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48/52 for the group 2016 Weekly Alphabet Challenge
This week's theme was: V is for Viewpoint
Rather a desperation shot, but this is the latest editorial in our local paper.
Speech Bubble graphic available for download at dryicons.com/free-graphics/preview/speech-bubble/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Thanks to all my flickr friends for all your views, comments and faves...!!
1. Super Bowl Sunday Crystal Ball, 2. dew drop at dawn, 3. icy waterdrop, 4. the curve of the blade, 5. Brittain Territory, 6. eclipse flyleaf, 7. you will not notice me if I wear camo, 8. this my Daddy gave me,
9. Big Rocky Hollow waterfall, 10. flake on snow, 11. its an uphill battle..., 12. yet a delicate balance, 13. lightning strikes, 14. daisy eye cloud in the sky, 15. come to see you, 16. Every dew-drop... had a whole heaven within it.,
17. hazy halloween moon, 18. I ain't seen the sunshine since I don't know when, 19. empty track, 20. still water and stones, 21. may you be filled to the brim..., 22. beads from a blue sky, 23. the road goes on forever and the story never ends, 24. a cog in the wheel,
25. deep inside your heart, 26. the birth of joy, 27. never been to Vegas..., 28. mimosa sunset, 29. sunset flight, 30. diagonal square, 31. art and science, 32. good morning bean,
33. splendor in the grass, 34. where bubbles go, 35. like objectives, 36. campfire of confusion, 37. imagine what 2008 will show, 38. heartly cloudy, 39. half a pie but one quarter slice, 40. the Christmas tree by candlelight,
41. juicy jewel on a purple pansy, 42. tax day moon, 43. Anderson Cooper, 44. fountain in the lake, 45. sunrise stream, 46. Loldogs @ your Library, 47. drop up / drop down, 48. she feeds the gulls iv,
49. walking the dog, 50. labor moon, 51. look outside, 52. on the other side of this hill is a summer afternoon, 53. wanna hang out for awhile...??, 54. fog lingered, 55. A little bird told me, 56. not flawless...,
57. birdseye view, 58. sun.day.morning, 59. train up a child in the way he should go..., 60. spider man has a hoodie cape did you know...??, 61. “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” ~ Coco Chanel, 62. well aged feet, 63. sometimes my imagination gets the best of me..., 64. heart strings,
65. foggy dawn, 66. lunar eclipse 022008 85703pm cst, 67. Lucy's excuse, 68. crystal blue persuasion, 69. all agog, 70. he shoots the moon, 71. the last day, 72. self sunset
Created with fd's Flickr Toys.
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
I had a lovely meal out with my dear friend Andrew. Once again we went to Hitchcocks vegetarian restaurant. This time the theme was Italian and also Caribbean - absolutely delicious as it always is!
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
I went out with my lovely friend Rebekah and we went into town round a few of the bars and pubs.
The day started for me at Piccolo for an amazing breakfast.
After that I popped down to see my Sister who whowed me the awesome and creepy birthday present they had got for my Niece - a couple of creepy dolls on a see-saw. Brilliant!
The evening, Rebekah and I went to The Star to begin with before heading across to the Freedom Quarter, where we saw some great live acts at Monroe's and finished the night in a new bar, Zinnia. It was a great night!
In The Star.
Comments always appreciated, as long as you keep it clean - I love to hear your feedback! xx
My first LFF since October 2023 and we had a great time.
Saturday night we went out for pie at Pieminister then away from our usual places. We went down Call Lane to Call Lane Social, where they have a tiki bar upstairs.
We had a brilliant night! Met loads of lovely people and stayed in the one venue all night. Very unusual for us to do that.
Not my hero, just the long standing image of David. I've been hypnotized by this building and sign since I opened it in 1993.
My photo odyssey in Las Vegas was sparked by the Pyramid and Copperfield persona. We live in ironic times.
comment garder une distance et ne pas le toucher alors qu'il vient, curieux, découvrir cet animal étrange qui semble appartenir à son milieu.
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but will be returning faves "Share + Look"
All best wish happy and take care 2021
Aber Lin
Jan/16/2021
SORRY, BUT TIME IS WIZZING BY, AND SIMPLY HAVE NONE TO GIVE AT THE MOMENT, SO PLEASE UNDERSTAND,
I WILL BE BACK SOON AS I CAN, MANY THINGS ARE HAPPENING, AND I CAN NOT DO MY FRIENDS JUSTICE BY POSTING AND NOT RETURNING YOUR WONDERFUL COMMENTS, SO AS SOON AS MY LIFE, SETTLES A BIT, I WILL BE BACK WITH A VENGENCE AND WE SHALL HAVE SOME FUN.
