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© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
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بإمكانك أن تستمتع بالجمال فيما تراه وتسمعه ،إذا فتحت قلبك للإحساس بالجمال ،
فإن الإحساس بجمال الأشياء كامنٌ في داخلك ،مغروسٌ في أعماق نفسك ،
مبثوثٌ في جوانب حسّك ... تأكّدْ أنّ الإحساس بجمال الأشياء كلِّها نابعٌ من ذاتك .
لـ عبدالرحمن العشماوي.من كتابه (بشّروا ولا تنفّروا)
السلام عليكم آل فلكر
صورة للتوآصل
ترددت كثيير آني انزلها
ان شاءلله تنآل اعجابكم :$
و عيد آضحى مبارك كل عام وآنتم بصحة و عافية ♥
Some commented that they knew nothing about "Trap Music." After doing some research, I found out that "Pretty Girls Like Trap Music" is an album by 2 Chainz, an American rapper (see link below). I haven't listened to the album, so I don't have any thoughts on it yet.
www.youtube.com/watch?v=cugjazbGYgQ&list=OLAK5uy_n6xU...
#MookyBD
#California
#Sony A1
Just read up about Nictitating membrame on Google, as i'm try to ascertain whether Divers have any ? This juvenile still has not operated his whereas the Dipper would have ! Comments welcomed.
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Your comments and faves are greatly appreciated.
Galah
Scientific Name:Eolophus roseicapillus
Description: The Galah can be easily identified by its rose-pink head, neck and underparts, with paler pink crown, and grey back, wings and undertail. Birds from the west of Australia have comparatively paler plumage. Galahs have a bouncing acrobatic flight, but spend much of the day sheltering from heat in the foliage of trees and shrubs. Huge noisy flocks of birds congregate and roost together at night.
Similar species: The Galah is generally unmistakable, but in flight may resemble aGang-gang Cockatoo in shape.
Distribution: The Galah is one of the most abundant and familiar of the Australian parrots, occurring over most of Australia, including some offshore islands.
Habitat: The Galah is found in large flocks in a variety of timbered habitats, usually near water.
Feeding: Galahs form huge, noisy flocks which feed on seeds, mostly from the ground. Seeds of grasses and cultivated crops are eaten, making these birds agricultural pests in some areas. Birds may travel large distances in search of favourable feeding grounds.
Breeding: Galahs form permanent pair bonds, although a bird will take a new partner if the other one dies. The nest is a tree hollow or similar location, lined with leaves. Both sexes incubate the eggs and care for the young. There is high chick mortality in Galahs, with up to 50 % of chicks dying in the first six months. Galahs have been recorded breeding with other members of the cockatoo family, both in the wild and captivity. These include the Sulphur-crested Cockatoo, C. galerita.
Calls: The voice is a distinctive high-pitched screech, 'chi-chi'.
Minimum Size: 35cm
Maximum Size: 36cm
Average size: 36cm
Average weight: 337g
Breeding season: February to July in the north; July to December in the south
Clutch Size: 3 to 4
(Source: www.birdsinbackyards.net)
© Chris Burns 2017
__________________________________________
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This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Comment Box ..CLOSED..
but will be returning faves "Share + Look"
All best wish happy and take care 2021
Aber Lin
Feb/19/2021
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To see more pictures of Barred Owls, that I have taken, Please visit my Barred Owl album at www.flickr.com/photos/black_cat_photography/albums/721577...
Your comments and faves are greatly appreciated. Many thanks.
Grey Teal
Scientific Name: Anas gracilis
Description: The Grey Teal is almost all grey-brown. Each feather of the body is edged with buff, except on the rump. The chin and throat are white, the bill is dark green and the eye is red. The secondary wing feathers have glossy blue-black patch, broadly bordered and tipped with white. In flight, a large white wedge is visible on the underwing. The Grey Teal is one of the smaller Australian ducks (males are larger than females). Both sexes are similar in plumage.
