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Wedensday.
And still on the Island.
Through the night, yet more rain fell, and into the morning so I woke to the sound of yet another cloudburst. But it should be clearing soon.
So, I leap out of bed, do 50 press-ups, have a cold shower and am ready for the rigours of the day ahead, and in this I would be helped by a pot of black coffee and the finest sausage and bacon sandwich known to man.
And a man in the kitchen makes it for me, so all I have to do is eat it.
Non nom nom.
I drink the last dregs off the coffee, and I'm away to work.
It was supposed to be a slow and easy start, but I was summoned to an emergency department meeting, and needed to be at the factory to get internet access.
Our soon-to-be-ex-boss is now officially our ex-boss, and we have a new interim manager.
That's it.
So on with the audit.
Outside, the clouds did clear and the sun did shine, and did shine into the meeting room where even in November was so warm the air conditioning could not cope and we got very warm indeed.
We broke for lunch, and talked about the struggles we face, and how jolly nice the Island is.
Well, it is.
We were done by half three, so I drove back to the hotel, but saw the sign I had passed dozens of times, pointing to the 11th century church of St John the Baptist. Today would be the day to visit.
Light was fading fast, but with a warm light, and only with my compact camera, my shots won't win many prizes, but the best camera is the one you have.
From the outside, it seems to be a very Victorian church, but there is a Norman arch in the porch, and many more details inside, among the Victorian fixtures and fittings.
Inside there is a very tall and narrow Jacobian pulpit, some fine monuments from before the 19th century work, and some what I think is medieval glass, or at least fragements reset.
Back at the hotel I wrote a little then decided I really should go an exercise my fat little legs, so should walk into Cowes for a pint at the Ale House, where there was a fine firkin of porter on.
But, before then, as I walked along the promenade, over the other side of the Solent, the just past full moon rose over the Pompy skyline. It was pretty breath-taking, I leaned on railings to watch it rise and get brighter and its yellow colour fade to pure white.
Dozens of other people were doing the same thing too.
And it was a free show.
My favourite price.
I walk into town and up the Ale House, a group of sailing types were talking over pints of fizzy Eurolager, so I order porter just because I can.
There was a wide range of places to eat, most with lots of free tables.
I wasn't in a seafood mood, curry perhaps, but then at a restaurant I saw they had a dish called "sambal chicken". Sambal is a spicy chili sauce from Indonesia, that I sued to eat lots of when I was on the survey boats.
I asked, do you make your own sambal?
They did.
And cocktails were two for £15.
I order the sambal chicken and a marshmallow martini.
Very fuckin sophisticated.
The sambal was hot, just about bearable, but not not leave any doubt, it came with sliced fresh chilli, as did the Thai spiced cheesy chips.
I eat most of it all, then finish up with a "rhubarb and custard cocktail, which did mix quite poorly with the sambal on the walk back to the hotel.
Back to the hotel, I settle the bill and so all ready to leave in the morning, as I have to catch the six o'clock ferry.
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The Church of St. John the Baptist is a parish church located in Northwood, Isle of Wight. The church dates from the 12th century. The mid-19th century saw extensive restoration work carried out on the church. In 1864 the wooden tower and dormer window were both swept away. The restoration was completed in 1874. Despite this restoration work, the church still retains many of its original features including a Norman arch over the south doorway and a Jacobean pulpit.
www.spottinghistory.com/view/12080/church-of-st-john-the-...
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NORTHWOOD
Northewode (xiii cent.).
