View allAll Photos Tagged continuing
In the summer of 2016, the BLM Burns District continued its partnership with the University of Oregon Museum of Natural and Cultural History and the Oregon Archaeological Society and conducted archaeological excavations at the Rimrock Draw Rockshelter site in southeastern Oregon.
The site, discovered in 2009 by BLM Archaeologist Scott Thomas, has hosted archaeology field schools since 2011. In 2015, it became internationally known after archaeologists found a small stone tool under a layer of volcanic ash from a volcanic eruption about 15,800 years ago.
This tool suggests one of the oldest known human occupations in the western United States.
The 2016 excavations encountered significant rock and boulder debris, resulting from at least two occasions of portions of the rock wall calving or breaking off – probably around 8,000 and 10,000 years ago. These rocks limited access to the ground beneath them, and many were removed only after drilling and splitting reduced them to removeable sizes.
In coordination with the BLM’s Scott Thomas, Dr. Patrick O’Grady with the University of Oregon Museum of Natural and Cultural History directed excavations for the fifth year in 2016, and Jordan Pratt, graduate student at Texas A&M University, served as the excavation’s site supervisor. Volunteers from the Oregon Archaeological Society, students from the University of Oregon, and archaeologists from the BLM conducted the excavations.
Photo by Greg Shine, BLM
SFU Continuing Studies staff at our table at last evening's open house in Surrey.
Left to right: An open house attendee; Joti, who works with our Management and Professional Programs; and Kim and Yvonne, our SFU NOW: Nights or Weekends staff.
Struggling over the impact of economic sanctions, Iran’s parliament has passed a stop-gap budget while it debates President Mahmoud Ahmadinejad's latest full-year spending proposal.
It’s the third straight year the Iranian parliament hasn’t been able to pass a full-year budget by the March 21 beginning of the Iranian calendar and fiscal year. Western economic sanctions have cut Iranian oil exports by more than half over the past year, sharply reducing Iran's income and causing the nation’s currency to lose half its value over the past year.
“The government faces huge uncertainties,” according to Iranian-born economist Mehrdad Emadi from London’s Betamatrix consultancy firm. “This short-term budget shows that planning beyond 90 days has become impossible because of sanctions,” he added.
Ahmadinejad’s proposed full-year budget forecasts a 31 percent hike in domestic currency spending, reflecting the sharp drop in the value of the rial. The International Energy Agency estimates that Iran's oil exports may have dropped below one million barrels per day in January, from 2.2 million bpd in late 2011.
New economic sanctions imposed by the United States and European Union in the past year banned the sale of Iranian oil to Europe, making it difficult for other countries to pay for Iranian oil or for ships that carry it to get insurance. The sanctions were imposed over Iran’s nuclear program, which the West say is aimed at producing nuclear weapons. Iran insists its program is peaceful.
The approval process for the temporary budget will likely be hampered by the deep political divisions between the president and a parliament that has accused him of reckless financial management, which they blame for Iran's economic misery. Ahmadinejad, who is nearing the end of his second and final four-year term, has often quarreled with the Iranian parliament over economic policies, including cuts in food and fuel subsidies.
Economic sanctions against Iran continue to put pressure on the Islamic Republic to abandon its nuclear program, but so far haven’t succeeded in getting Tehran to reconsider their nuclear quest. The nation’s latest budget crisis reflects that economic pressure, so pray that the hearts of the Iranian leaders will be moved to reconsider the nation’s actions (Proverbs 21) and that – as a result – the world – and especially Israel – can avoid an armed conflict with the Islamic Republic over its nuclear program.
For more on this story, visit: Jerusalem Prayer Team Articles Page.
LIKE and SHARE this story to encourage others to pray for peace in Jerusalem, and leave your own PRAYERS and COMMENTS below.
--------------------
Support the Jerusalem Prayer Team. Visit us now.
Mon Power continues an aggressive effort to restore customers across West Virginia who lost power as a result of a severe storm on June 23, 2016, which caused significant flooding and widespread tree damage across the service territory. Damage includes trees on lines, broken poles and broken cross arms.
The E-510 continued where the E-500 left off, an increase of 2 MP, this update also sported the live view, all purchased was the new body, since having the three lens complement with the 500. as best recall this was the first outing, again at the annual Fathers day car show, at the least there were at least 50% new viewings, good because it was to be a rather warm day for photograph taking, One of the finest restored pickups I've come across in some time, every nut and bolt seemed period to the time and era, somewhere I heard this voice Let's go for ice cream Grandpa! initial guess around 1928 -29 Ford Model A to be confirmed. A 31 ! Albuquerque, NM USA. from J&R auto Museum.
