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Results of Bayesian analysis of weaving taxa.70% majority rule cladogram of 1000 trees sampled from a 10,000,000-step MCMC search using flat priors, variable character-change rate. Clade frequencies are shown as percentages behind each node. Proposed taxonomy of weaving traditions shown by the bracketed taxa on the right hand side, based on clades with support of 90% or better.
The Great Verandah is the public face of Parliament House. It is a space to welcome visitors and is the backdrop for ceremonies on the Forecourt. The paving outside the entrance is red Christmas Bush granite, quarried near Oberon in New South Wales. The front façade walls are clad in Paradise White Carrara marble from Italy.
Vicariance and Geodispersal general area cladograms.The vicariance trees indicate the order that areas became separated from each other due to barrier (tectonic, eustatic, etc.) formation; whereas geodispersal trees indicate the relative order in which barriers were removed. Congruence between tree topologies indicates that geographic barriers rose and fell in the same relative order, suggesting the importance of cyclical geologic processes (e.g., oscillating sea levels). Conversely, incongruence indicates that singular events (e.g. tectonic pulses) influenced the evolution and biogeographic differentiation of the clades [22]. Numerical values indicate bootstrap (plain text) and jackknife (italicized) support for nodes. T1 analysis recovered a single most parsimonious vicariance tree (length of 87 steps, consistency index 0.736) and two most parsimonious geodispersal trees (64 steps, CI 0.797). T2 analysis recovered a single most parsimonious vicariance tree (49 steps, CI 0.816) and two most parsimonious geodispersal trees (59 steps, CI 0.531). The strict consensus topology is illustrated for geodispersal analyses.
JELD-WEN Windows: Premium Wood Tradition Plus Awning, Double-Hung and Geometric Windows, Chestnut Bronze Cladding (on Awning and Geometric Windows) and Desert Sand Cladding (on Double-Hung Windows), Low-E Glass
I thought I would experiment with a piece of scrap external insulation cladding from a type being currently installed in Upper Cwmbran. When the ignition source was removed, it went out but created extremely unpleasant fumes. While flame was in contact with the material, it did flame up. Doesn't encourage me to have it applied to my house!
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TOP STONE CO., LTD
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We are natural stone quarry manufacturer .
Mainly producing :Cladding stone panel ,slate paving ,roofing tiles ,stone mosaic and marble carvings .
Different kinds of stone model and colour can be selelcted for you ,also can be customized .Top quality with competitve price .
For the more item info ,feel free to send message to us .Then our sales team will be reply your mails within 24 hours .
TOP STONE CO., LTD
TEL:0086-311-89272059
FAX:0086-311-87730936
chinatopstone.cn@gmail.com
gayly clad in his Seuss scarf, hat and coat after he jumped out of a page in The Cat in the Hat book
This lady, selling clothes and odds and ends, wearing a palaikat sarong (or "kain palaikat" in the local lingo) attracted my attention. If I'm not mistaken, in the olden days, widows would wear their husband's palaikat sarong, just as a reminder. So perhaps this lady is a widow.
I remember being told off by my mom when, as a teenager, I would put on my father's palaikat sarong. It was more comfortable coz it was big and roomy. I didn't know then the association between women and wearing the palaikat sarong.
The norm would be that women wear batik sarongs while men use the palaikat sarong.
Week 32 of 52 - Not much time to take photos this week so here is the cladding we put up round Bryan's house!
