View allAll Photos Tagged colourscheme
Thomas Cook Airlines
Reg: G-TCBC
Aircraft: Boeing 757-236
Serial : 29946
Egypt, where it all begins colourscheme.
Fuertaventura
01/08/2015
Regan Carriers were a legendary inter island transport company in NZ back in the 80s.Laurie Wright built this impressive model of one of their cab over Kenworths,and handpainted the complicated colourscheme.
Katie and Craig asked me if I could make a little "Mr and Mrs" pine cone topper to go on top of their wedding cake - and what fun I had putting this together!
The pine cones are real as the couple wanted a keepsake topper. I had a blast with this, the hardest part was finding a suitable circular log slice (husband to the rescue once again!).
The cake itself was 4 tiers of rich chocolate with shell pink and dove grey ribbons to match the colourscheme, and some simple 2D blossom clusters. Thank you very much to some ladies on one of the Flickr cakey forums who advised me on how to adhere the ribbons to the cake (by wetting the length of ribbon and squeezing out), it worked a charm!
domenico veneziano - st lucy altarpiece ca1445 - photoshop reconstruction (part2)
If this altarpiece would not have been dismantled, broken up and sold per predella in the 1850's, how did it originally appear in full glory? Imagine a reconstruction.
Space is the main issue: the left and right wall and the roof under which the four saints gather are not visible in the painting, making the frontspace undefined and ambiguous. For instance, the black architectural triangle decorations on top can easily be misunderstood as parts of the picture plane (see notes above). The same can be said about the marble pillars, far left and right. Domenico was too good a painter of perspective to overlook these inconsistencies. The depth and space of the tiled floor is begging for counterbalance in the upper parts. But nothing is to be seen there. Is it an open roof? We can only guess. The lost frame could have set this straight with extra perspectival effects in the upper part But how?
A frame that could very well have been a structure of pink, green and black marble, echoing the inner colourscheme. Just try to imagine this. A golden frame is impossible. The precious metal is not used in the painting at all, a feature that makes this altarpiece so fresh and modern in 1440, following high on the heels of Alberti's contemporary arttheories (1439). At the same time Jan van Eyck's vanderPaele Madonna in Bruges (1436) made a big impact on Domenico's pala. Looking at the bishops and the octagonal architecture in both paintings, it is obvious that Domenico was inspired by Jan's painting. Can the frame of this van Eyck have been an inpiration for St. Lucy's altarpiece as well?. Why not?
Predellas: number 2, saint john in the desert, and 4, miracle of saint zenobius, have very thin painted pink moldings, as you can see. Predella 1 and 5 have some traces of the same while number 3, in the center, did never have any moulding at all. A pity that this annunciation predella has nevertheless been cut at the left side. The closed door in the garden, the vanishing point, is now off-centre with Mary's "porta clausa" (also vanishing point) in the main painting. Please recover/restore with [clone stamp tool].
Flickr may not be the most obvious place for solving arthistorical riddles. But...you never know. All suggestions and revelations will be taken serious and into consideration. New techniques can shine a lucid light on the matter of this old master. Feel invited, partner, welcome, free and at home.
A lightly themed bball cake - for a lovely couple. Basketball plays a big part in their life with the groom managing and coaching a bball team. They requested a sky blue, white and silver theme, on a wonky cake with a nod to basketball in there somewhere.
At first I went OTT (you know me!!!) and designed a wonky bottom tier with a basketball balanced on top of that and then a bride and groom tornado (their team is the tornadoes and i used their mascot as the idea) whirling out of that. But although they loved it they awanted something a little more in keeping with the colourscheme and romantic fun vibe of the wedding.
They have asked me to make the other one as a cake for their upcoming awards ceremony though so I'll still get to make that one too :)
Spirit Airlines A319, N502NK seen displaying the carriers latest colourscheme, taken through the glass at the Theme Buiding LAX, on 15 Nov 2015.
Right side of the Ex German air force F-104G Starfighter at Museo del Aire, Cuatro Vientos Madrid.