Continue Acelerando, oficina de valuation e patentes. Palestra "Patentes & Propriedade Intelectual, Mitos e Verdades, com Henry Suzuki, da Axonal Consultoria Tecnologia. Data: 15/07/16. Local: São Paulo/ SP. Foto: Patrícia Cruz/Sebrae-SP.
On Saturday, December 12, St. John Cantius Parish hosted its annual Festival of Nine Lessons and Carols.
The Festival, which originates in the Anglican Church, is a service of Christian worship celebrating the birth of Jesus. The story of the fall of humanity, the promise of the Messiah, and the birth of Jesus is told in nine short Bible readings from Genesis, the prophetic books and the Gospels, interspersed with the singing of Christmas carols, hymns and choir music.
At St. John Cantius, the Festival is traditionally celebrated after first Vespers of Gaudete Sunday. It is concluded with exposition and benediction of the Most Blessed Sacrament, and is thus a splendid way for the participants to prepare for the coming of Christ on Christmas.
I think they did really well with it this year, as they added a few more things including a lot of fairy lights. I hope it continues to grow over the years!
Disneyland Park.
Disneyland Paris, December 2011.
Visit our website for loads of Disney Character pictures and information!
‘SOLUTIONS’
Opening event Wednesday 1 May 6-8pm
Continues until 18 May 2013
Christopher LG Hill, MAXIMUM RIM, Adelle Mills, Danae Valenza and Friends and Marcin Wojcik.
Bus Projects presents an exhibition of DIY art solutions.
For SOLUTIONS, a group of Melbourne artists will select, create and/or interpret freely distributed artworks and instructional pieces.
Taking the sharing of creative methods as the exhibition’s modus operandi, works will be either sourced online, newly conceived of and subsequently shared and distributable, or make use of open methods and technologies that can be freely distributed for future seekers of art solutions.
Danae Valenza
Using video, sound installation and performance with a process-driven aesthetic, Danae Valenza’s work often hinges on phono-social experiments, placing restrictions or subtle guidelines on situations to form generative actions and exercises. The resulting works create and document a broader scope of communication, which gives focus to the individual in a collective setting.
MAXIMUM RIM
MAXIMUM RIM is an ongoing collaboration between Antuong Nguyen and Warran Wright. Their practice includes installation, art direction, film and design.
Since 2011 MAXIMUM RIM have exhibited at Screen Space, Craft Victoria, Netherlands Institute of Media Arts and No Vacancy Gallery.
Christopher LG Hill
Ideas of freedom mediated through the self and others, and objects.
Languages of objects undulate between the objective and subjective in both a concrete and emotional way. A poetry of space and politics occurs within people and their surrounds, in humour and struggle. An embracing of anarchist principles within inter personal relationships materialises through free intellectual property, through publications, performance, object dialogs, interaction and web interfaces. debris and words float on floors and pages like a temporary mist. Multidirectional and multidiscipline operating within as a lived politic and art, active and in flux.
Practice outcomes have inhabited ; Buyip Trax (record label run with Joshua Petherick), ENDLESS LONELY PLANET (edtior), Y3K (2009-2011) (co directed with James Deutsher),Conical, Clubs Project inc, Y3K, Gambia Castle, Enjoy, Room 103, Uplands, TCB, TATE modern, Centre Ongoing, Chateau 2f, Rear View, Art Beat, Gertrude Contemporary, Heide, Discipline, Margaret Laurence Gallery, Mir11, West wing, Techno Park, Neon Parc, MCA, Hell, wBST, CCP, Joint Hassles, UN, Loose Projects, Gallery Of South Australia, ELP, NGV Studio, Utopian Slumps, Platform artists space, Window online, , Shepparton Art Gallery, Magasine, a Copenhagen Beach, The Narrows, UQ Art Museum, Palm Springs, David Pestorious, Seventh, and others.
Adelle Mills
Adelle Mills’s practice principally involves the production of group actions that are partly choreographed and partly improvised. Initially drawing up a compositional score, the performers are invited to respond and do so with some autonomy. Working with video, sculpture, people and place, Mills’s works attend to chance, direction and organisation to consider the agency of people and things within the same field of experience. Notions of social and material ‘difference and sameness’ are examined through performance video and spatial investigation.