Northwood is a parish and village midway between Newport and Cowes, and now includes Pallance Gate. In 1894 the parish was extended to include a part of the parish of St. Nicholas. (fn. 1) The soil is for the most part loam, while the subsoil is of clay and gravel. The parish contains 4,333 acres, of which 878 acres are arable, 2,612 acres are permanent grass and 419 acres woodlands. There are also 292 acres of foreshore, 2 of land covered by water and 78 by tidal water. Cowes contains 576 acres, of which 2 acres are arable and 166 permanent grass. There are also 35 acres of foreshore and 5 acres of land covered by water. (fn. 2) There is a station on the Isle of Wight Central railway at the cement works, available for Northwood, and the pumping station of the Cowes Waterworks is situated at Broadfields within the parish. The Associated Portland Cement Manufacturers have large works on the Medina at the West Medina Mills, and there are brickworks at Hillis belonging to Messrs. Pritchett. There existed a confraternity of Brothers and Sisters of St. John Baptist (fn. 3) in a building, later called the Church House, which was standing in 1690. It was founded c. 1500 and dissolved in 1536. An old glebe barn, with a date stone 'Restored 1742,' was pulled down in 1901. There is a Council school (mixed), built in 1855 and enlarged in 1906. The rectory-house lies to the east of the church and dates from the 18th century. (fn. 4)
The parish has a long seaboard as the north-west boundary, which includes the bays of Thorness and Gurnard, the latter the landing-place of Charles II in 1671. Gurnard (fn. 5) is a small village, mostly consisting of villas with a number of artisans' dwellings. There are a coastguard station here and a Council school, erected in 1863.
Northwood Park, the property of Mr. E. Granville Ward, was occupied from 1902 to 1906 by a community of Benedictine nuns, who have since moved to Appley, near Ryde (q.v.). The house, which is properly in Cowes, was built in 1837, on the site of a former residence called Belle View, by Mr. George H. Ward, uncle to the present owner, and is a somewhat stately stone building of classic detail, to which a wing has been since added.
At Hurstake on the Medina there was in the 18th century a flourishing shipyard, but by the end of the century it had fallen to decay. (fn. 6)
Cowes was taken out of Northwood and constituted a separate parish under the Local Government Act of 1894. (fn. 7) It is a thriving seaport town, daily increasing inland to the south, and is a terminus of the Isle of Wight Central railway and the main entrance to the Isle of Wight from Southampton. A steam ferry and launch service connect it with East Cowes. The town affairs are regulated under the Local Government Act of 1894 by an urban district council, who have acquired control of the water supply and gasworks. There is a steamboat pier and landingstage, and the Victoria Promenade Pier was built by the urban district council in 1901. There are wharves and storehouses along the Medina. The principal industries are the shipbuilding business of John Samuel White & Co., Ltd., the brass and iron foundry of Messrs. William White, the ropery of Messrs. Henry Bannister & Co. and the well-known sail-making establishment of Messrs. Ratsey & Lapthorn. A recreation ground of 9 acres was presented to the town by Mr. W. G. Ward in 1859.
The main or High Street of Cowes is a narrow, winding, old-fashioned road, widening as it approaches the shore at the north end, and finally terminating in the Parade, the principal sea-front of the town. At the end of the Parade is the Royal Yacht Squadron (fn. 8) Club House, converted to its present use in 1858, and beyond is the 'Green,' made over to the town authorities in 1864 by Mr. George R. Stephenson. The well-known annual regatta is held here the first week in August. (fn. 9) The oldest inn is the 'Fountain,' by the landing-pier, dating from the 18th century. The Gloucester Hotel, by the Parade, was the former home of the Royal Yacht Squadron, and probably owes its name to the visit of the Duke of Gloucester and his sister the Princess Sophia in 1811. The Royal Marine Hotel, also on the Parade, was certainly in existence at the beginning of the 19th century. (fn. 10) A public cemetery, about half a mile south of the town, was opened in 1855, and is under a joint burial board composed of members from Cowes and Northwood.
Besides Northwood Park, the principal residences are Egypt House, (fn. 11) the property of Mr. E. Granville Ward, and Nubia House, the home of Sir Godfrey Baring, late M.P. for the Island.