Similar Species: The Grey Teal is sometimes confused with the female Chestnut Teal,A. castanea. The Chestnut Teal has the chin and throat pale brown, instead of white. The male Chestnut Teal is quite different in plumage, being mostly chestnut below, dark brown above and with a glossed green head and neck. The two species overlap in range and often mix together where they meet.
Distribution: Grey Teals are found throughout Australia
Habitat: Grey Teals are common in all sheltered watered areas. These include fresh, brackish and salt water, and the birds can be found on the smallest area of water in the driest of areas. The most favoured habitat type is timbered pools and river systems of the inland areas, where these birds can be found in quite large numbers.
Feeding: Grey Teals feed in small to large flocks. Food consists of a variety of types and includes dry land plants, aquatic plants, seeds, crustaceans, and insects and their larvae. Feeding methods are also varied. Birds may dabble (filter surface water or mud through the bill), upend and feed from the bottom, or graze from the surface of the water on plant material.
Breeding: Grey Teals may breed when there is available food and waterways are suitable. Taking advantage of this opportunistic breeding style, birds lay soon after suitable conditions arrive and may raise several broods while the conditions remain favourable. If conditions are not suitable, birds may not breed at all in a year. Most breeding takes place around inland waterways, and nests may be placed on the ground, in rabbit burrows or in tree hollows. The birds normally lay their eggs on the bare floor of the nest site, which are then covered with down (feathers). When it comes to spectacular movements, the Grey Teal is unsurpassed by any other Australian waterfowl. Responding to rainfall, or lack of it, they cover vast distances in search of suitable water, and occur on every type of wetland. When the water dries up, they disperse to look for more, turning up almost anywhere, including at waterholes in the desert. These extensive travels have also taken some Grey Teal beyond Australia's shores to Indonesia, New Guinea and New Zealand, and even to subantarctic Macquarie Island.
(Source: birdlife.org.au/bird-profile/Grey-Teal)
© Chris Burns 2018
__________________________________________
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
All comments regarding this picture, subject, composition, etc are welcome and appreciated. TIA.
Enjoyed this picture? Visit my Grouse Album to see more like it - at www.flickr.com/photos/black_cat_photography/albums/721777... - TIA.
To learn more about Ruffed Grouse please visit www.allaboutbirds.org/news/search/?q=Ruffed%20Grouse
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Any comments and favs are very much appreciated
If you like my creative work, please follow the tracking or other social networking sites below
如果喜歡我的創作與拍攝,歡迎按追蹤
非常感激
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email : iwakuma.kelvin@gmail.com
Commenti, critiche e suggerimenti ben accetti,
se vi va, osservatela ingrandita.
Un saluto e grazie, Angelo
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Non usate le foto senza il mio permesso, tutti i diritti sono riservati
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Comments are disabled since this is a second posting. Ceramic picnic table at Jose Rodriquez Fuster's art studio. Shot from the second floor looking straight down. The studio is covered in ceramic art and it absolutely beautiful with so much creativity to see. It was the one time on the trip I accidentally held up the tour bus, which was a little embarrassing. See this link en.wikipedia.org/wiki/Jos%C3%A9_Rodr%C3%ADguez_Fuster for more info on the artist. Jaimanitas, Cuba, March 2019
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Flea market scene captured at Naschmarkt in Vienna, Austria.
You can follow me also on Instagram
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Comments are always welcome and favs most appreciated.
Commentaries y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
The last of my trip images, thanks for your comments and taking the time to travel with me! Hopefully the weather will perk up soon and I can take some more photos on home turf!
Korykos Castle, locally known as Korykos Kalesi, lies at the beach next to the town of Kizkalesi in the province of Mersin in Turkey.
Together with the opposite Kizkalesi Castle, a supplementary castle on a small island in the bay of Kizkalesi, this coastal castle protected the port of Korykos and of course their histories are linked closely together and almost identical. Korykos Castle was also the principal guardian of the strategic coastal road between the towns of Silifke and Tarsus.