Spain operated F-104G's for a brief period until 1972, when the Starfighter was replaced by the F-4C Phantom. The colourscheme represent C.8-15 / 104-15 when it served with 104 Escuadron in the , then 6th Wing, of the Spanish Air Force, based in Torrejón de Ardoz (Madrid). No fatal incidents happend in the operational life of the F-104G in Spanish service.
Since I took this picture, I still have to buy a wide angle lens :-)
A 1956 publicity brochure issued by Walpamur Co Ltd, a well known manufacturer and brand of decorating materials and advertising their stand at that years Ideal Home Exhibition along with a suggested palette of colours for rooms around the home using their paint ranges and shades. Interestingly the main 'Walpamur' range of oil based paint was still supplied as paste to be thinned with Walpamur Petrifying Liquid; this was at a time when, with growing "DIY" decorating, increasingly paint sales and technology was geared to 'ready mixed' product that simply required stirring. Equally Muromatte was produced requiring 'adjustment' with linseed oil or thinning with white spirit.
The company has its origins in the 1899 formation of The Wall Paper Manufacturers Ltd who had by c.1905 started to manufacture paints at its Darwen base originally under the name of Hollins Distemper. By 1915 Walpamur Ltd was incorporated in its own right within the WPM concern.
The various brands of paint produced, such as Duradio, Muromatte and Walpamur, were by the mid-1960s increasingly branded as Crown Paints to match the brand name for many of WPM's wall coverings. After many changes of company structure and ownership Crown Paints are still based in Darwen alhtough now form part of a larger international company.
This double page spread shows potential colour schemes for the bedroom, bathroom, pantry and kitchen using contemporary "50s" colour ways.
this one i did for my nurgle horde. i sculpted a new face (i am in no way any good at it and do not consider myself to be good enough at it really) as well as some maggots on his body. the colourscheme was a trial and i will be painting the rest of th army in it as well
More than the colour scheme itself, I am fascinated by the colour transition of this flower, from yellow-green to red via orange (not absolutely sure but I think it is a flower).
[Colour transition from green to red_CU_IMG_1114]
G-FDZU Boeing 737-8K5 operated by Thomson Airways, on short finals for runway 24 at Edinburgh on 10th February 2015. This aircraft has been repainted in Dreamliner colourscheme and retro-fitted with Scimitar Winglets
£1 bargain again. I love these and usually they are quite pricey even in charity shops. I am going to try and copy it in a mossy green and grey colourscheme and make my own.
Setting dark colourscheme in .bashrc displays very oddly when captured with fbshot...
It looks like this www.flickr.com/photos/jasonwryan/4273714022/
Waiting at a traffic light on Hunt Club Road at Bank Street in southern Ottawa.
These buses, which can usually be seen parked at OC Transpo headquarters on St. Laurent Boulevard, are rarely actually used, but Route 84 (Ottawa South) seems to be an exception, as this was not the only Nova Bus LFS that I saw in service on that route that particular evening.
When my daughter got this set. I wasn't enthousiastic about the design of the helicopter let alone the colourscheme. Sheesh could they any more colours??? So with my daughter's permission i redesigned the helicopter and she likes this version better!!
