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Vues de la Fondation Carmignac. Les Jardins Nord et Sud présentent des sculptures In Situ d'artistes tels Ed Ruscha, Olaf Breuning, NILS-UDO. L'exposition inaugurale présente des oeuvres de la Collection Carmignac
L'exposition SEA OF DESIRE est présentée du 2 juin - 4 novembre 2018
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© CLAD / THE FARM
Août 2018
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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]
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CLIENT : www.fondationcarmignac.com
AGENCE : www.thefarmcom.io
Ancestral area reconstructions for extant primates based on dispersal-extinction-cladogenesis (DEC).Ancestral area reconstructions were performed under a simplified DEC model that allowed a maximum of two areas at internal nodes. Internal nodes with a single square were reconstructed to include a single area, whereas internal nodes with two squares were reconstructed to include two areas. Dashed lines between adjacent nodes indicate that alternative area reconstructions at the basal-most node fall within two log-likelihood units of the optimal scenario shown in the figure. Multi-colored names denote taxa that occur in more than one area. Range transitions on branches indicate inferred dispersal events. Numbers in triangles indicate the number of species in each collapsed clade.
I feel no description is necessary for this one.
But don't forget to view it LARGE on black
Copyright © 2009 Adarsh Ramamurthy
Using my works without my consent is illegal
16 de junio de 2015.- Sesión No. 335 del Pleno de la Asamblea Nacional
Tema: Informe de la Comisión Especializada Permanente de SoberanÃa, Integración, Relaciones Internacionales y Seguridad Integral, respecto del pedido de aprobación del "Acuerdo Constitutivo del Centro Latinoamericano de Administración para el Desarrollo (CLAD) y su Estatuto
FotografÃa: Hugo Ortiz / Asamblea Nacional
I thought I would experiment with a piece of scrap external insulation cladding from a type being currently installed in Upper Cwmbran. When the ignition source was removed, it went out but created extremely unpleasant fumes. While flame was in contact with the material, it did flame up. Doesn't encourage me to have it applied to my house!
Salmonella recovery and persistence in the feces.The left panel shows a cladogram that was inferred from core-genome SNPS using Maximum Parsimony. All positions containing gaps and missing data were eliminated. There were a total of 344642 positions of which 279065 were parsimony informative. The parsimony analysis was conducted using Mega5 [45]. The middle panel shows Salmonella recovery from feces of surviving mice at 17 and 19 days post-infection. Dots represent individual measurements and the vertical line represents the median. The dotted line represents the 100 CFU/gm detection limit. The right panel represents the proportion of mice that were persistently infected with Salmonella. Black bars indicate that all mice met ERC. *One mouse met the ERC and was euthanized before the experiment was completed.
Mânăstirea Hurezi [1690 - 1709]
Hurezi Monastery
Monastery of Horezu
www.monumenteromania.ro/index.php/monumente/detalii/en/Ma...
UNESCO World Heritage list
Brâncovenesc architectural style [incomplete list of buildings]
en.wikipedia.org/wiki/Br%C3%A2ncovenesc_style
Constantin Brâncoveanu [1654 – 1714] was Prince of Wallachia between 1688 and 1714.
en.wikipedia.org/wiki/Constantin_Br%C3%A2ncoveanu
Wallachia
Stone Cladding, Brockley style, SE4
An absolute gem. Well served by buses. Very nicely picked out trefoil motifs, accentuated by dark red contrast in the cladding.
in my attempts to learn to tie my dream dastar (inderjit nikku patiala style), one must cover the first steps. the patka.
File name: 08_06_007260
Title: Ice clad fishing schooner, fish pier
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1917 - 1934 (approximate)
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Fishing boats; Ice
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Built in 1927, this Moorish Revival-style building was designed by John Eberson to serve as a live performance theater, and in 1934, became a movie theater. The building is clad in buff brick and orange brick with terra cotta reliefs and trim, a tower with a domed roof, a tower designed to appear like a minaret, a front gable parapet, engaged columns, a marquee over the main entrance bay, gothic arched panels on the exterior, geometric motifs, and large bays along the 79th Street facade, including a broad entrance bay with a projected ticket booth. Inside, the building features a two-story lobby with decorative murals and plasterwork, rectilinear columns, a mosaic tile floor, Moorish arches, decorative reliefs, cove lighting, brackets, decorative Moorish railings and screens, and a staircase that wraps around a fountain. The auditorium of the theater was designed to appear like the courtyard of a Moorish palace, with decorative Moorish reliefs, Moorish arches, a minaret-style tower, a stage with an arched proscenium arch, a ceiling painted to appear like the sky, which once featured projectors that created the illusion of moving clouds and stars, a fabric canopy above the stage, a decorative dome, Moorish screens, decorative plasterwork, a second-story balcony, and wooden seats with velvet seats. The building was designated a Chicago Landmark in 1992. Today, the building is unused and vacant, though it has been stabilized by the present owners, whom are seeking avenues to reopen it as a live performance and events venue.
LIM domain cladogram.