LOVE TO ALL AND ALL SOME LOVE
BILLIE
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Breakfast was at the Moonraker narrowboat, which we discovered earlier in the year. We do like it in there! Good quality breakfast and lovely friendly staff.
By Karen Strike on December 7, 20181 Comment Post Views: 3,320
1800s Art Books Medicine Illustration Surgery Wellcome Trust
19th Century Illustrations for the Surgical Removal of Unwanted Parts of the Human Body
"I didn't expect to recover from my second operation but since I did, I consider that I'm living on borrowed time" - Henri Matisse
Many of the colour lithographs below were created for US surgeon Joseph Pancoast’s (November 23, 1805 – March 6, 1882) 1844 book A Treatise on Operative Surgery. The blurb tells us: “A treatise on operative surgery comprising a description of the various processes of the art, including all the new operations; exhibiting the state of surgical science in is present advanced condition; with eighty plates containing four-hundred and eighty-six separate illustrations.” These images are for the book’s second edition of 1846, for which they were “enlarged”. Other images can be found in the 1848 work Précis iconographique de médecine opératoire et d’anatomie chirurgicale by Claude Bernard (1813-1878). They are captivating and unsettling.
Plate LXVII. Surgical technique for lithotomy (the removal of a bladder stone). Bilateral and vesico-rectal operation.
Plate LXVI. Surgical technique for lithotomy.
Plate XLIX. Surgery to correct strabismus, involving the division of the internal rectus of the right eye. Strabismus is the misalignment of the eyes.
Plate XLIX. Surgery to correct strabismus, involving the division of the internal rectus of the right eye. Strabismus is the misalignment of the eyes.
Plate XXXIV. Surgical instruments used for external urethrotomy in prostatectomy (removal of part of the prostate gland).
Plate XXXIV. Surgical instruments used for external urethrotomy in prostatectomy (removal of part of the prostate gland).
Removing the placenta and umbilical cord after birth
Removing the placenta and umbilical cord after birth. Abbildungen aus dem Gesammtgebiete der theoretisch-praktischen Geburtshülfe, nebst beschreibender Erklärung derselben / Nach dem Französischen des Maygrier bearbeitet und mit Anmerkungen versehen von Eduard Casp. Jac. von Siebold – 1829
Plate XLVIII. Illustration of surgery on the eye for the removal of a cataract. Operation by extraction - inferior section of the cornea.
Plate XLVIII. Illustration of surgery on the eye for the removal of a cataract. Operation by extraction – inferior section of the cornea.
Plate LVI. Surgery for the removal of the mammary gland.
Plate LVI. Surgery for the removal of the mammary gland. 19th Century. Iconografia d’anatomia chirurgica e di medicina operatoria / [Jean Baptiste Marc Bourgery]
Plate 42, Techniques for the removal of cataracts.
Plate 42, Techniques for the removal of cataracts.
Plate 70, Surgical techniques for lithotripsy (the removal of bladder and kidney stones).
Plate 70, Surgical techniques for lithotripsy (the removal of bladder and kidney stones). Précis iconographique de médecine opératoire et d’anatomie chirurgicale by Claude Bernard (1848).
Plate LXVII. Surgical technique for lithotomy (the removal of a bladder stone). Bilateral and vesico-rectal operation.
Plate LXVII. Surgical technique for lithotomy (the removal of a bladder stone). Bilateral and vesico-rectal operation.
Fig. 1. Removal with the forceps by torsion and traction. Fig. 2, 3. Removal by ligature. Fig. 4,5. Simple hare-lip. Fig. 6, 7, 8. 'Double hare-lip' and 'complicated hare-lip'.
Fig. 1. Removal with the forceps by torsion and traction. Fig. 2, 3. Removal by ligature. Fig. 4,5. Simple hare-lip. Fig. 6, 7, 8. ‘Double hare-lip’ and ‘complicated hare-lip’.
Plate 65, Surgical removal of tumours from the scrotum.
Plate 65, Surgical removal of tumours from the scrotum.
Plate 46, Illustration of the removal of nasal polyps and tonsillectomy.
Plate 46, Illustration of the removal of nasal polyps and tonsillectomy.
Plate 16. Various operative stages of the removal of a tumour from the uterus.
Plate 16. Various operative stages of the removal of a tumour from the uterus.
Tomo II, Tavola 19. Surgical instruments used on the tonsils and nasal cavity for the removal of polyps.
Tomo II, Tavola 19. Surgical instruments used on the tonsils and nasal cavity for the removal of polyps.
