View allAll Photos Tagged continuous
About the Artist: Liza Lou
Liza Lou was born in 1969 in New York City. She grew up in a family of modest means, playing with second-hand toys and dolls. As a child Lou saw Pop Art and realized that she had to be an artist. She was attracted by the idea that while you were making one thing it could mean something else.
Lou attended the San Francisco Art Institute where she fell in love with glass beads, but she dropped out of school when her professors didn’t take her choice of beads as a medium seriously. To support herself, Lou worked as a waitress and sold prom dresses in Hollywood.
Lou eventually beaded an entire life size kitchen, right down to dishes in the sink and a cherry pie cooling on the oven rack. The kitchen brought her recognition and a case of acute tendonitis. Next she beaded a back yard, including the blades of grass, and after that, portraits of American Presidents. “It’s humorous to see men in beads,” she said. “Herbert Hoover is not someone you associate with glitter.”
In 2002 Liza Lou was awarded a MacArthur fellowship, which changed her approach to her art. She moved to South Africa and worked with Zulu beadworkers to create Continuous Mile, a hand-beaded rope that is a mile long.
The Details
•Title: Continuous Mile
•Maker(s): Liza Lou
•Accession Number: 2013.9.1
•Place Made: United States, CA, Los Angeles; South Africa, Durban, KwaZulu-Natal
•Dimensions:
oOverall Dimensions:
Height: about 80 cm
Diameter (max): about 140 cm
•Date: 2006-2008
•Technique: needleworking, sewing
•Materials: Glass beads; cotton, thread
Interpretive Text
Continuous Mile took Liza Lou more than a year to make with a team of Zulu women, who work with Lou in Durban, South Africa. The sculpture is a coiled stacked rope, measuring a mile in length, sewn with more than 4.5 million glossy black beads. The sculpture is a work about work, about process, about finding meaning in the everyday, and about managing many hands to create something that could not be made by one person alone. Lou says, “The idea was to employ as many people as possible, using the slowest possible technique in order to engage a community in the process of making an artwork.”
First attempt with continuous light. Bought Falcon Eyes softboxes with 4 daylight bulbs. I like how this turned out. It still is a colour image and not turned into black and white. I did add a film filter with grain in Alien Skin Exposure 5 (Fuji Reala)
Canon 6D with Canon 100mm f2.8 macro
1 Falcon Eyes daylight bulbs softboc 50x50 cm partly double diffused with DIY scrim
Two silver reflectors
Pfc. Beto Chavarria sucks the blood from the head of a python in a jungle survival course during Malaysia-United States Amphibious Exercise 2015. Chavarria is an automatic rifleman with Kilo Company, Battalion Landing Team 3rd Battalion, 1st Marine Regiment, 15th Marine Expeditionary Unit. During the course, Marines learned how to trap, clean, and cook wild life. The purpose of the exercise was to strengthen military cooperation in the planning and execution of amphibious operations between Malaysian armed forces and U.S. Marines. The 15th MEU is currently deployed in the Indo-Asia-Pacific region to promote regional stability and security in the U.S. 7th Fleet area of operations.
(U.S. Marine Corps photo by Sgt. Emmanuel Ramos/Released)
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
The Moonlight Rainbow Fountain (Korean: 달빛무지개 분수) is the world's longest bridge fountain. that set a Guinness World Record with nearly 10,000 LED nozzles that run along both sides that is 1,140m long, shooting out 190 tons of water per minute. Installed in September 2009 on the Banpo Bridge, Seoul mayor Oh Se-hoon praised that the bridge will further beautify the city and showcase Seoul's eco-friendliness, as the water is pumped directly from the river itself and continuously recycled. The bridge has 38 water pumps and 380 nozzles on either side, which draw 190 tons of water per minute from the river 20 meters below the deck, and shoots as far as 43 meters horizontally.
St. Stevens Church, Birmingham, AL: Xci Class A is an exterior wall insulation panel composed of a Class A rigid polyisocyanurate foam core laminated during the manufacturing process to embossed foil facers.
Hunter Xci polyiso products:
- Have the highest R-Value per inch of any insulation
- NFPA 285 TEST - Passed
- Contribute toward LEED certification credits
- HCFC, CFC, zero ODP, and negligable GWP.
XCI Twitter: twitter.com/HunterXCI
XCI Facebook: www.facebook.com/pages/Hunter-Xci-Exterior-Continuous-Ins...
View more: www.hunterxci.com/
The focus on this is how I intended it, but it looks a little wonky with me. Uploading it for your thoughts, basically.
This is a photograph from the 38th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 24th June 2017 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland and is Ireland's oldest continuously held 10KM race. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.
