internet] Completion at NMRTC Bremerton; Pharmacy Revolution from Directorate of Clinical Support Services; Increase Weight Loss Pre-Op To Improve Post-Op Outcomes in Bariatric Patients, from Director of Administration’s Nutrition Management; Multidisciplinary Weight Loss Clinic from Director of Medical Services Family Medicine team; Improving Efficiency With Technology from Directorate of Branch Clinic’s Navy Medicine Readiness Training Unit Everett; Directorate for Surgical Services Ophthalmology department on fixing equipment problems; Endoscopy Clinic on Time Outs Matter – tailer to your department; Endoscopy Clinic with Narcotic Reversal Agent box; NMRTU Everett with Vaccine Receipt Process Standardization and Directorate for Administration Patient Administration with Suitability Screening (Official Navy photos by Douglas H Stutz, NHB/NMRTC Bremerton public affairs officer). www.dvidshub.net/news/441579/fair-display-innovation-and-...

 

Xci 286 is an energy-efficient rigid foam insulation composed of a polyisocyanurate foam core manufactured online to glass fiber reinforced foil facers. It can be used in new construction, or used for interior retrofit within existing buildings.

 

Xci 286 is designed for exposed interior wall or ceiling use in commercial, residential, industrial, agricultural and metal building applications.

 

Hunter Xci 286 offers more installation options…

Either side may be left exposed; reflective foil or white foil, and does not require an additional thermal barrier.

 

XCI 286: hunterxci.com/hunter-xci-286

 

XCI Twitter: twitter.com/#!/HunterXCI

 

XCI Facebook: www.facebook.com/pages/Hunter-Xci-Exterior-Continuous-Ins...

This is a photograph from the annual Ardagh Moydow Glen Community Games 5KM and 10 Mile road races, fun runs, walks and challenges which were held in the heritage village of Ardagh, Co. Longford, Ireland on Tuesday 27th December 2016 at 13:00. This year's race featured some changes from previous years: the introduction of chip timing, a new start and finish in the middle of the village at the community center and, a slightly amended route.

We have an extensive set of photographs from the race start, the beginning of the hill climb and the finish on our Flickr photostream set at www.flickr.com/photos/peterm7/albums/72157678237005786

 

The 10 mile race takes in the local 'Ardagh Mountain' which is a 1 mile continuous climb starting at the 2.5 mile mark of the 10 mile race. The 5KM race takes a loop around the heritage village of Ardagh. Overall this is a very well organised race with accurate courses, good marshalling and traffic control and excellent after race refreshments. The 10 mile race is one of the longest road races held during the Christmas period anywhere in Ireland and has appeal to runners who want to add a longer distance race to their festive calendar of running.

 

The weather at this year's race was much more suitable to road racing. In 2014 there was very frosty icy weather and last year in 2015 participants were given a very very windy day with heavy rain at the finish of both races.

 

Ardagh is probably County Longford's most picturesque village with many historical and architecturally important features. It is located about 6 miles from Longford town.

 

Our Photographs from Ardagh 10 Mile 2015: www.flickr.com/photos/peterm7/sets/72157662725299342

Our Photographs from Ardagh 10 Mile 2014: www.flickr.com/photos/peterm7/albums/72157649570517620

  

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

   

Problem Statement

Continuous Subarray Sum LeetCode Solution - Given an integer array nums and an integer k, return true if nums has a continuous subarray of the size of at least two whose elements sum up to a multiple of k, or false otherwise.

 

An integer x is a multiple of k if there exists an integer n such that x = n * k. 0 is always a multiple of k

   

Example 1:

 

Input:

nums = , k = 6

 

Output:

true

 

Explanation:

is a continuous subarray of size 2 whose elements sum up to 6.

 

Example 2:

 

Input:

nums = , k = 6

 

Output:

true

 

Explanation:

is an continuous subarray of size 5 whose elements sum up to 42.

42 is a multiple of 6 because 42 = 7 * 6 and 7 is an integer.

 

Example 3:

 

Input:

nums = , k = 13

 

Output:

false

Constraints:

 

- 1

 

www.tutorialcup.com/leetcode-solutions/continuous-subarra...

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

Foundries producing medium to very large volumes of castings on high-speed molding lines demand large volumes of prepared sand and maximum productivity from the sand plant. The Simpson Multi-Mull is specifically designed to provide medium to very large volumes of high-quality molding sand on a continuous basis and utilizes the same effective mulling technique as the Simpson Mix-Muller.

Outdoor Sculptures at Glenhyrst Art Gallery, Brantford Ontario

In 2009 Stephen Harper was Canada's Prime Minister.