Marcin Wojcik
Marcin Wojcik completed his Bachelor of Fine Art (Honours) in Sculpture at the Victorian College of the Arts in 2010. His work uses the theatricality of performance and its manifestation as roles, props and scenes to interrogate the themes of exploration, masculinity, adventure and adversity.
Housed in Seminar Hall of Dr. A.P.J. Abdul Kalam Block in Nehru Institute of Engineering and Technology, at Nehru Gardens, Thirumalayampalayam situated on the National Highway to Palakkad, the 10th Graduation Ceremony of Nehru Institute of Engineering and Technology held on Sunday, 8th March 2020. The Nehru Institute of Engineering and Technology approved by AICTE – New Delhi, Recognized by UGC with 2(f) and 12(B) , Affiliated to Anna University – Chennai, Accredited by NAAC and NBA Accredited for UG courses : Aeronautical Engineering, Computer Science and Engineering and Mechanical Engineering has completed more than a decade in molding our Youngsters into Millennium Leaders to face the future Challenges in Technological Breakthroughs and Information Explosions. At 10.00 a.m. the Nehru Institute of Engineering and Technology campus was bustling with high energy as the Institution felicitated the Academic Achievers of all the branches of Batch 2015- 2019. Two hundred and five students of NIET were awarded with degrees of ANNA University, Chennai. In which undergraduate programme was one hundred and eighty five and postgraduate programme was twenty. The convocation began with a majestic and grand academic procession which was headed by the Principal followed by the other dignitaries. The College 10th annual report was read by Dr. P. Maniarasan, Principal, NIET followed by this was the Address of the Chief Guest, Adv. Dr. P. Krishnadas, Chairman and Managing Trustee, Nehru Group of Institutions presided over the function. Dr. B. Selvaraj – Dean Research – felicitated the students with exemplary performance.
Dr. V. Dillibabu, Director, National Design and Research Forum , a scientist with DRDO, Ministry of Defence, Govt of India graced the occasion as the Chief Guest of the 10th Graduation Ceremony. The Chief Guest in his address stated that “ The need of the hour today in India is for citizens who will use their knowledge and learning to better their society. The Chief Guest further congratulated the Graduates and their parents. This is your day and there is every reason to have an enormous amount of satisfaction at your success. The Chief Guest there up on gave the degree to each student. After the distribution of degrees the oath taking of the degree recipients was done. Finally the Graduation Ceremony was dissolved, continued with this was the playing of National Anthem. The Academic Procession moved back in the reverse order and the degree awardees followed at the back of the procession. The ceremony was ended with a ray of hope and joy.
Continuing the Bexhill to Crowhurst railway interest..``In 1900 it was decided to build an approach road to Crowhurst Station from the village at a cost of £4,000 which was payed for by the SE&CR which also put up £4,184 for a hotel to be built near the station``..(see Peter A. Hardings book The Bexhill West Branch Line).The Inn At Crowhurst closed in 1998...
A small copper green raku figure by me,a white crackle raku teapot from the Glebe inner city clayworkers ,annual teapot show,a Bob Connery gold lustre bowl and a raku mug from a favourite potter,whose name has temporarily escaped me :)
Pride of the Clyde Bova IIG 9817 is seen about to pick up a contingent of shipyard workers from Scotstoun for the journey home.
At one time there would have been well over a dozen buses and coaches lined up on South Street at the end of the day, now there are just two which serve both Govan and Scotstoun yards.
Just like the butterfly, I too will awaken in my own time.
~Deborah Chaskin
This is my second butterfly pic. The first one "Start of the Lepidoptera affair" is here.
Continuing on Thursday 4 March 2021 Roof Top View from Ballina Flats to the conversion of former Christian Science Edifice to small offices in Liverpool Street, Darlinghurst.
Major building work started at Sherborne Castle in Dorset in 1122, at the order of Roger, Bishop of Salisbury, and the first phase of construction continued until 1137.
The top of a hill surrounded by a well-placed marsh was cut down and levelled upon which an elegant and spacious castle was built both as a defence and as the powerful bishop's palace. He was chancellor and senior advisor to King Henry I and he wanted his castle to make a powerful statement to any who might oppose the king's authority.
Roger fell from power under King Stephen and the castle was taken from the king by the Earl of Gloucester and was not recovered until the reign of Henry II. King John made alterations and improvements. King Edward I stayed here occasionally and King Edward III gave it to the Earl of Salisbury but the bishop of Salisbury re-asserted his claim to the castle and it was returned to the bishops in 1355.
