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Restored railway station in Kayano, Mikasa, Hokkaido.
Ricoh XR Super, Rikenon 50mm F2.0.
Era (公元) 100, Finedol 1:1 12min.
This house is used as an inn in summer seasons. Guests are primarily bikers.
Continuous motion, visible from sequentially viewing one photo/frame to the next.
Continuous motion photographed like a flipbook (frame by frame.)
Photographic session of my new special project, U2 2U (an U2 cover band). I've just covered the walls of the room we were with my other band's flag, and put a small stage light on the leftside of the models. Hope you enjoy it!
Info:
Sony A700
Minolta Prime Lens 50mm f/1.4
ISO 200
Strobist:
Just a small generic stage light placed on the left side of the model. Continuous light.
Continuous motion, visible from sequentially viewing one photo/frame to the next.
Continuous motion photographed like a flipbook (frame by frame.)
Foundries producing medium to very large volumes of castings on high-speed molding lines demand large volumes of prepared sand and maximum productivity from the sand plant. The Simpson Multi-Mull is specifically designed to provide medium to very large volumes of high-quality molding sand on a continuous basis and utilizes the same effective mulling technique as the Simpson Mix-Muller.
#Day 172/365: continuous
20090621 (Sunday)
more work, and never stop.
continuous... and it keeps repeating.
this is just my sunday, work!
copyright © 2010 sean dreilinger
view sequoia enforces continuous quality control on all picked cherries - _MG_2275 dcraw on a black background.
Foundries producing medium to very large volumes of castings on high-speed molding lines demand large volumes of prepared sand and maximum productivity from the sand plant. The Simpson Multi-Mull is specifically designed to provide medium to very large volumes of high-quality molding sand on a continuous basis and utilizes the same effective mulling technique as the Simpson Mix-Muller.
Plants are in a continuous battle with hemipterans (sap sucking bugs which have a long proboscis which they stick into the plant and through the plant’s own pressure they fill up the bug with the sugary phloem (sap).).This has led to an evolutionary arms race. It is not only the purloining of precious, hard earned sugars which is hard to accept for the plants, but these bugs also carry a variety of pathogens which can be transmitted to the plant via their unauthorized visitations. So the plants have developed a variety of defences, both physical and chemical. One such method is the introduction of small peptides into their sap which upon contact with air solidify, gumming up the mouthparts of any insect, and serving the dual function of forming a scab over the cut surface preventing further infection. This has stopped some insects though others have found a way around this. Chemical deterrence is another route that some plants have gone down. Toxic alkaloids or indigestible peptides laced with the sought after foodstuffs is a popular strategy. Though some insects have not only found a way around this, but have even exploited it to their advantage! Monarchs for instance feed on the toxic milkweed. Not only do they not suffer from the toxic alkaloids present in the plant, but they accumulate it and use it to in a similar way, so that they become unpalatable to avian predators. Together with their aposematic colouration, birds have learned to avoid them. Neotropical insects have developed along similar lines. To further complicate matters you have ants. These are both protectors and little Benedict Arnolds, selling out to the highest bidder – where the currency is sugar of course. When you can’t beat them, farm them! Plants have a love/hate relationship with ants. They have developed extrafloral nectaries for the purpose of luring ants to defend them from parasites and predators.This strategy is so effective that many species even those that are exclusively predatory, like trapjaw ants (Odontomachus sp.), can be seen patrolling the leaves of nectary producing plants. Plants that haven't developed extrafloral nectaries may also lure ants unintentionally since even leafbuds can sometimes produce sugary water through the ‘breathing’ of the stomata. But ants go where the sugar is, and so sometimes if a plant has become host to hemipterans, then ants will simply farm these invaders and reap the sugary benefits to the detriment of the plants. The complex interrelationships make for interesting study! Ants aren’t too picky about what they farm as long as they get the honeydew in return. Found during a night hike in Iwokrama rainforest reserve. For a greater selection of photos which include different angles and species ask by pm to be added to my friend's list.
Yesterday the tire flew off my minibus, I cut the head off a pit viper and I was banned from a commercial flight by associating with a narco-trafficker. Today I am bushwhacking through the jungle in the remote trail-less backwaters of Guyana, waist deep in water and praying to make it through the rest of the day alive. What will tomorrow bring? God only knows. The adventure starts here- pbertner.wordpress.com/.
Continuous motion, visible from sequentially viewing one photo/frame to the next.
Continuous motion photographed like a flipbook (frame by frame.)
Photos from the London Continuous Integration Group's Continuous Integration Lightning Talks, which took place at Skills Matter eXchange.
'Present Continuous' (auf deutsch) 'Gebückter Mensch, der nach unten schaut' von Henk Visch vor dem neuen Gebäude der Hochschule für Fernsehen und Film und des Staatlichen Museums Ägyptischer Kunst in München.
'Present Continuous' by Henk Visch in front of the University of Television and Film (HFF) and the State Museum of Egyptian Art in Munich.
