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Originally posted to the Guess Where London group on 30-06-10.
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Potboilers but nice to see a pair with contrasting styles - an homogeneous cladding is quite a rarity, and differing treatment of the walling blocks. Porches are identical. These are quite small houses to have full height bays.
I'm hoping this is sedimentary rock and not something man-made! The particles appear much whiter against the background when seen with the naked eye and look like tiny shells. I's cladding on my neighbour's wall (built approx 1968) and looks as if the 'cement' part has weathered out leaving the clasts more prominent.
Ralstonia solanacearum strains classified based on RIF genotypes.
The rooted neighbor-joining cladogram was constructed from 210 characterized Ralstonia strains from the PBC (Table 2), six reference strains from GenBank (see Table 1 for strain names)and the outgroup Burkholderia mallei. Identical sequences are represented only once and the number of sequenced strains is indicated on each leaf. Bootstrap values >50% (shown at the node) are expressed as a percentage of 5,000 replicates. All Rs strains (clade A) are clearly separated from other Ralstonia species. Rs1, Rs2, Rs3 and Rs4 are the four races of R. solanacearum, BDB is the blood disease bacterium and Rs† is R. solanacearum UW433 (ACH0732) which is an atypical race 1 biovar 2 strain [19]. Blue boxes contain strains of Rs races 1, 2, 4 and BDB that share an identical RIF sequence. In contrast, orange boxes contain only Rs3 strains showing that these RIF sequences are specific to race 3. Numbers in boxes next to tree leaves are egl sequevars obtained for those strains. Red text indicates Rs strains with no previous race designation.
Maximum Likelihood tree of O104:H4 E. coli strains.Tree is shown in the rectangular cladogram format and has been rooted with the outgroup consisting of two commensal strains (labeled in magenta). Genomes consisting of raw reads are labeled in blue. Colored dots indicate country of origin where known. Numbers at the internal nodes indicate the number of alleles that are shared exclusively by the descendants of each node. Zeros are not shown. Numbers in parentheses following the genome names are number of alleles exclusive to that genome.
Photos d'oeuvres de l'Egyptian Museum (Place Tahrir) au Caire en Egypte. Photos réalisées par THE FARM dans le cadre de la mission de communication digitale pour la grande exposition Toutânkhamon Paris.
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© CLAD / THE FARM
Avril 2019
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[Photo réalisée dans le cadre de la mission de communication digitale de THE FARM pour son client]
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CLIENT : expo-toutankhamon.fr
AGENCE : www.thefarmcom.io
One of my favorite Lisbon 'icons' are the traditional azulejo (ceramic tiles) clad buildings throughout the capital.
These are at 'Praça Luís de Camões'...a homage to Portugal's greatest poet, author of the epic 'Luisiada'!
Electric cables criss cross the sky to power the electric trams that scoot up, down and around the busy Lisbon streets.
Street lights are also a great feature to look out for...
Pleurodeles waltl DNA polymerase ?.Schematic representation of P. waltl Pol? mRNAs (A). The short variant (Pol? ? Ex 8) presents a 103 bp deletion corresponding to exon 8. This deletion removes one part of the active site of the protein. The BRCT (breast cancer suppressor protein carboxy-terminal) and the Pol X domain, which contains the active site, are required for Pol? function. Pol? variants were amplified using primers indicated by horizontal arrows (B). Quantification of the obtained PCR products using a Gel Doc 2000 and the Quantity One v.4.3.1 software (Bio-Rad, Hercules, CA, USA) indicates that the short isoform represents 16% and 6% of the Pol? transcripts in the spleen and testis of P. waltl, respectively. Ctl??=?negative control. MW?=?100 bp DNA ladder. A cladogram was then constructed by neighbor joining (C) supported with 1000 bootstrap replications using the MEGA4 software (www.megasoftware.net/) and the following sequences: Terminal deoxynucleotidyl transferase (TdT); Bos taurus (DAA14763), Homo sapiens (BAB72001), Mus musculus (NP_001036693), Gallus gallus (NP_990720), Ambystoma mexicanum (AA092254), Xenopus laevis (NP_001079251), Danio rerio (AAS89780). Polymerase beta; Mus musculus (NP_035260), Homo sapiens (NP_002681), Xenopus laevis (NP_001081643), Xenopus tropicalis (AAH74537), Xiphophorus maculatus (AAU11319). Polymerase lambda; Danio rerio (NP_998408), Xenopus tropicalis (NP_001093716), Mus musculus (NP_064416), Homo sapiens (NP_001167555). Polymerase mu; Homo sapiens (NP_037416), Mus musculus (NP_059097), Danio rerio (NP_956542), Xenopus tropicalis (NP_001164987), Pleurodeles waltl (HE583591). The scale bar corresponds to the evolutionary distance.