The route starts on the town bypass and proceeds eastwards into Dunshaughlin village itself. The race then takes a left turn and follows a northerly direction towards Ratoath. At approximately 5.7K the race turns off this road into a small downhill section. After another 400m the race takes a right turn and turns southerly to head back to Dunshaughlin. At this point the only two significant hills of the race are encountered. From here the race is a straight route right back to the finish in Dunshaughlin village.
The race carries on its own fine long tradition but also that of the many very well known and well attended Meath Athletic Club road races which are hosted in the county over the year.
The weather was reasonably good for running - it was a warm summer evening but breezy in places.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at:
www.flickr.com/photos/peterm7/sets/72157685443821025
Our Photographs from 2016 Photographs: www.flickr.com/photos/peterm7/sets/72157669936408175
Our Photographs from 2015: www.flickr.com/photos/peterm7/sets/72157645329098733/
Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
117/365 Canon 50D + 17-40mm L + 2 50cm softboxes on either side of me, head height.
I've been shooting a lot of different stuff lately and am learning a lot. One of the things I have learned is that if you have the option of continuous light sources, use it. So much easier to work with than strobes.
Trucks continuously drive in and out of a noxious "recycling" facility where Gustavo and his bucket brigade takes air samples. A shrine in front of the entrance commemorates two brothers who died of hydrogen sulfide poisoning while working there; a reminder of the dangers of living and working in Arvin.
Photo Credit: Sarah Craig/Faces of Fracking
This is a photograph from the 38th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 24th June 2017 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland and is Ireland's oldest continuously held 10KM race. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.
The route starts on the town bypass and proceeds eastwards into Dunshaughlin village itself. The race then takes a left turn and follows a northerly direction towards Ratoath. At approximately 5.7K the race turns off this road into a small downhill section. After another 400m the race takes a right turn and turns southerly to head back to Dunshaughlin. At this point the only two significant hills of the race are encountered. From here the race is a straight route right back to the finish in Dunshaughlin village.
The race carries on its own fine long tradition but also that of the many very well known and well attended Meath Athletic Club road races which are hosted in the county over the year.
The weather was reasonably good for running - it was a warm summer evening but breezy in places.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at:
www.flickr.com/photos/peterm7/sets/72157685443821025
Our Photographs from 2016 Photographs: www.flickr.com/photos/peterm7/sets/72157669936408175
Our Photographs from 2015: www.flickr.com/photos/peterm7/sets/72157645329098733/
Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Schweiz / Tessin - Monte San Giorgio
Monte San Giorgio is a Swiss mountain and UNESCO World Heritage Site near the border between Switzerland and Italy. It is part of the Lugano Prealps, overlooking Lake Lugano in the Swiss Canton of Ticino.
Monte San Giorgio is a wooded mountain, rising to 1,097 m (3,600 feet) above sea level. It has a roughly pyramidal shape, with a steep north edge sloping towards Lake Lugano and a more shallow South Slope extending towards the Po Plain. The eastern (Swiss) side of the mountain, between the municipalities of Brusino Arsizio, Riva San Vitale, and Meride, was listed as a World Heritage Site in 2003. This was in recognition of its cultural, biological, and especially paleontological significance. The site is renowned for its fossil content, one of the best known records of marine life in the Middle Triassic period. The Italian region west of Poncione d'Arzo (Porto Ceresio) was added as an extension to the World Heritage Site in 2010.
History and cultural heritage
Humans have inhabited Monte San Giorgio at least since the area's equivalent of the Neolithic Period, around 6,000 years ago. The south side of the mountain is home to Tremona-Castello Archaeological Park, a fortress and settlement which was continuously inhabited by artisans from the Neolithic up until the 14th century. Artifacts, architecture, and other evidence of Roman and medieval activity are abundant on and around the mountain. Productive limestone quarries were active during this period and beyond in Italy (Viggiù and Saltrio) and Switzerland (Arzo).
Fossil and oil exploitation
The mountain's fossil fuel deposits were exploited more recently. Motivated by a search for furnace and lamp oil for Milan, mining projects attempted to establish themselves in the late 18th and early 19th centuries, focusing on the bituminous shale of the Grenzbitumenzone (Besano Formation). Though these early efforts did not last very long, exploitation of the Grenzbitumenzone ramped up in the early 20th century once its pharmaceutical properties were discovered. In 1908, the Spinirolo plant was built for the purpose of processing the shale into saurol, an ichthyol-like skin ointment. Saurol production and mining continued until the 1950s, and operations went bankrupt in 1960. Minerals such as barite, fluorite, and galena were also prospected on the mountain during the 20th century.