Some changes were made around 1381 in the wake of the Peasants' Revolt but it appears that rioting tenants broke into the castle in 1450 [the time of Jack Cade's revolt] and burned part of the building while destroying manorial records.
The bishops leased the castle in the 16th century - latterly to Queen Elizabeth I - and she gave the lease to SIr Walter Raleigh. Raleigh made many changes to the castle including cutting away the side of the great tower or keep and installing huge windows.
The castle was besieged in the English Civil War and captured in 1645 by Parliament. Shortly afterwards orders were given for large sections of the walls to be destroyed [slighted] to prevent the castle's re-use.
The Digby family, who owned it, developed a new manor house, now called Sherborne Castle, next door and the old castle became a picturesque ruin in the grounds of the new building. It is now cared-for by English Heritage.
Continuing the project of cataloguing my wardrobe, here's a blue/silver top paired with a short, straight pastel blue skirt.
Accessories are pale blue head band, silver jewelry, natural hose, and blue patent pumps previously catalogued.
Finally, managed to complete something decent... I can show 360 degree without hiding... haha... but I won't be able to show inside out... there's still many knots here and there that I don't know how to manage... lol
The girls (?) have continued the conversation, although it would appear there is a new scribe in their midst
The Westside of Kern county is home to the oldest oilfields in California and continues to produce oil. It is not a very attractive area, but I think it important to see what our dependence on oil does to the environment, so here's an introduction to this area.
It is quite easy to get to this area, providing an interesting detour when heading north on the I-5. When heading north from LA, just after the I-5 and CA-99 split, take CA-166 west. At Maricopa (23 miles), take CA-33 north. (If you're doing this as part of a trip headed further north, you can take CA-33 north to Avenal and CA-269 back to the I-5 -- doing this only adds about 20 miles to your distance, and most of CA-33 moves quite quickly so not much addition in time either.)
This is looking south to Maricopa, across an oil field next to CA-33
View on black, courtesy of B l a c k M a g i c
(Best viewed as part of California Central Valley set)
Baby Steve Mwari is weighed at a local health clinic near his home. He’s getting regular check-ups and the nurses say he keeps putting on weight.
Thanks to the blackboard, provided by Christian Aid as part of a maternal and child health project, nurses are able to record the health information for their catchment.
101023-N-1531D-035 - BLACKBUSH, Guyana - (Oct. 23, 2010) Seabees from Naval Mobile Construction Battalion (NMCB) 7 Construction Maintenance Building Unit (CBMU) 202 and Marines from Special Purpose, Marine Air Ground Task Force (SPMAGTF), embarked aboard the multi-purpose amphibious assault ship USS Iwo Jima (LHD 7), construct a storage facility during a Continuing Promise 2010 engineering site in Blackbush, Guyana. Iwo Jima is currently anchored off the coast of Guyana to conduct a Continuing Promise 2010 humanitarian civic assistance (HCA) mission. The assigned medical and engineering staff embarked aboard Iwo Jima will work with partner nation teams to provide medical, dental, veterinary and engineering assistance to eight different nations. (U.S. Navy photo by Mass Communication Specialist 2nd Class Jonathen E. Davis)
4536 L.L. Wyatt Museum, 102 North East Street, Greensboro, Greene, GA. April 17, 2011. Decimal degrees: 33.576639, -83.181068
"Sheriff L.L. Wyatt"
"(Continued from other sided)
moonshiners resisted arrest, Wyatt regularly shot it out with them. He killed over a half dozen men, all of whom shot at him first.
The most famous gunfight of Sheriff Wyatt's career occurred in 1974. He was 70 years old at the time. Bank robbers eluded a 100 - car police chase that started in Wrens, Georgia, and ended in Greene County. The bank robbers had killed a teller at the bank in Wrens and had taken two women hostage. Sheriff Wyatt set up a road block midway between Union Point and Greensboro. Wyatt stood in the middle of the road as the speeding car approached. The robbers attempted to shoot him, but the gun misfired. One bank robber was killed in the ensuing battle, but both women were unharmed. Sheriff Wyatt subsequently received the award of Peace Officer of the Year for his bravery in this Incident.