In ancient times there was an antique harbor city named Korykos or Corycus here. It is possible that the site of Korykos was heavily fortified prior to the Arab invasions, but there is no evidence to confirm this.
Around 1099 Korykos was conquered by the Byzantines. The erection of the castles can probably be credited to the reign of the Byzantine emperor Alexios I Komnenos. Except for reconstruction during and after the Armenian period of occupation in the late 12th century(far more extensive in the sea castle than in the land castle), the circuit walls and towers of both castles date from the early 12th century.
The emperor's daughter, Anna Comnena, tells us that the royal eunuch Eustathius was dispatched as an admiral and was directed to fortify Korykos and more southerly Silifke. The strategy was to defend it from any possible seizure by the Crusader Bohemund I de Guiscard. A large garrison was maintained at Korykos and Silifke under the command of a certain Strategus Strabo. Exactly when the Armenians occupied the Byzantine castles at Korykos is unknown.
By 1198/99 the site seems to have been under the control of Leo I, King of Armenian Cilicia, as Simon, the Baron of Korykos, was in attendance at his coronation. Following Vahram's brief tenure as Lord of Korykos (1210-12), the Hethumid Baron Oshin held the position until the late 1260's. In the 4th quarter of the 13th century the Armenian historian Hethum followed Grigoris as master of the port. Some years later he died tragically in a battle against the Mamluks. In 1318 Hethum's son, another Oshin, took 300 troops from the garrison at Korykos Castle and succeeded (temporarily) in driving out a band of Turks.
In 1360 Peter I, the King of Cyprus, assumed control over Korykos when it became clear that the Mamluks were soon to conquer all of Cilicia. Robert of Lusignan was dispatched from Cyprus to administer the port. With Cypriot assistance the residents of Korykos were able to repulse a Karamanid attack in 1367. This fortified port proved to be a profitable toll station until its capture by the Karamanids in 1448.
Korykos Castle is built on the relatively flat ground of the rocky shore and is characterized by the almost square shape of a tight double trace with square towers. This is the only fully concentric plan for a fortification in Cilicia. In the southern corner there is a sea gate and the north east side of the castle is protected by a deep ditch cut out of the rock.
At present Korykos Castle can be visited for a small fee. This is a great castle ruin with lots to explore.
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Photography of Ricardo Gomez Angel
All rights reserved. All images on this website are the property of Ricardo Gomez Angel. Images may not be reproduced, copied or used in any way without written permission.
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito
Your comments and faves are greatly appreciated. Many thanks.
Australian Pelican
Scientific Name: Pelecanus conspicillatus
Description: There are seven species of pelicans in the world, all of which are similar in shape and, with one exception, are primarily white in colour. Males are larger than females. The most characteristic feature of pelicans is the elongated bill with its massive throat pouch. The Australian Pelican's bill is 40 cm - 50 cm long and is larger in males than females. Pelicans have large wings and a wingspan of 2.3 m - 2.5 m. Pelicans have an extremely light skeleton, weighing less than 10% of their total body weight.
Distribution: The Australian Pelican is found throughout Australia, Papua New Guinea and western Indonesia, with occasional reports in New Zealand and various western Pacific islands.
Habitat: Pelicans are widespread on freshwater, estuarine and marine wetlands and waterways including lakes, swamps, rivers, coastal islands and shores.
Seasonal movements: Pelicans are highly mobile, searching out suitable areas of water and an adequate supply of food. Pelicans are not capable of sustained flapping flight, but can remain in the air for 24 hours, covering hundreds of kilometres. They are excellent soarers and can use thermals to rise to considerable altitudes. Flight at 1,000m is common, and heights of 3 000 m have been recorded. By moving from one thermal to the next, pelicans can travel long distances with a minimum of effort, reaching air speeds of up to 56 km/hour.