Italian paleontologist Giulio Curioni first mentioned that fossils were present on the mountain in 1847. The first paper focusing on Monte San Giorgio fossils in particular was published by Emilio Cornalia in 1854. Small excavations by Milanese paleontological societies in 1863 and 1878 provided more specific context on the paleontology of Monte San Giorgio. Shale extraction brought the fossil deposits to the attention of University of Zurich paleontologist Bernhard Peyer in 1919. Peyer and his associates began a series of large and systematic excavations in 1924, greatly expanding both the number of known fossil sites and the number of geological layers known to preserve fossils. Peyer's excavations continued until 1938, discovering many new species of fossil animals in the process. World War II paused both Saurol production and fossil collection. The Museo Civico di Storia Naturale di Milano (Milan Civic Museum of Natural History, MSNM) was bombed in 1943, destroying its collection of Monte San Giorgio specimens. Fossil excavations resumed in 1950 under the helm of Emil Kuhn-Schnyder, Peyer's successor and former student. Kuhn-Schnyder established the Palaeontological Institute and Museum of the University of Zurich (PIMUZ) in 1956, which now hosts over 15,000 specimens of Monte San Giorgio fossils. Collection campaigns have continued intermittently up until the present day, managed by the MSNM, University of Milan (UNIMI), and the Museo Cantonale di Storia Naturale di Lugano (Cantonal Museum of Natural History, MCSN). Over 21,000 fossil specimens have been collected in total by 2010.
UNESCO listing
In 2003, the Monte San Giorgio was listed as a UNESCO World Heritage Site, with 849 ha (hectares) of protected land from the Swiss communes of Meride, Brusino Arsizio, and Riva San Vitale. This protected area was surrounded by a 1389 ha buffer zone overlapping six additional communes. The nomination of Monte San Giorgio was inspired by its exceptional paleontological value, with multiple fossiliferous levels preserving among the best records of Middle Triassic life in the world. Monte San Giorgio also presents a link between local geology and culture, as well as unique ecological heritage relative to the rest of Switzerland.
In 2010, the World Heritage Site was expanded further, adding 240.34 ha of land from the Italian communes of Besano, Porto Ceresio, and Viggiù. These communes, alongside Clivio and Saltrio, were also included within an 1818.45 ha Italian buffer zone. This additional land brings the total area of UNESCO protected property to 1089.34 ha and the total buffer zone area to 3207.45 ha. Inclusion of the Italian territory was motivated for its paleontological heritage.
Each side of the site is managed by separate Swiss and Italian organizations, as well as a transnational board which moderates between the management organizations. The site is not in any particular danger from overutilization or degradation, so management is mainly related to closely-regulated fossil excavations, promotion, and maintenance of low-impact tourism facilities. Monte San Giorgio fossils are collected, curated, and displayed by a small number of museums, primarily the PIMUZ, MSNM, and MCSN. Local museums in Besano, Meride, and Induno Olona also play a role in promotion of the site and its fossils. The Museo dei fossili del Monte San Giorgio (Museum of fossils from Monte San Giorgio) in Meride was first opened 1973, receiving a 2012 redesign and expansion courtesy of Ticinese architect Mario Botta.
Geology
The geological layers of Monte San Giorgio span more than 100 million years, from the Permian to Jurassic periods. The rocks forming the mountain dip southwards, with older rocks exposed as one travels north and younger rocks exposed as one travels south. The oldest rocks are Permian volcanic basement material on the mountain's steep north slope. These are followed by Triassic sediments and carbonates at higher elevations on the mountain. Middle Triassic layers are the most fossiliferous and extraordinary from a global perspective, and are encompassed by the protected area north of Meride. South of Meride, they are replaced by Late Triassic coastal sediments which give way to Early Jurassic limestone overlooking the Po Plain.
Permian volcanics and Triassic transgression
The stratigraphically lowest rocks exposed on Monte San Giorgio are Lower Permian in age, around 290-280 Ma (million years old). They are remnants of early rifting and volcanic activity in the aftermath of the Variscan orogeny. These volcanic rocks are mainly reddish rhyolite and andesite with a porphyritic texture, produce large crystals of quartz, barite, and fluorite. The Permian basement rocks are terminated by an unconformity, an erosional surface succeeded by Triassic sediments.
These following Triassic sediments are siliciclastic and terrestrial in origin, mainly sandstone and conglomerate eroded from the underlying volcanic material. "Servino" is the name given to older sediments from the Early Triassic (about 252-247 Ma). Slightly younger sediments from the late Anisian (the first stage of the Middle Triassic, 247-242 Ma) are called the Bellano Formation. The Servino and Bellano Formation can be difficult to differentiate, but together they reconstruct a period of transgression (rising sea levels) encroaching onto a sandy coastline dotted with deltas and floodplains.
As the Anisian stage continued, the coastal sandstone of the Bellano Formation was replaced with calcareous marine deposits. These were the first of many massive carbonate platforms building up on a branch of the Tethys Sea which was expanding westwards. The shallow carbonate platform of Monte San Giorgio and surrounding areas is known as the Salvatore platform, which is now preserved as the San Salvatore Dolomite. It reconstructs a warm, tropical environment, with the most common fossils belonging to algae and shelled invertebrates. Only the lower portion of the San Salvatore Dolomite is preserved on Monte San Giorgio, corresponding to a particularly shallow and saline period in the history of the platform. Stromatolites and other algal laminations are generally the only fossils found in the Lower Salvatore Dolomite.