Historic American Legion Memorial Bridge over the South Fork Holston River in Sullivan County, Tennessee. The continuous Polygonal Warren through truss bridge carries U.S. Hwy 421. The bridge was constructed in 1950 by the Virginia Bridge Company when the Tennessee Valley Authority (TVA) completed the South Holston Dam and impounded the South Fork Holston River creating South Holston Lake.

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

Two Pratt & Whitney J58-1 continuous-bleed turbojets, 34,000-lbf thrust with afterburner, each

 

_DSC0975Anx2 1024w Q90

Dipole magnets seen inside the Continuous Electron Beam Accelerator Facility located at Jefferson Lab in Newport News, Va., on Thursday, Aug. 17, 2023. (Aileen Devlin | Jefferson Lab)

 

Magnets in Jefferson Lab's CEBAF tunnel are used to steer and focus the beam. Here, the large, blue dipole magnets steer electrons around one of the racetrack-shaped accelerator's two arcs.

This was done for Ella Clocksin's homework. In Blind Contour Drawing the idea is to follow a shape or line with your eye. As your eye moves slowly along the contour of an object so does your hand with your writing implement. You aren't allowed to look at what you draw. For homework we had to try to capture movement. This was drawn showing my other half ironing.

Foundries producing medium to very large volumes of castings on high-speed molding lines demand large volumes of prepared sand and maximum productivity from the sand plant. The Simpson Multi-Mull is specifically designed to provide medium to very large volumes of high-quality molding sand on a continuous basis and utilizes the same effective mulling technique as the Simpson Mix-Muller.

The continuous caster in the Chris Hadfield Factory, NASA. Photo taken by Sergei Dmitriev

These are TERNS - Deadly Fishers - extremely fast, was flying in a flock, head always down towards the water to spot a prey, and continuously by rotation one after another, one will suddenly come out of the flock (which was positioning itself in the lowest level) and was suddenly diving into the water and will be completely inside the water for two to three seconds and will come out after catching a fish - deadly accurate. Although I have seen missing one or two times, but very rare. Snapping their photo is a challenge because they move so fast and after a great difficulty , I could snap correctly few photos of them. Mesmerisingly fast moving birds and their size is only slightly lesser than a city Mynah !

 

@ Pulicat Lake Bird Sanctuary - Andhra Pradesh, India.

 

Pulicat lake bird sanctuary is a saline backwater lake lying along the T.N.-A.P coast; part extending to Chengalpattu district of T.N. It has an area of 481 sq.KM and it is the 2nd largest brackish water lagoon in India after Chilka lake in Orissa. The area on the TN side is 153.67 sq.km.

The Pulicat sanctuary is drained by Arni river while the Buckingham canal brings in the city’s drainage water. At the southern end is an opening on to Bay of Bengal through a shallow mouth of 200 m in width. The rest of the lake is closed by a sand bar running parallel to the Bay of Bengal in the form of the Sriharikota island.

The sanctuary has an area of 321 Sq. KM with 108 sq.KM of National Park area.

It lies within 11o 30’ N to 11o 42’ N and 76o 30’ E to 76o 45’ E.

Rainfall ranges from 800 - 2000mm. Temperature varies from 14o C to 33o C.

Altitude ranges from 100’ MSL to 1200’ MSL.

The wetlands eco system are considered as among the richest areas of bio diversity. Pulicat, by virtue of the mixing of fresh water with sea water is found to be an ideal habitat for diverse life-forms. 160 species of fish, 25 species of polychaete worms, 12 species of prawn, 19 species of mollusk and 100 speceis of birds are well documented apart from a number of other aquatic flora and fauna.

 

Among the most spectacular is the flamingo-a tall gaunt, white-coloured bird with a touch of pink on the wings, pink beak and legs, seen feeding in shallow water. The squat, large-billed grey pelican with gular pouch and a number of ducks are commonly seen. Flocks of sea gulls and terns circling in the sky or bobbing up and down on the water are an added attraction at pulicat. Besides, there are a number of waterside birds and waders such as curlews, stilts, plovers, sand pipers, lapwings, redshank. Egrets, herons, kites etc. are some other birds found here. The lake is also home to crabs, clams, mussels, oysters, snails, fish worms, insects, spiders, sponges, anemone, prawns, plankton and so on including rare endemic species like gilled leech, an unidentified bloodred fish, etc., Rapid siltation has caused loss of bio diversity. It is seen that mangrove opllen is found on Sriharikota Island indicating their existence some years back. Loss of mangroves may be one of the resons hastening siltation, reducing biodiversity and hence depriving fisherfolk of their livelihood.