The name Cowes dates from the beginning of the 16th century, before which time the port—if port it could be called—was higher up the river at Shamblers. (fn. 12) In 1512 the fleet under Sir Edward Haward victualled at Cowes (the Cowe) on its way to Guienne, (fn. 13) so it is evident the place did not take its name from the defensive work, which was certainly not built before 1539. (fn. 14) Leland speaks of forts both at East and West Cowes, (fn. 15) but the former had become a ruin by the 17th century. (fn. 16) The latter, however, was kept up and added to, and had, in addition to the gun platform and magazine, apartments for the captain and gunners, and at the end of the 18th century mounted eleven nine-pounders. (fn. 17)
The inhabitants of this part of Northwood parish seem to have been seafarers and traders, or at any rate smugglers, as early as the 14th century. In July 1395 Thomas Shepherd received a 'pardon of the forfeitures and imprisonment incurred by him because he and two of the ferrymen sold two sacks of wool to men of a skiff from Harflete, carried the said wool as far as le Soland and there delivered the same, taking money.' (fn. 18) At another time he 'sold wool without custom . . . with the clerks of the chapel of the Earl of Salisbury, and at another time with a skiff from Harflete belonging to Janin Boset of Harflue.' (fn. 19)
The merchants' houses and stores were principally at East Cowes, where most of the business was transacted; but West Cowes in the 18th century became a shipbuilding centre, contributing many first-class battleships to the English navy. (fn. 20) By the year 1780 it was 'the place of greatest consideration in the parish of Northwood,' (fn. 21) and though the town was indifferently built, with very narrow streets, the inhabitants managed to be 'in general, genteel and polite although not troublesomely ceremonious.' (fn. 22)
In 1795 there were 2,000 inhabitants and the town had a good trade in provisions to the fleets riding in the roads waiting for a wind or a convoy. While the lower part of Cowes was crowded with seamen's cottages and business premises, the upper part on the hill slope was occupied by villas, chiefly of retired naval men. (fn. 23)
By the 19th century the tide of prosperity began to flow from East to West Cowe, which became a favourite bathing and boating resort, patronized by Royalty. The town now grew rapidly, and in 1816 an Act was passed for 'lighting, cleansing and otherwise improving the town of West Cowes . . . and for establishing a market within the said town.' (fn. 24)
The advent of the Royal Yacht Squadron, and the consequent popularity of racing, put a seal on West Cowes. It became fashionable and has remained so ever since—the hub of the yachting world.
There are two halls for entertainments—the Foresters' Hall in Sun Hill and another in Bridge Road, each capable of seating over 500 people.
There are Council schools in Cross Street (infants), and a mixed school has been lately erected in the same street; boys' and infants' in York Street; non-provided (boys and girls) in Cross Street.
MANORS
There is no mention of a manor of NORTHWOOD in Domesday Book, and it seems probable that then, as in the 13th century, the greater part of the land in the parish formed a member of the manor of Bowcombe in Carisbrooke (fn. 25) (q.v.). In the 17th century this land came to be regarded as a separate manor, but it continued to follow the descent of Bowcombe (fn. 26) until the latter half of the 18th century, when it was presumably sold to the Wards, whose representative, Mr. Edmund Granville Ward, is the present lord of the manor.
There was a small holding in Northwood possibly, as Mr. Stone suggests from research he has made, to be identified with Shamlord (q.v.). It was held, together with other property, under the manor of Bowcombe by a branch of the Trenchard family at least as early as 1338. (fn. 27) In 1560 Richard Trenchard, who seems to have been the grandson of John Trenchard of Chessell in Shalfleet, died seised of this property, which he had held 'in socage by fealty and rent of 25s. yearly, suit at court and finding one man and one woman yearly to mow the corn of the farmer of Bowcombe for one day.' He was succeeded by his son William. (fn. 28)
There were also lands in Northwood which formed a member of the manor of Alvington in Carisbrooke and were held in the reign of Henry III by William de St. Martin. (fn. 29) They afterwards belonged to Sir Stephen Popham (fn. 30) and descended to Sir Nicholas Wadham in the early part of the 16th century, at which time they were regarded as a separate manor; they continued, however, to follow the descent of Alvington (q.v.).