Pictured at Nelson Cladding, Kirkton Industrial Estate in Arbroath in 1991 were, from left - Scott McGill, John Duncan, Kevin Waddell, Angus Ogg and factory manager Brian Coyne. (Photograph - Colin Wight)
Maximum Parsimony Strict consensus tree of Campanula and relatives (D680).Part of the cladogram showing detailed relationships for clades Cam05 to Cam12. Values below branches indicate bootstrap support for the sustained clades. Gray boxes indicate the respective outgroup and sister clades; blue boxes refer to “Cam” clades containing at least one accession of Campanula (Cam01 to Cam17; see text). A blue dot indicates the crown node of Campanula s.lat. Pictures are representative specimens for clades Cam05 (Campanula cymbalaria), Cam06 (Adenophora stricta), Cam07 (Campanula aizoon), Cam08 (Campanula fenestrellata), Cam09 (Campanula spatulata), Cam10 (Campanula ramosissima), Cam11 (Campanula raineri), and Cam 12 (Campanula Isophylla). All photos from Guilhem Mansion, except Cam 05 (Nursel Inkici), Cam06 (Si-Feng Li), and Cam07 (Georgia Kamari & Dimitrios Phitos).
RIF tree of plant pathogenic Enterobacteriaceae.
The rooted neighbor-joining cladogram was constructed from 74 Enterobacteriaceae strains, including 24 characterized strains of Dickeya, Pectobacterium and Pantoea from the PBC (Supplemental Table S2), eight reference strains from GenBank (see Table 1 for strain names) and the outgroup Yersinia pestis. Identical sequences are represented only once and the number of sequenced strains is indicated on each leaf. Bootstrap values >50% (shown at the node) are expressed as a percentage of 5,000 replicates. The true Erwinia species E. tasmaniensis separates from the renamed Erwinia species that branch into three different genera: Dickeya (clade A), Pectobacterium (clades G and H) and Pantoea (clade M). Red text indicates uncharacterized strains of Dickeya and green text indicates uncharacterized strains of Pectobacterium. K numbers are shown for the accessions discussed in the text (Supplemental Table S2).
HMS Warrior stern detail.
The first iron clad ship in the Royal Navy. Now restored at Portsmouth
Built at the Thames Ironworks, Bow Creek, River Thames London. The yard was opened in 1838 and closed in1912. When the yard closed the works football team changed it's name to West Ham United, Their nickname the Hammers was taken from the firms emblem of crossed riveting hammers.
One of the very very best. An elegant terrace, built 1885 with some nice detailing in the panels between floors and beneath the eaves. (see in All sizes) I am less keen on the door and windows which both rather over-egg the pudding, but I can't fault the cladding and indeed the choice of house. A very fine residence. The design features (it looks like the date is missing, c 1885-6 from the plaque) were used by George Sherrin in Westcombe Park Avenue in Blackheath from the same period.
Yellow stones are a Tottenham speciality, but unfortunately not replicated in the wall. The brick effects just beneath the window lintel level on the upper floor are curious.
Dutch postcard by P.F. Cladder, Amsterdam, no. 49-47. Photo: 20th Century Fox. Collection: Geoffrey Donaldson Institute.
Famous composer Irving Berlin would allegedly have said once: "I’d rather have Alice Faye introduce my songs than anyone else". Henry King, who directed her in three films stated: "Alice Faye always took direction beautifully without any show of temperament, and when you were done, the character she played came across with a vibrant warmth of personality so many actresses did not possess. I think that was the secret of Alice’s success in pictures. A deep-seated human warmth, so genuine, so real that everybody felt it. It’s truly a gift; you can’t buy it. It’s either there or it isn’t." In the second half of the 1930s and the first half of the 1940s, Alice Faye was a name to reckon with in the world of Hollywood musicals. Her compelling voice, her remarkable ability to put over a song and her endearing screen persona made her a top star. In the U.S. Quigley’s Motion Picture Exhibitors’ Poll, which was the barometer of the stars’ box-office power, she placed 9th in 1938, 7th in 1939, 13th in 1940, 12th in 1941 and 1943 and 15th in 1944 (in 1942, she had been away from the screen).
Alice Faye was born Alice Jeane Leppert on the 5th of May 1915 in New York, U.S.A. At the end of the 1920s, she began her show business career as a chorus girl. After two years with the Chester Hale dance unit, she worked for some time as a dancer and singer for Nils T. Granlund, a noted entertainment industry entrepreneur. Then, from September 1931 to March 1932, she was in the chorus of the 'George White’s Scandals' on Broadway. She was noticed by famous crooner Rudy Vallee, who was one of the stars of the show, and soon joined his orchestra. She toured with him and also sang on his radio program, 'The Fleischmann Hour'.