Source : www.forests.tn.nic.in/wildbiodiversity/bs_plbs.html

The M4 Sherman tank was the most widely used Allied medium tank in World War II. The United States retired the last Sherman from its military in 1957, but Shermans remained in use elsewhere for decades.

 

This particular Sherman was manufactured in 1944 in Detroit, Michigan. It’s an M4A3(76)W/M4A3E8, also known as an “Easy Eight,” model, which incorporates improvements in the main gun, armor, and suspension compared to earlier versions of Sherman tanks. The tank’s name is Thunderbolt.

 

Seen at the Military Vehicle Show sponsored by the Liberty Aviation Museum, Port Clinton, Ohio.

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

The M4 Sherman tank was the most widely used Allied medium tank in World War II. The United States retired the last Sherman from its military in 1957, but Shermans remained in use elsewhere for decades.

 

This particular Sherman was manufactured in 1944 in Detroit, Michigan. It’s an M4A3(76)W/M4A3E8, also known as an “Easy Eight,” model, which incorporates improvements in the main gun, armor, and suspension compared to earlier versions of Sherman tanks. The tank’s name is Thunderbolt.

 

Seen at the Military Vehicle Show sponsored by the Liberty Aviation Museum, Port Clinton, Ohio.

Continuous line drawing and a selfportrait for my final piece concept

"King´s bread" is a recipe from a friend baker, Claudio Lorenzo, who asked me for taking his creations´ pictures. Photos will travel to France for menu design.

We armed a room at his bakery with a

almost complete studio, so the breads were captured freshly baked and crispy

(delicious, not to mention)

Now, that was a fun job!

Will post more when the work is completed.

 

Integrated pinion stand mill drive for continuous cast aluminum rolling mill hot two-stand Tandem.

Continuous line drawing with water soluble pen.

Due to the continuous Coastal Erosion along the shore line this Suffolk Square Pillbox is now on the beach, after being built apon the cliff top originally in the early 1940's. Due to the washing from the waves you can see the full form of the Pillbox including the plinth, the interior is accessible, it seems that continuous Concrete Weapons Shelves are common in this area running across both Loopholes. The grain from the timber shuttering is very clean and clear, and the roof camouflage has also survived !

The Suffolk Square Pillboxes in this area were constructed using the gravel from the nearby extraction pit, there was originally three such pits but only one survives now due to coastal erosion, the extracted gravel was used to construct Pillboxes, Anti-Tank Blocks, Coastal Defences and Airfield Runways. The Suffolk Square is a Bullet Proof Infantry Pillbox approximately 12ft 6in square used for rifles and light machine guns, there is a slight variation in some designs, it was designed by CRE (Commander Royal Engineers) 55th Division and is unique to Suffolk.

The walls are 15in thick, some have no reinforcing rods (as some demolished examples have shown) and the roof is 12in thick. There are usually two Loopholes in each face except the entrance which only has the one Loophole. The entrance is protected by an L-Shaped Blast Wall, which was quite often chamfered on the outer edge to increase the field of fire from the Loophole at the entrances. Normally there is no Anti-Ricochet Wall, which would have made the personnel vulnerable (some Loopholes were blocked up to help eliminate this).

A different range of shuttering was used, between Aldeburgh to Thorpness and in South Suffolk pre-cast concrete blocks were used. The Walberswick Pillboxes used bricks for the internal shuttering and pre-cast concrete blocks for the external shuttering. From Southwold to Lowestoft most Pillboxes were shuttered with timber. Loopholes were pre-cast concrete and either Stepped or Splayed, sometimes both types were used in the same Pillbox and fitted with a Concrete Weapons Shelf below, and in some cases a Loophole was fitted to the External Blast Wall.

At Trimley St Martin there is a 'Hybrid Pillbox' consisting of a 'Suffolk Square' married to a 'Type-23' pillbox, a unique example ! The Suffolk Square Pillbox is only found in forward defences, such as in defence of a vulnerable point or to the rear of the beaches, there are none found on inland Stop Lines. There were 245 Suffolk Square Pillboxes listed as being constructed.

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

The Ruskin Family Drive-In Theatre, with over 50 years of continuous service to the Ruskin and South Hillsborough County, has been a community gathering place since its first movie, “Singing in the Rain” played in 1952.

 

We call it the “Last family drive-in” in the U.S.A. because families, dating couples, single parents with children and everyone else young and old can come and visit. We had family values when family values were the rule. We still have family values although by some we’re not considered cool.

 

We offer great movies, good food, and peace and quiet on a continuous basis. We have a 2000 square foot screen, clean restrooms, snack bar and clean parking lot. We are open year round – rain or shine, hot or cold, including holidays!