Grenzbitumenzone / Besano Formation
Near the end of the Anisian, the southern edge of the Salvatore platform deepens abruptly, giving way to a more sterile basin developed between carbonate platforms. The basin is now preserved as a relatively narrow band of dark dolomite and shale, running east to west along the edge of Monte San Giorgio. This formation has been called the Besano Formation (in Italy) or the Grenzbitumenzone (in Switzerland). It represents the first of several sections on the mountain enriched with well-preserved fossils. The Grenzbitumenzone, especially its shale layers, is enriched with organic material derived from cyanobacteria. This accumulation of organic material presumably made the bottom of the basin anoxic or dysoxic, with low oxygen levels in the seawater. The only fossils of seabed-living organisms belong to Daonella, a thin-shelled bivalve adapted to low oxygen. Fossils of free-swimming animals are more diverse, with marine reptiles, fish, and shelled cephalopods being the most prominent. Terrestrial and shallow-water organisms such as shrimps, conifer branches (Voltzia), and land reptiles (Ticinosuchus) were occasionally washed into the basin as well.
Meride Limestone
The basin responsible for the Grenzbitumenzone continued to persist through the Ladinian, though the Grenzbitumenzone itself transitioned into a less fossiliferous formation known as the San Giorgio Dolomite. This formation has lower organic content, no shale, and only a few fragmentary fossils. Higher organic content and finer laminations return a short while later, forming the lower part of the fossil-rich Meride Limestone. The Meride Limestone probably represents a period of increased instability on the growing carbonate platforms, sending surges of carbonate grains into the basin. Skeletons tend to be even better preserved than in the Grenzbitumenzone, suggesting that the basin deepened further or acquired extensive microbial mats. A section of dolomite, the "Dolomitband", forms the top of the Lower Meride Limestone. It also marks the start of the Upper Meride Limestone, which is similar to the lower part of the formation but has only a few fossiliferous sections. The Upper Meride Limestone eventually becomes dominated by very finely-laminated marls and shales with increased clay content. This clay-rich interval, indicative of increased terrestrial runoff within the shrinking basin, is known as the "Kalkschieferzone".
Late Triassic
By the beginning of the Late Triassic, a major marine regression (sea level fall) threatened the fossil-rich basin and carbonate system of the Middle Triassic. During the Carnian (around 237 to 227 Ma), the first stage of the Late Triassic, carbonate platforms were replaced by shallow-water and coastal sediments. This formation, the Pizzella Marls, is diagnosed by a higher amount of siliciclastics (sediments eroded down from terrestrial rocks) and evaporites (mineral deposits from dried water), such as gypsum. In the succeeding Norian stage (around 227 to ~208 Ma), carbonate platforms and rising sea levels were renewed with vigor, depositing a massive expanse of carbonate known as the Dolomia Principale or Hauptdolomit. The Dolomia Principale is a brittle, crystalline rock mass which was fractured by normal faults not long after it was first formed. This is an early pulse of an overall extensional tectonic regime, a period of rifting which would eventually break up Pangea. By the time of the Rhaetian stage (~208 to 201 Ma), the Dolomia Principale was buried by a shorter but more stable sequence of shallow-water marl and carbonate, the Tremona Series.
Early Jurassic
Rifting continued into the Early Jurassic, alongside marine sedimentation. From the Hettangian to Pliensbachian stages (201 to 183 Ma), the area reacquired a deeper basinal environment. These basin sediments are preserved as the Moltrasio Limestone, a thick sheet of micrite (fine-grained limestone) with abundant cherty and marly beds created by turbidites (mudslides). Jurassic sediments are preserved to the east, south, and west of Monte San Giorgio; the position of the modern mountain would have been an island or shallow environment during the Jurassic. Its Jurassic sediments are now eroded away to reveal older Triassic and Permian rocks. Conversely, Monte Generoso, immediately to the east of Monte San Giorgio, is composed mostly of Jurassic basinal sediments. Outcrops of Jurassic sediments are also seen close to the Po Plain, at the south edge of Monte San Giorgio (in a broad sense). The productive "marble" quarries found south of Monte San Giorgio actually mined non-metamorphosed limestone, rather than true marble. These limestone units were formed at the same general time as the Moltrasio Limestone.
