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In 1955, Living For Young Homemakers magazine sponsored the “Living Conditioned” homes program, which was sponsored by Hotpoint as part of their Golden Anniversary celebration. The magazine selected four architects from all over the nation to design modern homes with a “magnificently simple design for gracious living” while also incorporating all-electric appliances (Hotpoint, of course), as well as the latest in air conditioning.
Four model homes were built and later given away to lucky contestants in the Hotpoint Giveaway, and others who didn't win homes could buy plans for them for $10 from Living For Young Homemakers. This design was built in Oklahoma City (and in 43 other states) and is pretty spectacular for a modest mod. The home is on the market now -- here are more photos of it and history about it:
Malakoplakia, a condition often associated with immunodeficiency and characterized by abnormal macrophage function consists of sheets of large histiocytes in response to a bacterial infection. It represents a relatively ineffective inflammatory response because of persistence of bacteria and/or bacterial degradation products within the histiocytes. In the lungs it is almost always caused by infection with Rhodococcus equi but it may be caused by other bacteria. Malakoplakia is morphologically very similar to Mycobacterium avium complex infection in AIDS patients and to Whipples disease and lepromatous leprosy. The distinguishing and diagnostic feature of malakoplakia is the presence of small intracellular concentrically calcified structures called Michaelis-Gutman bodies (MG bodies). MG bodies also contain stainable iron. Intracytoplasmic calcifications not having the typical appearance of MG bodies may also be present.
The Prussian blue stain for iron strongly stains MG bodies and other intracytoplasmic bodies.
Preloved in excellent condition.
The Universal Parent Bag.
A hip and sporty unisex nappy bag that comes complete with a changing mat, detachable mobile phone holder and lots of other great practical features.
The BurpTM nappy bag has lots of compartments inside and out to hold the many items needed for your baby, mum or dad. Three large front pockets are designed for wipes, food, bibs, sunglasses and wallet.
The main compartment contains two large mesh pockets to fit nappies and baby creams. It comes complete with its own changing mat and has lots of space to hold a change of clothes, wrap, extra bottles and food.
Two external bottle holders (not insulated) are conveniently located on the sides of the bag to access easily.
A large pocket is located on the back of the bag to hold a newspaper, magazine or books for your baby.
With a long shoulder strap, the BurpTM nappy bag can be worn across the chest or over the shoulder. The shoulder strap is also long enough to hang over both handles of a pram or stroller. It's so functional that you can easily access all baby needs when changing baby in small confined spaces, like airplane and shopping centre restrooms - just swing the bag to be positioned in front of the body for quick easy access.
It's also fantastic to use with a baby sling.
Most of all, the BurpTM nappy bag is form fitting to the body, comfortable, and affordable.
What's great about the BurpTM bag is that once baby has grown, you can use the bag as a sports or travelling bag.
So easy to clean! Just wash on gentle/delicate cycle in your washing machine and dry in the shade.
Dimensions: Approx: 35cm tall and 45cm wide
Fabric: Canvas-like poylester
From pp. 217-219 of:
The Earle Family: Ralph Earle and His Descendants Compiled By Pliny Earle of Northampton, Massachusetts. Printed For The Family. Worcester, Mass.: Press Of Charles Hamilton, 1888.
Pliny Earle Chase [1902-1], after studying in the public schools of Worcester and the Friends' school at Providence, R. I., entered Harvard College without a condition in 1835, graduated with high rank in 1839, and soon afterward engaged in the occupation of a teacher. He had charge of public schools in Leicester and Worcester, Mass., successively, was an assistant in the Friends' school at Providence, R. I., and subsequently taught in Philadelphia, Pa., with the exception of two years, until 1848, when he relinquished the occupation on account of severe hemorrhages from the lungs.
