Comfortable Places
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Rags curled up on mama's sofa.
-Posted for the "Happy Caturday" theme "Sense of comfort".
Dushara Tatters and Rags (Somali cat), 24.05.2022.
Olympus OMD EM5 Digital Camera
RKO_8580. Another upload of this young mother with chick!
Copyright: Robert Kok. All rights reserved!
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Now that it's getting uncomfortable outside, I'd love to have a fireplace at home. But it does also a warm cup of tea :D
Jetzt wo es draußen ungemütlich wird, hätte ich daheim schon gerne einen Kamin. Aber es tut auch ne warme Tasse Tee :D
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#yvonneschade #fotografie #photography #pitygraphys #hobbyfotografin #ingolstadt #deutschland #germany
2021_11_18_DSC06353 by Yvonne Schade
www.youtube.com/watch?v=CXiMKUu_1xs
Confidently lost
Comfortably indulging
And trying to get to know me
I'm just an outline of what I used to be
Constantly evolving
Steadily revolving
I am confidently lost
I don't need you to find me
You don't define me
I am confidently lost
I don't need you to find me
Cause I'm not hiding
Made up of hope and meditation
Love, imagination water my creations
Baby it's amazing
All the days I'm facing
Nothing seems to phase me
Cause I
I am confidently lost
I don't need you to find me
Cause I know how it is
Anything
Thinking about where I've gone
Where I'm going
And I wouldn't change it for the world
Thinking about where I'm from
If I belong there
But I wouldn't change it for anything
(I wouldn't change it for anything)
Believe it or not this hand made mug has a very comfortable handle with a thumb rest incorporated into it.
Misty Morning ~ Kline Creek Farm ~ Winfield Township, Illinois
Nikon D5100, Tamron 18-270, ISO 2000, f/6.3, 185mm, 1/250s
Featured Item
Aphrodite Shop: Industrial Charme (available @ Man Cave Event, running July 17 to August 11)
Decor
Ariskea: [Lian] Curtain
Fancy Decor: Antony Shelf (light) // Venus Flytrap Mini Planter // White and Gold Chain Frame
Merak: Maria's Collectibles
Mithral: Pipe Shelves + Plants // Begonia Maculata // Glass Box Terrarium // Monstera Adansonii // Rhaphidophora Cryptantha // Small Monstera Adansonii
Moonley Inc.: Jungle Plant Frame Set
Soy: Potted Cactus Opuntia // Potted Pothos
Vespertine: Bag full of peonies // Summer peony bouquet
More Info
I tend to nag at myself irl, just as much as I do about my SL avatar. Constantly tweaking my shape, skin, size, never really happy or content with what I’ve done... but I’m very happy with my look in SL these days. I don’t know where I draw inspiration from, it’s just a feeling, that “this is what it’s supposed to be” and I just go with it. I suppose I entered the polar opposite realm from where I was a few years ago with my static “Alex” LOGO head, and now I’ve been on a journey since then to find my new “me”.
Italia, Toscana, Livorno, Autunno 2014
Il castello del Boccale è una casa padronale nei pressi di Livorno, lungo il primo tratto di costa rocciosa nella parte sud della città, nei pressi di Calafuria. In origine, era una torre di avvistamento cinquecentesca costruita dalla famiglia Medici sulle rovine medievali di una vecchia struttura della Repubblica di Pisa. Verso la fine del XIX secolo, la villa è stata trasformata in una residenza in stile neo-medievale e ora contiene molti appartamenti con una vista spettacolare.
Boccale Castle is a manor house near Livorno, along the first stretch of rocky coast in the south part of the city, near Calafuria. Originally, it was a sixteenth century lookout tower built by the Medici family over the medieval ruins of an older structure by the Republic of Pisa. Towards the end of the nineteenth century, the villa was transformed it into a neo-medieval style residence and now it contains many apartments with a spectacular view.
Here is another backyard Blue jay shot from a couple years back. I like this one.
Harrisburg, Pennsylvania.
Thank you for your visit..!
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Spring leaves and wildflowers were popping out everywhere we hiked.
a quotation:
"This is the most beautiful place on earth.
There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even,
for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome
--there's no limit to the human capacity for the homing sentiment."
Edward Abbey
"Desert Solitaire"
Staircase in the Munich Documentation Center for the History of National Socialism.
Shot with the Sony Alpha 7 Mark 2 and the FE 16-35mm F4 ZA OSS at F=4.
On 1 May 2015, the new Munich Documentation Centre for the History of National Socialism opened as a place of education and remembrance documenting and addressing the crimes of the Nazi dictatorship and their origins, manifestations and consequences right up to the present day.
As the place where the NSDAP was founded, Munich is associated more than any other German city with the rise of National Socialism. The former ‚Capital of the Movement’ played a pioneering role in the establishment of the Nazi regime of terror and was home to the Nazi party apparatus.
The Documentation Centre has been built on the site of the former ‚Brown House’, once the headquarters of the National Socialist German Workers’ Party (NSDAP). The new construction is designed to be an open and lively forum of information and discussion.
The permanent exhibition documents the history of National Socialism in Munich, the city’s special role in the Nazi system of terror and Munich’s difficulties in confronting its past after 1945. As well as the permanent exhibition, there are also a series of special exhibitions, a learning centre, a varied programme of events and various educational resources.
The central principle underlying the exhibition and the Documentation Centre’s educational concept being to acknowledge, learn about and understand the history of this location. The key questions that the Documentation Centre poses to visitors are: “What does this have to do with me?” and “Why should this still concern me today?”
The initiative to build a Munich Documentation Centre came from committed citizens of Munich. The construction costs, amounting to 28.2 million euros, were shared equally by the City of Munich, the State of Bavaria and the German Federal Government. The State of Bavaria has made the site available, and the City of Munich will bear the operating costs.
Counterpoint at the historical site
In April 2008 the Munich City Council commissioned the department of urban development to advertise a competition for the realisation of a Documentation Centre for the History of National Socialism. A specification of the competition was to submit an architectural concept which concerned itself with the special historic significance of the site. The building's architecture and the design of the outdoor area were to mark the fundamental break with the site's history and to the former Nazi buildings in the neighbourhood (today's school of music and theatre, for instance).
Visual connection with surrounding topography
The design by Georg Scheel Wetzel Architekten won the competition. The jury justified its selection of the concept of the Berlin architects from an urban development and design viewpoint as an 'excellent response to the task set with its own unmistakeable identity'. The cube marks the perpetrator site without a reference to the 'Brown House'. The louvered windows enable varied visual connections with the building relics of the Nazi era, so the authentic sites become part of the documentation.
The highest quality of exposed white concrete
In addition to its cubic, compact form the architecture of the new building is strongly determined by the material: the fine, exposed white concrete characterises both the exterior and the interior. The building is in stark contrast with its environment. The facades consist of light, closed surfaces and dark, partly cross-storey window areas.