Ecological heritage
The fauna and flora of Monte San Giorgio are diverse, with some species found nowhere else in Switzerland. The prevailing ecosystems are mixed broadleaf forests and meadows influenced by the mountain's sub-Mediterranean climate. Monte San Giorgio is one of the southernmost areas of Switzerland, with mild winters, high humidity, and many hours of sunshine. Due to the variation in underlying geology, both acidic and alkaline soils are developed, supporting different vegetation communities. The rhyolite-based northern slope is mostly covered by Castanea sativa (sweet chestnut), Quercus petraea (sessile oak), and Fraxinus excelsior (European ash). The dolomite-based southern slope is more diverse in its plant life and soil quality, with common plants including Carpinus betulus (common hornbeam), Ostrya carpinifolia (European hop-hornbeam), Tilia (linden), Asperula taurina, Quercus pubescens (pubescent oak), and Fraxinus ornus (manna ash).
The driest and most alkaline soils of Monte San Giorgio are home to the Ticino dry meadows, a unique biome with over 100 plant and species, 38 of which are rare or endangered within Switzerland. Carex humilis (dwarf sedge) and Molinia caerulea arundinacea (tall moor grass) are the most common grasses, while Monte San Giorgio supports the few Swiss populations of wildflowers such as Adenophora liliifolia, Gladiolus imbricatus, Iris graminea, Lotus herbaceus, and Danthonia alpina.
102 species of vertebrates are found on Monte San Giorgio, 37 of which are endangered in Switzerland. The mountain is the only Swiss stronghold for Microtus savii (Savi's pine vole), and hosts breeding sites for amphibians such as Bufo bufo (common toad), Rana temporaria (common frog), Rana dalmatina (agile frog), Hyla intermedia (Italian tree frog), and other species. Invertebrates are even more diverse, including some species which are very rare in Switzerland, such as Pyrgus armoricanus (Oberthur's grizzled skipper), Euchorthippus declivus (Jersey grasshopper), and Pholidoptera littoralis insubrica (littoral dark bush-cricket). The dry meadows are especially diverse, hosting several species of previously undiscovered or undocumented spiders. Isolated populations of crustaceans and millipedes inhabit the deep karst and cave systems found on the mountain. Monte San Giorgio is considered a "mycological wonder", with over 500 species of fungi, several of which are endemic.
(Wikipedia)
Der Monte San Giorgio ist ein Berg im Tessin in der Schweiz. Er ist 1097 m ü. M. hoch und liegt zwischen den beiden südlichen Armen des Luganersees. Der Monte San Giorgio ist eine der weltweit bedeutendsten Fundstellen für marine Fossilien aus der Mitteltrias (245 bis 230 Mio. Jahren). Im Jahr 2003 wurde das Gebiet rund um den Monte San Giorgio von der UNESCO zum Welterbe erklärt. 2010 wurde die Welterbestätte um den südlichen, zu Italien zählenden Teil erweitert.
Der pyramidenförmige Berg ist stark bewaldet. Die Naturlandschaft bietet vielen seltenen Pflanzen eine Heimat. Ausserdem liegen im Berg diverse Höhlen verborgen.
Geologie
Der Berg ruht auf einer Basis kristallinen Grundgebirges aus Gneis. Darauf liegen Schichten aus Andesit (Rhyolith) und Tuff. Es folgen Sedimentschichten aus der Trias, darunter wiederholt Dolomit und Kalk sowie Schichten mit bitumenhaltigem Ölschiefer. Die Schichten fallen nach Süden ab, so dass das älteste Gestein im Norden am Seeufer zutage tritt.
Eine Besonderheit ist die enorme Menge von gut konservierten Fossilien, die insbesondere in der 16 Meter dicken Grenzbitumenschicht gefunden wurden. Vor 200 Millionen Jahren bildeten die Gesteine des Monte San Giorgio ein rund 100 Meter tiefes Meeresbecken in einer subtropischen Region. Das Wasser muss am Boden sehr sauerstoffarm gewesen sein, so dass viele Wirbeltier-Leichen darin weder von Aasfressern noch von Strömungen zerstört wurden.[3] Die Fossilien, die am Monte San Giorgio gefunden wurden, sind deshalb oft vollständig erhaltene Skelette, die für die Forschung durch ihre weltweite Einzigartigkeit und Qualität von grosser Bedeutung sind.
So können heute auf dem Berg Versteinerungen von Fischen, Reptilien und wirbellosen Tieren wie Insekten – darunter einige mit einer Länge von bis zu sechs Metern und mehrere hundert Exemplare des Ichthyosauriers Mixosaurus – gefunden werden. Der Berg, der über weltweit einmalige fünf Fundschichten verfügt, zählt zu den wichtigsten Fundorten für die mittlere Trias.
Geschichte
Im 12. Jahrhundert lebte der Einsiedler Manfred von Riva auf dem Monte San Giorgio.
In der ersten Hälfte des 20. Jahrhunderts wurden die Bitumenschichten (Ölschiefer) industriell abgebaut und zu Öl oder Salbe („Saurolo“), mit pharmazeutischer Anwendung, verarbeitet. Marmor war ein weiterer bedeutender Rohstoff, welcher abgebaut wurde. Der letzte Marmorsteinbruch in der Gemeinde Arzo stellte 2011 seinen Betrieb ein.