Feeding: The bill and pouch of pelicans play an important role in feeding. The bill is sensitive and this helps locate fish in murky water. It also has a hook at the end of the upper mandible, probably for gripping slippery food items. When food is caught, the pelican manipulates it in its bill until the prey typically has its head pointing down the pelican's throat. Then with a jerk of the head the pelican swallows the prey. The bill is delicately built. The lower jaw consists of two thin and weakly articulated bones from which the pouch hangs. When fully extended, the bill can hold up to 13 litres. The pouch does not function as a place to hold food for any length of time. Instead it serves as a short-term collecting organ. Pelicans plunge their bills into the water, using their pouches as nets. Once something is caught, a pelican draws its pouch to its breast. This empties the water and allows the bird to manoeuvre the prey into a swallowing position. The pouch can also serve as a net to catch food thrown by humans, and there are sightings of pelicans drinking by opening their bill to collect rainwater.
The Australian Pelican may feed alone, but more often feeds as a cooperative group. Sometimes these groups are quite large. One group numbered over 1,900 birds. A flock of pelicans works together, driving fish into a concentrated mass using their bills and sometimes by beating their wings. The fish are herded into shallow water or surrounded in ever decreasing circles.
Breeding: Breeding depends on environmental conditions, particularly rainfall. Pelicans are colonial breeders with up to 40 000 individuals grouping on islands or secluded shores. Breeding begins with courtship. The female leads potential mates (two to eight or more) around the colony. As the males follow her in these walks, they threaten each other while swinging their open bills from side to side trying to attract the female's attention. The males may also pick up small objects, like sticks or dry fish, which they toss in the air and catch again, repeating the sequence several times. Both sexes perform "pouch-rippling" in which they clap their bills shut several times a second and the pouch ripples like a flag in a strong breeze. As the courtship parade progresses, the males drop out one by one. Finally, after pursuits on land, water or in the air, only a single male is left. The female leads him to a potential nest site. During the courtship period, the bill and pouch of the birds change colour dramatically. The forward half of the pouch becomes bright salmon pink, while the skin of the pouch in the throat region turns chrome yellow. Parts of the top and base of the bill change to cobalt blue, and a black diagonal strip appears from the base to the tip. This colour change is of short duration, the intensity usually subsiding by the time incubation starts. The nest consists of a scrape in the ground prepared by the female. She digs the scrape with her bill and feet, and lines it with any scraps of vegetation or feathers within reach of the nest. Within three days egg-laying begins and eggs are laid two to three days apart. Both parents share incubation and the eggs are incubated on their feet. The first-hatched chick is substantially larger than its siblings. It receives most of the food and may even attack and kill its nest mates. A newly hatched pelican has a large bill, bulging eyes, and skin that looks like small-grained bubble plastic. The skin around the face is mottled with varying degrees of black and the colour of the eyes varies from white to dark brown. This individual variation helps the parents to recognise their chick from hundreds of others. The chicks leave their nests to form creches of up to 100 birds. They remain in creches for about two months, by the end of which they have learnt to fly and are fairly independent. Wild birds may live between ten and possibly 25 years or more.
Minimum Size: 160cm
Maximum Size: 180cm
Average size: 170cm
Breeding season: At any time of the year
Clutch Size: 1 to 3 eggs
Incubation: 35 days
Nestling Period: 28 days
(Source: www.birdsinbackyards.net)
© Chris Burns 2021
__________________________________________
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Comments are always welcome and favs most appreciated.
Comentarios y favs son siempre bienvenidos
© Fotografía de Ricardo Gomez Angel
Todos los derechos reservados. Todas las imágenes contenidas en este sitio web son propiedad de Ricardo Gomez Angel. Las imágenes no se pueden reproducir, copiar o utilizar de ninguna manera sin el permiso escrito.
© Photography by Ricardo Gomez Angel
All rights reserved. All images contained on this website remain the property of Ricardo Gomez Angel. Images may not be reproduced, copied, or used in any way without written permission.