Sheriff Wyatt was a family man, devoted to his wife, son, and grandchildren. He was a businessman, lending experience to the operation and affairs of the Citizens Union Bank as a director. He was a community leader who had concern for all citizens-- rich and poor, black and white. Out of a concern of these people, legend has it that Sheriff Wyatt confronted a notorious member of the Dixie Maffia and proclaimed, "These are my people and I want you to leave them alone!"
Sheriff Wyatt, also known as Mr. Sheriff, was the epitome of a community oriented police officer long before such an idea was born and served as an example for every officer to follow."
CARTAGENA, Colombia (Nov. 18, 2022)—Hospital Corpsman 1st Class Marcus Crenshaw, from Bronx, New York, assigned to the hospital ship USNS Comfort, passes supplies to Hospital Corpsman 3rd Class Greg Jones, from Tampa, Florida, as the Continuing Promise medical site in Cartagena, Colombia closes down, Nov. 14, 2022. Comfort is deployed to U.S. 4th Fleet in support of Continuing Promise 2022, a humanitarian assistance and goodwill mission conducting direct medical care, expeditionary veterinary care, and subject matter expert exchanges with five partner nations in the Caribbean, Central and South America. (U.S. Navy photo by Mass Communication Specialist 1st Class James Mullen)
When I tried to take the picture in 1/3 or 1/15 a second slower which was directed in the guidelines for continued movement it did not work so I took it 1/5 of a second higher than the guideline for my continued movement picture.
The convoy continues its journey to Chibok.
Read more about this story.
Photo credit must be given: ©FAO/Nigeria. Editorial use only. Copyright FAO
On 15 May 2017, Benjamin B. Ferencz visited the International Criminal Court (ICC) in The Hague (Netherlands) to meet with ICC officials and deliver a guest lecture. Benjamin B. Ferencz is the former Prosecutor of the Einsatzgruppen trial at Nuremberg (1947) and a long life advocate for the ICC’s establishment who made major contributions to international criminal justice.
This is a photograph from the 30th Annual AXA Raheny 5 Mile Road Race 2014 took place in Raheny Village, Dublin, Ireland on Sunday January 26th 2014 at 15:00. The 'Raheny 5' has become one of the most famous road races in Ireland. The race has continued to grow year-on-year and this year was no exception on the year of it's 30th Anniversary. Almost 3,000 participants took part in the various events of the day. The incredible voluntary organisational work carried out by Raheny Shamrocks and the local community in staging the race every year must be acknowledged.
The weather was postively wintery today. There was an icy wind blowing into the face of the runners at various points in the course. This made for some very variable mile-splits. Overall the weather was favourable in that the rain stayed away and there was some helpful 'wind at the back' for the runners in places.
The race route starts at All Saints Park and goes into Raheny Village via Watermill Road. The route then turns west and along the Howth Road before turning left onto Sybill Hill Road. The route then turns left again onto Mount Prospect Avenue and continues until you run down to the sea-front and the Clontarf Road. The only real hill in the course is at the left turn from Clontarf Road onto Watermill Road. Finally, at the North East end of St. Anne's Park the race turns left and makes it way to the finish which is positioned at the start area of the race.
We have an extensive set of photographs from today's race at the 1 mile and then 400 meters to go. The full set is available at www.flickr.com/photos/peterm7/sets/72157640185381674/
Some links, related to this race, which you might find useful:
The Raheny Shamrocks Club Internet Homepage: www.rahenyshamrock.ie/ or www.rahenyshamrock.ie/news/axa-raheny-5-2013
Raheny Shamrocks Facebook Page: www.facebook.com/rahenyshamrock?sk=wall&filter=2
A GARMIN GPS Trace of the race route: connect.garmin.com/activity/24632342
Our Flickr Set from the Raheny 5 Mile Road Race 2013: www.flickr.com/photos/peterm7/sets/72157632621783395/
Our Flickr Set from the Raheny 5 Mile Road Race 2012: www.flickr.com/photos/peterm7/sets/72157629086163673/
Our Flickr Set from the Raheny 5 Mile Road Race 2011:http://www.flickr.com/photos/peterm7/sets/72157625939674838/
Our Flickr Set from the Raheny 5 Mile Road Race 2010: www.flickr.com/photos/peterm7/sets/72157623196555201/
The Boards.ie Athletics Discussion Thread for the Race 2013: www.boards.ie/vbulletin/showthread.php?t=2056776031
The Boards.ie Athletics Discussion Thread for the Race 2014: www.boards.ie/vbulletin/showthread.php?t=2057117075
We use Creative Commons Licensing
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets