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Mulher, mãe, ativista, feminista negra, sapatão, marxista - trotskista, não quero ser mãe, Frida, solteiro, bissexual, argentina, indigenista. Todas identidades presentes na roda de conversa sobre previdência, feminicídio e aborto no DF, Brasília, seguindo a agenda do 8 de março, com Anna Túlie, da Corpolitica; Cladia Macedo, da Associação Lésbica Feminista Coturno de Vênus; Agna Cruz, do Coletivo de Mulheres com Deficiência do Distrito Federal; e Guaia Monteiro, do Fórum de Mulheres do DF e Entorno.
Foto: Mídia NINJA
Stone Cladding, Bedford.
the terraced streets late Victorian Bedford were a gold mine for the stone cladding companies of the 1970s and 80s.
A wonderful array of telephone wires accompanies this subdued make-over. The decorative red brick banding of next door (lost beneath the cladding) is quite interesting.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event is free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker. Beverages will be served. RAIN OR SHINE.
Audio from WNYC: In Queens, “Marine Mischief” and Comic Relief
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Pics from the event, more info on our site.
Those About to Die Salute You, a battle on water wielded with baguette swords and watermelon cannon balls by New York’s art dignitaries, took place on Thursday, August 13, 2009 at 6 pm in a flooded World’s Fair-era reflecting pool in Flushing Meadows Corona Park, just outside of the Queens Museum of Art. Various types of vessels were designed and constructed by artist provocateur Duke Riley and his collaborators: the galleons, some made of reeds harvested in the park, will be used to stage a citywide battle of the art museums in which representatives from the Queens Museum of Art, the Brooklyn Museum, Bronx Museum of the Arts, and El Museo del Barrio battled before a toga-clad crowd of frenzied onlookers. The event was free and open to public. Dress code: Toga. Live music by Hell-Bent Hooker.
Duke Riley has always been interested in the space where water meets land within the urban landscape and is known for art work that is an idiosyncratic mix of performance art, sailor’s craft and historical re-enactment. Upon QMA’s invitation for an artist residency, Riley’s life-long fascination with the culture and topography of waterfronts, and proclivity for margins - of society, history, etc. - were immediately focused on the decommissioned World’s Fair Ice Rink adjacent to the museum. The sight of the vast oval arena, a sea of refrigeration tubing and white sand, brought an instant association with ancient Roman coliseums that were flooded to stage violent naval battles or Naumachia for the delight of spectators in the Empire’s effort to distract the masses from societal collapse by indulging them with free bread and extravagant spectacle.
Duke Riley: Those about to Die Salute You is part of the Launch Pad Artist-in-Residence Program.
Launch Pad is supported with grants from The Andy Warhol Foundation for the Visual Arts, The Greenwall Foundation, and Cowles Charitable Trust. Additional funding provided by the New York City Department of Cultural Affairs and New York State Council on the Arts.
Orange-clad supporters of Malawi President and People's Party leader Joyce Banda take to the streets. Banda was submitting her nomination papers in the lead-up to Malawi's elections in May 2014
Isle of Wight. Another non-sunset/sunrise/over-graded/saturated image I'm afraid...I have just returned from a few days on the Isle of Wight running a photographic workshop. When I noticed this view after letting the students get on with their own thing I was immediately drawn to the way the structure of the pier had complartmentalised the light hitting the water below, pretty much as far as you can see...A few moments after making this the tide started to roll back in again and we made a hasty retreat back up the beach.
Still busy with a few projects on the go, though managing to flip through as many images from my contacts around the world as possible...when I can!
Fotografía: Hugo Ortiz / Asamblea Nacional
Temas:
1.- Inicio del Tratamiento del pedido de aprobación de la Convención para la Conservación y Ordenación de los Recursos Pesqueros de Alta Mar del Océano Pacífico Sur.
2.- Inicio del Tratamiento del pedido de aprobación del Acuerdo constitutivo del Centro Latinoamericano de Administración para el Desarrollo (CLAD) y su Estatuto.
3.- Puntos varios
If you look closley you can see a test panel for the regeneration / new cladding of Preistman Point.
Part of the Walking the District Line set.
Henry Davis York Building (former MLC Building), 38-46 Martin Place, Sydney.
The former MLC Building is aesthetically significant as one of the best inter-war commercial office buildings in Sydney, and the best example in Australia of the exterior use of Egyptian-derived motifs in such buildings. Its design and materials are of high quality, making it one of the principal contributors to the architectural character of Martin Place. The building contains a substantially intact insurance chamber and relocated remnants of other architectural features. The former MLC Building is historically significant as one of a small group (about a dozen) of major commercial office buildings constructed in Sydney during the second half of the 1930s. It is associated with the well known Melbourne architects Bates, Smart & McCutcheon and, as the winner of a design competition, reflects the architectural taste of the period.
The former MLC Building occupies a commanding position on the corner of Martin Place and Castlereagh Streets. The ground floor of the building is of honed granite with polished base and trims. The upper floors and tower are clad in sandstone. Windows and spandrel panels are of aluminium. The style of the building shows strong influences of ancient Egyptian motifs and is similar to the MLC Building in Melbourne by the same architects. The tower and main entrance have the MLC motif sculpted on them.
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Taken near what will soon be the Metrolink extention towards East Didsbury and Manchester Airport on Monday 13th June