In the reign of Henry VIII there was in the parish much woodland which belonged before the Dissolution to the Prior and convent of Christchurch Twyneham, (fn. 31) who had perhaps bought it from the abbey of St. Mary, Romsey, to which it belonged in the 13th century. (fn. 32) In 1280 this abbey had received from Edward I a confirmation of a charter of Henry II granting them 'all their wood of Northwood, as King Edward gave it to them.' (fn. 33) There is, however, no mention of any property in Northwood among the possessions of Romsey Abbey at its dissolution. In 1544 the wood was granted to Thomas Hopson (fn. 34) and subsequently followed the descent of Ningwood in Shalfleet (q.v.). It was described as 'the manor of Northwood' in 1626, at which time it was in the possession of John Hopson. (fn. 35)
The manor of WERROR (Werore, xii cent.; Werole, xiii cent.; Warror, xvi cent.) was granted to God's House, Southampton, immediately after its foundation about 1197, for it was confirmed to the hospital by Richard I in 1199. (fn. 36) It had been given to the hospital by a certain Mark, and his gift was confirmed in 1209 by his son Roger, of whom the manor was to be held at a yearly rent of 6d. (fn. 37) William de Redvers Earl of Devon (1184–1216) granted to the hospital rights of pasturage and fuel, except for six weeks each year, over the whole land of Werror which belonged to his fee, and which is described as lying within Parkhurst, Northwood, Carisbrooke and the Medina. (fn. 38)
The estate remained in the hands of successive priors until the Dissolution (fn. 39) and passed with God's House to Queen's College, Oxford, (fn. 40) by whom the manor is still owned. (fn. 41)
CHURCHES
The church of ST. JOHN THE BAPTIST lies to the east of the road from Newport to Cowes. It was built as a chapel for the northern portion of the parish of Carisbrooke in the middle of the 12th century, and consists of a chancel, a nave with north and south aisles and a modern tower with spire added at the west end in 1864. The south door is a good specimen of 12th-century work, to be classed with those of Yaverland and Wootton. Both aisles are very narrow and are of four bays, with columns having the characteristic splay-cornered capitals found elsewhere in the Isle of Wight, (fn. 42) and must have been added towards the end of the century, the south being the later. (fn. 43) There are curious flying arches across these, evidently inserted later, to withstand the thrust of the roof and carry the flat above. In the 15th century windows of the period were inserted in the walls and the chancel reroofed, (fn. 44) if not rebuilt, and a small door inserted in the north wall of the nave. There is a good canopied Jacobean pulpit, somewhat similar in detail to that at Wootton. The chancel arch is a plain splay springing direct from the wall without an impost, and looks as though the earlier one had been destroyed and the opening widened in the 15th century. The memorials of interest are a painted wooden tablet to the children of Samuel and Grace Smith, who died in 1668 and 1670, and a curious memorial to Thomas Smith, rector, who died in 1681. (fn. 45)
The one bell, founded by Mears, was hung in 1875.
The plate consists of a chalice inscribed 'T.H. E.L.'; a paten inscribed 'Thomas Troughear, D.D. istius Ecclĩae Rector,' dated 1732; a flagon (plated) inscribed 'Northwood Church, 1831'; an oval paten inscribed '1813.'
The registers date from 1539, and are in seven books (fn. 46) : (i) 1539 to 1593; (ii) 1594 to 1598; (iii) 1599 to 1605; (iv) 1606 to 1618; (v) 1621 to 1660; (vi) 1653 to 1759; (vii) 1743 to 1812.
There is a mission church in Pallance Road with a Sunday school attached.
The church of ST. MARY, WEST COWES, built in 1867 on the site of an earlier church erected in 1657, is a stone structure consisting of chancel, nave of four bays and aisles, with a tower containing one bell and a clock. It has a handsome reredos and a fine organ. There is a brass memorial tablet to Dr. Arnold of Rugby. The living is a vicarage in the gift of the vicar of Carisbrooke. The register dates from 1679.