Alternating blue and grey coloring delineates homology groups; black regions are unclassified. For the homology group of each taxon, see Table S3. White circles with red outlines denote visually identified clades that contain a specific LIM domain conserved within a class or family. Colored circles indicate which species have taxa present within that manually annotated clade. For tip labels, branch lengths, and bootstrap values see Figures S2 and S3.
Buzz and John at the end of a hard working week! Can't thank these mates enough for making our dream shed!
Built in 1935-1936, this limestone-clad Art Deco-style bank building, designed by Val. H. Heinhold, stands on Harrison Avenue near Fairmount Avenue in Cincinnati’s South Fairmount neighborhood. The original building, consisting of the central wing, was built to house the Central Fairmount Building and Loan Company, founded in the 1880s, and featured a large front lobby and banking hall, a decorative vestibule adorned with clocks over the doors on the exterior and interior, a rear office area, a private office in the southwest corner of the main floor, a vault in the northwest corner of the main floor, two restrooms with marble stalls and hexagonal tile floors, and a basement with garage door openings on either end. The interior of the building featured extensive and ornate decorative walnut paneling, a decorative ceiling in the banking hall made up of fiber ceiling tiles arranged in an Art Deco pattern, a herringbone linoleum floor with decorative accents, brushed nickel door hardware, and half-height partitions in the main banking hall to help ensure an efficient flow of customers and business through the building. The building was modified in 1949 with the addition of two small wings on either side of the original structure, housing additional offices, a new boiler room, a second safe in the basement, an air conditioning system, and a single basement garage entrance. The original chandeliers in the banking hall were replaced with a pair of large linear fluorescent fixtures, and four original window openings were retained, and two were enlarged to allow circulation into the new wings. The interior of the additions feature walnut paneling like the original building, but with a far more streamlined and simplified design, as well as simpler nickel hardware, and tile ceilings with integrated linear fluorescent lights. The building remained in this configuration until a third and final renovation carried out between 1978 and 1980, which saw the addition of a small wing in the northwest corner of the building containing two offices and an additional stairwell, the creation of a break room in the basement, the reconfiguration of the lobby and replacement of the original banking counters, and the partitioning of the large office in the north wing added in 1949 into two smaller offices and a hallway. Shortly after the final renovation, the Central Fairmount Building and Loan Company, founded in the 1880s, was consolidated with the Gem Savings Bank of Dayton, Ohio, becoming a branch bank for Gem Savings, and only remaining open a few years in the 1980s before the branch was closed due to a lack of business and financial problems of Gem Savings, which was eventually acquired by National City Corp in 1989 due to financial insolvency and mismanagement. In 1985, the building was bought by Bill Spetz, whom ran an engineering firm out of the building from that time until about 2019, keeping the building’s features preserved and well-maintained during its time under his stewardship. The building was sold to a new owner in 2022.
Another radically-filtered Venice shot.
(I haven't taken any decent photos for ages, so I thought I would post another of the Venice ones...
Built in 1935-1936, this limestone-clad Art Deco-style bank building, designed by Val. H. Heinhold, stands on Harrison Avenue near Fairmount Avenue in Cincinnati’s South Fairmount neighborhood. The original building, consisting of the central wing, was built to house the Central Fairmount Building and Loan Company, founded in the 1880s, and featured a large front lobby and banking hall, a decorative vestibule adorned with clocks over the doors on the exterior and interior, a rear office area, a private office in the southwest corner of the main floor, a vault in the northwest corner of the main floor, two restrooms with marble stalls and hexagonal tile floors, and a basement with garage door openings on either end. The interior of the building featured extensive and ornate decorative walnut paneling, a decorative ceiling in the banking hall made up of fiber ceiling tiles arranged in an Art Deco pattern, a herringbone linoleum floor with decorative accents, brushed nickel door hardware, and half-height partitions in the main banking hall to help ensure an efficient flow of customers and business through the building. The building was modified in 1949 with the addition of two small wings on either side of the original structure, housing additional offices, a new boiler room, a second safe in the basement, an air conditioning system, and a single basement garage entrance. The original chandeliers in the banking hall were replaced with a pair of large linear fluorescent fixtures, and four original window openings were retained, and two were enlarged to allow circulation into the new wings. The interior of the additions feature walnut paneling like the original building, but with a far more streamlined and simplified design, as well as simpler nickel hardware, and tile ceilings with integrated linear fluorescent lights. The building remained in this configuration until a third and final renovation carried out between 1978 and 1980, which saw the addition of a small wing in the northwest corner of the building containing two offices and an additional stairwell, the creation of a break room in the basement, the reconfiguration of the lobby and replacement of the original banking counters, and the partitioning of the large office in the north wing added in 1949 into two smaller offices and a hallway. Shortly after the final renovation, the Central Fairmount Building and Loan Company, founded in the 1880s, was consolidated with the Gem Savings Bank of Dayton, Ohio, becoming a branch bank for Gem Savings, and only remaining open a few years in the 1980s before the branch was closed due to a lack of business and financial problems of Gem Savings, which was eventually acquired by National City Corp in 1989 due to financial insolvency and mismanagement. In 1985, the building was bought by Bill Spetz, whom ran an engineering firm out of the building from that time until about 2019, keeping the building’s features preserved and well-maintained during its time under his stewardship. The building was sold to a new owner in 2022.