Cantiere di Torre Eva - Mestre (VE) - montaggio facciate
EVA Tower's Building Yard - Mestre (VE) - cladding operations
Cathedral of St Michael, Priory Street, Coventry
Grade I listed
List Entry Number: 1342941
Details
COVENTRY Priory Street SP 3379 SE Cathedral of St Michael 833/2/411 GV. I
Cathedral. 1951-62. Designed by Sir Basil Spence. Red sandstone ashlar with green slate cladding to chapels; concrete roof. Lofty space of 7 bays with nave; full height aisles; no clerestorey; full height Lady Chapel and Western (liturgical) porch; circular chapels to north-west (lit) and south-east (lit). Cathedral aligns east-west. Built at right angles to the ruins of the old cathedral, formerly Parish Church (q.v.) and attached to its north-east corner. Nave and chancel walls of new cathedral canted outwards in vertical bands, producing a 'saw-toothed' plan, with vertical 4-light stained glass windows facing north-west (lit) and south-west (lit). Porch with tall circular sandstone piers and 3 flat topped concrete vaults. Baptistry to south west (lit) with convex wall, partly solid and partly glazed with closely spaced vertical stone mullions; Epstein's sculpture of St.Michael and Lucifer attached to baptistry wall by the porch. Chapel of Christ the Servant to south-east (lit) circular with closely spaced vertical mullions. Chapel of Unity to north-west (lit) polygonal with largely solid walls of riven slate, and projecting fins tapering upwards, with vertical strip glazing to ends. East wall blind. West wall fully glazed, from floor to ceiling and wall to wall; 19 lights divided into 8 horizontal bands. Bronze glazing bars, plate glass with engraved figures of saints and angels by John Hutton. Low roof, crowned by openwork metal fleche crowned by cross designed by sculptor Geoffrey Clarke. Interior with cruciform reinforced concrete piers, tapering to the base and supporting concrete 'ribbed' canopy with panels of timber slats between ribs. This has the appearance of a vault but is structurally and visually separate from the walls. Interior contains fitments by the most prominent British artists and designers of the period. These include font and choir stalls designed by Spence himself, monumental inscriptions to walls and floor by Ralph Beyer, stained glass to Baptistry by John Piper and Patrick Reyntiens, to aisle walls by Lawrence Lee, Geoffrey Clarke and Keith New, to Lady Chapel by Einar Forseth, to Chapel of Unity by Margaret Traherne; pulpit and lectern by Spence, the latter with an eagle book rest by Elizabeth Frink, in bronze: tapestry to east wall of Lady Chapel, dominating the Cathedral,by Graham Sutherland, altar cross and crown of thorns by Geoffrey Clarke, large ceramic candlesticks by Hans Coper, chairs by Russell, Hodgson, and Leigh: mosaics by Einar Forseth, ceramic panels by Steven Sykes, etc.
Coventry Cathedral was one of the most important architectural commissions of its date in Britain, and was built following an architectural competition in 1951. The scheme was also notable in its period for the degree to which the bomb damaged shell of the Medieval church of St.Michael was preserved.
N.Pevsner and A.Wedgwood, B o E Warwickshire, pp 249-259 B.Spence, Phoenix at Coventry, 1962
Listing NGR: SP3362879067
historicengland.org.uk/listing/the-list/list-entry/1342941
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Coventry Cathedral
The ruins of Coventry Cathedral, destroyed in the Blitz of November 1940, with the new Cathedral alongside.
The Second Cathedral: St Michael's
After the Dissolution of the Monasteries and the destruction of the priory cathedral in 1545, Coventry ceased to be the seat of the bishop. The diocese was still Lichfield and Coventry, but there was no cathedral here as the bishop had moved his seat of business back to Lichfield. In 1837 Coventry was transferred into the diocese of Worcester and the old link with the Lichfield bishopric was lost. But times were changing: the old pattern of Church of England parishes and dioceses which had stood since the 1540s no longer matched the population size or location of late 19th century towns. Coventry was a bustling, growing urban centre, expanding thanks to the industry which was growing around it. The church was growing and new bishops were needed to oversee the spiritual needs of the expanding population. The diocese was revived in 1918 and a new bishop appointed: the 14th century parish church of St Michael became Coventry Cathedral.
A fine house, very late 1880s, with rounded doorway arch, plainish capitals and narrow keystones. Quite a successful facelift, but once again the wall needs to be lowered to appreciate the full glory of the cladding.
The University of Birmingham Collaborative Teaching Laboratory seen from West Gate on the University of Birmingham main Edgbaston Campus.
I first noticed the castle style shapes and a pyramid from West Gate heading past University Station, so I headed left to check it out!
I would assume that the castle / pyramid look wont last for long once they finish off the cladding!
Mineral deposition in the tympanic bullae of newborn Cetacea, Ruminantia and Hippopotamids represented in a simplified cladistic tree.Evolution of Cetacea and Arctiodactyla reflects progressive skeletal adaptation to aquatic/terrestrial life. We hypothesize that fetal and early post-natal mineral matter deposition in the tympanic bulla represents a key adaptive tract for immediate survival in the aquatic environment. Values of BMD, expressed as g/cm2 are rounded to the next decimal value.
This is the new Tesco Extra store on Saville Street - it opens on 31 October 2011 and will be their biggest shop in Sheffield.
To get here, head along the Wicker out of the city centre (or down Spittal Hill from northern Sheffield)
For more pictures of this Tesco (and others) please click on the Tesco link on the right hand side...
Safari wanted to do a generic warrior dragon. This guy isn’t from any legend.
Featured on Life In Plastic: nerditis.com/2016/06/07/life-in-plastic-lair-of-dragons-s...