HOLY TRINITY CHURCH
HOLY TRINITY CHURCH, built of brick in 1832 at the sole expense of the late Mrs. S. Goodwin, was enlarged by the addition of a chancel in 1862. It has a western tower with embattled cornice and angle pinnacles. The register dates from 1833. The living is in the gift of Mr. Ll. Loyd.
The Roman Catholic church of St. Thomas of Canterbury in Terminus Road is a white brick building erected in 1796. There is a large altar-piece by Cau representing the Descent from the Cross, and another of the Death of the Virgin, on the north wall.
At Gurnard is the church of ALL SAINTS, attached to Holy Trinity, Cowes. It is of brick with Bath stone dressings, and has nave, chancel, north and south transepts and a turret with one bell.
ADVOWSONS
The church of Northwood was a chapel of ease to Carisbrooke, and belonged in early times to the priory there, (fn. 47) to which it had been granted by William de Redvers Earl of Devon. When the prior and convent obtained the rectory and endowed the vicarage of Carisbrooke, the tithes of Northwood, both great and small, were assigned to the vicar. (fn. 48) In the reign of Henry VIII Northwood obtained parochial privileges and was exempted from contribution to the repairs of Carisbrooke Church. (fn. 49) The living is still attached to Carisbrooke, and the patrons at the present day are the Provost and Fellows of Queen's College, Oxford.
Cowes is ecclesiastically divided into two districts. The church of St. Mary was built in 1657, and further endowed in 1679 by George Morley Bishop of Winchester, 'provided that the inhabitants should pay the minister (who is always of their own choosing) £40 a year.' (fn. 50) The living is a vicarage, net yearly value £130, in the gift of the vicar of Carisbrooke.
The Roman Catholic church of St. Thomas of Canterbury was served at the beginning of the 19th century by two chaplains of Napoleon's Foreign Legion. The earliest register contains the names of several of the officers and men.
¶There are several large Nonconformist chapels in the town. The oldest of these is the Congregational chapel, which was built in 1804. The Wesleyan chapel was built in 1831, the Baptist chapel in 1877 and the Primitive Methodist and United Methodist Free Churches in 1889.
Here we have it, one of the most iconic little cars in the whole of history. A machine that revolutionised the concept of the city car, and what has now become a pure symbol of Englishness!
This little machine is simply known as the Mini! :D
Construction of the Mini first began in 1959, with the car designed by the British Motor Corporation's (BMC) chief designer Sir Alec Issigonis, who envisaged a car that had as much space as was humanly possible devoted to the passenger so as to combine the practicality of a big car with the nippy nature of a Dune Buggy. The result was that 80% of the car's platform was available for use by both passengers and luggage. The car was also designed to be fuel efficient, built in response to the 1956 Suez Crisis which resulted in rising fuel prices and petrol rationing. During this period it became apparent that German 'Bubble Car' equivalents such as the Heinkel Kabine and various Messerschmitt designs were starting to corner the market, and thus the Mini project was launched under project name ADO15 (Amalgamated Drawing Office project number 15). Great care was taken to make sure that as much space was saved for the passenger, including the instalment of compact rubber springs instead of conventional metal and the small but powerful BMC A-Series four-cylinder engine tucked away at the front.
In April 1959 the car was launched to the press under the designation of both the Austin Seven and the Morris Mini-Minor (due to the amalgamation of the Austin and Morris brands under BMC). By the time the car was let loose thousands had already been sent abroad in an audacious promotional campaign. Things however started slow for the Mini, but this rising star soon became an icon during the 1960's, selling 1,190,000 by 1967.
But, behind all the shining sales figures, there were some major problems for BMC and their wonderchild. Baffled by the car, Ford bought one for the base price of £497 and took it apart, desperate to know how their rivals were doing it for the money. As it turns out they weren't, and were able to determine that BMC was losing at least £30 on every single car they sold. Novelty was the only way to get the car properly moving in this competitive new world, and the Mini was all about that. By 1970 the car had appeared in a variety of movies and TV shows, the most famous of which was their charge to glory in the 1969 film 'The Italian Job', where a trio of Minis were used to plunder gold from under the noses of the Mafia and the Italian Authorities. A Leyland Mini holds a place in the heart of British TV under the ownership of Mr. Bean and his various clumsy antics, usually involving an unfortunate Reliant Regal. At the same time it was a car of choice for TV and Music Stars who wanted to show off their quirks!
