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Very small, two up two down, like a nutshell. A nice row of original yellow brick, cladding and rendering. Like a musical scale.
Hosted by the L.A. Kimono Club
About the L.A. Kimono Club (via their official website): "In August,1999,during the annual Nisei Week parade in downtown Los Angeles,, Hayahiko Takase , then President of Japanese Chamber Commerce, rode in an open car while clad in traditional formal Japanese men’s wear (montsuki haori hakama) . Akira Tsurukame saw him and thought it might be an excellent idea to spread the spirit of Japanese Culture among people in foreign countries through Kimonos, which express dignity, simplicity and serene beauty. Thus, they decided to form a club 'KIMONO O KIYOU KA'I ('Club to Encourage the Wearing of Kimono')
On New Year's Day at 1PM (1-1-1), 2000, five gentlemen wearing Kimono gathered in front of the sculpture by a the famous artist , Isamu Noguchi, in JACCC Plaza in Little Tokyo,
So began an annual event of the LA Kimono Club, the 1-1-1 Group Photo Session in Kimono,
On March 15, 2003, approximately 40 men & women who love Kimono met to form a club with the agreed objective of promoting mutual understanding and cultural exchanges between the US and Japan through Kimono. They officially formed the club now called 'LA KIMONO CLUB' with club rules and selection of officers"
From the Japanese Chamber of Commerce of Southern California's website: To welcome the new year, JCCF hosts the annual Oshogatsu (New Year Celebration) in Little Tokyo on January 1st. This event was started in 1998 to introduce members of the Japanese American community and the general American public to the wonderful traditions of the New Year Celebration in Japan.
Back Shot from July 2017
On a walk around the city on a cold winters morning to catch up with what's happening in the city. July, 2017 Christchurch New Zealand.
Roofing, Siding, Soffit and Cladding Services are provided by Hauser Brothers Cladding Corp to Vancouver's industrial, commercial and residential construction industries.
Azi e târg de suveniruri iar clădirea e de închiriat. Restituirea imobilelor naţionalizate.
Clădirea a fost retrocedată Camerei de Comerţ şi Industrie. Am auzit că hotărârea judecătorească de restituire a fost cel puţin criticabilă.
Clădirea este astăzi de închiriat, aşa de necesară le-a fost, iar la parter, într-un cadru inadecvat de monumental, unde erau intrarea şi fişierul bibliotecii, funcţionează un târg de suveniruri.
Camera de Comerţ şi Industrie este un ONG. Camera de Comerţ şi Industrie interbelică a fost alt ONG cu acelaşi nume.
În ce măsură ONG-ul actual are vreo legătură reală cu cel de atunci nu ştiu. Instanţa aşa a considerat.
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Palatul Stirbei se afla pe Calea Victoriei, la numarul 107. In prezent, palatul se afla intr-o stare avansata de degradare.
Palatul Stirbei a fost construit in 1835 de arhitectul Michel Sanjouand, la comanda lui Barbu Dimitrie Stirbei, mare logofat. Constructia este realizata in stilul neoclasic, la mare moda in aceea perioada in Franta. In timpul domniei sale, din anii 1849 - 1856, Barbu Stirbei a folosit acest palat ca resedinta domneasca. In anul 1852, palatul este restaurat de arhitectii Xavier Villacrosse si Moritz Von Ott.
In anul 1882, Alexandru Stirbei, fiul domnitorului, schimba fatada palatului dinspre Calea Victoriei. In aceasta perioada este construit turnul si etajul cu cariatidele, realizate de arhitectul Friederic Hartmann.
Palatul Stirbei era conoscut de protipendata secolului al XIX-lea pentru balurile care se oragnizau aici. La aceste baluri erau invitate personalitati de marca ale epocii, politicieni, oameni de stat sau negustori celebri. Balurile de la Palatul Stirbei erau caracterizate drept cele mai selecte evenimente ale sezonului. In perioada sa de glorie, Palatul Stirbei avea si o gradina luxurianta, grajduri si multe alte anexe, realizate in acelasi stil neoclasic. Palatul impresiona si prin pivnitele pe care le avea. Subsolul boltit era folosit pentru depozitarea vinului de pe podgoriile familiei Stirbei. Productia si comercializarea vinului a fost una dintre activitatile economice ale familiei Stirbei. Parcul era impodobit cu cascade, grote, iar interiorul palatului era mobilat cu lux. Plafoanele erau pictate, iar sobele erau aduse de la Viena si din Lombardia.