Ab 1924 führte die Universität Zürich unter der Leitung des Paläontologen Bernhard Peyer und ab 1956 durch Emil Kuhn-Schnyder eine Reihe von wissenschaftlichen Ausgrabungen durch. Diese förderten über 10'000 Funde zutage, und viele neue Gattungen wurden entdeckt. Einige davon tragen Namen mit lokalem Bezug; wie zum Beispiel Helveticosaurus (benannt nach Helvetier), Ticinosuchus (benannt nach dem Kanton Tessin) oder Ceresiosaurus (benannt nach dem Ceresio, der italienischen Bezeichnung des Luganersees).
1977 kam der Monte San Giorgio in das Bundesinventar der Landschaften und Naturdenkmäler von nationaler Bedeutung.
Tourismus
Der Monte San Giorgio ist heute ein beliebtes Ausflugsziel für Radfahrer und Wanderer. Ein Naturlehrpfad führt Besucher in die Besonderheiten des Welterbes ein. Der Hauptteil der Funde befindet sich im Paläontologischen Museum in Zürich. Eine Auswahl bedeutender Funde sowie Replikate sind im neuen Fossilienmuseum des Monte San Giorgio in Meride ausgestellt.
Fossilienmuseum des Monte San Giorgio in Meride
Das vom Tessiner Architekten Mario Botta umgebaute und erweiterte Fossilienmuseum des Monte San Giorgio in Meride (Kanton Tessin) wurde am 13. Oktober 2012 eingeweiht. Die Struktur zeigt eine Auswahl von versteinerten Tieren und Pflanzen aus dem weltweit einmaligen UNESCO-Weltnaturerbe des Monte San Giorgio. Eine 2,5 Meter lange Rekonstruktion des Landsauriers Ticinosuchus begrüsst die Besucher im neuen Fossilienmuseum im Dorfzentrum von Meride. Er lebte vor rund 240 Millionen Jahren am Rand eines reich belebten subtropischen Meeres, gleichzeitig mit vielen anderen, ans Wasserleben angepassten Meeressauriern und Fischen. Die ausgezeichnet erhaltenen Skelette aus der Mitteltrias des Monte San Giorgio haben den „Berg der Saurier“ als UNESCO-Weltnaturerbe weltberühmt gemacht. Auf vier Stockwerke verteilt wird die grosse Vielfalt an Lebewesen vorgestellt, die zwischen 245 und 180 Millionen Jahren vor heute das damalige Meer und seine Küste im Südtessin bevölkerten. Illustrationen und Modelle machen dem Publikum diese längst ausgestorbene Welt verständlich, deren Fossilien seit 1850 von schweizerischen und italienischen Fachleuten ausgegraben, präpariert und wissenschaftlich beschrieben wurden.
Erschliessung
Von Süden über Mendrisio kann das Gebiet des Monte San Giorgio auf der Strasse erreicht werden. Eine weitere Strasse führt von Riva San Vitale dem See entlang bis nach Brusino Arsizio und weiter nach Porto Ceresio in Italien. Von Brusino gibt es eine Luftseilbahn zur Aussichtsterrasse von Serpiano (650 m ü. M.), wo auch die Strasse von Mendrisio endet. Von hier aus hat man eine sehr schöne Aussicht über den verzweigten Luganersee.
(Wikipedia)
This is a photograph from the 38th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 24th June 2017 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland and is Ireland's oldest continuously held 10KM race. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.
The route starts on the town bypass and proceeds eastwards into Dunshaughlin village itself. The race then takes a left turn and follows a northerly direction towards Ratoath. At approximately 5.7K the race turns off this road into a small downhill section. After another 400m the race takes a right turn and turns southerly to head back to Dunshaughlin. At this point the only two significant hills of the race are encountered. From here the race is a straight route right back to the finish in Dunshaughlin village.
The race carries on its own fine long tradition but also that of the many very well known and well attended Meath Athletic Club road races which are hosted in the county over the year.
The weather was reasonably good for running - it was a warm summer evening but breezy in places.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at:
www.flickr.com/photos/peterm7/sets/72157685443821025
Our Photographs from 2016 Photographs: www.flickr.com/photos/peterm7/sets/72157669936408175
Our Photographs from 2015: www.flickr.com/photos/peterm7/sets/72157645329098733/
Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Continuous 90 degree weather here. Sometimes isolated afternoon storms popup and cool us off, if we're lucky. Next we'll go into the 100s.
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
Westbound CSX work train passing through Utica Union Staion on track 2 lead by SD40-3 4042 with SD50-2 2479 and cars for laying down continuous welded rail. The engineer gives a friendly wave.