He entered a partnership for carrying on the stove and foundry business in Philadelphia, Pa., and in Wilmington, Del., and remained in it many years, not retiring from it until some time after he resumed the occupation of teaching, in 1861. He succeeded Prof. Cleveland [218] as the principal of a school for young ladies, in Clinton street. In 1870 he visited Europe, and in 1871 was appointed Professor of Natural Science in Haverford College, Pa. He also served several months as acting-professor in the University of Pennsylvania, in the place of Professor Frazer, who had died in office. In 1875, a new chair, that of Philosophy and Logic, was established in Haverford, and he was transferred to it. The subjects now coming under his charge were particularly congenial and agreeable to a man of his mental constitution. On the organization of Bryn Mawr College, Pa., he was appointed Lecturer on Psychologv and Logic in that institution. In 1886 he presided at the commencement exercises of Haverford College, as Acting-President. This was essentially the closing act of the labor of his life. In the foregoing year he had a severe attack of pneumonia, from which he never fully recovered. This was followed by a complication of diseases, in which the action of the heart was seriously affected. He now failed rapidly until his decease, which took place at his residence on the College grounds.
He was the embodiment of the student and the teacher. His leisure time throughout his mercantile life was religiously devoted to the laborious investigation of subjects, both physical and mental, main of which are among the most abstract, occult and profound. The great scope and thoroughness of this research are attested by the one hundred and thirty-five papers by him which, through a series of years, were published by the American Philosophical Society, of which he was a member, for several years one of the secretaries, and latterly one of the vice-presidents. Their titles, with those of his other writings, indicate a wide range in philology, meteorology, physics and mental philosophy. For the last twenty years or more, his investigations were chiefly directed "to the confirmation of the general postulate that 'all physical phenomena are due to an Omnipresent Power, acting in ways which may be represented by harmonic or cyclical undulations in an elastic medium.'" He was a contributor to Silliman's American Journal of Arts and Sciences, the Journal of the Franklin Institute, The London, Dublin and Edinburgh Philosophical Magazine, and the Comptes Rendus, of Paris. He published, in 1844. The Elements of Arithmetic. Part First, which was followed by Part Second; in 1848, the Common School Arithmetic; in 1850, another arithmetic, prepared in conjunction with Horace Mann ; and in 1884, Elements of Meteorology [219] for Schools and Households ; Parts First and Second. He also delivered many lectures and addresses and made many contributions to periodical literature.
He was a member of many scientific and literary societies in the United States and foreign countries. He took the degree of Master of Arts at Cambridge, in 1844; the Magellanic medal of the American Philosophical Society was awarded to him in 1864, for his paper on the "Numerical relations of Gravity and Magnetism"; and the degree of LL.D. was conferred upon him by Haverford College in 1876.
Allen C. Thomas, a fellow professor at Haverford College, writes of him as follows:
"He could speak, with comparative ease, six or seven languages, while with the aid of a dictionary he could read one hundred and twenty, including dialects. He was one of the two or three men in the country who could read Eliot's Indian Bible. * * * He belonged to that class of philosophers who are ahead of their times, men who see, though it may be imperfectly and dimly, very deeply into the relation of things, and whose speculations, like those of the Marquis of Worcester, though misunderstood and perhaps even unintelligible to contemporaries, contain truths grasped and accepted by future generations. * * * Rarely does it fall to the lot of any one to meet a purer life, a kindlier heart, a greater simplicity, a more perfect humility. Never putting himself forward, he was always ready to listen to others, and always treated them with kindness and consideration. His own extensive attainments were kept in the background, so much so, indeed, that many of his friends were not by any means aware of the extent and variety of his knowledge."
[CCA: pioneer Ralph Earle, my 9xg-grandfather. His mother, Lydia Earle Chase is the fourth-great-granddaughter of pioneer Ralph Earle; thus she is my fifth cousin, 5 times removed. He is the 5thgg of pioneer RE., thus my 6th cousin, 4 times removed. Brother of Thomas Chase.]