200_3_P1090204R
Camera: Canon P
Lens: Canon 50mm f1.2 LTM
Film: Ilford HP5+ ( Expired 2007 ) - shot @ISO200
Development: Ilford LC29 1:9 for ISO400
Scanner: Reflecta Proscan 10T
Scanning Software: Silverfast
You can't stop time, you just have to make the most of it.
You also can't speed it up.
"loneliness, is such a sad affair
and I can hardly wait
to be with you again"
Superstar - Sonic Youth
Diggin that song big times lately.
Im so fed up at the moment.
Ha well this photo is unpopular, oh well, i guess i have gone a little overboard with the cliche shots recently.
PNCA has the oldest continuously running community art education program in the Northwest. PNCA’s Continuing Education is an open program for adults, teens and children, providing beginning through advanced education in the visual arts to the community, In fact, many well-known artists in the region took their first art class as a child at PNCA. The youth program includes smARTworks, summer art camp, and the Pre College Program for junior and senior high school students. Photos by Micah Fischer '13.
Continuous motion, visible from sequentially viewing one photo/frame to the next.
Continuous motion photographed like a flipbook (frame by frame.)
Taken during Open House London 2018
Sandys Row Synagogue
Unknown
Hidden gem at the very heart of London. Built originally as a Huguenot chapel in 1763, this extraordinary building has been in continuous use as a synagogue since 1860. Oldest Ashkenazi synagogue in London.
The Building's History
Sandys Row Synagogue is the oldest Ashkenazi synagogue in London, and the last remaining synagogue in Spitalfields. ‘Once the heart of the Jewish East End and the home of its renaissance’.
The main synagogue building is almost 250 years old and Grade II Iisted. In 1763 a French Huguenot community purchased an old chapel and its freehold on this site on a corner of Henry VIII’s artillery ground. L’Eglise d’Artillerie was dedicated in 1766 and remained open until 1786, when it merged with the London Walloon Church. For the next fifty years, the church was let to several Baptist congregations, becoming known as Salem Chapel and then Parliament Court Chapel.
In 1854, 50 poor Dutch Ashkenazi Jewish families founded a chevrah, a type of Friendly Society with a small synagogue attached known as the ‘Society for loving-kindness and truth’. The first of its kind! By 1867, it had grown to five hundred members when it acquired the leasehold of the French chapel, having found a champion in the architect, Nathan Joseph. The site was particularly suitable because it had a balcony and was on an East-West axis, albeit facing westwards. Joseph blocked up the original entrances, which are still visible, and formed a new one in Sandys Row, together with a new three-storey building for offices and accommodation.
The community’s independent streak, which perhaps goes a long way to explaining its longevity, was first evidenced in 1870, when the leading Sephardi rabbi, Haham Benjamin Artom of nearby Bevis Marks Synagogue, formally consecrated this Ashkenazi place of worship.
The Chief Rabbi at the time, Nathan Marcus Adler, had publicly opposed the establishment of any new synagogue by the poor East End Ashkenazi migrant community and refused to be associated with it. In November 1887, Sandys Row Synagogue was the largest of the East End congregations that founded the Federation of Synagogues. It left the Federation in 1899 and was refurbished for the 50th anniversary of the community after acquiring its freehold, becoming an Associate of the United Synagogue in 1922. In 1949 it returned to independent status.
Links with the Local Community
For many years the Synagogue acted as the secretariat of the Stepney and Whitechapel Street Traders’ Association, bringing together all the market traders from both Petticoat Lane and Whitechapel Markets.
Sandys Row Synagogue is committed to opening its doors, and sharing its stories and its unique, rich heritage with all sections of the community. Many groups arrange private visits. These include school groups and guided walking tours. In recent years we have hosted live music, community and heritage events. In addition we participate in Jewish Heritage Open Days and Open House London.
Sandys Row Synagogue holds a wealth of artefacts, many of which originate from its early beginnings. Thanks to recent donations and support, some of them, including a framed paper plaque commemorating the 50 founding families, have been preserved for future generations.
[Open House website]
Continuous water "weeps" out of the Weeping Rock alcove, keeping lush hanging gardens moist. The weeping is from above where Echo Canyon, one of the parks many slot canyons is located. Sections of Echo Canyon can be seen along the shared path of the Observation Point and East Rim Trails. There are other seepage areas resulting from the "spring line" between the two rock strata, kayenta and Navajo sandstone, but Weeping Rock is an impressive one. An impermeable shal, the Kayenta layer, makes up the floor of the slot canyon that prevents water from absorbing into the ground and forces it to find a place it can penetrate, such as at Weeping Rock. This is not a quick process. The water has been in the rocks for a very long time, about 1200 years in fact.
Continuous motion, visible from sequentially viewing one photo/frame to the next.
Continuous motion photographed like a flipbook (frame by frame.)
Capturing this still photo with CINEMILLS lighting in action! Using continuous light sources - great tools to have, especially, when you need lighting for motion and still photography.
Our LEDZ product line, it is a versatile, lightweight, powerful light that can be used in many different applications. The on board battery provides more freedom in location shoots.
This setup was shot in a small living room space.
www.cinemills.com | www.led-z.com
Photography by Russo Mutuc
Model: Elizabeth Hadjinian
MUA: Marta B.