View allAll Photos Tagged cloudscape
Landscapes made of clouds, seen in the infrared part of the spectrum during flights more than eight kilometers above the ground.
NEX-5, IR modified (> 700 nm)
Vivid Sydney 2012,
"CLOUDscape" by:
KIm Nguyen Ngoc
Nicholas Thiolouse
Victoria Bolton
Michael Day
Frank Maguire
Kristine Deray
Sunset Cloudscapes over Lake Illawarra..
Olympus OM-1 w M.Zuiko 100-400/5-6.3IS
ISO125 f/11 335mm -3 and +1ev
Raw developed in DxO PhotoLab 8, stacked and blended and colour graded in ON1 PhotoRaW 2025 and finished off back in PhotoLab.
Boonerah Point, Lake Illawarra, Shellharbour, NSW
We are in the middle of the North Island in Taupo. Lake Taupo is a very busy tourist area. I'm using the motel's hotspot so only limited time online. Off on a lake cruise tomorrow. Back home Monday.
Vivid Sydney 2012,
"CLOUDscape" by:
KIm Nguyen Ngoc
Nicholas Thiolouse
Victoria Bolton
Michael Day
Frank Maguire
Kristine Deray
Atlantic Canada Set I Travel Collection I Steve's Website I © Steve Rosset 2010
Peggy's Cove - Nova Scotia, Canada
The lighthouse and village are a bit small, but I couldn't resist posting this wide angle shot which captured the stunning cloud-buildup.
1590 shots made with Canon 40D and Canon 10-22
Assembled with Adobe Premiere
Music: Miles Davis, "Mr. Pastorius" from the album Amandla
Cloud movement over time yields a 3D effect.; in addition I changed position between shots.
This is a stereogram, to be viewed in crossview technique.
Separate images have been taken subsequently.
Vivid Sydney 2012,
"CLOUDscape" by:
KIm Nguyen Ngoc
Nicholas Thiolouse
Victoria Bolton
Michael Day
Frank Maguire
Kristine Deray
101 Oil Studies, No. 11
Objective: Testing of surface texture and gestural strokes in clouds.
Painted in 2 sessions, both on 1 Feb 2024.
Pigments (all Winsor & Newton Artists' oil colour): Cerulean blue, titanium white, cadmium orange. Mediums: Gamsol, Oleogel.
Ampersand Gessobord, 12.7 x 12.7 cm (5 x 5 inches)
Process: In this miniature, I initially intended the cadmium orange simply to desaturate the blue for dark gray clouds, but as I went along, I let the color come out.
After Action Evaluation: (1) In the initial wash, some brush grain continued to show, but this study suggests that can work in a cloudscape. (2) Upper thin, white clouds approach realism in high, but the dark clouds and lower white clouds can work in more gestural paintings.