Eliot Indian Bible
From Wikipedia, the free encyclopedia (accessed 10/26/18)
"The Eliot Indian Bible (officially: Mamusse Wunneetupanatamwe Up-Biblum God,[1] a.k.a.: Algonquian Bible) was the first Bible published in British North America. English Puritan missionary John Eliot produced a translation of the Geneva Bible into the indigenous Massachusett language.[2] This is the reason that it is also known as Eliot's Indian Bible.[3][4] Mamusse Wunneetupanatamwe Up Biblum God and the cover page of the translated Bible means The Whole Holy His-Bible God, both Old Testament and also New Testament. This turned by the-servant-of-Christ, who is called John Eliot.[5]"
How you get this far off your mark I do not know!
I always like to try and save pieces like this if possible. this one was tough as the spread was far off between each grouping.
Licensed under a creative commons share alike. Use freely but give attribution to Samms Heating and Air, Plano Air Conditioning Repair Company and link to www.sammsheatingandair.com/
Licensed under a creative commons share alike. Use freely but give attribution to Samms Heating and Air, Plano Air Conditioning Repair Company and link to www.sammsheatingandair.com/
A DD6181S02 semi-low-floor rear-engine non-air-conditioning articulated city bus made by Huanghai Buses, Liaoning
One of the prior mass-produced 18m rear-engine articulated buses in China, DD6181 series, like BK6182(B), has a significant influence on China's articulated bus's design and manufacture. After their release, a surging number of domestic bus makers shifted their focus from costly, complicated low-floor articulated buses to more affordable semi-low-floor ones. Meanwhile, Beijing also led the trend of using rear-engine articulated buses on lines other than BRT.
DD6181 series are abbreviated as “Huanghou” (Huanghai rear), homophonic to “Queen” which becomes the nickname. Propulsion of DD6181S02 comes from a 260hp Iveco F4AE0682H*C diesel engine, and an Allison T310R 6AT gearbox with integrated retarder cooperates with the engine. The engine and the gearbox are lined in a T-drive configuration. Three axles are national-made air-sprung conventional axles, and the middle axle, neither steering nor driving, creates a ramp on the aisle above it. Front wheels are equipped with disk brakes while the ones behind are with drum brakes. Linking the two sections is a Chinese-made Ikarus hydraulic, electrically-controlled articulation bogie. At all three entrances, the floor is two steps above the ground. A MAN Lion's City's design is applied to the exterior, under MAN's permission.
S02 has big windows, wide middle and rear doors but a narrow front door. Interior workmanship presents Huanghai’s average level. Although not air-conditioned, the bus reserves the air-ducts. The upright engine raises the last row of seat so head space is very limited due to the air-ducts on each side of the ceiling---this is a long-complaint design flaw on S01 and S02. Although not decent enough, DD6181S05 is fairly above average judging from quality and reliability. Overall, the “Queens” are among the most satisfactory Huanghai buses in Beijing, playing significant roles on several first-class routes.
In the picture, Fleet No. 44389 (BPT Division 4, diesel articulated bus, code 389) on Line 360 Express is captured on South Xiangshan Road near Nanhetan, travelling north towards its final stop, the Fragrance Hills Bus Station. Line 360 Express ends at Beijing Zoo Public Transport Hub rather than Xizhimen where Line 360 (Local) ends. The express line has fewer stops and runs more straight midway.
Canon EOS 5 & 55 being lined up for cleaning ahead of listing on ebay. In the end, I decided to keep them since, even in near mint condition, such cameras do not fetch good prices. The 28mm f/2.8 lens on the EOS 55 is worth more than the two camera bodies it seems! The EOS 5 sports a Sigma 24-70mm f/4-5.6 DC lens which actually performed very well but is not digital compatible.
From Wikipedia with additions from me:
The Canon EOS 50 (also known as the ELAN II in the USA and the EOS 55 in Japan) is an autofocus, auto-exposure 35mm SLR camera. It was aimed at the advanced amateur market, and featured a rear command dial, support for custom functions, and an optional BP-50 battery grip, with a dedicated portrait shutter release. The body was constructed of plastic, with the lens mount and top deck enclosed in an aluminium cover.