Tomo II, Tavola 57 bis. Procedure for the removal of stones from the prostate and urethra.
Tomo II, Tavola 57 bis. Procedure for the removal of stones from the prostate and urethra.
Removal of tumours of uterus
Removal of tumours of uterus
Hand painted wood engraving showing the necessary position for the patient for removal of bladder stones.
Hand painted wood engraving showing the necessary position for the patient for removal of bladder stones.
Surgery on the eye for the removal of a cataract.
Surgery on the eye for the removal of a cataract.
Plate XIX. Surgical removal of a stone from the bladder.
Plate XIX. Surgical removal of a stone from the bladder.
Plate 43, Illustration and anatomy of ear surgery.
Plate 43, Illustration and anatomy of ear surgery.
surgery cataracts
Removing cataracts
Plate 55, J. Pancoast, A treatise on operative surgery, 1846.
Color 1st comment | large on black | Link to prints available on my profile page
Trying to chose between the black & white and the color on this one nearly killed me (see first comment for the color image). You really can't imagine how much time I spent flipping back and forth and agonizing and changing my mind. At last I made the decision to post the black & white because I noticed I had a pattern going with my last few shots: color, b/w, color, b/w, color ... well, it was b/w's turn I guess.
I really do love both versions, and both types of presentation in general. For my recent work, the b/w I feel can present a stronger overall composition and image - without the "distraction" of color. However, the color often seems more beautiful, and more reminiscent of the scene itself.
When I was a painter (and still, as a designer) I am very colorful and think of my strength in the use of color to be among my greatest talents as an artist. So, it's not so easy for me to leave the beauty of color behind. But, the strength and impact of b/w, well ... ahhhh! I just go back and forth a million times.
I know that whichever I choose there will be many who will prefer the other (but also many who will be quite happy with the choice). I value critique and the opinions of others, but ultimately it is my own opinion that I need to find each time. Usually I can find it. With this photo, I could not.
Greenpeace activists hold a banner in front of the Virginia State Captiol in Richmond, Va., Feb. 27, 2016, reading “Gov. McAuliffe: Say No To Offshore Drilling.” Greenpeace is supporting citizens of the Commonwealth and other Atlantic Coastal communities who have officially opposed offshore oil development in the Atlantic Ocean. (Photo by Julia Rendleman/Greenpeace)
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Nice comments without copied/pasted group icons etc. are welcome. .
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Large scale prints are available, i.e. 30 x 24 at $249
The full portfolio available from Stock photography by Tim Large at Alamy
Photographer:- Tim Large
purpleport.com/portfolio/timlarge/?referrer=timlarge
Location:- Cheddar. Somerset, UK
©Timothy Large - TA Craft Photography
Mad Max is my only bro. #d90 #eyefi
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duke_thomas: Ugly dog
tyle_r: @duke_thomas SHUTTIE. @joec8624 is going pile drive you in a steel cage match.
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The nuns are in fact very happy that this young, half naked couple poses with them. hum hum
Minolta CLE, 28mm
Fuji Superia 200
*** No graphics in comments. Visit terms in profile. All photos are © copyright Douglas Remington - Ethereal Light™ Photography, LLC. All rights reserved. Use of my photos require a commercial license. All photos and information contained in this posting or publication may not be copied, downloaded, used in blogs, distributed, broadcast, used on the internet for private or commercial use, or used in anyway whatsoever without proof of authorized consent of Douglas Remington/Ethereal Light™. Image tracking technology used. Violators shall be fined and or prosecuted in federal court.***
Five euro banknote defaced by 'Stefanos', Greece, 2014
Drawing commenting on the Greek debt crisis
Part of I object: Ian Hislop's search for dissent
(September 2018 – January 2019)
A wide variety of objects are on display in the exhibition – from graffiti on a Babylonian brick to a banknote with hidden rude words, from satirical Turkish shadow puppets to a recently acquired ‘pussy’ hat worn on a women’s march. See what tales these objects tell – sometimes deadly serious, often humorous, always with conviction. Unlock the messages and symbols these people used, and get closer to understanding them...
This history in 100(ish) objects shows that people have always challenged and undermined orthodox views in order to enable change. They even did so despite the establishment usually taking a pretty dim view – for most of history you could expect a gruesome punishment, up to and including death, for this kind of subversive behaviour. This suggests that maybe we are programmed to dissent – it’s just part of who we are. Ultimately, the exhibition will show that questioning authority, registering protest and generally objecting are an integral part of what makes us human.
[British Museum]
I want to thank everyone for your encouraging comments and faves on my work. Thank you all for stopping by! Each of you is greatly appreciated.