From then on the car continued to keep up its notorious status as a British symbol of motoring, with a huge variety of cars being made including a spacious van, a country camper, a pickup truck and the Moke dune buggy! There were also two almost identical saloon versions of the car known as the Wolseley Hornet and the Riley Elf that were built between 1961 and 1969 as more luxurious alternatives to the original.
In 1969 the first major facelift came in the form of the Clubman, designed under British Leyland to give the car a new lease of life, but ended up being something of a mongrel. Although functionally the same, the boys at British Leyland couldn't help but get things off to a bad start by relocating construction from the Cowley Plant to the Longbridge Plant, which meant that all kits and tools had to be moved too and thus initial sales were very slow. British Leyland's reliability reputation was soon to follow, with the unfortunate Mini becoming a victim of the shoddy workmanship that had mired so many of its other products.
Eventually the Clubman was killed off in 1980, although the original Mini design had been built alongside and was still selling strong. British Leyland however had plans to kill off the Mini in 1980 by introducing its new small economy car, the Austin Metro. Built very much to the same principals of the Mini, the Metro was a much more angular design but still a capable little family hatchback. But the angular lines and big bulky body did nothing for the Metro, and the car failed to sell in the numbers domestically than those of the Mini internationally!
Towards the end of the 1980's and 1990's, the car came in a variety of different 'Special Editions' as the car became less of a mass-market machine and more a fashion item. The iconic nature of the car had sealed its fate with new owners of the Rover Group, BMW, who intended to keep the car going for as long as possible. At the same time the car was a major seller in Japan, which gave a boost of sales in the early 1990's with 40,000 new cars being exported there.
Eventually however, the design was starting to look very tired and with Rover Group making heavy losses, the Mini and its spiritual cousin the Metro were killed off in 2000 and 1999, respectively. Rover was granted the ability to run-out the model to the very end before Rover itself was sold off in 2000. During the breakup, BMW designed a new version of the Mini which was launched in 2000 and is still being built today as quite a sleek and popular machine, a little bit more bulky than the original but certainly keeping the novelty and charm. The originals however ended on the 4th October 2000, with a red Mini Cooper S bringing an end to 5,387,862 cars.
However, although the original Mini is now very much dead, the novelty that surrounds these tiny little cars is enough to keep thousands and thousands of these machines preserved or in continual everyday usage. Older Mini-Minors are a bit hard to come by and the Clubmans rusted away before you could get them home from the showroom, but the later Mini's sold in the 1980's and 1990's are still alive and kicking on the roads of Britain, and can still draw the attention of passers by even 56 years after the first ones left the production line!
Crews working for WSDOT are creating a new roadway on SR 203 between Stillwater Hill Road and NE 88th Street. Here you can see the asphalt roller flattening new pavement. This is part of making repairs to an unstable slope between Carnation and Duvall. All lanes of SR 203 are expected to reopen by Monday, Jan. 25.
1995 Zoom compact from Ricoh. Notable in use of program dials and a Passive multizone AF. Also available in all black. Also known as the RZ-3000, the Shotmaster 130Z, or the Q-130Z
Instructions at rebrickable.com/mocs/MOC-75232/thirdwigg/compact-loader/#...
Video at www.youtube.com/watch?v=kG1uzeS50ak
The Agfa Compact was billed as the world's smallest motorized camera, and was the last camera manufactured by Agfa. It is the same height as the Olympus XA, and only about 5 mm wider.
A compact little guy for driving around, that's been lying around for a few months. I initially created his just so I could use those dark green technic fairing plates, which were an absolute pain to integrate into any building. Ever since I saw Mahjqa's Stilzkin Igniz, I was very impressed with it that I wished I had one of my own. So I did, albeit a smaller version.