 

We only accept cash, No checks or Credit Cards allowed!

This is a photograph from the 37th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 18th June 2015 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland and is Ireland's oldest continuously held 10KM race. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.

The weather was perfect for running - it was a warm summer evening without any real wind or breeze. There was a light shower of rain for the first few minutes of the race which helped keep runners cool in the early stages of the race.

 

We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at: www.flickr.com/photos/peterm7/sets/72157669936408175

Some useful links

Our Photographs from 2015: www.flickr.com/photos/peterm7/sets/72157645329098733/

Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/

Dunshaughlin AC on Facebook: www.facebook.com/dunshaughlin.athleticclub?fref=ts

  

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Samarkand is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. Samarkand is the capital of the Samarkand Region and a district-level city, that includes the urban-type settlements Kimyogarlar, Farhod and Khishrav. With 551,700 inhabitants (2021)] it is the third-largest city in Uzbekistan.

 

There is evidence of human activity in the area of the city dating from the late Paleolithic Era. Though there is no direct evidence of when Samarkand was founded, several theories propose that it was founded between the 8th and 7th centuries BC. Prospering from its location on the Silk Road between China, Persia and Europe, at times Samarkand was one of the largest cities in Central Asia, and was an important city of the empires of Greater Iran. By the time of the Persian Achaemenid Empire, it was the capital of the Sogdian satrapy. The city was conquered by Alexander the Great in 329 BC, when it was known as Markanda, which was rendered in Greek as Μαράκανδα. The city was ruled by a succession of Iranian and Turkic rulers until it was conquered by the Mongols under Genghis Khan in 1220.

 

The city is noted as a centre of Islamic scholarly study and the birthplace of the Timurid Renaissance. In the 14th century, Timur made it the capital of his empire and the site of his mausoleum, the Gur-e Amir. The Bibi-Khanym Mosque, rebuilt during the Soviet era, remains one of the city's most notable landmarks. Samarkand's Registan square was the city's ancient centre and is bounded by three monumental religious buildings. The city has carefully preserved the traditions of ancient crafts: embroidery, goldwork, silk weaving, copper engraving, ceramics, wood carving, and wood painting. In 2001, UNESCO added the city to its World Heritage List as Samarkand – Crossroads of Cultures.

 

Modern Samarkand is divided into two parts: the old city, which includes historical monuments, shops, and old private houses; and the new city, which was developed during the days of the Russian Empire and Soviet Union and includes administrative buildings along with cultural centres and educational institutions. On 15 and 16 September 2022, the city hosted the 2022 SCO summit.

 

Samarkand has a multicultural and plurilingual history that was significantly modified by the process of national delimitation in Central Asia. Many inhabitants of the city are native or bilingual speakers of the Tajik language, whereas Uzbek is the official language and Russian is also widely used in the public sphere, as per Uzbekistan's language policy.

continuous shots of color drop

 

used a pink kinoflo and an ab400 w beauty dish

From my family collection but little history added. Guestimate 1941.

These fellows were mainly drawn from RNVR and fought continuous actions for Coastal Forces almost every day of the war but getting little of the glory that the big ships had.

 

If a viewer recognises any one in this photo, be it, grandfather, father, uncle, brother then speak up.

I have my own suspicions on a couple of names but will not reveal my thought,s so not to cloud the issue

Continuous motion, visible from sequentially viewing one photo/frame to the next.

 

Continuous motion photographed like a flipbook (frame by frame.)

Panorama workshop with Simo and Claudio on Saturday morning.

'... Technology has improved my life OR technology has harmed my quality of life ...'

 

Linda Stone coined the term continuous partial attention almost 10 years ago. It is a learned coping mechanism to enable people to be 'just another node on the network'. As we cope with more and more interruptions we loose sense of what is important and what is not important.

 

'... I pay full attention to people when they talk to me, when I am in meetings, when I work OR I pay partial attention to what I'm doing and I'm scanning my devices or software for other inputs ...'

 

This article (and another I saw) records fatalities as a result of continuous partial attention. The article here records how a young mother out running with a young child in a pram, stops to answer a mobile phone call, writes down some notes. Only to find the pram, child nowhere to be seen. The outcome was tragic becuase the pram was found 1 hour later after extensive searching, upside down in a lake about 100m away. The child was deceased.

 

'... Technology sets me free OR technology enslaves me ...'

 

So where does this leave you? Hopefully you might realise technology is but a tool. You can choose to ignore it where does not matter and understand what your true priorities are.

 

You can listen to Linda Stones ITConversation, 'Attention: The Real Aphrodisiac', here (24m, 11 mb, recorded 03JUL2006).

  

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