This dress is designed around the concepts presented in women's dresses of the 1850s-60s, yet flowing seamlessly into modern era dressmaking with it's colouring and skirt style, based around the concept of modern "bodycon" clothing, and the victorian corsets and neckline. The neckline originates from the 1850s, and would have been commonly featured in evening dresses, which would have had large hoop skirts with bustle, which I have discarded in this design because the driving concept behind this design is figure flattering, yet conservative and classy. Victorian women in the 1860s commonly wore corsets, as slim figures were considered ideal during this time, much like today, and the corset would make the woman appear slimmer, yet also accentuate her feminine curves. In the Victorian era, however, women were expected to live a life of servitude to their male partner, and their dresses were very conservative and often uncomfortable, they were not designed with the women in mind, and "Punch" published many cartoon strips featuring women inable to walk or even sit up in the tight dresses that were predominant in Victorian era fashions. For this reason the dress featured here would have a "mermaid tail" style, typical of modern bodycon trends, with the body section being made of comfortable and figure hugging lycra, and the 'tail' and neckline being made of taffeta. Taffeta was a common material in Victorian dressmaking, however it was much stiffer than today's flexible taffeta, which is often synthetic, which although compromises a little on quality, increases both the comfort and affordability of the dress as a whole. Lycra is a very common fabric in bodycon fashion, which is a fashion term used loosely to describe clothing which is designed to be figure hugging and which adds accentuation to curves whilst hiding fat rolls and other 'flaws' of the figure. Bodycon dresses are usually short in length and made of a stretchy material such as Nylon or Lycra, since these materials can fit tight to the skin without causing discomfort or being difficult to remove or apply. In the Victorian days, women were expected to dress conservatively, but in today's world, women are sexually revered, almost to the point of being extremely the other way and objectifying them as a separate meaning of the term, a debate held by many people of today. Women's sexual appeal is embraced and almost worshipped in the 21st century, and so any woman boasting a victorian style dress would look very out of place with the huge hoop skirts and stiff nature of them. This is why I have incorporated Bodycon fashion in particular into this design, as it allows a woman to wear a dress with Victorian influence without having to restrict herself, and whilst still looking semi-formal, making the dress suitable for multiple situations. The colours in use here are pink, red, and a chocolate brown. In the 1850s, most dresses were quite plain, with often dull or pastel colouring. This muted colourscheme contrasts with the red of the corset, bringing a viewers attention instantly to the waistline and subsequently, the curves of the woman, reiterating the modern day connotations of these two colours- femininity and sexual appeal or sexual passion. Chocolate brown is also quite a dull colour, remaining with the Victorian plain colouring theme. The neckline is made of lace, which has modern day connotations of both sexuality and a higher class lifestyle, much like how taffeta was considered very high class in the 1800's, and the corset would be steel boned in order to hold it's shape well. Please note: I did use a base from DeviantART for the human, with permission from the original uploader. The actual design is 100% my own work, and the base and its creator had no part in this design, the base was only to give a human on which to convey my designs, and had no effect on the final design. Do not steal.
Created for Beautiful World Tents' Open Day at Knepp Castle Estate (you can just see the main wedding tipi in the background)
These cupcakes were for the 'Quintessentially English Tea-Pee', a smaller open tent available for birthdays, tea parties etc. I went for a vintage china theme, inspired by florals, mismatched tea cups and a pastel colourscheme.
It was an absolutely magical setting with the tipis surrounded by forest on one side and a lake on the other. I would love to have my wedding here *sighs wistfully*...
picked up the new purple pepper pot in the clearance section of my local supermarket for £1.60 and the Cath Kidston utensil pot was a lucky *bay find, as it's out of production now and just the perfect thing for this colourful corner!
I have a kitchen of 2 halves as far as colourschemes go, as this is one side of my worktop next to the cooker and on the other side of the cooker it's brown and orange! (see the photo in comment) I won't be forced to choose between the 2, as the orange and brown side houses my Orla Kiely kitchen stuff and cute squirrel in a log kitchen towel holder...not to mention the cutest ever glass worktop saver! I am probably an interior designer's worst nightmare :D
100 Vanilla Cupcakes for a wedding at The Norfolk Arms Hotel in Arundel with a simple red & gold colourscheme
There's unfortunately not much rail traffic around Estonia. This is one of the very few local trains, formely Russian built. Otherwise, there's only an express train to Moscow left, whilst the one to St.Petersburg was withdrawan some years ago due to competition by coach.
Glass roofer version of the new 2011 Mustang GT 5.0. Colourscheme in the traditional lime with black stripes.
New 5.0 litre with 412 hp. Yee Haw!!
Miss Udall's Romany caravan.
Built at the turn of the last century by the Dunton family business in Reading and lived in by the devout Christian Miss Udall for over 40 years at Playden, near Rye, Sussex.
Miss Udall was apparently not a Romany and did not travel in the caravan.
Now fully restored to its original colour scheme.
Weald & Downland Open Air Museum.
A portrait of Ian in a split tone colourscheme
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dogwood.photography/52weekchallenge2017.html
Week 11 - Technical: Split Tone
Split Tone is an editing technique where the shadows are toned one color, and the highlights a second color. Split toning is often used with color grading in the media to give a scene a desired look and feel.