My vehicle is powered by a single M-Motor in the rear segment, where it is roommates with the large battery box. The power is transferred from the motor to a central driveshaft going both segments via U-joint, where it is further split perpendicularly into the axles and sprockets, via bevel gears. Thus, both pairs of tracks are powered. Because of the space restriction, I was confined to being more economical and used bevel gears in place of differentials. While the simplicity is good and the APC can drive fine, turning can be a little stressful for it.
Turning is achieved by a M-Motor in the front cabin. Its drive axle faces forwards, where its power is split into two (both outputs rotate the same direction) through the use of gear trains. The axles are re-routed backwards, parallel to the motor, and into the mini linear actuators, who hook onto the rear cabin.
Aesthetics turned out okay, I guess. I think I did a fair job integrating all the PF elements into the body, weaving and tucking the wiring away and whatnot. The rear cabin was pretty straightforward, and in the roof is a little hatch that can be accessed using a lever, opening to reveal the power button and recharge port. The front cabin, on the other hand, was a bit more tough. the Technic system is very strict about geometric forms, so the curvaceous shaping was extremely difficult. As you can see, the roof of the front cabin is angled in all three axes. It is held together very unconventionally, but turned out stable enough. The front includes the little windshields, grill, bar, and lights. The rear has some lights, and a ladder and stuff. Other greebles I just decided to stick on for fun. I think the overall look turned out okay.
Video demo at: www.youtube.com/watch?v=gUqD-Zyxjes&feature=youtu.be
Half-frame cameras were in vogue in the 1960s, and some predicted that, with their advantages of compactness, film economy and depth of field, they would eventually supercede full-frame 35mm. Films, in those days, were available in 20 and 36 exposure lengths giving, in practice, 44 or 75 half-frame exposures. To those graduating from 8-on-127 Brownies, it seemed a blessing.
The diminutive Olympus Pen EE was the most popular half-frame camera ever. With its lapidary selenium cell baffle surrounding the lens, it was a familiar sight in camera shop windows.
The basic Pen EE, with automatic exposure, a single shutter speed and fixed-focus f3.5 lens was well-made, reliable and in good lighting conditions, foolproof to use. This example is a “Go Faster” EE-S model with a focussing f2.8 lens and two shutter speeds which like the aperture, were selected automatically. The bright-frame, portrait-orientated viewfinder was very clear but offered no exposure or focussing information. Usefully, the 30mm focal length (equivalent to 40mm full-frame) gave a semi-wide angle view.
By the 1970's the half frame format had had its day. Certainly they could produce good album-size prints and (projected on a small screen) very sharp colour slides. But for the more discerning, a good small image would always be beaten for quality by a good big one, and mass-market users, finding themselves with two Christmases and a Summer holiday on a still-unfinished roll of film, were better catered for by the new Instamatic format.
Start of my little summergirls project.. hope i can work the Analog... this one is compact though. oja en ik like haat al mijn fotos.. ik weetookdattlike8327592043keerbeterkanokdankjeweljadoei.
A little 3d projekt in C4d
No photo.
Some adjust were taken in Adobe Photoshop
C4D:
I use 3 softboxes in a Studio for the light.
Gi was on.
Linear Workflow was on.
Use Mograph Dynamics.
Anti Alaising on 4x and Ambient Occlusion and a Softfilter in CInema.
Photoshop:
Colour correction and shrapenes filter.
Use Nik software for somme effects:
Softfilter
Colourfilter
View it in Full on:
this S54 powered supercharged E36 compact was built by SMITH Performance, my latest client.
we just scheduled a series of shootings over the next couple of weeks, really looking forward...
Fujifilm X-T1 & Fujinon XF 56mm/F1.2 R
Compact is a neat little studs up font. Basic, but gets the job done. Perfect for signing mosaics.
Try writing with the font or check the details on Swooshable.