At the end of 1933, Fox decided to film an adaptation of 'George White Scandals' with Rudy Vallee and Alice Faye was signed for one singing number. When Lilian Harvey, who had the female lead, withdrew from the cast, Fox replaced her with Alice. Pleased by her performance in George white Scandals (1934), Fox offered her a contract. Her warm and deep contralto voice quickly caught on with movie audiences and she gathered a following in films such as 365 Nights in Hollywood (1934), George White’s 1935 Scandals (1935) and Music Is Magic (1935). She got a big break in King of Burlesque (1936), a carefully produced musical which gave her a role which was probably her best to date. In her first films, Alice Faye had been given a Jean Harlow look, with plucked and pencilled eyebrows, platinum blonde hair and heavy makeup. In the Shirley Temple vehicle Poor Little Rich Girl (1936), her hair was toned down to a more natural blonde colour and, in Sing, Baby, Sing (1936), Fox’s beauty department began to allow her eyebrows to grow more naturally. A new Alice Faye image emerged, warmer and softer. In her second and last film with Shirley Temple, Stowaway (1936), she was finally stripped of the bombshell guise and exuded sympathy and grace. This more appropriate screen persona would remain with her until the end of her movie career.
Over a few years, Alice Faye had become one of 20th Century Fox’s top stars. Her first 1937 film was On the Avenue (1937), a lavish production, with an Irving Berlin score. It was followed by such hits as Wake Up and Live (1937), You Can’t Have Everything (1937) and Hollywood Cavalcade (1939), which was her initial Technicolor production. She also co-starred with Tyrone Power in three high-grossers at the box office: In Old Chicago (1938), in a role intended for Jean Harlow, Alexander’s Ragtime Band (1938) and Rose of Washington Square (1939). She had two more dramatic roles in Tail Spin (1939) and Barricade (1939), which were not typical Alice Faye vehicles. By the beginning of the 1940s, Fox Studios had added another blonde musical queen, Betty Grable, to their contract players. But Alice and Betty’s screen personalities were different. There wasn’t any rivalry between them and they made a perfect team when they co-starred in the crowd-pleaser Tin Pan Alley (1940). At the peak of her successful screen career, Alice Faye starred in successful A-grade musicals such as Lillian Russell (1940), That Night in Rio (1941), The Great American Broadcast (1941) and Hello, Frisco, Hello (1943). In the latest, she introduced her signature tune, 'You’ll Never Know', which won the Oscar for Best Song. After Busby Berkeley’s The Gang’s All Here (1943), she appeared as herself in Four Jills in a Jeep (1944), in which she sang again 'You’ll Never Know'.
In 1945, as a change of pace, Alice Faye chose to appear in a drama directed by Otto Preminger, Fallen Angel. When she saw the final cut, Alice realised that several of her best scenes had been edited out to expand Linda Darnell’s sultry role. Deeply hurt, she decided to leave 20th Century Fox. From 1946 to 1948, Alice and her husband, Phil Harris, hosted the weekly radio program « The Fitchband Wagon » by playing fictionalized versions of themselves. This evolved into the family sitcom « The Phil Harris - Alice Faye Show », in which they starred from 1948 to 1954. In 1959, she appeared for the first time on television in The Phil Harris Show. Later, she appeared in other TV shows such as The Perry Como Show in 1962, The Jack Paar Show in 1963, The Hollywood Palace in 1964, 1965, 1966 and 1967 and The Dean Martin Show in 1966 and 1968. Alice Faye was also featured in one episode of the series The Love Boat in 1980. In 1984, Alice, who always had been very popular in England, was the principal guest of the British adaptation of the American series This Is Your Life.
In 1962, Alice Faye came back to the screen in State Fair (1962) but she didn’t enjoy the experience and referred to it as a mistake. Walter Lang, whom she knew from her Fox days, was originally slated to direct it but was ultimately replaced by José Ferrer, who proved to be an odd choice for a piece of Americana such as State Fair. Furthermore, she also had hopes that Don Ameche, who had been her co-star in several films, would be cast to play her husband but the role went to Tom Ewell. She later had a cameo role in Won, Ton, Ton, The Dog Who Saved Hollywood (1976) and played the brief part of a kind-hearted waitress in The Magic of Lassie (1978), in which she hummed a few bars of the song 'A Rose is Not a Rose'. Her screen career ended with Every Girl Should Have One (1978) but it seems that it received no official release in theaters at the time. At the end of 1973, she started a successful U.S. tour in the musical 'Good News', which lasted about one year. Unfortunately, it flopped on Broadway with only sixteen performances from the 23rd of December 1974 to the 4th of January 1975. Later, she again appeared in 'Good News' in a 1975 summer tour. From 1984 to 1991, Alice Faye acted as spokesperson for the pharmaceutical company Pfizer, an experience she found rewarding. The program she worked for was especially aimed at senior citizens, insisting on good health practices to help people feel better when they grow older. She went on the road all around the U.S.A., making personal appearances at senior events and doing radio and TV work. In 1985, Pfizer produced a 40-minute commercial promotional film featuring Alice called We Still Are. It combined health advice with an overview of her movie career.