Palatul Stirbei a ramas in posesia familiei Stirbei pana in anul 1948, atunci cand a inceput nationalizarea, iar palatul si toate anexele sale au intrat in patrimoniul Intreprinderii de industrializare a vinului. De-a lungul timpului, palatul sufera numeroase deteriorari.
Intre anii 1954 - 1977, palatul gazduieste Muzeul de Arta Populara, iar la inceputul anilor '80 se deschide Muzeul Ceramicii si Sticlei, care functioneaza pana in anul 1994.
Kevin "kroo2u" sent me a flickr care package! Kevin you brought a smile to my face and thank you for the shirt, visitor guides (so I can study up), photos and the Rock Star action figure!
Kevin's flickr: www.flickr.com/photos/63894475@N00/
Re-staying the boiler has been completed and a successful hydraulic test done. The Cladding has been replaced and repainted. The painting was done by our new Workshop Foreman, Simon Durrant and his fiance Steph.
Photo taken at Llanfair Caereinion on the Welshpool and Llanfair Light Railway on 22nd January 2012
Under dense foliage can be found the ruins of this small room, once one of the chambers off the cloister of Wroxall abbey, today a picturesque ruin in the grounds of Wroxall Abbey Hotel
Two variants of Histone H2A in Lingulodinium.
The cladogram of histone 2A.X and Z variants shows representatives from mammals, plants, fungus and members of the superphylum Alveolata. The representative sequences were obtained from Pubmed database and bear the first three letters from genus followed by two letters from species. The values in red at each node indicate the respective Bootstrap support value. Lingulodinium sequences are coloured in blue.
Clad in a reflective polished steel finish, there are some interesting reflections to be seen at the new Birmingham New St Station. Here, a Cross Country Voyager is leaving and a Virgin pendolino is arriving 23rd September 2015.
Pioneer Bricks Pvt. Ltd. an ISO 9001: 2000 certified company and member of ASTM is India's largest brick manufacturer of machine bricks, pavers, cladding, flooring, roof tiles and landscape products.
COUNTY CARLOW, IRELAND. 26th JUNE 2009.
Duckett's Grove, Rainstown, Carlow.
Originally a Georgian home of noted Anglo Irish family, which was rebuilt in Gothic Revival style. Although burnt in 1933 the remaining towers and turrets, mostly ivy clad, give this enchanting structure a fairy tale air.
Built in 1830 by William Duckett in an estate covering more than 5,000 acres. During the Troubles, Duckett was occupied by soldiers from the Irish Republican Army and many Nationalist leaders sought refuge here. The last male heir died in 1908, but his widow lived in the house until 1912. At its entrance is the most stupendous castellated gateway in southern Ireland. located in Co. Carlow.
Ducketts Grove Rainstown, Carlow was designed in a Castellated Gothic revival style by Thomas A. Cobden for John Davidson Duckett circa 1825. The building incorporates numerous towers and turrets of varying shapes – round, square and octagonal. One tall octagonal turret rises from the structure. Duckett’s Grove is elaborately ornamented with oriels and niches containing statues. Several statues on pedestals surrounded the building and lined the approaches. The house itself is situated in the townland of Rainstown, between Carlow and Tullow but the estate comprised several large townlands and parts of others. Following the departure of the Duckett's the estate was managed by an agent until 1921 then by local farmers and later by the Land Commission. The division of the lands was completed by 1930. Duckett’s Grove was destroyed by fire in April 1933 but the cause of the fire has not been determined.
source: CARLOW COUNTY LIBRARY.
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A LINK TO MY GALLERY ON PBASE
Syntenic regions containing T. maritima OmpA1 and OmpB homologs and putative analogs mapped onto an rRNA gene reference tree.The coloring of the individual genes indicates whether the gene is a homolog, paralog, or putative analog. segG homologs are yellow, tyrS homologs are light blue, ompA1 homologues are red, and ompB homologues are dark blue. ompA paralogs are white (see Fig. 2). ompB putative analogs are grey. The tree is a concatenated 23S-16S rRNA gene cladogram. Branch lengths do not reflect the extent of divergence.