Three variants of the camera were produced, each of which was available with a quartz date imprint back. The basic model was the EOS 50. The EOS 50E variant introduced an enhanced version of the 3-zone eye-controlled autofocus system that was first seen on the EOS 5 camera. The Japan-only EOS 55 was available in an all-black version rather than the standard black and silver colour scheme and included a panorama option. Sliding the button at the bottom of the rear of the camera causes panels to mask off all of the negative except for a 13 mm x 36mm strip in the middle.
The EOS 50 was also the first camera to implement Canon's E-TTL flash system. Canon's previous TTL system metered light reflected from the film onto a sensor during the actual exposure. E-TTL on the other hand fires a low-intensity pre-flash before exposure, and meters the reflected light through the camera's normal metering system.
Sales of the EOS 50 began in September 1995, and ended after the introduction of the replacement model, the EOS 30 in October 2000.
The EOS 55 pictured was made available in the UK via Jessops and in very limited numbers. I bought it as I liked to play with the optional crop panorama feature which was switchable mid-roll. In my humble opinions, it remains a very beautiful camera for the era and was probably my favourite SLR film camera.
The Canon EOS 5 (sold as the EOS A2 and A2e in the USA) is a semi-professional autofocus, autoexposure 35 mm SLR film camera. It was sold from November 1992 onwards, and was replaced in late 1998 by the Canon EOS 3. As part of the EOS line of cameras, the EOS 5 utilised Canon's EF bayonet lens mount, first introduced in 1987.
The EOS 5 featured a built-in zoom flash, AF assist light, fast motor drives and several pre-set auto-exposure modes. Although marketed towards the "prosumer" user, the EOS 5 were popular among professional photographers. The camera was powered by a 6-volt lithium 2CR5 battery. The Canon VG-10 Vertical Grip (pictured) added a shutter release, control wheel, AE Lock button and Focus Point Selection button to the bottom of the camera for portrait orientation use and held 2x 2CR5 batteries but did not add AA batteries as a power source.
The camera had many operational modes available, selected by the dial on the left-hand side of the camera. These modes selected whether the exposure settings were set automatically, semi-automatically or fully manually. This dial also doubled as an on/off switch.
The Canon EOS 5 had three built-in metering modes: evaluative, centre-weighted average and spot. These were user-selectable by means of a button on the back of the camera and the command dial.
The EOS 5 featured eye-controlled focusing, which allowed the user to select from one of five focus points by looking at it through the viewfinder as well as activating depth-of-field preview by looking at a sixth point marked in the top-left corner of the viewfinder. At the time, this feature was unique to Canon. Although the EOS 5 had an optional vertical grip (pictured), the VG-10, the eye-controlled focusing feature only worked when the camera was held in horizontal orientation.
The EOS 5 has two dials to control exposure, one over the shutter button and one on the back of the camera. The dial above the shutter button will adjust the shutter speed in shutter priority TV/Time value mode, but in aperture priority Av/Aperture value mode this same dial will adjust the lens aperture. In full manual mode, the dial above the shutter reverts to adjusting the shutter speed, and the back dial controls the aperture.
Photographed with a Sony Cyber-shot DSC-HX9V, available fluorescent lighting.
Vasile Mardare si Adrian Bezna au creat o atmosfera de basm in Talcioc Cultural prin cantecele, poeziile si amintirile lor impartasite cu cei prezenti in sala.
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How you get this far off your mark I do not know!
I always like to try and save pieces like this if possible. this one was tough as the spread was far off between each grouping.
BRILLIANT! Air Conditioning in the desert...
except the compressor blew out immediately. Oh well, we were cool for two hours.
Very cool Maserati from the past -- 1967 to be exact. Still in pristine condition!! Check out the exhaust pipes!!
This Deluxe was in very lovely condition when it was spotted as an exhibit at the 2014 Crich Tramway Village, Classic Transport Gathering on Sunday the 24th of August 2014. This particular Chevy was made back in 1949, but it was first registered in the UK on the 5th of July 2012, so it is a very recent import, probably from America. This one does have the original engine, a 3.5 Litre (3500cc) Straight-Six Thrift-Master engine which runs on petrol. This particular car when seen was very Americanised, which is unsurprising due to it being American, and it had white wall tires and also an American style plate to add to the image.