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
by Nelson Ball.
Cobourg, Proper Tales Press, 2o12. 1oo copies.
32 pp/29 printed, photocopy. 5-/2 x 8-1/2, stapled wrappers.
poetry.
4.oo
In a culture that is continuously accelerating, filters have become a primal commodity. We use them both to open and to close ourselves to or from any kind of possible information. Filters are ubiquitous. However, we only realize their presence when we lack them or when they fail our expectations. On the other hand, modern digital cultures are inseparable from keywords like functionality, s...moothness, order and progress. Interaction designers, programmers and interface developers all work together to understand and execute these mantras. But to really understand these keywords, they have to be defined in relation to what they are not. A successful product designer does not design for the average customer, but instead for the marginal, extreme customer; because when taking the margins as the rule, the middle will take care of itself. ! This is why studying the qualities of disfunction, irregularities, breaks, disorder, damage or even demolition are as important in the development of a new technological product as the researching of its perfect flows and this is also one of the reasons why I think it is important to study failure. The concepts of perfection and failure are a tradeoff of each other. If we want to understand and pursue perfection - we can find this in the pursuit of failure.
The exhibition Filtering Failure investigates (the connections between) the procedural terms ‘filtering’ and ‘failure’ and how in (lo-fi) digital arts these terms are being re-invented and re-used. The exhibition asks how Filtering and Failure co-exist; and how these processes influence each other.
The exhibition includes new and older works from the avant-garde of glitch artists. These works show the filtering of failure as a generative process, but also to unfold a genre that includes many the different envelopes of personal ways of dealing with failure.
Filering Failure is curated by Julian van Aalderen and Rosa Menkman.
Participating artists:
Paul Davis (US/UK)
Benjamin Gaulon (IR/FR)
Gijs Gieskes (NL)
Jodi (NL/BE)
Karl Klomp (NL)
no-carrier (US)
Notendo (US)
Nullsleep (US)
Jon Satrom (US)
Videogramo (ES)
Filtering failure is an initiative of PLANETART and GOGBOT in collaboration with Rosa Menkman and Julian van Aalderen
Powered by gem. Enschede, Blacklabel Records & Eurotrash Brewery.
Opening: 25th of Februari with live visuals by vj the c-men (Enschede): Julian van Aalderen, Sjors Trimbach & Edwin van Aalderen
The exhibition is open from monday to fridays between 14:00-17:00 (28th of Februari to the 1st of April 2011).
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
This is a photograph from the 38th Michael Manning Memorial "Dunshaughlin 10KM" Road Race and Fun Run which took place in Dunshaughlin, Co. Meath, Ireland on Saturday 24th June 2017 at 19:30. This race is widely acknowledged within the Irish running community as one of the best races in Ireland and is Ireland's oldest continuously held 10KM race. This year, as in previous years, the race attracted runners from not just all of Leinster but from the four corners of Ireland. The work of the organising committee must be commended on making this event possible. The Dunshaughlin 10KM has earned it's place at the top of the pedestal of Irish running through the sheer hard work of Dunshaughlin AC over the years. Road race events do not survive on their own. There must be dedication, hard work and a development vision amongst the committee and the host club. Well done to all.
The route starts on the town bypass and proceeds eastwards into Dunshaughlin village itself. The race then takes a left turn and follows a northerly direction towards Ratoath. At approximately 5.7K the race turns off this road into a small downhill section. After another 400m the race takes a right turn and turns southerly to head back to Dunshaughlin. At this point the only two significant hills of the race are encountered. From here the race is a straight route right back to the finish in Dunshaughlin village.
The race carries on its own fine long tradition but also that of the many very well known and well attended Meath Athletic Club road races which are hosted in the county over the year.
The weather was reasonably good for running - it was a warm summer evening but breezy in places.
We have an extensive set of photographs from the race tonight taken at the 1 mile mark and then at the 400M and 600M to go mark. The full set is available at:
www.flickr.com/photos/peterm7/sets/72157685443821025
Our Photographs from 2016 Photographs: www.flickr.com/photos/peterm7/sets/72157669936408175
Our Photographs from 2015: www.flickr.com/photos/peterm7/sets/72157645329098733/
Our Photographs from 2014: www.flickr.com/photos/peterm7/sets/72157645329098733/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I visited Tavares, Florida on January 21, 2014 to photograph the R J Corman Railroad Construction Company's installation of Continuously Welded Rail on the Florida Central Railroad's Right Of Way. Florida Central Railway (FCEN) is a Pinsley Company.
RJ Corman had several Large Machines that they were using to replace the old jointed rail with Continuously Welded Rail. They had machinery for spreading Ballast, placing Wooden Ties, Laying the very long sections of Rail, machines to position the Tie Plates and to insert Spikes thru the Tie Plates into the Ties, in order to secure the Rail to the Ties.