At the time of her association with Rudy Vallee, there were rumours of an affair between them. His wife even named Alice Faye as one of three co-respondents in her divorce suit in January 1934. Alice always denied any romantic relationship between her and Vallee. In 1937, she married singer Tony Martin and divorced in March 1941. That same year, she remarried with bandleader Phil Harris. She gave birth to two daughters, Alice in 1942 and Phyllis in 1944. It was a happy union, which lasted until Harris died in 1995. After the loss of her husband, Alice Faye’s health deteriorated and she died of stomach cancer on the 9th of May 1998.
Text: Marlene Pilaete.
Get to know about wall cladding types that are commonly used for both residential and commercial buildings. Go through the detailed information about exterior wall cladding, interior wall cladding, bathroom wall cladding and kitchen wall cladding, their benefits and purpose of use. Ensure your building (home) design with modern wall cladding look.
Phylogeny of MHC I diversity in Atlantic cod.A) Unrooted polar cladogram of all unique cDNA sequences of MHC Ia and Ib in Atlantic cod, based on amino acid sequence alignment. Elongated branches illustrate sequences originating from at least two independent PCR reactions. B) Subset of sequences highlighted in a), rooted with additional teleost Ia and Ib sequences from Ensembl. Maximum likelihood (ML) and Bayesian posterior probabilities are shown for the basal branches. Scale bar represents number of amino acid substitutions pr site.
An Afghan woman clad in burqa shouts slogans against Afghan politicians on a load speaker during a demonstration in Kabul, Afghanistan on Monday, April 30, 2012. Hundreds supporters of the Solidarity Party of Afghanistan marched against the revolution day of Communist People's Democratic Party of Afghanistan taking over of political power in 1970s and Mujahedeen victory day which followed the civil war in Afghanistan. The placard at right reads, "down with dogs of Pakistan and Iran in our country," center banner says, "Independent, democracy, social justice." (AP Photo/Musadeq Sadeq)
Flannel Clad, All Bad
I was stoked to shoot these grunge themed team portraits for the Jan 11th 2014 LA Derby Dolls season opener.
(Photo by Snap Shock)
Hotel Sofitel Le Louise - Brussels (Belgium); design by architect Antoine Pinto; photo courtesy of Sofitel (all rights reserved)
Brain endocasts and left endosseous inner ears of turtles available in the literature displayed in a simplified cladogram (based on Joyce [25]).The black circle indicates a synapomorphy based clade definition while the white circle indicates a crown-group definition following Joyce et al. [54]. A, Brain endocasts comparison based on line drawings of extinct and extant turtles in right lateral view represented by (left to right) (1) Bothremys cooki (redrawn from [17]), (2) Podocnemis unifilis (after [33]), Chelidae Emydura macquarii (after [33]), Baenidae Plesiobaena antiqua (redrawn from [19]), Plesiochelys etalloni (this study), (3) Corsochelys haliniches (redrawn from [16]), (4) Chelonia mydas, (5) Eretmochelys imbricata, (6) Caretta caretta, (7) Lepidochelys kempi, (8) Dermochelys coriacea (after [23]), Chelydridae Macrochelys temminckii (after [33]), Emydidae Pseudemys concinna (after [33]), Testudinidae Chelonoidis chilensis (this study), Kinosternidae Sternotherus odoratus (after [33]), and Trionychia Apalone ferox (after [33]). Dashed line indicates the shape of the nasal cavity. Dotted line in Plesiochelys etalloni indicates reconstructed area of the endocast. Dark gray, extinct species. Light gray, extant species. Not to scale. B, Inner ear endocasts were redrawn from the following sources: Plesiochelys etalloni from this study and Chelydridae, Emydidae, Testudinidae, and Trionychia from Thewissen and Nummela [20] (Fig. 15.11 K-N). Chelydridae is represented by Macrochelys temminckii; Emydidae is represented by Trachemys scripta; Testudinidae is represented by Chelonoidis nigra; Trionychia is represented by Carettochelys insculpta. Proganochelys quenstedti, Meiolaniformes, and Plesiochelys etalloni are extinct taxa. Not to scale.