The following happened in Hamilton County, Texas. After the Civil War, Texas was still plagued by Indians; however, with cattle roaming free on the range, many were willing to take their chances with the Comanches. Men began to flock to the area, seeing fortunes to be made by rounding up beef and driving them north.
It was perhaps this very thing that was at least indirectly responsible for the success of one of the most frightening Indian attacks in the history of Hamilton County, Texas.
The day was Thursday, July 9, 1867, the time 2:00 P.M….just another school day for the children who attended what was called a border school on the Comanche/Hamilton County line.
The schoolhouse was a one-room log house, the logs unchinked with the spaces between them left open so that a least some breeze might find its way through the spaces.
It was an easy matter for someone to look inside the building from the outside…or shoot inside for that matter. There was also one very small window cut into the north side of the building.
On this hot afternoon the young daughter of Alex Powers walked to the door of the schoolhouse which faced south; as she stood there, she saw a party of men on horseback riding rapidly toward the school. She called to her teacher, Miss Ann Whitney, that she could see Indians riding toward them.
Miss Whitney, who believed that the men were rounding up range cattle, told the girl to return to her seat. The Powers girl took one more look out the door, and crying out that it was indeed Indians bearing down upon them, grabbed her little brother and the two of them went out the back window.
Miss Whitney then ran to the door and seeing Comanches racing toward the schoolhouse, she quickly shut the door and began to help the children escape out the back window. Soon painted red skins were looking in through the spaces between the logs, and Ann Whitney could read her future in their faces.
It is thought that the leader of the group had at least some white blood in him, but this may have been an assumption since he knew some broken English. He said to the teacher, “Damn you, we’ve got you!”
According to a student who had hidden under the schoolhouse, Miss Whitney began to pace the front of the room, begging the Indians to kill her and let the children go. The leader then held up three fingers and the Indians began to shoot through the cracks, riddling her with arrows.
At this time there were still three children inside with the teacher: Mary Jane Manning and two small sons and a daughter of James Kuykendall (Coo Ken Doll).
The Manning girl refused to let go of her teacher’s skirts as Miss Whitney paced up and down the room bleeding profusely and pleading for the lives of the children. When the Indians began to break through the schoolhouse door, the teacher helped the two girls through the back window. However, the little Kuykendall girl was shot in the back as the Comanches managed to get into the schoolhouse.
This left Ann Whitney and the two small Kuykendall boys in the room; as the Indians gained entrance to the school the brave Miss Ann Whitney fell dead, leaving two little boys alone with the savage Comanches.
For reasons no one understands only John Kuykendall was kidnapped by the savages. One Indian found some of the children hiding under the floor of the building and pulled out a little girl named Olivia Barbee, intending to steal her. However, one of the other Comanches called out to him and while his attention was diverted, the girl escaped into the woods. It would be many months (Some accounts say two years.) before young John Kuykendall was rescued.
Both Comanche and Hamilton Counties lay claim to this brave schoolteacher. Miss Whitney taught for several years in Comanche County where the rest of her family lived. I assume that she was in Hamilton County only to teach this summer session; however, I could easily be wrong about that.
The marker on the Ann Whitney Elementary School in Hamilton, Texas reads: “…Pioneer schoolteacher of Hamilton and Comanche Counties…”
I was looking through several members' streams and found on Boo_Boo_Kitty's that she has started watermarking her photos because of the current furore on usage of copyrighted photos posted to Flickr.
Below was my comment.
Re your note, I saw this too. I am annoyed by this too but wouldn't go so far as to watermark my photos. I think it spoils the photo.
The questions for me was 'Am I ever going to try and sell any of my photos?' and 'Would I enjoy seeing my photos used or published?' For me it was no and yes in that order so I chose Some rights reserved with Attribution. You must give the original author credit.
I have, for example, a book on Asia on my bookshelf with my photo of the Great Wall, a travel guide for South Africa with my elephant photo on the front cover and my car club magazine with my photo of my car on the front cover (OK I submitted the last one!)
If you put All rights reserved anyone who does use your photo is not going to tell you and you will only be annoyed if you find out. If you allow usage with accreditation you will find many (of course not all) people still asking if they may use your photo and offering a copy of the publication or the link to their web site.
I have seen several of my photos published and even created a set for published photos.
Putting all possible restrictions on uploaded photos can't stop someone doing a screen grab and using that as mobile phone wallpaper, in a blog and so on. Even your faint watermark would be barely visible on a mobile phone.
If I had a photo I wanted to sell or have restricted usgae I wouldn't put it on Flickr.
Hope I don't seem like I am on my soapbox, it's just my point of view.
What do others think?