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CUTOUT is among the leading suppliers of wall cladding in Canberra, Australia. We have wide range of shades and colors in wall cladding suit your needs to make your garden and landscaping looks beautiful.
CUTOUT is among the leading suppliers of wall cladding in Canberra, Australia. We have wide range of shades and colors in wall cladding suit your needs to make your garden and landscaping looks beautiful.
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Exterior Wooden Cladding Means Long Life Of Your Home:-As a commonly protecting exterior wood material, timber has solid thermal performing properties. Development outline utilizing timber, with a concentrate on vitality effectiveness will boost comfort and minimize non renewable vitality utilization.
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Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Stockholm skyline dominated by the spire on the Church of Saint Clare.
St. Clare's, or Klara Church, is a church in central Stockholm.
Since 1989, the Swedish Evangelical Mission is responsible for its activities.
Stone Cladding, Bedford.
the terraced streets late Victorian Bedford were a gold mine for the stone cladding companies of the 1970s and 80s.
A wonderful array of telephone wires accompanies this subdued make-over. The decorative red brick banding of next door (lost beneath the cladding) is quite interesting.
Designed by Frank Lloyd Wright in 1927 for the Tydol Gas Company, this early Organic Modern gas station never got past the conceptual phase, with the present structure inside the museum being based on a series of sketches and preliminary drawings, as well as other extant contemporaneous works by Frank Lloyd Wright. The gas station was intended to be built at the corner of Cherry Street and Michigan Avenue at the edge of Downtown Buffalo, where the Kensington Expressway currently ends, and was intended to operate as a 24-hour service station, with an attendant having quarters in the basement. The reproduction was constructed inside the 2011-2012 addition to the Buffalo Transportation Pierce Arrow Museum so as to allow it to be as faithful to the original design as possible; building the structure outside as an independent building would have required it to comply with modern building and accessibility codes, which would have compromised the design. Building it as an exhibit inside the museum allowed exemptions from most rules that would have caused major alterations to the design. The design was commissioned by William Heath, whom was an executive at the Larkin Company and part owner of the Tydol Gas Company, whom had commissioned Wright to design his private family residence in 1904-1905.
The building features a Y-shaped hipped copper-clad canopy with clean lines and cantilevered ends over the fuel pumps, which are uniquely suspended from the canopy itself and made of glass and copper, with the design of the fuel pumps having never been fully developed, and being built primarily based on a preliminary concept. The roof is punctured by two copper spires that run up from the ground and terminate at pyramidal pinnacles, with a sign displaying the word “Tydol” being suspended between the two columns in highly stylized lettering, with the design of this sign having been very preliminary, and often difficult to read, being a result of Wright’s alleged dissatisfaction with the company’s existing logo and signage. The canopy is also penetrated by a portion of the filling station attendant and lounge building, which features a low-slope roof with three segments at two different heights, enclosed by parapets. Underneath the rear portion of the Y-shaped canopy is the filling station’s attendant and lounge building, which was meant to house quarters for the filling station attendant, as well as a lounge and restrooms for customers, with these spaces being furnished and featuring actual plumbing fixtures and furniture of the type that would have been found in the building had it been built in 1927. The building has multiple tiers, with the lower tier being larger and offset from the exterior of the upper tier, which itself is offset somewhat from the elements that penetrate the canopy above and run to the roofline. The lounge, located on the second floor, features a ribbon window that runs around the front and terminates at doorways on either side, with a large planter on the rooftop of the wider lower tier below. The lower tier has the base of the two spires at the end corners of the front of the structure, with doors to the lower level attendant quarters sitting next to the spire bases. Access to the upper level is granted by stairs that broaden towards the base and bend 90 degrees in the middle. The building features vertical windows in the rear, which were designed to allow light into the upstairs restrooms. The rear of the building features a staircase receding into the ground, which provides access to an additional door to the attendant quarters. The entire building is made up of elements at 90-degree and 45-degree angles in plan, with the exception of the canopy’s hipped roof and the vertical profiles of the two spires. Due to the preliminary nature of the source material, some elements remain unresolved or had to be inferred, including the gas pumps, how the sign was to be mounted to the spires, fixtures and furnishings inside the building, and what type of doors and windows were to be used.
The building sits in the middle of several on-display cars and the collection of the museum, which features cars dating between 1903 and the 1960s, with several examples of automobiles manufactured in Buffalo by the Pierce-Arrow Motor Car Company, as well as bicycles, fuel pumps, automobile memorabilia, horse-drawn carriages, and motorcycles. The filling station is the centerpiece of the museum’s expansion, and faithfully tried to recreate Wright’s intentions, one of several examples of this in the Buffalo region, with the Fontana Boathouse and Blue Sky Mausoleum both being built around the same time, along with the reconstruction of the lost sections of the Darwin D. Martin House. Additionally, a single Wright-designed filling station was built in Cloquet, Minnesota in 1958 during Wright’s lifetime, which was one of the last commissions of his career, and does share several common design and stylistic elements with this earlier design.
Palatul Facultătii este o clădire din București, situată pe bulevardul Mihail Kogălniceanu. A fost construită în anul 1935, după planurile arhitectului Petre Antonescu, din eforturile comune ale profesorilor și studenților facultății de drept. Palatul găzduiește Facultatea de Drept a Universității din București, Rectoratul Universității din București precum și Colegiul Juridic Franco-Român de Studii Europene. Arhitectura de expresie neoclasică a clădirii este severă, concepută în unghiuri drepte; corpul central este precedat de o scară largă. Pilaştri înalţi ritmează faţada. Deasupra intrărilor, în golurile dintre pilaştri, sunt aşezate statui ce îi înfăţişează pe marii jurişti din vremurile vechi: Licurg, Solon, Cicero, Papinian, Justinian. Autorii statuilor sunt sculptorii Ion Jalea şi I Georgescu. Pe laterale sunt dispuse reliefuri sculptate de Mac Constantinescu, ale căror subiecte sunt: pe stânga „Eliberarea unui sclav în faţa magistraţilor din Forul roman”, pe dreapta „Justinian înconjurat de magistraţi”.”
Quite a surprise to find cladding in Stoke Newington, especially in such strong earthy colours. The tall hedge is not helpful here. Very very cottagey, but quite a mish-mash of styles.The treatment may be contrasted with another in close proxmity
Phylogenetic tree based on 16S rRNA gene sequences of selected actinomycetes.Neighbor-joining cladogram constructed in MEGA5 [44]; alignment of the sequences was done with CLUSTALW, bootstrap values (in percent) are calculated from 1000 resamplings and shown at the respective nodes for values >50%, the scale bar represents 0.02% sequence divergence. The tree is rooted to 16S rRNA from Bacillus cereus ATCC 14579.
File name: 08_06_007208
Title: Ice clad fishing schooners Ingomar, foreground, and Rainbow at fish pier
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1935-01-31
Physical description: 1 negative : glass, black & white ; 4 x 5 in.
Genre: Glass negatives
Subjects: Fishing boats; Ice; Piers & wharves
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright © Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
ALBERTINI: Windows, doors, sliders in wood and bronze clad
The Albertini family began building wood windows, doors and shutters in a small workshop in the outskirts of Verona, Italy in 1954. Half a century later Albertini windows and doors are recognized the world over for their sophisticated design and timeless beauty. Albertini's entire product line is available in a variety of wood species, and can be clad in aluminum or solid architectural bronze. With over two thousand European competitors, Albertini stands out as an industry leader, known for standard-setting quality, cutting edge technology, and unparalleled custom capabilities.
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If you look closley you can see a test panel for the regeneration / new cladding of Preistman Point.
Part of the Walking the District Line set.