Finally they had Welding Machines to Weld the Long Rail Segments together and Ballast Tampers/Ballast Regulators to secure and align the Ties/Rails within the Ballast. I have included eight photos showing the Welds, Rails, Ballast and some of the Maintenance Of Way Machines.
Since Tavares calls itself America's Seaplane City, I was also able to Photograph some of the Seaplanes within another group of 5 recently posted flickr™ Photos.
Samarkand is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. Samarkand is the capital of the Samarkand Region and a district-level city, that includes the urban-type settlements Kimyogarlar, Farhod and Khishrav. With 551,700 inhabitants (2021)] it is the third-largest city in Uzbekistan.
There is evidence of human activity in the area of the city dating from the late Paleolithic Era. Though there is no direct evidence of when Samarkand was founded, several theories propose that it was founded between the 8th and 7th centuries BC. Prospering from its location on the Silk Road between China, Persia and Europe, at times Samarkand was one of the largest cities in Central Asia, and was an important city of the empires of Greater Iran. By the time of the Persian Achaemenid Empire, it was the capital of the Sogdian satrapy. The city was conquered by Alexander the Great in 329 BC, when it was known as Markanda, which was rendered in Greek as Μαράκανδα. The city was ruled by a succession of Iranian and Turkic rulers until it was conquered by the Mongols under Genghis Khan in 1220.
The city is noted as a centre of Islamic scholarly study and the birthplace of the Timurid Renaissance. In the 14th century, Timur made it the capital of his empire and the site of his mausoleum, the Gur-e Amir. The Bibi-Khanym Mosque, rebuilt during the Soviet era, remains one of the city's most notable landmarks. Samarkand's Registan square was the city's ancient centre and is bounded by three monumental religious buildings. The city has carefully preserved the traditions of ancient crafts: embroidery, goldwork, silk weaving, copper engraving, ceramics, wood carving, and wood painting. In 2001, UNESCO added the city to its World Heritage List as Samarkand – Crossroads of Cultures.
Modern Samarkand is divided into two parts: the old city, which includes historical monuments, shops, and old private houses; and the new city, which was developed during the days of the Russian Empire and Soviet Union and includes administrative buildings along with cultural centres and educational institutions. On 15 and 16 September 2022, the city hosted the 2022 SCO summit.
Samarkand has a multicultural and plurilingual history that was significantly modified by the process of national delimitation in Central Asia. Many inhabitants of the city are native or bilingual speakers of the Tajik language, whereas Uzbek is the official language and Russian is also widely used in the public sphere, as per Uzbekistan's language policy.
Continuous(ish) Line Drawing/ Stitched onto butter yellow faux suede with stem stitch.
Didn't make it to the final set for the show - but still good!
A U.S. Air Force B-1B Lancer assigned to the 37th Expeditionary Bomb Squadron, deployed from Ellsworth Air Force Base (AFB), S.D., arrives at Andersen AFB, Guam July 26, 2017. Supporting U.S. Pacific Command’s Continuous Bomber Presence operations, these aircraft, and the men and women who fly and support them, provide a significant capability that enables our readiness and commitment to deterrence, provides assurances to our allies, and strengthens regional security and stability in the Indo-Asia-Pacific region. (U.S. Air Force photo/Airman 1st Class Christopher Quail)
3.5" Hunter XCI CG PreCut to fit tracks Polyiso Continuous Insulation installed over 3M 3015 AVB Roosevelt Field Neiman Marcus. Polyiso higher thermal resistance allows for thinner tracks and overall wall thickness. Passes NFPA 285
Xci CG is a high-thermal rigid insulation panel composed of a closed cell polyisocyanurate foam core manufactured on-line to premium performance coated glass facers on both sides. It is designed for use in commercial wall applications to provide continuous insulation within the building envelope.
The FDA has approved this continuous gluose monitor device for a 14 day (instead of 10 day) wear, and 1 hour (instead of 12 hour warmup time)
Reminders/Disclaimers
I am not interested in telling other people what to eat. However, I realize that I enjoy and can sustain a real food, healthy fat, low carbohydrate eating pattern quite easily, with good results.
While I am not diabetic or pre-diabetic, I'm awed by the ability of the human body to regulate itself and the ability of humans in which regulation is compromised to achieve their life goals.
I have no ties to, nor have I received any gifts, honoraria, meals, from any food, pharmaceutical, device, or diagnostics manufacturer. No product endorsement is implied. In addition, the manufacturer is operating a promotion to replace 10 day sensors with 14 day sensors at no cost, which I declined. #ConflictFree #NoDollarsforThisDoc
#LCHF #ContinuousGlucoseMonitor #ThisCenturyBestCentury #DiabetesPrevention #DiabetesReversal #MetabolicHealth #Nof1Experiment #Geek
#LMHR4Science #DataOverDogma